The PlayStation 2 was never something you could casually slip into a bag, unless you planned to bring a screen and controller along for the ride. The PlayStation 2 DUO brings those pieces together in an unofficial DIY handheld with an unusual trick. Its screen actually bends in the middle, letting you fold the console when it’s time to put the game away.

There’s plenty of familiar territory around that unfamiliar fold. A purple shell surrounds the display, with a D-pad and the four recognizable PlayStation symbols sitting above two analog sticks. Start and Select occupy the upper corners, while speaker grilles sit below the controls. The arrangement looks reassuringly conventional, which is probably helpful when the screen between your hands is doing something rather unconventional.

Designer: LCLDIY

That screen is a single flexible panel, rather than two separate displays interrupted by a hinge. The project’s earlier development notes describe a 7.8-inch screen salvaged from a foldable phone. It gives the DUO a generous central canvas when opened, without committing the handheld to that same width inside a bag. Of course, making a screen bend doesn’t make its limitations magically disappear.

The panel needs room to curve, and forcing it into a sharp fold would damage it. That requirement shaped the casing and its hinge, leaving a broad bend instead of squeezing the halves completely flat together. It’s a less tidy package than a closed clamshell might suggest, but the extra space has a practical purpose: keeping that delicate display in one piece.

There’s genuine PlayStation 2 hardware inside as well, rather than a newer computer pretending to be Sony’s console. Getting it to fit required cutting down the original motherboard and rearranging its supporting electronics. A 3D-printed enclosure brings everything together, turning equipment once tethered to a television into something you can hold between both hands. The nostalgia extends beyond the buttons, in other words.

The folding body makes the electronics more complicated, of course. Separate control boards occupy the two sides, with a ribbon cable linking them across the center. The trimmed motherboard also carries a small cooling fan and heatsink. There’s quite a bit happening underneath that playful exterior, particularly for a device whose moving parts include the surface you’re supposed to be staring at.

Folding it up reduces the footprint, but doesn’t automatically make this a pocket console. The published project information doesn’t establish its weight, closed dimensions, or battery runtime, so there’s little reason to start planning an entire flight around it. More importantly, this is a completed hobby build, not an upcoming Sony handheld with a price tag and a place on store shelves.

Enclosure printing files and a PCB archive are available on the project page, although they don’t amount to a complete assembly guide. Recreating the DUO still involves board modification and careful work around a flexible display. That might temper the urge to make one immediately, especially if your experience with PlayStation hardware mostly involves inserting discs rather than cutting up circuit boards.

The post This DIY PlayStation 2 Handheld Gives a Foldable Phone Screen a New Job first appeared on Yanko Design.

Samsung has had the folding phone conversation to itself for six years now, tweaking hinges, shrinking creases, and figuring out what a cover screen is even for. Apple waited, watched, and let its rival make every mistake first. That patience shows in the iPhone Duo, a first-generation foldable that skipped straight past problems Samsung’s Galaxy Z Fold8 still hasn’t fully solved.

None of that comes cheap, though. The Duo starts at $1,999 and costs more than the Fold8’s $1,899.99, weighs in at roughly nine ounces against the Fold8’s seven, and folds up thicker in your pocket, besides. Samsung still wins those arguments outright, and we’ll get back to that later. But set weight and price aside, because here are five places where Apple’s first foldable actually beat Samsung’s eighth attempt.

Designer: Apple

The Camera That Disappears

A foldable phone’s whole pitch is the screen, one continuous surface that opens up into something closer to a small tablet. Every notch or punch-hole cut into that surface breaks the illusion a little, reminding you that the software is still working around a sensor buried in the glass. Samsung’s Galaxy Z Fold8 has never quite escaped that compromise, even eight generations in.

The Galaxy Z Fold8 carries a 10-megapixel camera punched into both the inner and cover displays, a hole you notice every time the screen lights up. The Duo takes a different route entirely, tucking its inner selfie camera under the panel itself so nothing interrupts the display when you’re watching a movie or scrolling through photos with both halves open. The outer screen keeps a single, smaller cutout.

