Logitech just announced a pair of headphones that I'm sure will make my wife jealous. The new Zone Vibe Pro headphones promise all-day battery life, clear audio powered by AI voice isolation, and Adaptive Noise Cancellation. But what makes me wish I had a pair is the repairable nature of the headphones.
The Zone Vibe Pro headphones are far from the first headphones to have replaceable parts. But they caught my eye because the earpads of my wife's primary headphones just fell off the other day, and battery life is not what it used to be. Official earpads are available, but those are the only parts that can be replaced.
In contrast, Logitech will sell replacement earpads, head straps, and batteries for the Zone Vibe Pro through its Spare Parts Store.
While writing this article, I briefly mentioned to my wife how Logitech sells spare parts and she emphatically asked why we couldn't get parts the same way for our other accessories.
These headphones feature AI-powered voice isolation, adaptive noise canceling, and built-in microphones that don't require a drop-down boom. You'll be able to purchase replacement earpads, head straps, and batteries through Logitech's store.View Deal
The most expensive parts of electronic devices are rarely the first parts to wear out. Wires, woofers, and most of the vital components are encased in plastic, metal, or some fancy material depending on what gadget you're dealing with. Considering the current economy and the way prices are trending, I'd rather spend a few dollars on replacement parts than buy a new device altogether.
The Zone Vibe Pro costs $259.99. That price is in line with similar headphones, but it's still quite a bit of money to invest. Being able to replace a worn-out part for a fraction of the total price of the headphones will help future-proof them.
The Zone Vibe Pro headphones have a boomless design that differentiates them from the less premium Zone Vibe (non-pro). Logitech says the headphones get up to 30 hours of listening or 18 hours of call time when ANC is enabled.
When the battery does run out, you can charge the headphones for five minutes to get an additional hour of call time.
If you are a business user, you can get the Zone Vibe Pro for Business which are certified for meeting apps like Microsoft Teams and support IT fleet management through Logitech Sync.
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There are plenty of USB microphones aimed at gamers these days, but few come from a company with the audio credentials of Shure. For more than 100 years, Shure has built microphones for musicians, broadcasters, performers, and recording professionals, with products like the SM58 and SM7 becoming industry standards along the way. During a recent briefing with me, Shure described the new MV6 lineup as part of its effort to bring that expertise to creators who want professional-quality audio without the cost and complexity that often comes with traditional XLR gear.
That's what immediately appealed to me about the new MV6 Gen 2 ($169). I've spent the last 15 years using microphones for the Windows Central Podcast, livestreams, media appearances, and interviews. I've used plenty of microphones from Razer, HyperX, Blue, and others, but somehow this was my first extended experience with a Shure. After several weeks of testing, including an appearance on TWiT Episode 1101 where I received compliments on the audio quality afterward, I can see why the company has such a strong reputation among podcasters and broadcasters.
The MV6 Gen 2 may be marketed as a gaming microphone, but after using it, that label feels a little too narrow. This is a microphone for anyone who wants better voice quality without needing an audio interface, mixer, XLR cables, or a degree in audio engineering.
Shurehad no input, nor did it see the contents of this review, prior to publication.
What's new with the Shure MV6 USB Gaming Microphone Gen 2?
The new Shure MV6 USB Gaming Microphone Gen 2 now comes in a white option, as well. (Image credit: Shure)
I didn't review the original MV6, but most reviews of the first-generation model praised its strong audio quality, easy setup, and excellent value while noting that customization was relatively limited compared to some competitors.
Shure appears to have taken that feedback seriously.
The second-generation MV6 focuses primarily on expanding user control through software and onboard DSP processing rather than reinventing the hardware itself. The microphone still ships with Shure's "sounds great out of the box" philosophy, but users now have significantly more flexibility if they want to fine-tune their audio.
New features include:
Adjustable Auto Level controls with configurable target levels
New Adaptation Rate settings that determine how quickly gain recovers after volume spikes
Adjustable Real-Time Denoiser intensity
New Speech, Singing, and Instrument presets
A full 5-band EQ for advanced tuning
White and black color options
A longer included USB-C cable
The ability to disable the microphone's touch-sensitive mute button
Enhanced DSP processing and customization through the MOTIV Mix software suite
Perhaps most importantly, Shure accomplished this without turning the MV6 into a microphone that demands constant tweaking.
