Situated in the forested hills of Valea lui Enache, the CL02 Cabin by Vinklu beautifully shows us how minimalism can be both inspiring and deeply functional. The first impression is a sense of calm—a dark, understated silhouette softened by the filtered light of the surrounding trees. In this surreal cabin, less isn’t an aesthetic; it is intended to be a deliberate gesture toward finding contentment in simplicity. Every line and every finish supports the idea that a home should serve its inhabitants without demanding attention, quietly enabling the rituals of daily life.

The 55-square-meter structure stands where an earlier project failed, and it’s clear that Vinklu approached this second chance with a sense of reverence. The layout is straightforward: a ground floor with an open living area, a full kitchen, and a bathroom, and an upper level for rest. Each space is compact but never feels cramped, thanks to a vaulted ceiling and panoramic windows that extend the interior outward, inviting the forest in. The circular kitchen window frames a shifting tableau of leaves and light, turning even the most routine meal into an act of quiet observation.

Designer: Vinklu

The full-size kitchen is a luxury, especially in a home of this scale. It’s designed for those who find joy in cooking—ample countertop space, integrated appliances, and just enough storage to keep things tidy. The kitchen’s natural finishes echo the palette outside, blurring the boundary between interior and landscape.

The cabin is clad in dark, weather-resistant timber, allowing it to recede into the forest’s shadows. Inside, pale wood and minimal detailing create a sense of light and openness. There’s restraint in every decision, but also an invitation: to touch, to pause, to notice the subtle changes in the quality of light as the day moves on. The living area is open yet intimate, with just enough room for a small table and a pair of chairs. The focus isn’t on filling space but on creating an environment that feels both nurturing and uncluttered.

 

The CL02 Cabin’s relationship to its site is its most fabulous feature. The structure neither dominates nor disappears; it exists in dialogue with the landscape, responding to its contours and rhythms. Sustainability is embedded in the design—efficient insulation, passive solar orientation, and natural ventilation reduce the need for mechanical intervention. The house feels like a gentle addition to the hillside, its presence marked by sensitivity rather than intrusion.

Living in the CL02 Cabin is an exercise in mindful reduction. It’s not about doing without, but about having enough—and knowing that enough can be generous. There are compromises, of course: storage is limited, and the seasonal design may not suit every lifestyle. But for those drawn to clarity and contemplation, this is a space that offers both refuge and inspiration.

The post This Tiny Cabin Is Designed For Sustainable & Serene Living Amid Romania’s Forested Hills first appeared on Yanko Design.

The Fairphone 6 arrives with a quiet confidence, carrying on the company’s mission to make smartphones that respect both the planet and the people who use them. At first glance, it might look like any other modern device, but every detail tells a different story. This phone is built for those who want more than just the latest specs. It is for anyone who values mindful design and practical longevity, right down to the smallest screw.

One of the most impressive aspects of the Fairphone 6 is the careful choice of materials. Recycled plastics form the backbone of the frame and back cover, while ethically sourced metals like Fairtrade gold and conflict-free tin and tungsten make up the internal circuitry. Even the battery is produced with responsibly sourced cobalt and lithium. By focusing on these thoughtful materials, Fairphone manages to shrink the environmental footprint of each phone, setting an industry example that others will hopefully follow.

Designer: Fairphone

Repairability has always been Fairphone’s hallmark, and the sixth generation stays true to those roots while adding a new layer of durability. The back plate and battery are both removable, not with a quick snap but with a few turns of a screwdriver. It is a subtle shift that gives the phone a more solid feel without locking out the user. If the battery ever fades or a component needs swapping, it is just a matter of unscrewing, replacing, and reassembling; no special tools or trips to a service center required.

Customization is where the Fairphone 6 truly stands apart. The accessory ecosystem is designed with the same sustainable mindset as the phone itself. Instead of relying on sticky adhesives or magnets, everything from cardholders to finger loops and lanyards attaches with sturdy screws. Whether you use them on the bare phone or with the matching protective case, these add-ons are made from recycled materials and built to last through daily use. The result is a phone that feels uniquely yours, down to the smallest accessory.

This screw-based system is more than a clever engineering trick. It ensures that every attachment remains secure and functional over time, avoiding the wear and tear that comes with less robust solutions. It is a design philosophy that values longevity and flexibility, making it easy to update or personalize your phone as your needs change. Each accessory fits neatly into the overall vision of sustainability, blending practical function with an honest, transparent approach to design.

With the Fairphone 6, repairability and sustainability are not just marketing buzzwords: they are woven into every fiber and feature. It is a phone for those who want their technology to reflect their values, proving that innovation does not have to come at the expense of responsibility or individuality.

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A new era of travel begins in Western Sydney with the unveiling of its international airport, a project that redefines what airport architecture can offer both passengers and the broader community. Designed with a focus on seamless movement, natural light, and environmental stewardship, the terminal is a study in how infrastructure can evoke welcome, clarity, and place. Its architecture is marked by an expansive, sculpted ceiling, creating a canopy that diffuses sunlight through the terminal and shapes the traveler’s first impressions of Australia.

Carefully considered circulation routes guide visitors from the curbside through check-in, security, and departure gates with minimal friction. Wide, open sightlines and intuitive wayfinding help reduce stress, while generous glazing throughout ensures that daylight is never far away. The material palette, grounded in warm wood, glass, and metal, brings in a sense of calm and durability. Passengers move through spaces that feel both monumental and approachable, an accomplishment that reflects the project’s ambition to balance the demands of efficiency with an elevated experience.

Designers: COX Architecture and Zaha Hadid Architects

The project employs a modular design that streamlines construction and reduces waste. Energy efficiency is prioritized through extensive use of daylight, high-performance glazing, and passive shading. Natural ventilation systems and water recycling further minimize the building’s environmental footprint. The approach is pragmatic but never clinical—technology serves to enhance comfort, not dictate it.

The sinuous ceiling, a signature gesture, is more than a visual flourish. It references the undulating Australian landscape and modulates the interior environment, providing both shade and a gentle play of light. This design move is echoed in the terminal’s external form, where the building sits low and broad, anchoring itself in the terrain rather than dominating it. The result is a structure that feels rooted, resilient, and unmistakably local.

Public spaces are generous, designed for lingering as much as for passing through. Seating areas are organized around panoramic views, and retail and dining are integrated without overwhelming the journey. For many travelers, this terminal will serve as their first encounter with Australia, and the design team has crafted an experience that is welcoming without being overwhelming, contemporary yet distinctly connected to its context.