A Stylus Samsung Gave Up On

Samsung built its whole Note legacy around the S Pen, then carried that stylus into the first few generations of the Galaxy Z Fold before quietly dropping it this cycle. Neither the Galaxy Z Fold8 nor the Galaxy Z Fold8 Ultra bring it back, leaving a gap for anyone who used to sketch, sign, or jot notes onto that big inner display. It’s a strange retreat for a company built on that exact feature.

Apple Pencil support changes that, working on both the 5.4-inch cover screen and the 7.6-inch inner display, once it arrives. Dual-screen support lands through a software update later this year rather than at launch, so early buyers will have to wait a bit for the full experience. Still, it means signing a document or sketching an idea won’t require unfolding the phone first, something Samsung’s lineup can no longer offer.

Built to Survive the Mess

Dust is the part of durability testing everyone forgets about until it’s too late, and a folding hinge is the worst possible place for grit to sneak into. Water resistance ratings get all the marketing attention, but the dust half of an IP rating tells you whether sand at the beach or fine construction dust will actually make it past the seals and start scratching at the mechanism underneath.

The iPhone Duo carries an IP68 rating, meaning the seal is dust-tight; nothing gets through, full stop. The Galaxy Z Fold8 only manages IP48, which covers water fine but leaves that dust digit low enough that fine particles, sand, and powder aren’t actually kept out. For anyone who takes their foldable to a beach, a workshop, or just a dusty backpack, that gap matters more than it looks.

Room for Everything You Shoot

A foldable’s bigger inner screen practically begs you to shoot more video and drag around heavier files, whether that’s 4K footage, a stack of RAW photos, or a library of apps you’d never bother installing on a regular phone. Storage stops being an afterthought pretty quickly once you’re using the extra screen real estate the way it’s meant to be used, for actual creative work instead of just bigger icons.

Apple tops out the iPhone Duo at 2TB of storage, double what the Galaxy Z Fold8 offers at its 1TB ceiling. That’s the difference between planning around your camera roll on a long trip and simply forgetting storage exists as a problem. For anyone who treats their foldable as a mobile production tool rather than a bigger email client, that extra headroom ends up mattering more than the megapixel count.

Fighting the Fold’s Oldest Flaw

The crease down the middle of a folding screen has been the one problem no manufacturer has fully cracked, Samsung included, no matter how many generations they’ve shipped. Apple’s approach to the Duo’s hinge stacks a nano-texture matte layer over glide-adhesive glass and backs the whole assembly with a titanium plate, an engineering answer to a problem that’s mostly been treated as unavoidable elsewhere in the industry.

Early impressions from outlets with briefing access suggest the crease is still visible. Nobody’s claiming otherwise, but it doesn’t catch your finger or your attention the way it does on most rivals, the Galaxy Z Fold8 included. That’s worth flagging as an early read rather than a verified result, since neither phone has landed in reviewers’ hands yet. Outdoor glare handling gets similar praise, though the real test comes once these ship.

What Samsung Still Gets Right

None of this makes the Galaxy Z Fold8 a bad phone, and Samsung still wins the arguments that matter most to plenty of buyers. It’s $99.01 cheaper, noticeably lighter at roughly seven ounces against the Duo’s nine, and thinner whether it’s folded shut in your pocket or opened flat on a desk. Those are real, measurable advantages, not consolation prizes.

What you’re really choosing between is a phone that’s been refined for eight generations and one making its very first attempt, price and weight included. A first try that already beats its rival on a camera, a stylus, a durability rating, storage, and a hinge design is a strong opening argument, whatever it costs to get there. Samsung’s turn to respond comes next year.

The post 5 Things the iPhone Duo Got Right That Samsung Still Hasn’t first appeared on Yanko Design.

