Ants aren’t usually welcome around a coffee table, especially when there are snacks involved. The Colheita Coffee Table concept, however, borrows something more useful from them: the curved cuts left by leafcutter ants. Its steel surface folds downward to become its own legs, while movable wooden supports provide places for drinks. The nature reference gives the table its construction logic, rather than simply decorating it.

The body starts with a single steel sheet, cut by laser and bent so three broad sections reach the floor. Those sections remain attached, leaving openings where a conventional tabletop would be solid. Rather than adding separate legs underneath, Colheita carries the tabletop material through to its base. The relationship is easy to follow, even if the resulting silhouette is rather unusual.

Designer: Fabrício Auler

That approach is intended to reduce component count and material waste, although it isn’t a claim of waste-free manufacturing. A smaller detail helps explain how the sheet takes shape: enlarged, rounded ends on the cuts provide relief during bending. They’re there to ease stress where flat metal becomes a leg. The graceful curves have a fabrication purpose alongside their resemblance to a harvested leaf.

The wooden pieces might look like little bowls at first, but their flat tops serve as platforms rather than containers. Each hemisphere has a groove that slots onto the folded steel, allowing it to move along the edge. The wood adds a warmer color and visible grain to the dark metal, while giving a glass or small object its own resting place.

That means the arrangement doesn’t have to stay the same after you’ve chosen where the table goes. Move a wooden support closer to your seat, or spread them around when friends gather on different sides. The system is also intended to help stabilize the upper surface. These small additions therefore have a job beyond making the steel look a little less austere.

Of course, all those openings leave less uninterrupted space for whatever usually accumulates on a coffee table. A book or tray needs a solid patch beneath it, and a loose remote won’t forgive careless placement. The gaps do leave room for trailing plants and allow light through. Colheita invites you to arrange its contents more deliberately, which won’t appeal to everyone’s housekeeping habits.

The project also explores an unfinished carbon steel version, letting oxidation change the surface’s colors and patterns over time. That’s a different proposition from furniture meant to keep an immaculate, uniform finish. It gives the table a changing appearance rather than a permanent shade of gray. The project presentation doesn’t explain how to manage that aging around spilled drinks or routine household cleaning.

Colheita means “harvest” in Portuguese, a nod to the ants and to gathering around the table. It remains a concept project with fabrication work documented, rather than a verified retail offering. Dimensions and load capacity aren’t provided. Before trusting one of those platforms with hot coffee, you’d want to know how securely it stays put when someone nudges the table.

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Clocks have become so familiar that we barely think about what their hands are doing. They point to positions around a circle, a habit that Orbit keeps while removing the hands themselves. This ultra-minimalist clock concept replaces them with two magnetically held metal spheres, giving time a physical presence you can reach and remove, instead of leaving it behind protective glass.

The face is a dark circular disk with two concentric recessed tracks, each carrying a polished sphere. There’s no cluster of numerals or central pin to interrupt the surface. Instead, the grooves give the small bearings separate paths, while their reflective finish contrasts with the darker background. The clock’s relief supplies the detail that printed markings would normally provide on a conventional dial.

Designer: Liam de la Bedoyere (boredeye.design)

One sphere represents the hours and the other the minutes, preserving the basic logic of an analog clock. You still look for positions around the face, only without a pair of hands connecting those positions to the center. That makes the idea less unfamiliar than it initially sounds. Reading it doesn’t call for learning an entirely new code, although some adjustment seems inevitable.

Of course, removing all those markings comes with a compromise. Estimating the hour should be simpler than judging an exact minute on an unmarked circle. Orbit could suit a living room where a glance is enough to keep track of the afternoon. Checking how many minutes remain before catching a train might make you rather grateful for the numbers on your phone.

The more unusual part is that the spheres aren’t permanently trapped in their tracks. Magnetic attachment is intended to let you lift each one away and put it back, adding a tactile interaction to an object usually left alone. That’s a surprisingly playful detail for such a restrained design, especially when removing both markers would leave the clock with nothing to tell you.