Operationally, the airport is built for flexibility, ready to adapt as passenger volumes grow. The terminal is designed to handle 10 million travelers annually at launch, with capacity for expansion as Western Sydney continues to develop. Behind the tranquil experience is an infrastructure system engineered for reliability, efficiency, and future growth. This new gateway is a benchmark for what civic architecture can achieve. It doesn’t rely on spectacle but on thoughtful, human-centric design. Every feature—from the interplay of light and material to the integration of sustainable strategies—serves to create a sense of arrival and belonging.

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I would watch an unboxing video a 100 more times if it used these materials instead of plastic and virgin cardboard. The year is 2025, we’ve unboxed products for decades at this point, and nothing has changed at all. Apart from packages now being smaller and shipping without chargers (we’re looking at you, Apple), we really haven’t advanced much in terms of designing for end-of-life.

A product’s package is literally the most single-use item on the planet. Apart from probably retaining the box for fondness’ sake, nobody keeps the packaging for their Switch, iPhone, iPad, drone, or laptop. These boxes are MEANT to be thrown away 90% of the time – so why are we still using materials NOT made for a single-use mentality? This unique Nintendo Switch packaging from Björn Van Egroo

Designer: Björn Van Egroo

Born from a 3D rendering material experimentation exercise, Egroo’s Nintendo Switch packaging redesign actually taps into something raw and fundamentally game-changing. You don’t need to mold plastic blister shells inside pristine cardboard boxes wrapped with plastic film… a product’s packaging can use materials like compressed coconut fiber, recycled paper, and even sugarcane fiber (bagasse) to create packaging that’s bespoke, filled with character, and shock-absorbing.

Would something like this work for gadgets? Here’s the reality check – yes and no. Yes, it could for a lot of gadgets. But also, no, it couldn’t because the supply chain is way too set in its ways to hard-pivot to an experimental set of materials for millions and millions of gadgets shipped worldwide. This particular concept also has a mild risk of water seepage through the coco fiber, but nothing that can’t be fixed with a little redesign.

I cringe as I have to cut through plastic blister packs every time I order a mouse, or a set of batteries, or a charging cable. Similarly, receiving an almost perfect-looking cardboard box with a Bluetooth speaker inside, only to then throw the box out immediately after unboxing my product, feels just as wasteful. Egroo’s simple material exploration presents a shift that I would HAPPILY endorse.

We’ve got no shortage of recycled and recyclable materials. A simple Google search will tell you that 9 billion coconut husks are discarded annually. Sugarcane pulp, a byproduct of sugar production, is discarded by a factor of 700 million tonnes per year. Paper waste goes into millions of tonnes too. ALL these can easily be rerouted into packaging products instead. Maybe not immediately for tech products (although there are companies using molded pulp instead of styrofoam), but hey… if molded pulp trays are good for eggs (which are way more fragile than your average tech product), then why not for gadgets?

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Floating quietly on the lakes of Dorset, a new breed of houseboat is redefining waterside living. Called Silverlake, these architect-designed residences are the result of a collaboration between design studio Koto and Waterpod, bringing together Scandinavian restraint and a deep respect for nature. The vision is simple: to offer a home that feels both rooted and free, where modern comforts coexist with the gentle rhythms of water and wildlife.

The exterior lines are clean and minimal, echoing the best of Nordic modular architecture. Large windows and natural timber finishes anchor each houseboat in its surroundings, blurring the boundary between inside and out. Every angle is considered, every space intentional. From the deck, the ever-changing play of light on the water becomes part of daily life, offering a sense of calm that’s rare in traditional homes.

Designer: Koto & Waterpod

The layout of the home balances openness and privacy. Living rooms spill out onto terraces, kitchens are compact yet fully equipped, and bedrooms are designed for restful quiet. Thoughtfully built-in maximizes storage without intruding on the aesthetic. Soft, neutral palettes and tactile materials create a welcoming backdrop, inviting residents to shape the space to their rhythms. It’s a home that adapts easily—ideal for full-time living or restful weekends away.

What makes these floating homes unique is their commitment to sustainability. Constructed with responsibly sourced materials, the houseboats rely on energy-efficient systems and low-impact building methods. The floating foundation itself disturbs little of the natural ecosystem, while the design encourages a lighter environmental footprint. Living here is as much about stewardship as it is about comfort, with every detail supporting a harmonious relationship with the water and land.

Flexibility is another key strength. Each residence offers a customizable interior, with options for layout and finishes to suit individual preferences. The moorings at Silverlake provide both privacy and access to a vibrant community, where woodland walks and water sports are steps away. It’s a setting that fosters both solitude and connection, making it an appealing choice for families, couples, or solo dwellers seeking something out of the ordinary.

This collection of houseboats introduces a new standard to the UK market—a rare blend of design, sustainability, and lifestyle. By bringing together modern architectural thinking and a commitment to ecological responsibility, the project creates more than just a place to stay; it offers a way of living that’s attuned to both contemporary needs and the timeless appeal of the water’s edge. For those drawn to the idea of a home that’s as adaptable and inspiring as its surroundings, these floating residences deliver on every front.

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PU foam is a petrochemical product that requires isocyanates as a propellant during manufacturing. It is widely used in upholstered furniture and is a big problem in the furniture industry. It off-gases, loses support over time, is flammable and therefore dangerous, has a short lifespan, and poses environmental hazards when downcycled or incinerated. Of course the industry cannot stop producing things like sofas and chairs so it’s better to find an alternative to this material.

The SHRINX Easy Chair marks a groundbreaking milestone in sustainable furniture design. Crafted in collaboration with +Halle® and realized using the innovative SHRINX 4903 fabric from Krall+Roth, this lounge chair eliminates traditional polyurethane (PU) foam entirely and offers a radical rethinking of comfort, aesthetics, and ecological responsibility. It’s a foam-free, sustainable approach rooted in material innovation.

Designer: Boris Berlin

SHRINX 4903 is a patented self‑supporting textile made from 68 % polyester and 32 % polyamide, available in 30 vibrant colorways. Its semi‑translucent mesh enables sharp, precise upholstery while revealing the chair’s structural integrity, reimagining comfort without foam. The material has just the right amount of tension and flexibility, allowing it to conform gently to the body while maintaining its form over time.

What you get by using this material is a lounge chair that feels soft, supports well, and looks crisp but still doesn’t use traditional cushioning. Instead of hiding the inner construction, SHRINX 4903 proudly showcases it which makes transparency into both an aesthetic and ethical statement. It’s a celebration of honest design, where form, function, and sustainability intersect seamlessly.

The comfort that you get from this chair is similar to what you’d expect from traditional foam-padded seats, so the innovative material choice doesn’t compromise on the softness or support users are accustomed to. Instead, it redefines how that comfort is delivered, using tension and intelligent design rather than bulk and padding. Its aesthetic takes cues from classic lounge archetypes, inviting, low-slung, and sculptural, yet it pares these down into a more refined, contemporary form. The slimmer profile reduces visual weight, making it ideal for both modern interiors and public spaces. Meanwhile, the upward-arching curves that wrap around the internal frame not only provide ergonomic support but also express a kind of quiet sophistication, marrying tradition with a forward-thinking approach to sustainable design.