Xiaomi has chosen an interesting moment to return to foldables. The company has not released a book-style foldable since the Mix Fold 4, which launched in 2024, and now it is back with the Xiaomi 18 Fold just as compact foldables are starting to get more attention. Samsung has also added a foldable in this compact format to its lineup, and Apple is widely expected to unveil its first foldable iPhone at its September 9 event with a similar form factor in mind.

That puts the Xiaomi 18 Fold in an interesting spot. It is not just Xiaomi coming back to foldables after a break. It is also arriving just as this smaller book-style format looks like it could become the next big thing.

Designer: Xiaomi

Xiaomi is positioning the 18 Fold as its first mid-size flagship foldable. It weighs 7.73 ounces (219g), measures 0.42 inches thick when folded (10.68mm), and opens out to just 0.20 inches thick (5.02mm), with a folded footprint of 4.64 x 3.29 inches (117.8 x 83.6mm). In person, it feels thin, though not unusually thin by the standards of today’s premium foldables. More importantly, it feels expensive in a good way. The matte texture on the back and frame gives it a softer, understated finish, while the rounded corners and flat frame help the phone look clean and modern.

The unit I handled was the deep red version, and it is a bold color in person. It stands out more than the usual black or silver foldable palette without feeling too loud. It also happens to echo the deep red finish rumored for Apple’s first foldable, which makes the comparison hard to miss. The 18 Fold comes in Black, White, Red, and a Ceramic Version.

In practice, though, this is still a two-handed phone whether it is folded or unfolded. Even closed, the body is compact in one sense but still broad enough that I did not think of it as something built for easy one-handed use. That is not really a criticism. It just comes with the territory.

The outer display is a 5.38-inch panel, while the inside opens up to a 7.58-inch main screen. Xiaomi says both displays share the same aspect ratio, which is meant to make the transition from one to the other feel more natural. I could not fully judge how well that works in daily use from a short demo, but one benefit stood out right away. Video felt more immersive than on squarer foldables because there was less black bar space above and below the image.

The software also looked well suited to the shape. Animations felt smooth in my brief demo, and I did see split-screen and floating window support in action. The unfolded UI felt more like a small tablet than a stretched phone, which is what you want on a device like this. Xiaomi has also placed one speaker on the top edge and another on the bottom edge on the opposite side, which should help give the phone a more balanced stereo effect when it is open.

The hinge left a good first impression too. I cannot really say whether it felt especially firm or especially smooth, because my time with the device was limited, but it did feel sturdy. The crease was handled well too. Looking straight at the display, I only really noticed it from certain angles rather than all the time. More importantly, I could barely feel it when running a finger across the center, which was better than I expected.

I also compared the Xiaomi 18 Fold side by side with Samsung’s Galaxy Z Fold 8. Samsung’s device measures 4.88 x 3.22 x 0.38 inches when folded (123.9 x 81.9 x 9.7mm), 6.35 x 4.88 x 0.18 inches when unfolded (161.4 x 123.9 x 4.5cm), and weighs 7.09 ounces (201g), so it is a little lighter and a bit thinner than Xiaomi’s foldable in some areas. But the difference was not just about dimensions. Samsung’s inner screen was noticeably brighter to my eyes. At the same time, the Xiaomi 18 Fold had one practical advantage that stood out immediately. When placed on a desk, it did not wobble, while the Samsung did.

The biggest surprise for me was the camera. Xiaomi is using a 200MP Leica triple-camera system, led by a 200MP main camera and backed by a 50MP Leica periscope telephoto with an 80mm equivalent focal length. In my short time with the phone, the telephoto camera was the part that stuck with me most. I tried zoom, and the 3.5x telephoto setup immediately felt like one of the most interesting parts of the device. Stability also felt good even at higher magnification, which made the zoom feel more usable, not just more dramatic. The camera bump also did not seem overly large, and its oval-shaped, two-step raised design gives it some presence without taking over the whole back.

