Remember bendgate? That infamous moment when the iPhone 6 Plus buckled under pressure, quite literally bending in people’s pockets and sparking a global conversation about smartphone durability. Apple learned from that debacle, but SUPCASE has taken the lesson to an entirely different level with their new UB Grip Pro case for the iPhone 17 Pro series. SUPCASE has essentially built a fortress around Apple’s latest flagship, complete with military-grade protection that makes the original bendgate controversy look like a gentle warm-up exercise. This case doesn’t just protect your phone; it turns it into an indestructible communication device that belongs in a superhero’s arsenal.

The UB Grip Pro represents SUPCASE’s evolution from their legendary Unicorn Beetle Pro series, trading the aggressive angular ridges for what they call “structural elegance.” The company has managed to create something that looks like it rolled off the assembly line of a high-end military contractor, complete with precision-milled aluminum components and a design language that screams industrial sophistication. The case wraps around the iPhone 17 Pro’s new aluminum-glass hybrid back and that distinctive horizontal camera bar with the kind of protection typically reserved for equipment heading into combat zones. SUPCASE claims 20-foot drop protection, which means your phone could theoretically survive falling from a second-story window and still boot up ready for your next video call. The four-corner airbag design distributes impact forces like a professional stunt coordinator, ensuring that even the most dramatic accidents become mere footnotes in your phone’s survival story.

Designer: Jet Weng

Click Here to But Now: $29.69 $32.99 (10% off, use coupon code “YANKOIP17”). Hurry, deal ends in 48-hours!

The integrated kickstand is rated to survive over 55,000 open-close cycles as per SUPCASE’s testing. SUPCASE built this component from aluminum alloy, giving it the kind of durability you’d expect from your own MacBook’s hinge rather than a some nondescript smartphone accessory online. The kickstand offers 120-degree portrait positioning and 57-degree landscape angles, perfect for taking advantage of the iPhone 17 Pro’s enhanced dual video recording capabilities. The ring grip function doubles as a security feature, essentially making it impossible to drop your phone during those one-handed photography sessions. When folded flat, the kickstand disappears into the case’s contours like a hidden weapon in a spy thriller, maintaining that sleek profile while keeping serious functionality at your fingertips.

SUPCASE’s approach to MagSafe compatibility reads like something from a physics textbook. They’ve incorporated N52 magnets that generate seven times the magnetic force of standard cases, creating a hold strength of up to 1,800 grams. This means your iPhone will stick to magnetic car mounts with the tenacity of a gecko on glass, even during the bumpiest off-road adventures. The magnetic array ensures perfect alignment with MagSafe chargers, delivering the full 25W wireless charging speed without any of the positioning guesswork that plagues weaker magnetic cases. The magnets are strategically positioned to work seamlessly with the relocated Apple logo on the iPhone 17 Pro’s back panel, creating a perfectly centered aesthetic when using clear MagSafe accessories.

The camera zone usually wears the bruises, and the iPhone 17 Pro’s camera bar asks for dedicated protection. Reinforced impact zones wrap the rectangular module without turning it into a brick, a detail that matters in pockets and bags. Raised borders create clearance on tables while avoiding the harsh lip that snags on fabrics. Materials around this area feel denser and more resilient, which echoes the protective story without adding theatrical thickness. Photography stays comfortable to grip, especially when the ring is tucked and the case’s side texture takes over.

The Camera Control button features 19 copper conductors that deliver ultra-responsive feedback, making every shutter press feel as crisp and immediate as the bare phone. This level of precision engineering typically appears in professional camera equipment, not smartphone cases. The case’s textured surfaces provide grip security without sacrificing the premium feel that iPhone users expect. SUPCASE has managed to create a surface that feels substantial and secure in your hand while maintaining the kind of finish quality that wouldn’t look out of place in a luxury car interior.

The included 9H tempered glass screen protector completes the 360-degree protection package, turning your iPhone 17 Pro into a virtually indestructible communication device. Unlike many case manufacturers who treat screen protection as an afterthought or expensive add-on, SUPCASE includes premium glass protection right in the box. The 0.33mm thickness maintains touch sensitivity while providing hardness levels that rival sapphire crystal. The installation process integrates seamlessly with the case design, creating a unified protection system rather than a collection of separate accessories. This comprehensive approach means your iPhone receives laboratory-grade protection from the moment you unbox the case.

The UB Grip Pro comes in four colorways that complement the iPhone 17 Pro’s new finish options: classic black for stealth operations, Guldan for those who prefer darker sophistication, coral that matches the phone’s rumored new color options, and azure that adds a pop of personality to the industrial design. Each color maintains the same premium finish quality and attention to detail that makes this case feel like a custom piece of tactical equipment. SUPCASE has priced the UB Grip Pro competitively for what amounts to comprehensive protection that could save you from a costly device replacement. Available through SUPCASE’s official store and Amazon, this case promises to add armor-like properties to your phone, making it so strong even Hulk wouldn’t be able to bend it… probably.

Click Here to But Now: $29.69 $32.99 (10% off, use coupon code “YANKOIP17”). Hurry, deal ends in 48-hours!

The post Don’t blindly trust Apple’s build quality… this durable iPhone 17 Pro case has 20-foot drop protection first appeared on Yanko Design.

Carl Pei’s ethos of injecting fun into technology culminated in not one, but two brands. Most people recognize a Nothing device in the wild, instantly spotting and identifying its transparent design. But as a little sibling to the Nothing brand, Pei also unveiled CMF – a design-forward tech brand that was specifically founded to bring great technology and great design to the masses.

CMF actually pre-empted Nothing on a few fronts, it launched the first 3-camera smartphone before Nothing, it rolled out GaN chargers before Nothing, it even still holds the mantle of being the only brand of the two to have a smartwatch… and now it seems like CMF is adding sneakers to its list. The sneakers come as a result of a collab with Indian sneaker brand Gully Labs, but rather than merely launching a sneaker line, the two brands decided to turn the exercise into a community design effort. The result, perhaps one of the most interesting pieces of footwear I’ve seen from the design community. This particular concept by Abhishek Mistry injects CMF’s design ethos into a piece of footwear brilliantly. Aside from just making a neon orange pair of shoes, Mistry wove CMF details into them too, ditching the laces for a BOA system, and translating the CMF Phone’s modular backplate into a modular heel counter. The result feels perfectly CMF, it’s edgy, wild, and has that iconic flair that Pei’s constantly spoken about injecting into the products he creates.

Designer: Abhishek Mistry

The purpose of the community challenge was to rally the community behind the company – a classic move to build culture while also ensuring a strong, unwavering base of support. A side pursuit, however, is to also release a product that captures the brand’s essence perfectly – and Mistry’s design does that remarkably well. CMF’s design ethos has always been around building products that are fun, interactive, and modular. It’s practically baked into the Phone 1 and Phone 2 Pro’s designs, as well as the Buds series. The interaction manifests in the form of a laceless design that ditches conventional laces for a closed-loop BOA system. A knob, that looks very similar to the one found on the Phone and the Buds, lets you tighten or loosen the shoes, giving them a wonderfully tactile and enjoyable touch. You don’t need two hands to fasten your shoes, and you sure as hell don’t need velcro. Rotate the knob to tighten, rotate the other way to loosen. Genius.

The shoes also come in four colorways that match the CMF phones, you’ve got the iconic Orange color (which personally looks better on the shoes than on CMF’s tech), but then for the faint of heart, you’ve got more somber colors like white, black, and light green. The paneling feels exquisitely premium, as the shoes use cutting-edge new-age materials, or as Mistry calls, technical fabric. There’s an interplay of matte and metallic finishes, quite like on the Phone 2 Pro, and the CMF logo is confidently placed on the BOA knob, while the Gully Labs logo finds its way on the front.

That, however, isn’t where Mistry draws the line. Like the Phone 1 and 2 Pro, the sneaker builds modularity into its design too, giving the entire community the ability to customize their shoes while also opening up an entire third-party aftermarket for custom parts. The design borrows from the CMF Phones’ removable backplates, featuring a removable heel cover that’s held together by the same screws found on the Phone 1 and 2 Pro. Simply unscrew the heel cover on your existing shoe and swap it for something more funky or more your style. You could go for a color-change, a texture-change, even a material change should you choose! Want to go even more wild? Turn that modular heel into an accessory mount – maybe for AirTags, maybe a mount for a GoPro, the possibilities are quite literally endless, and let’s just say, CMF’s target audience has a surplus of creativity!

For now, Mistry’s footwear exists as a fan-made concept, but the competition’s underway, and with enough luck, designs like Mistry’s could get officially picked up by the brands and potentially turned into actual footwear. If you’d love to see modular sneakers with BOA fasteners, go check out Abhishek Mistry’s Instagram page for more photos. Or if you’re interested in designing your own shoes, check out the official competition page for more info.

The post Nothing’s CMF gets its own Sneaker Line with this edgy, modular Fan-made Design first appeared on Yanko Design.