The design and production of the SHRINX Easy Chair signals a paradigm shift when it comes to upholstery. By removing foam entirely and leaning into advanced textile technology, it addresses critical environmental challenges while maintaining a high design standard. It also goes to show that aesthetic quality and ecological responsibility can and should be intertwined.

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In a city where luxury storefronts and urban heat dominate the pedestrian experience, an unexpected structure quietly shifts the atmosphere, both literally and metaphorically. The Climacool Teahouse, a collaboration between architecture firm line+ studio, adidas, and sustainability lab ZERO, emerges as a striking yet serene installation nestled in Chengdu’s Taikoo Li. Temporary in nature but lasting in impact, the teahouse offers a new way to think about architecture’s relationship with climate, material, and culture.

Constructed entirely from bamboo and assembled in just five days, the teahouse is more than a spatial experiment; it’s an environmental gesture. Rooted in the principles of vernacular architecture and adapted through modern techniques, the project proposes a different kind of public space: one that responds to its surroundings with lightness, breathability, and emotional tactility. It’s not built to last forever, but it is built to leave a lasting impression.

Designers: line+ studio

At the heart of the installation is a circular grove of live bamboo, forming the core of the pavilion. These fresh stalks are bent radially inward and fixed between a lightweight ground anchoring system and a digitally fabricated canopy ring above. The effect is immersive: visitors find themselves stepping into a vertical forest, shaded and gently enclosed, while still surrounded by the vibrancy of the city. Hovering above, an LED ring references the movement of air and atmospheric change, subtly illuminating the space and guiding visitors’ visual focus upward.

This design, interestingly, grew from a limitation. The original concept for the pavilion was a suspended, floating structure meant to evoke lightness and air. However, city safety regulations forced a rethinking of the approach, prompting the designers to ground their idea, literally, into something vertical and planted. What resulted is arguably more powerful: a living, growing form that grounds the installation in place, while still playing with notions of suspension and airiness.

The architecture itself is composed of two concentric cylinders: an inner core of living bamboo and an outer shell made of woven bamboo strips that form vertical surfaces, seating, and a subtle interface with the surrounding plaza. The material selection is deeply intentional. Bamboo, a renewable and fast-growing resource, is a nod to both regional craftsmanship and ecological responsibility. It is also the project’s main structural and environmental agent, used not just for aesthetic unity, but for its flexibility, ease of assembly, and climatic performance.

Cooling is an integral part of the design. Integrated misting systems, dry ice, and underfloor fans work together to generate a perceptible level-5 breeze, offering thermal comfort to those within the pavilion and even to passersby in the surrounding plaza. Beneath the central canopy, mist is released downward; around the perimeter, additional nozzles cool the bench zones. Floor-embedded fans create upward air movement, enhancing the effect and mirroring the high-performance qualities of adidas’s Climacool product line, for which the installation was partially conceived.

However, the use of dry ice, while visually dramatic and effective in generating cool air, raises environmental considerations. The release of carbon dioxide may not align with broader sustainability goals, but given the project’s overall low-impact structure and short lifespan, it seems likely the team weighed these factors carefully and minimized their use. The misting and fan systems themselves rely on concealed mechanical and electrical infrastructure, cleverly integrated into the bamboo seating and structure to maintain the installation’s clean, organic aesthetic.

Furniture elements, also made entirely of untreated bamboo, reflect Chengdu’s teahouse culture, grounding the futuristic concept in local tradition. Tables and seating are crafted using traditional methods, and these components extend beyond the installation: after the teahouse’s exhibition period, modular benches will be relocated throughout Chengdu, extending the project’s reach into everyday public spaces. In this way, the pavilion’s life continues long after the bamboo walls are disassembled.

The real brilliance of the Climacool Teahouse lies in its impermanence. Designed to be assembled quickly and taken down just as efficiently, the structure exemplifies the potential of ephemeral architecture to influence how we experience the city. It isn’t a permanent fixture, but a moment of relief, reflection, and reconnection with nature in a highly commercialized setting. It challenges the notion that impactful design must be monumental or enduring; instead, it celebrates architecture as atmosphere, focusing on microclimatic comfort, sensory engagement, and community interaction.

The post Climacool Teahouse in Chengdu Redefines Cool with Bamboo, Mist, and Urban Serenity first appeared on Yanko Design.

Bali. The name alone conjures images of verdant rice paddies, ancient temples, and a spiritual calm that feels almost mythical, perhaps even a touch overplayed in travel brochures. Yet, capturing that elusive essence in architecture, particularly for hotels, remains a profound challenge. Too often, concrete structures land like disconnected objects, disrupting the very tranquility visitors chase. It forces us to ask: how do you build in Bali, harmonizing with its spirit, rather than just building on its land?

Archigods, an Indonesian firm deeply familiar with this context, offers a compelling response. Their concept for a boutique hotel isn’t about imposing scale but fostering a gentle embrace of the landscape. Named the “Blooming Ring,” the design envisions a circular structure cradling a central oasis – a literal sanctuary within a sanctuary. It feels less like an imposing building and more like an organic landform emerging naturally from the earth, whispering integration rather than shouting arrival.

Designer: Archigods

The circular layout is pivotal – Think ancient enclosures or communal gathering spaces; the form inherently turns inward, focusing energy and attention on the lush courtyard. This central space, planned with local flora and calming water features, becomes the hotel’s vibrant, green heart. Guest rooms radiate outwards, offering privacy, yet the core experience constantly pulls you back to this shared, protected haven, fostering a subtle sense of community amidst personal retreat.

Forget predictable smooth render or ubiquitous timber cladding. Archigods proposes embedding crushed pistachio shells within the facade’s plaster. Yes, actual pistachio shells. It’s a wonderfully quirky bit of material alchemy, turning food waste into architectural texture. Imagine the subtle, variegated surface catching the tropical light – tactile, unexpected, and deeply earthy, a far cry from sterile perfection.

This textural innovation sits alongside locally sourced bamboo and timber, materials intrinsically linked to Balinese building traditions. The pistachio shell facade provides a fascinating counterpoint – familiar natural materials meet clever, sustainable upcycling. It’s a statement about resourcefulness, minimizing environmental impact, and creating a building that truly feels rooted, right down to its unique, shell-flecked skin telling a quiet story of reuse.