My time with the Xiaomi 18 Fold was brief, and this hands-on really only scratched the surface. Even so, the phone already feels like a polished return to book-style foldables. Pricing starts at RMB 10,999, or roughly $1,640, for the 12GB/256GB model, and Xiaomi said it will be available in China only for now.

The post Xiaomi 18 Fold Hands-On: Got Here Before Apple, Can It Beat Samsung? first appeared on Yanko Design.

Scanners haven’t changed much in how they occupy a workspace. A flatbed sits in the middle and claims that real estate whether it’s in use or not. Overhead models are more flexible, but they still tend to take up a fixed spot in any setup. For anyone working from a compact home office or shared studio, that trade-off rarely gets a proper answer.

Joyusing’s ScanMax 320 approaches the problem from a different angle, quite literally. Rather than occupying the center of a workspace, it’s built to sit at the edge of a desk, positioned in the corner while its arm reaches overhead. It handles documents, books, artwork, and large-format materials up to A2 size, without taking over the surface it’s meant to serve.

Designer: JOYUSING

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Folded down, the ScanMax 320 measures 355mm x 68mm x 51mm, slim enough to slip into the included carrying bag and move between rooms without any effort. It runs entirely on USB-C power, so getting started means plugging in a single cable. There’s no proprietary adapter to hunt down, no driver installation ritual, and nothing complicated to deal with before the first scan. You can directly use the ScanMax 320 as a live presenter camera, and scanning as well as other advanced features simply require the free Joyusing Scanner intelligence software.

The shooting area extends to a full A2, or 594mm x 420mm, with a 32-megapixel sensor capturing at up to 380 DPI. That covers blueprints, double-page book spreads, large technical drawings, and oversized artwork in a single pass. An intelligent auto-switching system detects whether the material is A2 or A3 and adjusts accordingly, so there’s no manual input needed between sessions.

Overhead scanners tend to have a lighting problem, particularly near edges or when capturing materials that aren’t perfectly flat. The ScanMax 320 uses a rectangular illumination system shaped to match the scanning area, distributing light evenly and keeping shadows from washing out fine detail near the sides. Three brightness levels, at 30%, 70%, and 100%, are accessible with a single touch for quick adjustments in different environments.

Book scanning is where overhead devices tend to earn their keep, and also where they tend to frustrate. Pages curve at the spine, fingers get in the way, and binding shadows creep in from the edges. The ScanMax 320’s software handles most of this automatically, applying auto-flattening, finger removal, de-skewing, and shadow removal without manual adjustment. Book mode, paired with the included finger cots, keeps pages steady for continuous capture.

Once everything is captured, the software’s OCR engine converts printed text into editable, searchable files, with support for 180 languages and export options including Word, PDF, and TXT. A page of Japanese text, a technical report, or a multilingual research paper can go from physical to fully searchable in seconds, turning raw captures into documents you can actually search, copy, and share.

What’s less obvious about the ScanMax 320, and arguably more interesting, is that it also functions as a live visual presenter. Point it at a printed page, a hand-drawn sketch, or a physical object, and the feed goes live to whatever screen or projector it’s connected to. For a teacher going through annotated notes or a designer reviewing a layout with a client, that extra mode earns its place quickly.

Software compatibility covers Windows, macOS, and several Linux distributions including CentOS, Ubuntu, and Debian, though macOS users will find some features limited compared to the Windows version. Everything connects over USB-C, keeping the setup free of dongles and extra cables. Built-in annotation tools allow for direct markup of scanned content, which makes it easier to prepare materials before presenting or sharing them.

There’s something refreshingly considered about a scanner built to work with your desk rather than on top of it. The ScanMax 320 doesn’t ask you to clear space or rearrange anything. It folds, parks at the edge, and gets on with the job. Whether you’re archiving a collection, digitizing a sketchbook, or presenting something in a meeting, the fact that it stays in its corner is, in itself, the point.

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