Apple’s September keynote events are a familiar ritual, a carefully choreographed presentation of their latest and greatest hardware. This year, we got everything we expected: the regular iPhone 17, the powerful new iPhone 17 Pro and Pro Max, details on the A19 Pro chip, and a surprise with the ridiculously slim iPhone Air. Amidst the sea of polished metal and Ceramic Shield panels, however, something unusual happened. Apple gave the spotlight to a product that wasn’t their own. For a few crucial moments, the focus shifted to a small, unassuming black box from Blackmagic Design, a company beloved by video professionals. This device, the Camera ProDock, was the only non-Apple product to get a showcase at the keynote, and its presence spoke volumes about where Apple sees the future of filmmaking heading.

The Blackmagic Camera ProDock is, at its core, the ultimate professional dongle for the iPhone 17 Pro. It’s a purpose-built hub designed to solve every major problem that has kept the iPhone from being a primary camera on a serious film set. For years, filmmakers have used iPhones for B-roll or in tight spots where a larger camera wouldn’t fit, but integrating them into a professional workflow has always been a collection of compromises and clunky workarounds. The ProDock aims to eliminate those compromises entirely by giving the iPhone the physical inputs and outputs that are standard on any high-end cinema camera. It’s a rugged, mountable accessory that provides connections for power, external microphones, headphones, on-set monitors, and solid-state drives for recording, all while fitting seamlessly into a professional camera rig.

Designer: Blackmagic

Two big features that made the cut this year on the Pro iPhones (which can be taken advantage of by the Camera ProDock) are genlock and external timecode. For anyone outside the film industry, these terms probably sound like technical jargon, but they are the bedrock of multi-camera productions. Think of genlock as the master conductor for an orchestra of cameras; it sends out a sync pulse that ensures every single camera on set captures a frame at the exact same microsecond. Timecode, then, is the sheet music, giving every one of those frames a unique, identical timestamp across all cameras and audio recorders. This synchronization is absolutely critical. It means an editor can drop footage from an iPhone 17 Pro, a high-end ARRI cinema camera, and a separate audio recorder onto a timeline, and everything will line up perfectly, down to the frame. This single feature, enabled by the ProDock’s BNC connectors, transforms the iPhone from a capable solo camera into a reliable team player in a professional ecosystem.

Beyond the crucial sync capabilities, the ProDock addresses the practical needs of a working set. Its full-size HDMI port allows for direct connection to a proper director’s monitor, so the creative team can see exactly what the camera is capturing on a large, color-accurate display. The three USB-C ports are a godsend for data management and power. A filmmaker can now record hours of footage in the highest quality ProRes RAW format directly to an external SSD, bypassing the iPhone’s internal storage limitations completely. At the same time, those ports can keep the phone and other accessories powered, ensuring a long shooting day isn’t cut short by a dead battery. The addition of professional 3.5mm jacks for both a microphone and headphones finally solves the audio problem, providing for high-quality sound capture and zero-latency monitoring, something impossible to achieve with wireless solutions.

This hardware is perfectly complemented by a robust software ecosystem. The dock works hand-in-hand with the free Blackmagic Camera app and Apple’s updated Final Cut Camera 2.0. These apps are the control center that unlock the ProDock’s full potential, allowing users to manage recordings, monitor audio levels, and take advantage of the iPhone 17 Pro’s new Apple Log 2 color profile for maximum flexibility in post-production. The combination of hardware and software creates a seamless, end-to-end workflow from capture to edit, which is precisely what professionals demand. Apple’s decision to feature the ProDock wasn’t just a friendly nod to a partner; it was a clear signal. It was an acknowledgment that while their own hardware and software are incredibly powerful, the final step into the professional world requires a bridge, a physical link to the established standards of an industry. The Blackmagic Camera ProDock is that bridge, and its quiet debut on Apple’s stage might just have been one of the most significant announcements for filmmakers this year.

The post The one ‘Non-Apple product’ that Apple announced on September 9th first appeared on Yanko Design.

It’s a striking move for Vans to embrace the clog format, especially with a design that leans so hard into futuristic minimalism. Looking at the Vans Future Clog in light of the Dutch clog’s history, the connection is both surprising and oddly fitting. Traditional Dutch clogs, or “klompen,” were sturdy, carved from wood, and designed as practical footwear for farmers and laborers. Their iconic, blocky silhouette, instantly recognizable for its simplicity and function, has endured for centuries as a symbol of honest craftsmanship and everyday utility.

The Vans Future Clog plays with this legacy in a way that feels almost tongue-in-cheek. The exaggerated, blunt front and seamless build echo the klomp’s solid, all-in-one construction, but instead of wood, Vans opts for a lightweight, synthetic material that is molded rather than carved. The simplicity of the clog is preserved: there are no laces, minimal seams, and a monolithic look, but it’s been reimagined for a postmodern, urban audience. The result is something that feels both ancient and alien at once: a nod to Europe’s peasant past, updated for streetwear’s obsession with the bold and the unusual.

Designer: SR Studio for Vans

Sterling Ruby’s SR Studio brings an art world perspective to this collaboration that elevates the clog beyond typical footwear territory. Ruby, known for his large-scale sculptures and installations that often explore themes of decay, transformation, and industrial materials, seems like an ideal partner for reimagining something as humble as the clog. His influence is evident in the Future Clog’s sculptural quality and its willingness to look more like a wearable art piece than traditional footwear. The collaboration suggests that Vans is serious about pushing boundaries, not just creating another slip-on variation.

Comparing the Vans Future Clog to other modern, monomaterial footwear, the parallels with Yeezy’s Foam Runner and similar slip-on silhouettes are obvious. These shoes, popularized by brands like Adidas (Yeezy), Crocs (with their recent designer collabs), and even Merrell (Hydro Moc), all tap into a shared ethos: comfort, easy wear, and a sculptural approach that makes each pair instantly recognizable. They’re all about statement shapes, single-piece construction, and a willingness to look strange, sometimes even polarizing, rather than safe.

Where the Yeezy Foam Runner has organic curves and alien pod-like holes, the Vans Future Clog is more angular and automotive, almost as if the designers took the klomp, ran it through a wind tunnel, and then cast it in foam. Both shoes are intentionally minimal in branding, letting the silhouette and material do the talking. Each pairs well with streetwear and casual fits, but they telegraph different moods: Yeezies are more futuristic and playful, Crocs lean on comfort and nostalgia, while the Vans Future Clog splits the difference between industrial design object and fashion experiment.

The real question is whether this represents a new direction for Vans or just a one-off experiment. Given the brand’s recent “New Future” campaign and their push into premium materials and collaborations, this feels like testing the waters for a more design-forward approach. The clog format offers advantages: it’s Instagram-friendly, comfortable for extended wear, and different enough to generate buzz without alienating core customers who can always fall back on Old Skools. Smart brands know when to zig while others zag, and Vans appears to be zigging hard into sculptural footwear territory.

The post The New Vans Future Clog Looks Like an Alien Spaceship for Your Feet first appeared on Yanko Design.

Picture this: you’re fumbling around in a power outage, reach for your EDC flashlight, and instead of just clicking it on, you’re greeted by a tiny pixelated smiley face winking back at you. Welcome to 2025, where the humble flashlight has evolved into something that would make your inner 90s kid absolutely lose their mind. The LOOPDOT isn’t trying to reinvent the wheel here, but it’s definitely asking why that wheel can’t also play rock-paper-scissors while illuminating your path.

The intersection of EDC culture and gaming tech has been brewing for years, but the LOOPDOT is the first product to nail the landing. While most flashlight manufacturers obsess over lumens and battery life (important, sure), LOOPGEAR decided to ask a different question: what if your everyday carry could also be your everyday joy? The result is a device that manages to be both a serious 400-lumen workhorse and a delightful pocket companion that can entertain you during boring meetings or power outages.

Designer: LOOPGEAR

Click Here to Buy Now: $35 $50 (30% off). Hurry, only a few left!

Let’s talk specs first because underneath all that pixel art magic lies a genuinely capable flashlight. The LOOPDOT pumps out 400 lumens at maximum output with a CRI of 90, which means colors look natural and accurate under its beam. That’s impressive for something this compact and playful. The stepless dimming system lets you dial in exactly the brightness you need, from a gentle nightstand glow to full-power illumination. Most EDC lights force you into preset brightness levels, but the LOOPDOT’s smooth adjustment feels luxurious by comparison. The dual beam system offers both flood and throw modes, making it versatile enough for close-up work or distance lighting.

What sets this apart from every other flashlight on the market is that RGB pixel display staring back at you. Early users describe it as surprisingly bright, colorful, and crisp, which immediately transforms the device from tool to conversation starter. The display shows custom animations, mini-games, battery status, and whatever else the community dreams up. Think of it as a tiny canvas for 8-bit art that happens to be attached to a high-quality flashlight. The display isn’t just decorative either; it communicates useful information about your flashlight’s status in ways that feel more engaging than traditional LED indicators.

Controlling everything is a mechanical fidget dial that doubles as both interface and stress toy. Modeled to somewhat resemble the crown on an Apple Watch, this little wheel is sheer eye and finger-candy, giving you something to obsess over. You scroll through brightness levels, navigate the pixel display menus, and play those built-in mini-games all through this single control. The fidget aspect isn’t accidental; LOOPGEAR clearly understands that EDC enthusiasts love objects they can manipulate and interact with throughout the day. The dial gives your hands something to do during conference calls while also serving as the primary interface for a surprisingly sophisticated device.