The design intent clearly targets wellness and sensory rejuvenation. Movement through the space would likely follow the ring’s gentle curve, revealing constant glimpses of the central garden, reinforcing that connection to nature. Natural light is choreographed to flood interiors, while views are carefully framed towards tranquility. The material palette – those intriguing shells, the warm wood, cool stone – aims to create a tactile journey, contributing to a sense of grounded calm.

This project aligns beautifully with the principles of biophilic design, striving to weave nature seamlessly into the built environment. The Blooming Ring feels like a mature, sensitive application, specifically tuned to the Balinese context. It sidesteps flashy architectural gymnastics, prioritizing experiential richness derived from its embracing form, its careful manipulation of light, and that standout sustainable material choice.

Although conceptual, Archigods’ Blooming Ring presents a potent vision for hospitality design in places demanding deep respect for nature and culture. It champions architecture that doesn’t merely occupy space but actively collaborates with the landscape, using innovative, sustainable materials to enhance the restorative escape Bali promises.

The post Sustainably Luxurious Bali Hotel Uses Crushed Pistachio Shells Instead of Concrete first appeared on Yanko Design.

Lamps do more than just illuminate our surroundings. They can very well change the mood in a room, especially ones whose designs are visible to everyone. The lights could give off a cool vibe that encourages productivity, or it could have a warm glow that makes you feel comfortable and at peace. Sometimes the lamp designs themselves turn a room’s narrative in a certain direction, from nature-inspired organic forms to minimalist, modern, and geometric shapes.

Lamp designs don’t have to be elaborate and complicated to have such effects. Sometimes, just the combination of form and materials is enough to be associated with certain themes and emotions. This standing floor lamp, for example, has a simple bar bent at an angle and a textile cover, but these already effectively convey the atmosphere of a city street mixed with the softness of a pasture.

Designer: Amuni Studio

Traditional street lamps cast a unique glow on the world of the night. Given their utility, their light can sometimes be harsh and cold, but it also offers safety and confidence in the dark of night. The shape of these lamps has almost become iconic, and one only needs to see the silhouette to make the association.

Corium is a standing floor lamp design that does exactly that, using the simple shape of a lamp arm bent forward at a slight angle. The lampshade is also nothing more than a long sheet of metal curving over the length of the light element like an arch. A layer of proprietary recycled leather is draped over this shade, adding a touch of organic texture and warmth to the composition.

In a way, Corium represents contrasting elements that find their harmony inside the modern home. There is the street lamp that is a staple of outdoor urban lighting, while leather is more closely associated with nature and fashion. Utility and luxury, coldness and warmth, light and shade all come together in a simple yet striking design that gives light in its own unique way.

Initially designed to be a pendant lamp, Corium is also an experiment in designing and producing a product entirely done in Latin America. In addition to components sourced locally, the talent and manufacturing involved were also done locally. It gives the lamp an even deeper narrative and a value that transcends its surface appearance.

The post Standing floor lamp uses recycled leather to mix urban boldness and cozy warmth first appeared on Yanko Design.

Despite laptops overtaking their towering cousins in market share, these portable computers still lack one vital trait that has kept stationary desktops still relevant today. Desktop computers are, to a very large extent, modular by design, making it easier to upgrade and replace components as needs and technologies change. Sure, some laptops have upgradable RAM and storage, but that’s pretty much all there is to them given certain limitations in design.

Those limitations include the design of the motherboard itself, an all-in-one all-or-nothing object that is pretty much the soul of a computer. Intel, however, is proposing a rather ground-breaking change that will help make these components more repairable and less wasteful. If followed by its partners, it won’t just kick off a new age of modular laptops, it could even give Intel and AMD a huge edge over their Arm-based rivals such as Qualcomm and, of now, Apple.

Designer: Intel

The difference in motherboards between desktops and laptops is like night and day. Desktops follow an industry convention that has been shaped over decades, allowing components from rival companies to be mixed and matched as the consumer desires. Laptop motherboards, on the other hand, are often designed based on brand needs and whims. More importantly, they come as a whole package, with many parts soldered onto the board, including the ones that get worn out faster than others.

Intel’s proposed guidelines try to split the laptop motherboard into three distinct parts, two of which would hold the I/O or input out components such as USB and HDMI ports. The third would be where the core silicon is located, specifically the CPU and the GPU, among others. The modularity would allow different affected parts to be replaced if broken or, if desired, even upgraded, without throwing away the rest of the motherboard.

Those guidelines also have something for mini PCs, which are like the middle child between desktops and laptops. In this matter, the CPU and motherboard are separated from the graphics card and other components, making it easier to swap out GPUs or CPUs in the future. The growing popularity of mini PCs, partially thanks to the Mac mini and Mac studio, could be the driving force behind this initiative. Ironically, Intel itself has given up on the form factor, licensing its “NUC” brand to ASUS.

Designer: Framework

These guidelines might be ideal for reducing e-waste and promoting the right to repair, but it still all depends on whether other players are willing to play ball. Laptop manufacturers might be hesitant to do the work redesigning their laptops, and Intel’s rival AMD might not be keen to cooperate either. It’s still a distant dream, but one can already have a foretaste of the future today with the Framework laptops, proving that it can indeed be done with the right design.

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Graphene batteries are developing into the next big improvement in our everyday devices. As opposed to Lithium-ion, these have the potential to improve the performance of our gadgets, but their disposal (like that of their counterparts) is also going to be a hazardous problem. This is where a new biodegradable fungal battery from the Swiss Federal Laboratories for Materials Science and Technology (Empa) may help.

Courtesy of this breakthrough by Swiss researchers, fungi – which can feed on sugar instead of charging – could be used to power devices in the near future. This is achieved through a 3D printed fungi for battery, which is biodegradable. It can digest itself from the inside once it has served its life purpose, a researcher suggests.

Designer: Empa

The fungal battery is 3D-printed using fungi cells mixed with printing ink (which is nutritious for the fungi and completely biodegradable) that can feed on sugar and be stored in a dried state for transportation and activated by “adding water and nutrients.” This is for the first time, according to the researchers that two types of fungi – yeast fungus for negative (or anode) side and a white rot fungus on the positive (cathode) side – have been combined to create a functioning fuel cell.

“Strictly speaking, the cell is not a battery, but a…microbial fuel cell.” Empa researcher Carolina Reyes informs. The fungi fuel cell has been developed over a period of three years. It does not generate a lot of electricity to maybe power your smartphone today, but can produce enough to “power a temperature sensor for several days.”

So, if you were thinking, these fungi cells are not going to replace the batteries in your everyday devices, instead such batteries when encased in beeswax “can power small sensors to monitor temperature, light, and humidity in agriculture and environmental research in remote areas.” In addition to running devices in the outdoors, these can decompose safely leaving no harmful traces behind. There is no information about making these cells commercially available anytime soon, but the research opens new horizons for the use of fungi to produce electricity and become probable battery alternatives for our portable devices.