There’s a sculptural quality to the body itself, with a rounded outer edge and circular channels that give the black surface depth. A rear keyhole slot provides for wall mounting, keeping that face upright without a separate stand. The name Orbit feels appropriate here, with two small spheres occupying rings around an empty center, rather than hands meeting at a shared pivot point.

Orbit remains a concept, so there’s no established price or availability to weigh against those compromises. Its detachable markers do suggest a rather different relationship with a wall clock, though. Reach for the face and you’re handling the things that tell the time. Just make sure those little spheres don’t end up somewhere less useful, such as behind the living room sofa.

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Desktop speakers usually have a pretty straightforward job and an equally straightforward appearance. That makes sense when all you want is music, but it doesn’t leave much room for personality. Divoom’s Astrotoo takes a different approach, putting a display and oversized physical controls into a speaker that looks like a tiny computer terminal. It definitely gives your desk something playful and personal, and your friends something to be jealous of.

The rounded housing and recessed side panels give Astrotoo the appearance of equipment from an imagined future, albeit one with chunky buttons. White, pink, and green finishes offer different levels of restraint. At roughly 4.2 by 4.3 inches across its base, it won’t need the space of a computer, although its upright screen certainly makes it harder to overlook than a conventional speaker.

Designer: Divoom

Of course, those buttons aren’t simply there to complete the retro disguise. Three raised mechanical keys, a joystick, and an orange Back button handle music and display functions. You can reach over to control playback without opening another app, though customizing the display still involves your phone. It’s a familiar division of labor, with physical controls for everyday actions and software for the changes.

Despite the pixel art theme, Astrotoo doesn’t limit you to blocky characters and low-resolution graphics. Its 3.95-inch IPS display has a 480×480 pixel resolution, accommodating photographs and detailed clock faces as well. That means you can keep a family photo beside your monitor without making room for another frame. Music visualizations are also available, if you’d rather have your speaker put on a show.

The Divoom app lets you change visual content and clock faces, giving the device something to do when the music stops. Weather and stock information bring a more practical side to that small screen. That said, another dashboard isn’t necessarily what a busy desk needs. A favorite picture might be a better companion than financial numbers quietly competing for your attention all afternoon.

Divoom positions the 20W speaker for listening nearby, so the desktop proportions aren’t entirely about appearance. Playing music while answering emails or listening to a podcast during a break fits that purpose. Of course, the power rating doesn’t tell us how balanced the sound will be. The styling is easier to judge than the audio, which needs listening rather than a specification sheet.

Bluetooth 6.0 handles wireless audio, while microSD playback lets you bring a collection of stored music along without keeping a phone connected. Wi-Fi supports the connected display features. There’s also a battery, with Divoom claiming up to six hours of operation. That’s enough to move it between rooms for a while, but don’t expect it to stay unplugged through an entire workday.

The $199.99 US price makes this a considered desk accessory rather than a casual decoration. Divoom lists approximately 3.5 hours for USB-C charging, so it probably makes sense to leave a cable nearby. You can dress the screen as a futuristic control panel, but there’s nothing futuristic about discovering that your tiny computer needs plugging in before the afternoon playlist.

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Smartphones have become rather good at convincing us they belong beside the bed, if only because we need an alarm in the morning. Unfortunately, that also puts every source of distraction within reach the moment you open your eyes. To fight that, Habity’s E-Paper Bedside Clock takes over the alarm, sleep sounds, and nightlight duties with physical controls and a display that doesn’t glow continuously, giving your phone fewer reasons to stay.

The clock has a rounded rectangular body and a slightly tilted face, but its most useful details are the ones your fingers encounter. A large side dial handles settings and volume through turning and pressing. On top, a yellow stop button sits beside a broad snooze key. Their different shapes separate two decisions you probably don’t want to confuse when you’re half asleep.

Designers: Peter Arvad, Jesper Westendahl

Of course, the screen is where Habity really parts ways with your phone. Its 3.7-inch e-paper display reflects ambient light rather than relying on continuous illumination. That means darkness calls for a little help. Interacting with the clock activates a warm frontlight for 10 seconds, enough for a quick check without leaving the time glowing beside your pillow all night long.