Gaming elements elevate this beyond typical EDC fare. The mini-games aren’t throwaway features; they’re genuinely engaging diversions that take advantage of the pixel display and fidget dial interface. Imagine playing a quick rock-paper-scissors while waiting for your coffee to brew to reflect your mood. These features tap into the same nostalgic gaming impulses that make retro handhelds so appealing, but in a package that serves a practical daily function.

Community input shaped the LOOPDOT’s development, with over 2,500 EDC enthusiasts contributing feedback during the design process. This crowdsourced approach shows in the final product’s attention to user preferences and real-world needs. The device feels like it was designed by people who actually carry and use EDC gear daily, rather than engineers working in isolation. That community connection also suggests ongoing firmware updates and new features as the user base grows and shares ideas.

The entire device has the design appeal of something made by a nerdy tech and EDC enthusiast. The LOOPDOT pays tribute to new-age products like the Plaud NotePin with its capsule-shaped design, the Apple Watch with its rotating crown/wheel, and retro gizmos like the Tamagotchi with its pixel-based gaming interface. The body of the LOOPDOT is sand-blasted aluminum, complete with a curved tempered glass on the front.

A magnetic back lets you snap it to metallic objects, the built-in clip lets you attach the LOOPDOT to your pocket for hands-free lighting, and a lanyard hole lets you string a lanyard for easy carry. The LOOPDOT is EDC, after all…

The LOOPDOT represents something genuinely new in the EDC space: a device that combines serious functionality with unabashed playfulness. At 400 lumens with high color rendering, it handles lighting duties admirably. The pixel display and fidget dial transform routine interactions into moments of delight. For $23.50 during the pre-order campaign, it’s positioned as an accessible entry point into this new category of playful EDC gear. Whether this signals the future direction of pocket tools or remains a delightful novelty, the LOOPDOT proves that even the most utilitarian objects can benefit from a generous helping of joy and creativity.

The LOOPDOT carries an IPX6 rating, meaning it laughs off rain and even brief submersion. The body is built to handle drops and daily abuse, which is essential for any EDC item worth carrying. A magnetic base provide flexible mounting options, while the overall size remains compact enough for comfortable pocket carry. Each LOOPDOT ships with a 5-year warranty as well as a 30-day money-back guarantee if you aren’t thrilled with your purchase – although those 30 days will cruise by while you obsess over the light’s sheer usefulness and the addictive gaming feature on that RGB pixel display!

As of the launch day (August 12th), all users who place an order within the first 4 hours will receive magnetic clips along with their order. 10 lucky backers to register a pledge within the first 12 hours will be randomly selected to receive a standard aluminum LOOPDOT for free (priority shipped 10-15 days after the campaign ends). 3 more lucky winners within the next 24 hours will receive priority shipping too! The LOOPDOT ships locally from the US, the UK, and the EU.

Click Here to Buy Now: $35 $50 (30% off). Hurry, only a few left!

The post Where Outdoor EDC Meets Gaming: This Pocket Flashlight Also Has A RGB Pixel Display With ‘Games’ first appeared on Yanko Design.

Walk into a warehouse in Bangalore’s Turahalli Forest and you might expect the usual: concrete, echoing emptiness, and the faint smell of dust. What you get instead is a journey – one that Megha Dugar Jain crafted for her client, THE ROOOM, completely redefining what a 2,500-square-foot godown can be. Sometimes, the most extraordinary transformations happen in the most ordinary places. The original space was as unremarkable as they come, but Megha’s vision turns it into a series of moments, each more surprising than the last, with every inch designed to invite curiosity and spark delight.

This is interior design as storytelling. Megha doesn’t just lay down materials or pick colors off a swatch book. She orchestrates visual microcosms, letting each zone unfold in its own unique way. The result is a kind of spatial patchwork where your eyes group elements together, building mini-worlds out of color, texture, and form. The lack of traditional walls isn’t a limitation; it’s an invitation to explore, to let boundaries blur and new relationships emerge between spaces.

Designer: Megha Dugar Jain

Mr. Folds is the silent protagonist here. Not a person, but an idea: the spirit of transformation itself. Megha talks about him like an old friend, a metaphor for the magic that happens when the ordinary is folded – sometimes literally, sometimes just in spirit – into something layered and unexpected. Think of Mr. Folds as the gentle mischief behind every crease in the design, the reason a simple panel suddenly suggests complexity, and why every corner seems to have a little more to say than you first notice. Scroll down and you may just spot Mr. Folds casually browsing around the space.

Walking into the main area, visitors immediately notice the dramatic shift from the soft peach monochrome of the entrance to a bold black-and-white interplay that defines different functional zones. The reception area features a striking curved counter with a crisp white top sitting atop a terracotta jaali base, its geometric patterns allowing light and air to flow through while creating intricate shadows across the floor. Above this, a flowing metal arch structure partially divides the space without closing it off completely. These arches serve multiple purposes: they guide movement, frame views into adjacent areas, and add a sculptural element that draws the eye upward. Megha has cleverly used these architectural features to suggest boundaries rather than enforce them. The arch motif repeats throughout the space, creating a visual rhythm that helps tie disparate elements together. Each arch feels like a portal, inviting visitors to step through and discover what lies beyond, while the curved forms soften what could otherwise be a boxy, rigid environment.

Perhaps the most playful elements in the space are what I call the “orange splooshes,” those organic, fluid shapes that break up the geometric precision of the checkered floor. These vibrant orange forms appear to spill out from the staircase, defying the grid and introducing an element of surprise and whimsy. The stairs themselves continue this orange theme, creating a bold visual statement that draws you upward. You’ll even see a strange ‘sploosh’ underneath the leg of a table. What makes these elements so effective is their unexpectedness; in a space defined by careful planning and intentional design moves, these fluid shapes feel almost rebellious, as if the orange paint had a mind of its own and decided to ignore the boundaries. Megha describes this as “an optical illusion of spillage, an artful disruption that intrigued and delighted.” And she’s right. These moments of controlled chaos provide relief from the more structured elements, reminding us that the best designs often include an element of playfulness. The orange forms also serve as wayfinding devices, subtly guiding visitors through the space without resorting to obvious signage.

The origami inspiration takes physical form in the sit-out area, where an extraordinary plywood panel transforms a simple wall into a sculptural masterpiece. This isn’t delicate paper folding; it’s origami principles applied to a rigid material, creating dramatic angles and planes that catch light and cast ever-changing shadows throughout the day. The technical achievement here shouldn’t be underestimated. Coaxing plywood, a material that naturally resists bending, into these complex folds requires both engineering knowledge and artistic vision. The result is a feature that feels simultaneously architectural and artistic. As natural light moves across its surface, the panel comes alive, revealing new dimensions and details. Visitors often find themselves touching these surfaces, trying to understand how something so solid can appear so dynamic. The panel serves as a focal point in the sit-out area, which itself opens to views of the surrounding Turahalli Forest, creating a dialogue between the geometric precision inside and the organic forms of nature outside.

Complementing these architectural elements are the custom-crafted berge decorative panels that adorn various walls throughout the space. These panels feature intricate, flowing patterns carved into the plywood, celebrating the natural grain and texture of the wood while adding another layer of visual complexity. Unlike the folded panels, which create dimension through physical manipulation of the material, these berge panels achieve depth through intricate surface patterning. The wavy, organic forms feel almost like topographic maps or flowing water, introducing a natural element that balances the more geometric aspects of the design. What makes these panels particularly impressive is how Megha transforms a humble material like plywood into something that looks precious and handcrafted.

What ultimately makes this transformation so successful is Megha Dugar Jain’s unique approach to spatial division. Instead of erecting walls to separate functions, she’s used color, material, and thematic elements to create distinct zones that still feel connected to the whole. The active, human-centric areas burst with vibrant hues and dynamic forms, while display zones adopt a more restrained palette that puts the focus on the products themselves. This strategy creates a space that feels both cohesive and varied, allowing for different experiences within a single open environment. The transitions between zones feel natural rather than abrupt, guided by subtle shifts in flooring, lighting, and material. And while each area has its own character, recurring elements like the curved forms, organic patterns, and thoughtful material selections create a visual language that unifies the entire project. The space works because it balances structure with spontaneity, allowing for moments of surprise within an overall framework that makes sense. It’s like a well-composed piece of music, with themes that repeat and evolve throughout, creating something that feels both familiar and fresh with each encounter.

The post Instead of walls, this interior designer divided a Warehouse Space using colours and shapes first appeared on Yanko Design.

I transitioned to GaN bricks last year and never looked back. One power brick, powerful enough to charge my laptop, phone, iPad, AND my watch – all at the same time. It just made sense. Not just because having a 4-in-1 charger cuts the cable and plug/socket headache… but it makes travel EASY. As someone who has to unpack his laptop bag every time he walks through security at an airport, the idea of pulling out 5 different chargers only to then put them all back one by one was just extra trouble than I needed. Now, I have one power brick, three cables, and enough juice to take care of all my devices. However, there was still a problem – the GaN Charger I had only came with a US plug layout. The Voyager 205 solves that.