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Many of our electronics today rely on batteries, from laptops to phones to smart home appliances to even cars. It’s almost ironic, then, that these critical batteries are also one of the most dangerous things we keep near our bodies, not to mention a hazard to the health of the planet as well. From the way they are made to the unsustainable metals and chemicals they contain, batteries, by nature, seem opposed to life itself.

Green energy like solar and wind can go only as far as recharging batteries, but we still need these volatile objects to power devices directly. This innovative battery, however, attempts to reinvent batteries from the ground up to provide true sustainable power to the point that they can even be broken down as compost. Even more intriguing, they’re made of materials you’d least expect to find in batteries: paper and water.

Designer: Flint

Technically speaking, the batteries aren’t made of the same kind of paper you write on or read from. It actually uses cellulose as the structural backbone and separator of the battery, an abundant material derived from plants and also used in paper, hence the name. As for water, it’s used as the foundation for the electrolytes that actually carry the electrical flow between the zinc-based anode and the manganese-based cathode, both of which are non-reactive, safe, and commonly found everywhere.

This unusual composition for a battery yields many benefits beyond simply being made of sustainable materials. For one, the battery has unbelievable resilience and can still output power even when cut in half, let alone not explode in your pocket when punctured. It’s also impervious to fire since it uses water-based electrolytes. This practically removes the need for those fancy but complicated and expensive cooling systems in phones and laptops, presuming they get used in those devices. The batteries can also be folded and bent safely, finally realizing the dream of flexible batteries.

The Flint Paper Batteries are advertised to have the same performance in terms of output and longevity as typical toxic rechargeable batteries. And yes, they’re rechargeable as well. They won’t live forever, though, and when they’ve finally lost their charge for good, simply removing the vacuum-sealed casing starts the natural degradation process that breaks them down into harmless components.

It all sounds idyllic but the technology is not completely ready for mass consumption just yet. One of the biggest hurdles that still needs to be overcome is mass production, and Flint’s creators are planning on using currently existing lithium-ion battery manufacturing processes in order to minimize production and adoption costs. When that happens, we could finally take a major step forward in running not only on green power but also on safe and recyclable batteries as well.

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Wireless charging didn’t just free us from the tyranny of tangles, it also opened the doors to creative charger designs. Especially with the addition of magnetic force, chargers no longer needed to be stuck to walls or power outlets or even lie flat on charging beds. Of course, these still required the presence of often very conspicuous chargers that may look out of place in some situations, no matter how aesthetic they might be.

Some furniture makers have started integrating wireless charging into their designs but often end up making the areas too obvious, clashing with the otherwise minimalist and luxurious design of the product. This wireless charging innovation, in contrast, is almost completely invisible, save for a very subtle and elegant halo of light enclosing the charging area. In fact, this technology can be integrated into an equally innovative and sustainable stone-like material that transforms kitchen countertops and luxurious tables into futuristic charging spaces for phones.

Designer: Cosentino x FreePower

Imagine going to a bar and never having to worry about your phone dying. Simply put your mobile device down in front of you and have it charge while you sip your martini and make connections with the people around you. Or how about placing your phone on the kitchen table while you prepare dinner and listen to your favorite podcast, confident that your phone’s battery will be full by the time you’re done? All of this without a single wireless charger that stands out like a sore thumb.

FreePower’s technology was already making these James Bond-like scenarios a reality by integrating the wireless charging components in places you’d least expect them, specifically materials like marble and stone that you’d hardly expect to have embedded chargers. Its partnership with Cosentino, however, adds another twist to that dreamy technology, making it available on materials that are both luxurious and sustainable.

Cosentino’s Silestone, for example, is a low-silica mineral surface that uses recycled materials to reduce the amount of crystallized silica used. Dekton, on the other hand, mimics the appearance and texture of porcelain while using carbon-neutral materials that also help improve its durability and scratch resistance. Both materials are also produced using sustainable processes that don’t sacrifice the planet’s health in the name of luxury.

The collaboration between FreePower and Cosentino opens a new avenue for integrating convenient wireless charging spaces into luxurious but sustainable surfaces that can be used in kitchens, bathrooms, bars, conference tables, and even desks. The only drawback to this ideal situation is that these pieces of furniture have to be custom made, as retrofitting existing counters and tabletops is not yet possible at this time.

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There are chairs that look very pretty and artsy but are probably not the most comfortable place to sit on. I’m the kind of person that would care more about a chair’s functionality rather than its design, as long as it’s comfortable and would let me sit on it for a long time. But there are those that also can be both and this new one from furniture brand Heller seems like it is.

Designer: Hlynur Atlason

The Limbo Chair is something that you can use either indoor or outdoor. Its “swooping, sculptural form” makes it look like an art piece you can find at a museum but since it’s a chair foremost, it was also designed to “balance flexibility and support, playfulness and durability.” They say it’s comfortable enough to be able to use it while you’re resting, reading a book, or just sitting without agenda.

The other special thing about this chair is that it is 100% recyclable. It uses a high percentage of recycled plastic polyethylene blend. What percentage of the material this is depends on the color, with black being the highest. It is available in warm and neutral colors like black, bone, sand, terra cotta, wheat, and cantaloupe, to blend in whatever environment you place it in.

The chair seems to be low enough for you to relax in, although I don’t know if I can last in it even though I’m not the tallest person. It will look good though if you add it to your space especially if one of the available colors matches your aesthetics.

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Lexus has collaborated with Bratislava-based research and design studio Crafting Plastics to create an installation that revolves around material objects. Dubbed Liminal Cycles, the creation is inspired by the all-electric Lexus LF-ZC (Lexus Future Zero Catalyst), implementing an abstract installation that explores the various senses and elements of a vehicle. This is in tune with the brand’s AI-driven software.

The mesmerizing kinetic structure is a layered skeletal made out of 3D-printed bioplastic (called Nuatan) in the shape of LF-ZC’s body. This installation designed by Germane Barnes, Michael Bennett (Studio Kër), Suchi Reddy, and Tara Sakhi is on display at the sculpture garden of the Institute of Contemporary Art, Miami. This breathable sculpture acknowledges the adaptability and responsive technology of the developing concepts of SDVs (Software Defined Vehicles) that envision the software-enabled customization of luxury vehicles.

Designer: Lexus and Crafting Plastics

The culmination of automotive technology and global art and design audience, the installation is a first mover advantage in the “bold and uncompromised experiences for the next generation,” according to Lexus’ press release. This 1:1 version of the real thing is not harsh to the environment in any way as the bioplastic material is based on 100% renewable resourcing with no traces of microplastics left behind. To enhance the dynamism of the sculpture it is coated with UV-responsive material skin. Thus, it reacts to environmental stimuli including changing position of lights, the intensity of UV radiations, or the viewer’s proximity. Based on these dynamic changes the sculpture can expand or contract in real-time, just like breath-like movements, thus representing the harmony between nature and technology.