There’s also a built-in speaker for sleep sounds, which don’t need an app or subscription. Rain and ocean waves are familiar choices, but a sleeping dog and dishwasher bring a surprisingly domestic touch to the collection. Double-press the snooze button to start playback and turn the dial to change volume. Sessions can last up to eight hours, without borrowing your phone for the soundtrack.

Mornings get a little more flexibility than a single repeating alarm. Habity lets you choose weekday schedules or different wake-up times for individual days, although you’re limited to one wake-up alarm per day. The built-in light can gradually brighten up to 30 minutes beforehand. Once the alarm sounds, that broad snooze button grants another five minutes, as many times as you care to negotiate.

Perhaps the most curious detail is what happens when you stop touching the clock. After 10 minutes, an optional idle screen introduces an illustrated face and shrinks the time. The hour is still there, just less prominent. It’s a small concession for people who don’t want a constant reminder of how late it’s getting, and you can disable it if you’d rather keep watching the, er, watch.

Despite those straightforward controls, Habity hasn’t completely shut the door on connected features. Optional Wi-Fi provides automatic time setting and integrations with Philips Hue Bridge, Home Assistant, and Homey. That requires USB-C power, however. Leave it offline and the alarms and sounds still work, so your morning routine doesn’t need to depend on whether the router is having a good day.

Habity estimates two weeks of battery life, depending on use, but a full recharge can take up to 24 hours. You’ll want to plan that USB-C top-up rather than squeeze it in before bedtime if you’re using it unplugged. Getting one won’t move your phone to another room, of course, so you’ll still have to decide where it spends each night.

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Extra buttons on a game controller can be handy, at least until they get in the way of holding it. Razer’s Wolverine V4 Pro gives players a little more say in that arrangement, with magnetic back buttons you can remove instead of simply ignoring them. Available for Xbox and PC, the wireless controller also lets you change its thumbstick caps and even take off its faceplate.

The four rear buttons come off without tools, making it possible to keep all of them, use only a pair, or clear the back entirely. Blank inserts replace the unwanted controls, following the controller’s contours rather than leaving little gaps behind. It’s a small detail, but an important one when that surface is where your fingers spend most of their time during a game.

Designer: Razer

Of course, keeping those buttons attached makes sense when you’re juggling several actions at once. Their mouse-click switches can handle commands such as jumping or reloading, letting your thumbs stay on the sticks while your other fingers do the work. Two additional shoulder buttons bring the total to six remappable inputs, giving frequently used actions somewhere to go besides the familiar face buttons.

The thumbsticks get their own set of options, changing both their height and the surface beneath your thumbs. Short convex caps provide a rounded surface, while tall concave versions give your thumb a recessed resting spot and more height to work with. Razer recommends the taller caps for precise aiming. You can mix the supplied options, but swapping caps doesn’t mean you’re replacing the sensors underneath.

That flexibility continues with the triggers, which can switch between a short mouse-click action and a full analog pull using rear-mounted locks. The shorter setting suits firing in a shooter, while the longer travel lets you ease onto the throttle in a racing game. Through Razer Synapse, you can also adjust each trigger’s activation point to suit how you play.

Even the exterior is open to a little tinkering, thanks to a magnetic faceplate that lifts off without tools. Personalize that panel, or leave it off entirely to reveal the translucent housing underneath. The working components remain enclosed, so you’re changing the controller’s outer appearance rather than exposing its electronics. It’s an option for people who prefer seeing a bit of machinery.

The software takes care of the changes you can’t make with magnets. Four onboard profiles hold different button assignments and sensitivity settings, so a racing setup doesn’t have to overwrite your shooter preferences. You can also adjust thumbstick dead zones, deciding how much movement registers as input. That said, greater sensitivity can pick up tiny thumb movements you didn’t intend.

At $199.99 in the US, this level of customization doesn’t come cheap, and there’s no included carrying case to keep the removable pieces together. You’ll have to find your own place for spare caps and unused buttons. After spending that much on a controller you can rearrange, a dedicated home for the bits you’ve removed would have been rather welcome.

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