Hear me out – 205W power output, 8 ports for all your devices, AND a universal design that works with ALL plug types. The Voyager 205 is compact, built for travel, and is powerful enough to singlehandedly power two laptops at once. Slip it into your backpack along with 2-3 cables and you don’t need to carry a single charger around with you. This $89 GaN power brick will juice your phone, laptop, tablet, drone, Nintendo Switch, power bank, smartwatch, AND your TWS earbuds… all at the same time.

Designer: TESSAN

Click Here to Buy Now: $89 $128 ($39 off). Hurry, only a few units left!

“Our journey into travel adapter innovation was never just business – it was personal,” say the folks at TESSAN… and it shows. I love my GaN adapter, but I struggled with plug points in China, India, and the EU. The Voyager 205 just adds that last layer of ease and access the power brick industry needed. It’s ruthlessly capable, has so many ports you’ll run out of gadgets, and still manages to be compact enough to fit in the palm of your hand. The secret lies in how far GaN technology has come in these years.

For newbies, GaN is the latest tech breakthrough in semiconductors. Every product you currently own runs on silicon-based chipsets – the problem, however, is that silicon (as great as it is) doesn’t have a track record for remarkable efficiency. The higher the output, the beefier the chipset, the more heat it generates, and the more power gets lost in the process. It’s why your laptop’s power brick is so huge… but switch to GaN and things change. GaN, or Gallium Nitride is much more power-efficient than Silicon, which means that a palm-sized power adapter can actually pack upwards of 100W of output… or in this case, 205W.

That much wattage is enough to simultaneously charge two laptops at the same time. With 205W and PD3.1, the Voyager 205 isn’t enough power for you, it’s enough power for your entire family. Your laptop, your partner’s laptop, your kid’s iPad or Switch, and even a travel appliance – this thing takes care of it all. The adapter comes with 7 USB ports (2 USB-A ports and 5 USB-C ports), as well as your standard universal AC outlet for anything with a plug, be it a travel kettle, an iron, your beard trimmer, or a hair dryer. Aside from pure unadulterated power, the Voyager 205 is smart enough to divert enough electricity to each gadget. The adapter distributes power to each device depending on their needs, sending more to laptops and tablets (up to 140W to a single port), an intermediate amount to phones, and then distributing an adequate amount to your smaller gadgets like your wearables. It still ensures all your gadgets fast-charge, which is what makes everything worth it at the end of the day.

A universal design means the Voyager works anywhere. Sliders let you eject/retract plug designs based on the country/continent you’re in. The Voyager is designed to be globally compatible, and ships to over 200 countries, which means regardless of where you are, you’re sorted. It measures 3.9 inches tall, 2.1 inches wide, and 2.2 inches deep. The adapter weighs 0.7 lbs (326 grams), making it perfect for slipping right into your backpack and forgetting about any cable or charger woe for the foreseeable future. And for the safety-conscious, it’s made from flame-retardant polymer, and has all the safety checks for power delivery.

At $89, it’s practically a no-brainer, considering it offsets as many as 8 chargers thanks to its 8-in-1 design. For posterity, my 140W charger cost me nearly $100 and charges only 4 devices at a time. If (like me) you’re considering upgrading your existing charger routine to something that’s powerful, travel-friendly, and future-proof, the Voyager 205 ships globally starting November 2025. Each adapter comes with a ___ year warranty, and is built by TESSAN, which currently ranks as the #1 travel adapter brand on Amazon. For good reason, if you ask me.

Click Here to Buy Now: $89 $128 ($39 off). Hurry, only a few units left!

The post This 205W GaN Travel Adapter is the ONLY charger you need to carry in 2025 first appeared on Yanko Design.

Close your eyes and think of a cyberpunk poster of a city skyline. Focus your attention on the sunset – usually, it’s represented by a circle split in two… with the upper half being a solid yellow or orange, and the lower half being a set of lines, looking like the sunset’s ripples on an ocean or sea. Just google Cyberpunk Sunset and you’ll see exactly what I’m talking about. Now, imagine that as an actual lamp and you get the Bauhaus Sunset Lamp from Simig Lighting – a minimally gorgeous lamp that abstracts the sun into something familiar digitally, represented physically.

For long, the internet was dominated by sunset lamps, those cylindrical lights with fisheye lenses that cast a perfect circle of light on any wall, looking like a sunset of sorts. While that sunset lamp had its ‘time in the sun’, this one is slowly and surely taking over the internet, enchanting an entire generation of cyberpunk-loving people who now graduated to loving IKEA, Pottery Barn, and West Elm.

Designer: Simig Lighting

The lamp looks great on its own, but even more so when placed in front of a large window, allowing its reflection to be superimposed upon a dusky sunset. The illusion gets created perfectly (just look at the image above), as you see a cyberpunk-ish sun floating in the air, hovering right above the horizon. The lamp’s warm orange/ochre color makes it look exactly like a sunset too, creating what I can only describe as the perfect optical illusion!

The lampshade comes made from a combination of glass as well as acrylic. The glass dome sits on top, diffusing the light from two LED bulbs wonderfully into that pastel-ish yellow glow. Meanwhile, orange-colored acrylic rings on the bottom catch the rest of the light, glowing in entirety thanks to acrylic’s edge-lighting property. This allows the sun to look the way it does, as the lamp’s upper dome and lower rings glow with almost the same intensity, creating the perfect effect. No other material could have done the same kind of magic.

Each Bauhaus Sunset Lamp is powered by three E27 bulbs, and comes in multiple sizes depending on the kind of interior space you have. Simig Lighting makes a blue and white version too, which personally isn’t my cup of tea. This colorway right here is as perfect as it gets, given that it does such a remarkable job of nailing the aesthetic it’s trying to go for. The lamps start at $88 for the smallest size (6.3 inches wide), going up to $183 for the largest size which measures almost a foot in diameter.

The post The ‘Viral’ Sunset Lamp on TikTok just got a Cyberpunk/Bauhaus upgrade first appeared on Yanko Design.

Good design often exists at the intersection of scarcity and accessibility. The watch industry typically forces consumers to choose between mass-produced affordability or exclusive luxury at astronomical prices. Montoir’s new MWMOD-01 V2 People’s Choice Collection carves out an intriguing middle path with just 100 numbered timepieces spread across three community-selected colorways. These Swiss-made mechanical watches deliver premium specifications at $375 (currently 50% off future retail), challenging conventional pricing models through direct-to-consumer distribution. The collection represents something increasingly rare in today’s market: genuine exclusivity without artificial inflation.

The watches themselves tell a compelling design story through vibrant, carefully considered dial options. The “Watermelon” variant (limited to 25 pieces) features a soft green dial with a light red seconds hand. “Banana Creme” (50 pieces) offers a warm yellow face paired with a crisp white seconds hand. The “White Fume” edition (25 pieces) showcases a smoky, vignetted white-to-grey gradient with a bold red seconds hand for contrast. Each colorway emerged from months of community voting, making these designs a direct reflection of enthusiast preferences rather than corporate market testing. This approach has produced timepieces with genuine character in a segment often plagued by derivative aesthetics.

Designer: Montoir Watches

Click Here to Buy Now: $360 $375 ($15 off, use coupon code “YANKO”). Hurry, deal ends in 48-hours!

The 40mm case strikes an ideal balance between presence and wearability, measuring just 11.9mm thick with a comfortable 47.8mm lug-to-lug span. Constructed from surgical-grade 316L stainless steel, the case architecture features clean lines, brushed finishing, and a 120-click unidirectional bezel with a luminous pip. The flat sapphire crystal includes an anti-reflective coating for improved legibility, while the screw-down crown ensures the watch maintains its impressive 200-meter water resistance rating. Each caseback comes individually numbered and decorated with an engraved vintage diver’s helmet motif, reinforcing both exclusivity and thematic coherence.

Montoir has equipped these watches with a Swiss-made mechanical movement, custom modified to eliminate the “ghost date” function. This thoughtful adjustment creates smoother winding action and removes unnecessary crown positions, demonstrating attention to detail often reserved for much pricier timepieces. The movement beats at 28,800 vibrations per hour, offers hacking and hand-winding capabilities, and provides approximately 38 hours of power reserve. BGW9 Super-LumiNova adorns the hands, hour markers, and bezel pip, ensuring nighttime legibility. The included premium FKM rubber strap comes color-matched to each dial variant, combining vintage tropic styling with modern materials and comfort.

The watch industry increasingly relies on artificial scarcity and inflated pricing, with many brands producing “limited editions” in quantities that strain the definition of exclusivity. Montoir takes a different approach by genuinely limiting production to 100 total pieces, individually numbering each watch, and committing to never repeating these exact configurations. This strategy creates authentic collectibility without exploiting customer FOMO or manipulating secondary market values. The transparent pricing model further distinguishes Montoir from competitors, delivering Swiss mechanical quality at a price point typically associated with mass-produced quartz timepieces from fashion brands.

The watches represent a compelling value proposition for design enthusiasts and collectors alike. The 40mm case size suits most wrists, while the sub-12mm thickness ensures comfortable daily wear. The combination of vibrant dials, quality construction, mechanical movement, and serious water resistance creates versatile timepieces suitable for both casual and professional environments. With most units already claimed and production scheduled to deliver in early 2026, these watches demonstrate how thoughtful design, community involvement, and transparent business practices can create genuinely desirable products in an increasingly crowded marketplace. For those interested in securing one of the remaining pieces, Montoir offers an additional $15 discount with code “YANKO” at checkout.