Along with the replica of the LF-ZC, there are three complementing satellite installations that incorporate the design elements of the car to showcase the sensory inputs ranging from audio and visual cues. One of them is a flower-like sculpture representing the futuristic steering wheel of the car in a rugged earthy texture. It reacts to the user’s touch, responding with fluctuation in the volume and intensity of the sound composition. The second complementing installation is a reinterpretation of the headrest that emanates a Lexus-inspired perfume in response to the user’s interaction. The last one is a wind-activated lattice-like sculpture that responds to any active stimuli to reveal the brand’s logo, owing to the sensitivity of the bioplastic material in response to the shift in UV radiation.

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Smartphones today are very complex products, which is why manufacturers have long discouraged or even disallowed owners from opening up theirs just to repair a single part. Most people probably don’t have the skills for that anyway, but the old policies also prevented small third-party businesses from offering more accessible repair services. That has been changing slowly, with more major phone makers finally allowing self-repair to some extent.

Of course, that all hinges on the availability of replacement parts, which isn’t that easy to come by when it comes to official components. Fortunately, the likes of Google have partnered with iFixit to actually sell the most critical parts, opening the doors further to self-repair or third-party services. That includes the new Pixel 9 Pro Fold, though the replacement foldable screen might still be beyond most people’s reach.

Designer: Google, iFixit

A foldable phone probably has the most complex design among smartphones today, especially because of its flexible display panel. Unfortunately, that is probably the component that will break faster, which means it will be the one that will get replaced more often. Even more unfortunately, it’s also one of the most expensive parts of the phone.

The official Pixel 9 Pro Fold replacement screen being sold on iFixit is a prime example of that. Now available for anyone to purchase, the foldable screen alone costs $1,199.99. If it’s your first iFixit self-repair, you might want to buy the screen and a repair kit, setting you back $1,206.99 in total. It’s an eye-watering price tag, especially when you consider that the Pixel 9 Pro Fold itself already costs $1,799.

It doesn’t help that the process for repairing the Pixel 9 Pro Fold is, as expected, a bit convoluted and nerve-wracking for novices. Then again, that isn’t too surprising, given the young age of the technology and the rarity of available parts. Most owners probably won’t do the process themselves but iFixit and Google’s partnership will allow small businesses to thrive making repairs for these devices.

Despite those rather large hurdles, it’s still a significant step forward in making smartphones longer-lasting and more sustainable. There will be more options to get the Pixel 9 Pro Fold repaired, even if they’re pricey. It’s definitely a much better situation compared to the past where even opening up a smartphone on your own marks you for some legal trouble.

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Of the many pieces of clothing we buy and use, shoes are probably the ones designed to last the longest. Because of that, footwear is usually made using materials that are durable and long-lasting but are also unfortunately often not environment-friendly. Rubber, particularly synthetic rubber, is one of the biggest culprits, not just in terms of post-consumer waste but even material waste during the manufacturing process. As one of the biggest footwear makers, Nike is thankfully taking a responsible stance, giving those rubber byproducts and excess materials a new purpose.

Designer: Nike

Although natural rubber is sourced from plants, it’s not that easy to replenish to meet the high demand for the material. Just like plastic, synthetic rubber is easy to manufacture but also harmful the environment due to their chemical content. Rubber from discarded shoes is one thing, but even the bits and pieces of cutoffs and scraps produced when making them also pose a threat to the environment.

Considering its lion’s share of the sports shoes market, Nike developed the Grind material that recycles manufacturing byproducts like rubber, foam, and even textiles to create a material that can be applied to products other than shoes. In this case, the Nike Grind Dumbbells are made with at least 20% Nike Grind material to offer an alternative fitness tool for environment-conscious consumers.

In addition to its sustainable value, the recycled material also gives the dumbbells a unique aesthetic. The hexagonal weights themselves have a light gray hue sprinkled with colorful specs that create a terrazzo-like appearance. Each dumbbell is, thus, totally unique, and the mixture of colors will vary from season to season, depending on the styles of footwear that Nike launches.

The gray motif of the weights perfectly complements the chrome-plated knurled handles. The handle diameter varies depending on the weight, increasing as the load gets heavier to provide a more ergonomic grip. Available in weights ranging from 2.5 lbs to 50 lbs, the Nike Grind Dumbbell offers people a fitness tool that not only takes care of their health but also the environment.

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In 1989, the National Aeronautics and Space Administration (NASA) partnered with the Associated Landscape Contractors of America (ALCA) to conduct a Clean Air Study. Led by Dr. B. C. Wolverton, the study provided a comprehensive list of plants that are highly effective at purifying indoor air. The research demonstrated that plants have the ability to filter pollutants such as benzene, ammonia, and formaldehyde, which helps mitigate the effects of Sick Building Syndrome. Certain tropical houseplants were found to be particularly efficient in removing formaldehyde, trichloroethane, benzene, and other harmful substances from the air, replacing them with oxygen. According to the report, it is recommended to have at least one plant for every hundred square feet of indoor space, be it at home or in the office.

Designer: Ugly Duckling ID

Common Indoor Pollutants

Trichloroethylene, formaldehyde, benzene, xylene, ammonia, nitrogen dioxide (NO2), sulfur dioxide (SO2), and suspended particulate matter (SPM) are harmful substances found in various products and environments.

• Trichloroethylene, present in inks and pa2ints, can lead to symptoms such as dizziness and coma.
• Benzene, used in plastics and tobacco smoke, may result in drowsiness and unconsciousness.
• Formaldehyde, commonly found in paper products and fabrics, can cause irritation and swelling in the respiratory system.
• Ammonia, found in cleaning products, can cause eye irritation and sore throat.
• Xylene, present in rubber and vehicle exhaust, can lead to liver and kidney damage.
• NO2 and SO2, emitted by vehicles and factories, can harm the cardiovascular and respiratory systems.
• SPM, small particles in the air, can irritate the eyes and respiratory tract and contribute to long-term health issues like asthma and cardiovascular problems.

Top 12 Air-Purifying Plants

1. Areca Palm (Dypsis lutescens)

Image courtesy of: Spaces

The Areca palm, native to Madagascar, is a popular foliage houseplant known for its ability to purify the air by removing formaldehyde, xylene, and toluene. As a houseplant, it thrives indoors and can tolerate both shade and bright light. It requires less frequent watering and prefers temperatures ranging from 15 to 35 degrees Celsius and it adds beauty and charm to any indoor space.