Click Here to Buy Now: $360 $375 ($15 off, use coupon code “YANKO”). Hurry, deal ends in 48-hours!

The post Montoir’s MWMOD-01 V2 People’s Choice Collection: Swiss Mechanics Meet Community Design first appeared on Yanko Design.

I can only imagine the look on the TSA’s face as you walk up to them with a massive AirPods case strapped to your back. You’ll definitely get a few looks from the people around you, and maybe a few covert videos as you pop open the lid to reveal two massive AirPods-looking containers inside the bag… only for them to slide out and be, well, actual containers.

Designed by New York-based Bravest Studios, the AirPack is equal parts EDC and social commentary. The quirky design enlarges the AirPods to the size of a 44-liter backpack, playing on scale, design, and familiarity in a way that should easily grab everyone’s attention. There’s nothing ‘special’ about the backpack’s design if you look at it just objectively. But unless you’ve lived under a rock for the past decade, just a glance at the AirPack will instantly make you think, “Did that guy just walk past me with a massive AirPods case strapped to his back??”

Designer: Bravest Studios

The design’s meant to grab eyeballs, something fairly important in today’s economy. It comes with a fairly surprising level of detail. The top of the bag pops up exactly like an AirPods case’s lid, revealing two AirPods-shaped masses on the inside. The interior of the lid has the negative indentations to make space for the ‘AirPods’, and a close look reveals a fairly impressive level of detail with the hinge mechanism too.

However, slide the AirPods out and you’ll realize that they’re just regular containers. Designed to hold anything from clothes to sneakers, or even some of your tech and EDC, the two containers organize your belongings into ‘left’ and ‘right’ channels. Zippers mean you can use each container individually too, although they make much more sense when popped into the backpack! Besides, there’s even space for a laptop in the backpack, although images don’t really show where you’d store your laptop or how you’d access it. I’m inclined to believe Bravest Studios, though.

That’s because the AirPack isn’t a concept or vaporware. It’s a real product that will go on sale at Bravest’s NYC Soho popup on the 19th of July. There’s no word on pricing yet (although expect this limited-edition drop to be on the more expensive side), but if you can afford the AirPack, promise me you won’t desecrate it with those godawful Labubu accessories. I beg you.

The post This Gigantic ‘AirPods’ Backpack actually holds (and organizes) your items first appeared on Yanko Design.

So, I was in Macau a month and a half ago, walking through all the grand casinos to get to the expo venues where I was attending a trade show. The casinos were decked up in a rather Vegas-like fashion. Glitz, glamor, gold, with a hint of scarlet. You’d see lush green boards with red dice rolling around, and while that looked nice, a month later, I was in a D&D campaign, using similar dice, looking at it and just thinking – these look so out of place with the mythic/mystic/rustic vibe of my game. The reality is, most polyhedral dice are sort of a template – six or more sides, made from either plastic or, if you’re lucky, metal, with really no aesthetic match to the game you’re playing. Enter Prophecy Dice, the latest oddball object to catch the attention of the RPG crowd and, frankly, anyone who loves a slick gadget.

What if dice don’t look like dice? Asked the guys at Dragonstonegaming, who developed the Prophecy Dice – a pocket-watch-shaped gizmo that fits a trigger-activated spinner with a ‘Dice meets Wheel of Fortune’ vibe. The spinner looks like something from an alternate timeline where Victorian-era adventurers carried precision instruments for determining their fates. Press a button, watch the internal mechanism spin, and let the pointer reveal your roll. It carries the ceremonial weight of traditional dice rolling but packages it in a form factor that appeals to the EDC enthusiast in me, but more broadly, really fits the thematic DNA of RPG games. It’s engineered for “balanced and fair” outcomes, which is always the line, but Dragonstone appears to have invested in actual spin-testing and symmetry too.

Designer: Dragonstonegaming

Click Here to Buy Now: $69 $118 (42% off) Hurry! Only 150 left of 2300.

The mechanism feels less like rolling dice and more like spinning the Wheel of Fortune, with a tactile immediacy that’s weirdly addictive. You select your die type (d4 through d100, all the classics), line up the internal indicator, and let it rip. The pointer snaps to rest in a window, and boom – you’ve got your roll. The simplicity is deceptive; this is a precision-milled device, not a kitchen timer, and the Kickstarter video shows off the smooth, almost hypnotic spin.

At first glance, this feels like peak EDC gadget territory – the kind of thing that makes you wonder if we really needed to reinvent the humble d20. But dig deeper into the engineering, and there’s actually some thoughtful design philosophy at work here. The all-metal construction addresses one of the biggest complaints about traditional dice: inconsistency. Anyone who’s spent serious time rolling knows that cheap plastic dice can be weighted, chipped, or just plain unreliable. Metal spinners, when properly balanced, eliminate those variables entirely.

The 7-in-1 functionality is where this gets interesting from a UX perspective. Instead of fumbling through a bag of different polyhedrals mid-game, you’re looking at a single device that covers d4, d6, d8, d10, d12, d20, and d100. The push-button mechanism feels deliberately analog in our increasingly digital world, giving you that tactile feedback that smartphone dice apps can never replicate. Windows on both sides of the dice let you access the different ‘polyhedra’.

What really sells me on the design is the pocket watch aesthetic. This could have easily been another generic gadget in a plastic housing, but Dragonstone Gaming understood that EDC gear for D&D needs to look the part. The metallic finish and classic proportions mean this actually works as a conversation starter, especially if your game is centered around vintage or steampunk themes. The Dice comes in two styles – one with a storm-summoning witch named Selene Tidecaller, and another with a valiant Knight named Edric Thornsworn. Both designs have the same relief-style carving on the front, back, and sides, making this truly look like something your great-grandfather would hand down to you.

Selene Tidecaller

Edric Thornsworn

The engineering challenges here are more complex than they initially appear. Creating a truly balanced spinner that delivers fair results across seven different dice types requires precise calibration of weight distribution, friction coefficients, and stopping mechanisms. Traditional dice rely on physics and probability over thousands of rolls, but a spinner needs to be mathematically fair on every single use. The fact that they’re claiming “balanced and fair” results suggests they’ve put serious thought into the internal mechanics, though I’d love to see some independent testing data on the actual randomness distribution.

The Kickstarter numbers are, frankly, wild. Prophecy Dice aimed for a modest $2,000 and currently sits north of $340,000 with weeks left to go, over 3,300 backers deep. That’s not just hype, that’s people with dice fatigue looking for something better, or at least different. Tabletop gaming lives and dies by its rituals and accessories, and Prophecy Dice slots perfectly into the EDC arms race: a gadget that feels essential without ever being necessary. The $69 price is what you’d expect for a premium, all-metal, limited-run object, but backers seem happy to pay for novelty that actually works. The campaign is loaded with stretch goals and metallic finishes, and I wouldn’t be surprised if custom engravings show up next.

Although I’m curious to see how it holds up to months of real play. Will the spin wear out? Will the mechanism jam after a few too many critical fails? That’s the risk with any Kickstarter, especially one that blends analog charm with moving parts. However, this isn’t Dragonstonegaming’s first campaign. Their SpinDice from last year also blew past its funding goal, with over 800 backers bringing the project to life. The Prophecy Dice feels like the next iteration, and ships with an optional leather handmade slip case, or a ‘relic’ mount. The Prophecy Dice ships globally starting October 2025.

Click Here to Buy Now: $69 $118 (42% off) Hurry! Only 150 left of 2300.

The post Gaming Dice turned into Gentleman’s EDC: Meet the 7-in-1 Prophecy Dice Spinner first appeared on Yanko Design.

You’d think the world had run out of challenges for LEGO builders. After all, we’ve seen ‘functional’ lawnmowers, instant-photo Polaroid cameras that spit out LEGO “photos,” and even a ‘working’ rotary phone, all meticulously engineered, all somehow feeling like they’re right at home in the pantheon of LEGO absurdity. Yet, every so often, a builder comes along who ups the ante and rewrites the rules of what counts as “functional.” This time, that crown goes to a Rubik’s Cube, the kind that actually works. Not a blocky facsimile or a fidget toy with half-hearted spin, but a LEGO-built, fully twistable, color-matching, soul-crushing 3×3 Rubik’s Cube that might just be the most precise and satisfying “MOC” (that’s “My Own Creation” for the LEGO uninitiated) you’ll see this season.

Precision is the name of the game with Rubik’s Cubes. Every speedcuber, every fidgeter worth their salt, knows that the difference between a good cube and a mediocre one is measured in microns. A single click or jam, and your whole solve is toast. So making a functioning cube out of LEGO, with its famously not-quite-millimeter-perfect clutch power and those tiny mold-parting lines, feels like tempting fate. Yet here it is, spinning with the kind of smoothness that would make Erno Rubik himself do a double take. The builder, whose project recently surfaced on the LEGO Ideas platform, didn’t just aim for “works in theory.” They built a full-size, color-accurate cube that moves with the same crispness and tactile feedback you expect from a real puzzle.

Designer: Kragle Dog

The mechanism underneath those glossy 3×3 tiles? A clever lattice of LEGO Technic and system bricks, ingeniously stacked and interlocked to mimic the familiar spindle-and-corner arrangement of the original. It’s a feat that takes patience and an obsessive eye for tolerances, because even a fraction of a millimeter’s error can mean the difference between a cube that spins and a cube that simply locks up.

Size-wise, this thing’s a beast. Scale it against a standard Rubik’s Cube, and you’re looking at a puzzle that’s roughly four times the volume of the pocket original, clocking in at 15.6cm or over 6 inches per side. That extra space isn’t wasted, though. It gives the mechanism inside room to breathe and function, letting each axis rotate independently and with minimal play. The outer tiles are color-matched to classic Rubik’s specs, with red, blue, green, yellow, orange, and white plates snapping into place like a proper 80s icon. The result is a cube that looks like it was plucked directly from the world’s nerdiest toy store and dropped onto your desk, ready for a scramble.

“The Rubik’s Cube truly is an iconic toy, shoulder-to-shoulder with the likes of the LEGO brick,” says LEGO builder Kragle Dog. “So, being a fan of both LEGO bricks and Rubik’s Cube, I decided to try a new challenge and combine those two legendary toys into one epic idea.” The resulting build uses a staggering 2,216 bricks (that’s just the cube, not counting the base or the Rubik minifigure).

What really gets me is how this project manages to bridge the gap between playful creativity and mechanical purism. Most LEGO MOCs err on the side of whimsy, sacrificing accuracy for charm. Here, though, the builder’s gone full engineer, wrangling LEGO’s sometimes-fussy tolerances into something that actually works. That’s no small feat. The prototype reportedly holds together under repeated twists and turns, resisting the kind of catastrophic blowouts that plague less robust builds. There’s sheer genius in how each piece interlocks, trading the usual friction-fit for a system that’s both sturdy and forgiving. It’s the kind of object that makes you want to pick it up, scramble it, and maybe even try to speedsolve just to see if it can keep up. And no, you’re not allowed to use a Brick Separator to ‘solve’ the cube, even though that’s technically possible.

The flex doesn’t stop at the cube itself. The builder included a custom 357-brick display stand, elevating the puzzle into the realm of functional sculpture. There’s even a minifigure of Erno Rubik, the Hungarian architect who kicked off the global cubing craze back in 1974, complete with his signature hair and a tiny cube of his own. It’s a wink at the history and the culture surrounding the puzzle, and a reminder that behind every great invention is a designer obsessed with the details. The stand’s got just enough visual heft to make it a centerpiece on any shelf, while the figure adds a layer of narrative that most LEGO MOCs skip over in favor of pure form.

If you do want to see this project come to life, it just requires you to vote for it on the LEGO Ideas forum – a platform created for LEGO enthusiasts to share unique creations and vote for their favorite builds. We’ve covered hundreds of MOCs at this point, and I for one continue to be surprised by the kind of ingenuity LEGO builders possess, even after covering this beat for over 10 years!

The post This 2216-piece functional LEGO Rubik’s Cube could be the ultimate desk flex first appeared on Yanko Design.

It’s a curious thing, watching luxury watchmakers dip their toes into the world of high-performance vehicles. The precision engineering, the obsession with mechanical perfection, the almost neurotic attention to detail – these traits translate remarkably well from tiny wrist-bound timepieces to roaring machines. Richard Mille, the Swiss brand whose watches routinely command six-figure prices and adorn the wrists of Rafael Nadal and F1 drivers, has now turned its horological expertise toward the asphalt with the RMB01 superbike, created in partnership with legendary British motorcycle manufacturer Brough Superior.

This isn’t Richard Mille’s first venture beyond watchmaking – the brand has previously dabbled in racing partnerships and automotive-inspired timepieces (remember the world’s thinnest mechanical watch with Ferrari in 2022?) – but the RMB01 represents their most ambitious crossover yet. The collaboration makes perfect sense when you think about it: both companies trade in mechanical art that performs at the highest level, both cater to clients who view technical excellence as the ultimate luxury, and both understand that in a digital world, there’s something profoundly appealing about analog mechanical perfection.

Designers: Brough Superior & Richard Mille

The RMB01 itself is a track-focused beast that takes clear design cues from both brands’ DNA. At its heart beats a 997cc V-twin engine that showcases the same philosophy that drives Richard Mille’s skeletonized watch movements. The engine block starts as 352 pounds of aluminum before being precisely machined down to just 50 pounds of essential components. This weight-obsessed approach yields 130 horsepower, which might seem modest by hyperbike standards, but reflects a focus on usable power and mechanical transparency rather than headline-grabbing numbers. The engine casings themselves are works of art, machined from solid blocks of 5000-series aluminum alloy with high magnesium content, exposing the mechanical ballet within.

The chassis follows the same less-is-more philosophy, with a CNC aluminum frame connected to a self-supporting forged carbon exoskeleton. The suspension setup features Brough Superior’s signature Fior-type fork with double wishbone, separating steering from braking forces for exceptional stability through corners. Look closely at the wheels and you’ll notice divided rims that mirror the layered gear trains in a luxury watch movement. Even the speedometer has been reimagined as a mechanical display that would look at home on a Richard Mille timepiece.

Visually, the RMB01 strikes a balance between raw mechanical exposure and sculpted elegance. Available in three finishes (Nocturnal Sapphire, Selene, and Pearl of Speed), the bike features a frosted anthracite grey aerodynamic kit complemented by light grey detailing. Blue accents highlight the cylinder head covers, clutch master cylinder, alternator cover, and shock absorber springs, creating a sophisticated palette that’s unmistakably high-end without being flashy.

Only 150 individually numbered RMB01s will be hand-built in France, with pricing expected to exceed $200,000 per unit. Each represents roughly 18 months of collaborative development between the two companies, resulting in a motorcycle that blurs the line between functional vehicle and mechanical sculpture. For the lucky few who can afford one, the RMB01 offers a unique proposition: the mechanical soul of a Richard Mille watch scaled up to something you can actually ride. Whether on display in a collector’s living room or carving corners on a private track day, it’s a statement piece that demonstrates how the principles of haute horology can be applied to an entirely different mechanical canvas.

The post Richard Mille’s next launch isn’t a Wristwatch… it’s a 130hp Luxury Superbike first appeared on Yanko Design.

As someone who just bought an Apple Watch not too long ago, I can’t begin to tell you what a heaven-sent it is to be able to ‘summon’ your phone through the watch. I’m decently organized, but I do tend to leave my phone, wallet, keys around the house sometimes, and I just wish there was a way to track or summon your wallet the way you would your phone – WITHOUT fitting a godawful AirTag inside it. Sure, there are cards that help you track your wallet too – until you switch from iOS to Android, and then suddenly you need a new tracker. By that metric, Seinxon has accomplished something genuinely clever: creating the first wallet that plays nice with both Apple Find My and Google Find My Device simultaneously. For those of us living in mixed-device households (or who might switch platforms someday), this dual-ecosystem approach solves a real problem rather than creating another walled garden.

The wallet launched at $65 for early backers (34% off the planned $99 retail), which initially seemed steep until you dig into the technical details. Most tracking wallets are essentially leather pouches with a slot for an AirTag or a Chipolo card. The Seinxon integrates both tracking systems natively, eliminating bulk while tapping into Apple’s network of nearly a billion devices and Google’s massive Android ecosystem. Honestly, this is genuinely smart engineering that acknowledges how people actually use technology across multiple platforms and devices.

Designer: Seinxon

Click Here to Buy Now: $65 $99 (34% off) Hurry! Only 14 days left. Raised over $79,000

The tracking capability alone would make this interesting, but Seinxon packed in five additional features without creating a bulky monstrosity. The detachable magnetic cardholder serves double duty as a phone stand, addressing the awkward “prop your phone against a water glass during lunch” problem we’ve all experienced. The magnetic attachment feels substantial in a satisfying, Apple-accessory kind of way – strong enough to stay put but not so powerful that it requires a wrestling match to separate components.

The wallet’s somewhat modular design means you can detach the card holder and have it hooked to your phone, while the bifold remains in your pant pocket. It’s a nice way to separate elements based on where you need them. The card holder, however, has all the tracking tech, so it’s best placed back in the wallet when you’re not using its phone-stand feature.

The built-in NFC business card functionality transforms the wallet from passive storage into an active networking tool. Tap your wallet against someone’s phone, and your contact details transfer instantly. This feature has existed in various forms for years, but integration into something you already carry eliminates the need for yet another gadget. The implementation here matters – the NFC chip remains powered even when the wallet battery runs low, ensuring your digital business card works even if tracking temporarily doesn’t.

This might be the first wallet with an IP rating, but it doesn’t hurt that the Seinxon Trackable Wallet+ is IP68 certified. This specification means the wallet can survive submersion in 1.5 meters of water for 30 minutes – plenty of protection for rain, spills, or the occasional accidental washing machine trip. Achieving this level of water resistance with multiple electronic components requires careful gasket design and material selection. The company apparently tested prototypes through 200 submersion cycles to validate the waterproofing claims. It just means the wallet’s durable against water and splashes, I don’t recommend jumping into a pool with it.