2. Snake Plant (Sansevieria trifasciata)

Image courtesy of: Rawpixel

Sansevieria, commonly known as Mother-in-law’s tongue or Snake plant, is an incredibly resilient indoor plant that thrives even in low light conditions. It is a perfect choice for those seeking a low-maintenance plant as it requires infrequent watering. Moreover, Sansevieria has been recognized as one of the most effective air-purifying plants, capable of eliminating benzene, formaldehyde, trichloroethylene, xylene, and toluene from the surrounding air. It can adapt to various temperature ranges, from 5 to 45 degrees Celsius, making it suitable for different climates.

3. Money Plant (Epipremnum aureum)

Image courtesy of: eddows_arunothai

The money plant, belonging to the Araceae plant family, is a popular houseplant found in French Polynesia. It is highly adaptable and can thrive in various indoor environments. It has the ability to effectively purify the air by removing benzene, formaldehyde, trichloroethylene, xylene, and toluene. As a houseplant, its growing habits and characteristics are as follows: it prefers indoor locations, tolerates shade and artificial light, requires less frequent watering, and can withstand temperatures ranging from 15 to 45 degrees Celsius.

4. English ivy (Hedera helix)

Image courtesy of: kolomietsolena

English Ivy, a flowering plant from the Araliaceous family, is a highly popular vine plant in Europe. It is native to most of Europe and Western Asia. Notably, English Ivy has been identified as one of the most efficient plants in removing benzene, formaldehyde, trichloroethylene, xylene, and toluene from the air. As a houseplant, its growing habits and characteristics include indoor location preference, tolerance to shade and artificial light, less frequent watering requirements, and a temperature range of 5 to 30 degrees Celsius.

5. Peace Lily (Spathiphyllum)

Image courtesy of: Elisall

The peace lily, belonging to the Araceae plant family, is a well-known indoor plant. It has been identified as one of the most efficient plants in eliminating benzene, formaldehyde, trichloroethylene, ammonia, xylene, toluene, and other pollutants from the air. As a houseplant, it thrives indoors and can tolerate both shade and artificial light. It requires less frequent watering and prefers temperatures ranging from 16 to 32 degrees Celsius.

6. Barberton Daisy (Gerbera jamesonii)

Image courtesy of: natanavo

Gerbera, a genus of flowering plants in the Asteraceae family, is renowned for its vibrant and lustrous flowers. It is a popular choice due to its ability to withstand adverse weather conditions and thrive in bright light. Notably, Gerbera is effective in purifying the air by eliminating benzene, formaldehyde, and trichloroethylene. As a houseplant, it flourishes indoors, tolerating both shade and bright light. It requires less frequent watering and prefers temperatures ranging from 15 to 25 degrees Celsius.

7. Chinese Evergreens (Aglaonema Modestum)

Image courtesy of: Jsttanrak

Aglaonema, a member of the Araceae family, is a popular indoor plant originating from tropical and subtropical regions of South Asia. With over 100 popular varieties, it is both visually appealing and low-maintenance. Notably, Aglaonema is known for its ability to cleanse the air by removing benzene and formaldehyde. As a houseplant, it thrives in indoor locations, tolerates shade and artificial light, requires less frequent watering, and prefers temperatures ranging from 15 to 30 degrees Celsius.

8. Spider Plant (Chlorophytum comosum)

Image courtesy of: araleboy

Chlorophytum comosum, a member of the Asparagaceae plant family, originates from southern Africa. This popular houseplant, known as the spider plant, is not only elegant and fast-growing but also easy to care for. A report by the university’s Cooperative Extension Service highlighted the spider plant as one of the top varieties for effectively removing VOCs. It has been found to cleanse the air by eliminating formaldehyde, xylene, and toluene. As a houseplant, the spider plant thrives indoors, tolerating shade and artificial light, requiring less frequent watering, and favoring temperatures ranging from 15 to 30 degrees Celsius.

9. Aloe Vera (Aloe barbadensis mill)

Image courtesy of: Olivier_Le_Moal

Aloe vera, a succulent plant belonging to the Asphodelaceae family, is a remarkable plant known for its numerous benefits and medicinal uses since ancient times. It can withstand adverse weather conditions and thrives in bright light, making it suitable for deserts. Aloe vera is also effective in purifying the air by eliminating benzene and formaldehyde. As a houseplant, it prefers indoor locations, tolerates both shade and bright light, requires less frequent watering, and can thrive in temperatures ranging from 15 to 45 degrees Celsius.

10. Rubber plant (Ficus elastica)

Image courtesy of: andriymedvediuk

The Rubber Plant, classified under the genus Ficus in the Moraceae plant family, is native to South Asia. This houseplant has been discovered to effectively eliminate formaldehyde from the air. As a houseplant, it thrives indoors, tolerating both shade and artificial light. It requires less frequent watering and prefers temperatures ranging from 15 to 30 degrees Celsius.

11. Boston Fern (Nephrolepis exaltata)

Image courtesy of: MargJohnsonVA

The Boston fern, belonging to the Nephrolepidaceae family and the Nephrolepis genus, is native to humid forests and swamps. It is known for its ability to effectively eliminate formaldehyde, xylene, toluene, airborne germs, molds, and bacteria from indoor air. As a houseplant, it thrives in indoor locations, tolerating both shade and artificial light. It requires frequent watering and prefers temperatures ranging from 15 to 35 degrees Celsius.

12. Bamboo Palm (Chamaedorea seifrizi)

Image courtesy of: Natabuena

The Bamboo palm, part of the Chamaedorea genus in the Aceraceae plant family, is one of the 107 species within its genus. This plant thrives in shady and humid conditions, often found growing under trees in rainforests. It is known for its ability to effectively remove benzene, formaldehyde, trichloroethylene, xylene, and toluene from the air. As a houseplant, it prefers indoor locations and can tolerate shade and artificial light. It requires frequent watering and thrives in temperatures ranging from 10 to 35 degrees Celsius.

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Recent UN reports indicate that 55% of the global urban population lives in cities, and this is expected to rise to 68% by 2030. While cities drive 80% of the world’s GDP, they also significantly contribute to climate change through greenhouse gas emissions. Key challenges include climate change impacts, high carbon footprints, waste management, depleting water tables, and air and water pollution, all requiring urgent action.

Designer: LSD Architects

1. Climate Change

Cities are combating climate change, largely driven by fossil fuels, by promoting public transport, electric cars, and cycling. Efforts also include designing green urban spaces and creating urban forests to cool cities and act as carbon sinks. Recent flooding in desert cities like Dubai and Saudi Arabia highlights the need for resilient infrastructure. Solutions involve robust infrastructure, effective drainage, sustainable stormwater management, and green urban planning to reduce flooding risks.