Battery life typically becomes the Achilles heel of smart accessories, especially those running multiple radios. Seinxon addressed this potential weakness by incorporating wireless charging, eliminating fiddly ports that could compromise waterproofing. The Qi-compatible charging coil works with standard charging pads, though the company recommends their own charging mat for optimal alignment. According to their testing data, a full charge powers the wallet for approximately three weeks of normal use. The battery itself is a custom 400mAh lithium polymer cell rated for 500+ charge cycles before capacity degradation becomes even slightly noticeable.

The physical design balances tech integration with wallet fundamentals. At just 14mm thin, it maintains a reasonably slim profile while accommodating up to eight cards plus cash. The exterior uses vegetable-tanned leather from an Italian tannery that meets environmental certification standards, while also boasting RFID-blocking features that prevent your cards from digital theft and unwarranted scanning. The stitching pattern cleverly conceals antenna placement while maintaining signal strength, showing attention to both aesthetics and functionality.

The interface handles both Apple and Google tracking setups through a unified process rather than forcing users through separate workflows. Location history, battery status, and NFC card customization all live within a clean interface that doesn’t require a computer science degree to navigate. The company promises three years of software updates, addressing the common concern that crowdfunded products become abandonware shortly after delivery.

The Seinxon Trackable Wallet+ represents what crowdfunding platforms do best: enabling innovative solutions that larger companies overlook because they’re too invested in their ecosystems. By bridging the Apple-Google divide while adding genuinely useful features, Seinxon has created something that solves actual problems rather than inventing new ones. The wallet starts at a rather impressive $65, which definitely undercuts most wallets, let alone paying for a wallet, a phone stand, an AirTag, and an Android tracker. The 6-in-1 Seinxon Trackable Wallet+ ships globally starting July 2025.

Click Here to Buy Now: $65 $99 (34% off) Hurry! Only 14 days left. Raised over $79,000

The post Why this Android + Apple Trackable Wallet Could Change Your EDC Game Forever first appeared on Yanko Design.

The clacking of marbles against plastic, the agonizing wait as your ball teeters on the edge of a trap, the trash talk between friends gathered around a tabletop game. Remember that? The “Tricky Traps” LEGO Ideas project bottled that exact feeling, transporting us back to the days when entertainment didn’t require a charging cable. Created by LEGO enthusiasts BRICKUP and JodyPad, this 600-piece recreation of the classic 80s Tomy game has already captured over 1,000 supporters on the LEGO Ideas platform. Nostalgia sells, but this project goes beyond mere sentimentality. The creators have meticulously designed each piece to function exactly like the original, resulting in a LEGO set you’ll actually play with long after building it.

I’ve always had a soft spot for LEGO sets that do something after you’ve snapped the last brick into place. The company has quietly built an impressive portfolio of interactive builds over the years. The playable chess sets let you stage epic battles between minifigures. The LEGO Mario sets transform your living room floor into a real-world platformer with electronic sensors and sound effects. Even the Ideas Maze set from 2016 brought genuine gameplay to the LEGO experience, with a tilting labyrinth that challenged your steady hand. “Tricky Traps” continues this tradition, blending the satisfaction of construction with the thrill of competition.

Designers: BRICKUP & JodyPad

The original Tricky Traps captured 80s kids’ hearts with its devilish obstacle course for marbles. Players navigated through moving platforms, sudden drops, and precarious pathways, all while racing against opponents and the clock. This LEGO recreation maintains that essence while adding the unmistakable texture of brick-built design. Each of the approximately 600 pieces serves a purpose, creating a 1:1 scale model that doubles as a fully functional game. The designers incorporated Technic elements to recreate the motorized aspects of the original, ensuring that this isn’t just a static display piece. The attention to mechanical detail shows a deep understanding of both LEGO engineering and what made the original game so addictive.

LEGO shines brightest when it pushes beyond static models. The grand piano that actually plays, the Nintendo Entertainment System with its scrolling TV screen, the functioning typewriter with its satisfying key action. “Tricky Traps” belongs in this category of builds that reward you twice: first during construction, then every time you play with it. For a generation raised on instant digital gratification, there’s something revolutionary about a toy that demands patience, skill, and physical presence. If this set makes it through the LEGO review process, expect to see adults hogging it at family gatherings, reliving their youth one marble at a time, while introducing a new generation to the analog joys of mechanical gaming.

The project still has 589 days to gather the 5,000 supporters needed to reach the next review milestone, but its early momentum suggests a hunger for tactile, interactive play experiences. With enough support, it could potentially become a retail box set that all of us can assemble and play with. If you want to see that happen, i.e., if you love tactile games over doomscrolling displays, go ahead and give the Tricky Traps your vote on the LEGO Ideas website here!

The post LEGO’s ‘Tricky Traps’ Promises a Hands-On Experience That Will Captivate All Ages first appeared on Yanko Design.

Few cinematic antiheros have captured our collective techno-anxiety quite like the T-800 Terminator. That chrome skull with piercing red eyes has haunted our dreams since 1984 when Arnold first uttered those now-legendary words: “I’ll be back.” Four decades later, the endoskeleton design remains a masterclass in mechanical menace, a perfect fusion of human anatomy and cold machine precision. The exposed pistons, hydraulic jaw detail, and that unwavering death stare somehow manage to be both familiar and utterly alien. James Cameron’s creation tapped into something primal about our relationship with technology – the fear that one day our creations might look back at us with those same emotionless eyes.

Now that iconic design has found a brilliantly practical new purpose on your desktop. Someone has finally answered the question nobody thought to ask: what if the relentless killing machine from the future could hold your Sennheisers? The result is this meticulously crafted 3D-printed Terminator Endoskeleton Headphone Stand, and I’m absolutely here for this unexpected fusion of 80s sci-fi nostalgia and modern desktop organization. Standing at approximately 8.5 inches tall, this menacing little skull transforms the mundane act of storing your headphones into something with far more cult weight than your minimalist wood or metal stand. Etsy seller by the name of ‘ProperCrafts’ offers it in two finishes, and judging by the photos, both capture the weathered metallic sheen that made the original so compelling.

Designer: ProperCrafts

The true showstopper here is undoubtedly the glowing red LED eyes, powered via USB. They cast an ominous glow across your desk that hits the perfect balance between practical lighting and nostalgic fan service. The lights activate when plugged in, bathing your workspace in that signature Skynet red that instantly communicates “cybernetic organism” rather than “plastic headphone stand.” This feature transforms what could have been a simple novelty into something genuinely atmospheric. The wiring is cleverly concealed within the stand itself, maintaining the clean aesthetic while providing that essential touch of authenticity.

The side of the cranium features detailed mechanical elements that would make Industrial Light & Magic’s original model makers nod in approval. Even the base has been thoughtfully designed with enough stability to prevent toppling when supporting even the heaviest audiophile-grade headphones.

For the 3D printing enthusiasts looking to take this piece to the next level, an acetone bath can smooth out the visible layer lines for an even more screen-accurate finish. Fair warning, though: this finishing technique requires significant experience with 3D printing materials and can easily ruin the entire piece if performed incorrectly. The standard finish looks fantastic out of the box, so novices should resist the urge to experiment unless they’re comfortable potentially sacrificing their new cybernetic desktop companion to the gods of DIY finishing. A little masking, a little spray paint, and you can actually turn this plastic piece into a shimmering chrome skull that should have the average mother fervently whispering “Santa Maria” every time she enters your room.

While modern CGI has given us more elaborate killer robots, nothing has quite replaced the primal fear of that chrome skull with glowing red eyes. Priced between $121-151 depending on finish options, it’s on the expensive side for sure, but feels reasonable once you consider that it also serves as a detailed movie prop with a fair bit of functionality (just like this Sauron headphone stand). For anyone who grew up watching the Terminator films or simply appreciates retrofuturistic design, this headphone stand delivers both nostalgia and utility in equal measure. Your headphones finally have a resting place worthy of Judgment Day.

The post This Terminator T-800 Headphone Stand Is A Must-Have for Sci-Fi Audiophiles first appeared on Yanko Design.

Remember the entire Oscars debacle when La La Land was accidentally announced as the Best Picture winner when the award actually belonged to Moonlight? Remember when the design of the announcement card leaked online and the entire internet agreed that the layout was RIDDLED with readability errors? Or maybe you remember the time a Citibank employee accidentally transferred $900 million to the creditors of Revlon instead of paying the actual $7.8 million? The review of the banking dashboard’s graphic design exposed how bad design is often MUCH costlier than good design, given the severe impact it can have on societies.

Cut to the year 2025, and to the world’s third-richest man’s wedding invite: Bezos is marrying his long-time girlfriend Lauren Sanchez in Venice, and a leak of the wedding invite just shows how little the world’s elite think about design in general. The card, which looks like it was pulled from an MS Word template in the 90s, has the least creative design I’ve seen as a 34-year-old man who’s attended enough weddings in his life to know what a good invite looks like. At YD, we usually credit the designers, but this might be the first time I’m choosing not to. Not because I don’t know who designed the card, but because this is one of those rare occasions where we talk about the ‘lack of design’ rather than the presence of it.