Paris Agreement: In 2015, nearly 200 countries signed the Paris Agreement at COP21, aiming to limit global warming to below 2 degrees Celsius by reducing greenhouse gas emissions. It calls for localizing climate initiatives in cities and improving local climate governance.

Casa Jardin, designed by architect Rodolfo Tinoco near Costa Rica’s Tamarindo Beach, is a fully self-sustaining, off-grid home showcasing modern sustainability. Featuring lush gardens, solar panels, and a recycled water system, it offers privacy and environmental efficiency with a vertical garden that regulates temperature and grows edible greens. Elevated on V-shaped stilts to address rising sea levels, it includes a leaf-shaped photovoltaic roof for solar energy and integrates rainwater harvesting and sewage treatment for irrigation. Inside, a neutral palette and teak wood accents create a naturally lit, beach-inspired space, emphasizing luxury and sustainability in tropical living.

Designer: Niklas Andreasen

Global warming has been ongoing for years, with its most pronounced effects felt in the Arctic, where rapid ice melting disrupts climate patterns worldwide. Project ARCSTAR proposes a biocomposite structure made from biowaste materials to cool Arctic waters and support ice formation. This initiative aims to mitigate ice loss by lowering water temperatures and using sustainable materials like sulfur-free lignin and calcium carbonate. While promising as a short-term measure, ARCSTAR highlights the need for broader, systemic shifts toward sustainability to address the root causes of climate change effectively.

Designer: Dutch Docklands

Coastal communities are on the front lines of climate change, facing rising sea levels. In response, architects are pioneering solutions like the Maldives Floating City (MFC), a sustainable urban project planned near Male. Designed by Dutch Docklands, MFC features a modular, floating layout inspired by Brain coral, anchored to barrier islands to mitigate sea-level rise impacts. This innovative city aims to blend green technology with residential and commercial spaces, setting a precedent for future climate-resilient urban development worldwide.

2. Greenhouse Emissions

Strategies to reduce greenhouse gas emissions include promoting renewable energy, low-carbon fuels, and LEED-certified green buildings that save 20-30% more energy than conventional ones. Oslo a leading green city in Norway, leads in recycling, public transport, clean air, and renewable energy. Singapore uses smart planning to harness solar energy for housing and integrates artificial wetlands to maintain ecological balance.

Designer: Stanford Research Team

Stanford University researchers have developed innovative, eco-friendly paints that regulate indoor temperatures by reflecting sunlight and infrared radiation. These paints, including colors like orange, yellow, blue, and white, reduce the need for air conditioning by managing heat absorption and retention. Their dual-layer design utilizes infrared-reflective aluminum flakes and infrared-transparent nanoparticles to achieve significant energy savings—36% less heating in cold conditions and 21% less cooling in warm conditions—compared to traditional methods. This breakthrough addresses the substantial energy consumption and environmental impact of heating and cooling systems, offering a sustainable solution for buildings and urban environments worldwide.

3. Air and Water Pollution

Increased vehicles and traffic cause air pollution, while untreated factory sewage leads to water contamination. Beijing combats air pollution with strict vehicle quotas and reduced coal use to lower harmful PM2.5 levels. In the UK, the Broads Waterways face phosphorus pollution, damaging water plants. Cleanup methods like phosphate stripping and suction dredging are being explored.

Designer: Wang Hong Min

Pure Bubble offers an innovative solution to urban air pollution with its outdoor air purification concept, resembling dandelion-inspired bubbles equipped to detect, analyze, and clean polluted air. Each bubble features three layers: a helium-filled outer layer for mobility, a reusable filtering layer using patented TPA technology, and a wind-powered recharging motor. These self-illuminating bubbles purify air as they float, extracting minerals from pollutants and contributing to improved air and water quality in urban environments. Positioned strategically, Pure Bubble aims to mitigate the health impacts of air pollution and support global efforts in environmental sustainability.

Designers: Lucy Zakharova and Ted Lu

Designers Lucy Zakharova and Ted Lu propose ‘En·cap·su·lat·ing’, a revolutionary project aimed at addressing ocean pollution. This initiative involves deploying a network of five dynamic capsules made from plastic waste sourced from the Great Pacific Garbage Patch, spanning 1.6 million square kilometers. Each capsule operates at different ocean depths, moving cyclically with floating plastic islands to evenly distribute their cleaning efforts. Beyond pollution mitigation, these capsules serve as research hubs, monitoring deep-sea conditions and biodiversity impacts, emphasizing the urgent need for sustainable environmental solutions to safeguard marine ecosystems.

4. Depleting Water Table

Rapid urbanization strains city infrastructure and depletes water tables. Cities respond with alternative water sourcing, rainwater harvesting, and vertical farming, alongside public education to change water usage habits. Comprehensive water management integrates fresh water, rain, storm, and wastewater. China’s Sponge Cities use permeable surfaces and green spaces to capture, filter, and store water, reducing floods and promoting reuse, enhancing climate resilience.

Designer: Hydraloop Systems BV

Hydraloop is a compact water recycling system that fits seamlessly into any home or building and its technology recycles up to 95% of shower and bath water, reducing reliance on fresh water and lowering sewage emissions. Designed for ease of installation and operation, Hydraloop systems clean and disinfect water using a six-step process without chemicals, making it safe for non-potable uses like toilet flushing and irrigation. By conserving water and lowering energy costs, Hydraloop supports sustainable living and contributes to global efforts in water conservation and climate action.

5. Plastic and Waste Disposal

Cities combatting plastic pollution emphasize waste reduction through recycling and composting. Urban areas contribute significantly to marine plastic debris, threatening ecosystems and human health. Quezon City, Philippines, innovates with a “cash for trash” program exchanging recyclables for environmental credits. The Maldives transitions to a circular economy, enhancing waste management with sustainable infrastructure and optimized collection systems to create valuable products from recycled plastics.

Designer: Clear Drop

The Soft Plastic Compactor (SPC) is designed for homes and small buildings to address the accumulation of plastic bags and other soft plastics. Resembling a kitchen appliance, it compresses these plastics into bricks for easy transportation to recycling centers. Simple to use, it turns plastic waste into solid cubes bound by melted plastic, facilitating their handling and recycling. Clear Drop, the manufacturer, ensures collaboration with recycling facilities to safely break down these bricks without emitting harmful fumes, making the SPC a practical solution for sustainable waste management at home.

Cities tackling global challenges require cooperation among governments, businesses, civil society, and residents for sustainable development. Effective climate change adaptation includes increasing tree cover and preserving green spaces to enhance the quality of life, absorb carbon emissions, mitigate urban heat islands, and provide natural flood protection.

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