Image Credits: Jeff Bezos

It’s estimated that Bezos and Sanchez are spending around $56 million on their wedding (although rumors in December indicated ‘falsely’ at a $600 million spend). It’s safe to say that even with a conservative budget of 1/10th that amount, Bezos could put together a much better invite. So what’s wrong with the invite’s design? Let’s get a little technical.

We start with the most obvious lack of any actual information. Sure, Bezos has a lot of name recognition, but does it hurt to put your name on your own wedding invite? Maybe a date too? These seem much more crucial to the invite than perhaps a dress code, or even a location (considering Bezos apparently rented ‘most of Venice’ for the nuptials). The lack of any identifying information really steals the credibility of the invite. More so, the word ‘WEDDING’ seems to be missing from the entire text, too. Strange…

As for the graphical layout itself, it lacks any sort of character or panache. Text in the center, with haphazard stickers on the outside that look like they came in a free PNG pack. Gondolas, feathers, birds, butterflies, all hideously generic pieces of clip art that only an 8-year-old would use. Centrally aligned text in that italic font is difficult to read too, and with just the words UNESCO and CORILA in bold, it really undercuts what the invite is all about – a wedding. And sure, one could argue that a wedding invite hardly has the same impact as accidentally announcing the wrong winner at the Oscars, or sinking hundreds of millions of dollars because of human error… but it’s the attitude towards good design that’s the problem. Fix that and you fix culture.

But hey, the invite literally has the entire design community talking… and that’s what’s so horrendously powerful about bad design – or polarizing design too. It spreads like wildfire, doing a far better job than good design at acquiring more eyeballs. I assume that’s probably why Bezos’ Blue Origin rocket looks the way it does too…

The post Jeff Bezos’ Wedding Invite Looks Worse Than An 8-Year Old’s Scrapbook first appeared on Yanko Design.

Most good projects die by a rough cut. You print a crisp lattice, reach for the hobby knife, and five seconds later, there is a gouge exactly on the outer surface – a part that’s easily visible. That small heartbreak is what HOZO Design set out to delete with NeoBlade, a cordless cutter that trades brute force for forty-thousand-times-per-second ultrasonic finesse. The idea is simple: let vibration slice through projects with the perfection of a knife through room-temperature butter.

NeoBlade looks and feels like a chunky marker that fits perfectly into your grip. Battery clicks into the tail, blade peeks from the nose, and the whole tool tips the scale at 6.4 ounces, so even a long session of trimming support material will not sprain a wrist. Press the trigger gently, and Precision mode fires in quick bursts, perfect for knocking a single nub off a resin mini. Pull past the detent, and Continuous mode hums until you let go, turning foam board or acrylic sheet into respectful, silent ribbons. A perfect gizmo for finishing touches on all your projects.

Designer: HOZO Design

Click Here to Buy Now: $99 $149 (33% off). Hurry, only 90/800 left! Raised over $619,000.

Forty kilohertz of motion means the edge never drags long enough to melt plastic or splinter wood. Instead, it slips forward under light pressure, one microscopic slice after another, leaving a glassy face that looks almost molded. A smart driver reads resistance on the fly and feeds anywhere from nine to forty watts to the actuator, so switching from soft PLA to stubborn ABS feels seamless. There is no temperature dial to chase, no speed knob, no guesswork.

Keeping the tip cool is the job of a tiny turbofan buried in the barrel. Air enters through side vents, slides across the metal core, and exits behind your hand, dropping blade temperature far below the scorch line of common filaments. The handle stays comfortable, the cut stays clean, and warping never starts. Two bright LEDs flank the blade to fill shadows that magnify mistakes, a small but welcome nod to late-night builds.

HOZO ships six blade profiles in snap-forward cartridges. A 30-degree spear handles everyday trimming, a longer spear dives deeper stock, a curved slice glides through vinyl and leather, a twin-edge scores parallel grooves, and two chisel tips tackle carving and cleanup. Used blades press into a one-way slot on the cartridge, so they retire safely instead of migrating to a drawer where future you will forget they exist. The tool cap hides a stubby driver and a magnet that holds the fresh blade steady while you line up the tang, a little UX grace that feels earned on a cluttered bench.

Changing the Battery

The NeoBlade Creator Combo includes the TurboDock, an extra Battery Pack, and a set of trial blades

Cordless convenience lives or dies by downtime, so NeoBlade ships with an optional TurboDock that charges the handle and a spare cell in about thirty minutes. Slide one battery out, slide the other in, twist, and you are back to slicing before the printer’s next layer cures. Makers on a tighter budget can rely on the USB-C port in the grip, though that route parks the cutter for an hour or more. Early Kickstarter pledges locked in the full kit for $99 USD, a tidy slice off the planned $149 retail tag. The Creator Combo (priced at a discounted $149) packs the NeoBlade, a TurboDock, an extra battery, and a spare blade trial kit with 6 blades.

But don’t confuse this with one of those cheap cutters on Amazon or that soldering iron that you also use to burn off imperfections in 3D prints. Because the edge oscillates instead of tearing, you avoid the fuzzy bead that hot-wire cutters leave in foam and the ragged fringe delivered by abrasive wheels. Clean edges mean less post-processing, which in turn means more time for tuning the slicer profile or experimenting with paint. Model makers, cosplay armor builders, prop shops, even electronics hobbyists who need to notch an enclosure without filling the room with ABS dust will notice the difference on day one.

NeoBlade lands at a sweet spot between pocketable craft knives and industrial ultrasonic stations that never leave a lab. It gives hobbyists, cosplay armor fabricators, prop builders, and small-batch product designers a push-button guarantee of clean edges and repeatable results. By making ultrasonic cutting as casual as clicking a pen, HOZO turns the most stressful step of fabrication into the easiest. Projects move forward, sanding blocks stay clean, and the next big idea arrives sooner because the last one didn’t stall at the trimming stage.

Click Here to Buy Now: $99 $149 (33% off). Hurry, only 90/800 left! Raised over $619,000.

The post RIP Hobby Knives. The $99 NeoBlade carves through foam and acrylic with ultrasonic precision first appeared on Yanko Design.

For a company that single-handedly revived transparent tech, the Headphones (1) have absolutely no transparency in their design. If you saw this video dated a month or so ago, it was Nothing literally confirming that they were due to debut their first over-ears. The internet’s been asking for Nothing to build AirPods Max ‘killers’ for a while, and it seems like Carl Pei finally had his cards in place to make this play…

However, images from a private preview earlier last week showed what the headphones looked like – and the internet has thoughts. A lot of people on Reddit can’t help notice the odd shape, commenting on how it looks different from what they expected… and that’s a good thing. Subverting expectations is great if you can create a design that’s somehow received more positively than the consumer’s expectations. The problem is that Nothing’s ardent fan base now always has the highest expectations. And as a fan, I did too.

Designer: Monica Bhyrappa

Call me pedantic, but Nothing’s entire design DNA was transparency. Whether it was the earbuds or the phones, there was always an element of ‘see-through’ in their tech. Not so much in the phones, given how densely components are packed inside, but the Ear (1), Ear (a), and Ear (open) all had a transparent outer housing that let you peer into the electronics below. While the ‘alleged’ Headphones (1) do have a transparent shell, the design is FAR from actually transparent. In fact, it’s entirely opaque, except for one can-hugging outer shell that doesn’t really let you ‘peer into the headphones.’

That’s when I stumbled upon the ‘Spectrum’ headphones by Monica Bhyrappa. These phones were especially designed for wearers with autism, allowing them to experience less sensory load as compared to other humans. Autistic people experience the world very differently, and an overload of sensory input can easily overwhelm them. The Spectrum are a specially-tuned pair of noise-canceling headphones designed to phase out too many noises, allowing wearers to focus on audio that actually matters.

The design brief is spectacular, and I’m all for accessible tech, but I couldn’t help but also notice one of Monica’s concept renders, which featured a set of transparent cans… and the second I saw them, I knew exactly what I wanted the Nothing Headphones (1) to look like.

Nothing’s ethos is broadly to make tech fun again – not through awkward shapes, but through an eye-catching design that boasts transparency. You have a broader appreciation for tech if you know what’s inside it, or at least that’s what I personally believe. Beats by Dre had this entire scandal following a teardown that revealed metal cubes inside the headphones, added with zero purpose other than to make them feel ‘heavier’ and therefore ‘premium’. Nothing’s transparent tech was supposed to be an open challenge to that.

Are the upcoming Headphones (1) ‘fun’? I’m sure there’s a set of people who love the design, and a set of people who think it’s funky, but not specifically for them. That isn’t the point I’m trying to make. What I personally wish is that the headphones adopted the ‘transparency’ design direction more aggressively. Headphones aren’t like phones. They’re thicker, have more air gaps to allow for vibrating components and air-based resonance. This inherently allows for headphones to have a lot of empty space on the inside – empty space that is PERFECT for beautifully showcasing through transparency.

No, I don’t want glyphs on my headphones. But I do wish they looked a little different. I wish they championed transparency more than they currently are… because let’s not deny that Monica Bhyrappa’s Spectrum headphones do look absolutely gorgeous!

The post Here’s the Nothing Headphones (1) we wish existed instead first appeared on Yanko Design.