During my briefing, product manager T Banks repeatedly emphasized that users shouldn't need to understand gain staging, EQ curves, or audio engineering to get excellent results. The advanced controls are there if you want them, but the microphone is designed to sound great from the moment it's plugged in.
Shure MV6 USB Gaming Microphone Gen 2: Price and specifications
Direct bottom-up view of the Shure MV6 Gen 2 microphone displaying its 3.5mm headphone jack and USB-C port. (Image credit: Daniel Rubino)
At $169, the MV6 Gen 2 lands squarely in one of the most competitive segments of the USB microphone market.
That's a price bracket occupied by products like the Razer Seiren V3 Chroma 32-bit and HyperX QuadCast 2 S, both of which offer feature-rich experiences and recognizable gaming branding. The Shure takes a different approach. Instead of trying to out-RGB the competition, it leans heavily on audio quality, DSP processing, and the company's professional heritage.
On paper, the specifications are solid:
Dynamic cardioid microphone
USB-C connectivity
24-bit / 48 kHz audio
Adjustable Auto Level processing
Real-Time Denoiser
Digital Popper Stopper
High-pass filter
5-band EQ
3.5mm monitoring jack
Windows, macOS, iOS, and Android support
Basically, these are all the things I want and need in a mic, and none of the extra stuff that I don't.
Shure MV6 USB Gaming Microphone Gen 2: Design and setup
Close-up shot of the Shure MV6 Gen 2 microphone capsule with the foam windscreen off, showing the inner ribbed cage. (Image credit: Daniel Rubino)
The MV6 Gen 2 won't be mistaken for a gaming centerpiece.
Compared to the RGB-heavy HyperX QuadCast 2 S or the eye-catching Razer Seiren V3 Chroma, the Shure looks almost understated. The cylindrical design, compact desktop stand, and minimal branding prioritize functionality over personality.
Personally, I like that approach, but I also like glowy things.
The MV6 disappears into the background during video calls and recordings rather than demanding attention. It feels more like a professional tool than a gaming accessory.
Setup is about as painless as USB microphones get. Connect the included USB-C cable, select the device in Windows, and start talking.
One of the more interesting insights from my conversation with Shure involved the company's decision to omit XLR entirely. Shure believes many creators are paying extra for XLR connectivity (like the $249 Razer Seiren V3 Pro) they never actually use. By focusing exclusively on USB and investing heavily in onboard DSP, the company was able to keep costs lower while delivering audio quality that approaches much more complex setups.
Having owned mixers and used XLR microphones myself, I completely understand that reasoning. For most people, this approach makes more sense.
Shure MV6 USB Gaming Microphone Gen 2: MOTIV Mix software
(Image credit: Daniel Rubino)
The MOTIV Mix software is where many of the Gen 2 improvements come to life.
My first impression was admittedly amusing. The installer feels surprisingly old-school, almost like a utility from an earlier Windows era. Once installed, however, the application is refreshingly straightforward.
That's a good thing.
Companies often fall into the trap of treating audio software like a cockpit. MOTIV Mix feels more like a well-organized control panel.
One of my favorite additions is the ability to disable the microphone's touch-sensitive mute button on the side. The mute function works extremely well, maybe a little too well. I accidentally triggered it more than once while adjusting the microphone, so being able to disable it entirely turned out to be an unexpectedly useful feature.
Auto Level and Adaptation Rate
Auto Level is enabled by default and serves as Shure's answer to automatic gain control.
The new system allows users to set different output targets while also adjusting how quickly the microphone responds after loud volume spikes. According to Shure, this feature was added after feedback from gamers who found the first-generation microphone could take too long to recover after sudden loud reactions.
For streamers, podcasters, and excitable gamers, it's a genuinely useful improvement.
Monitor Mix
Monitor Mix lets users balance their own voice against system audio heard through connected headphones.
Anyone who records podcasts, livestreams, or interviews will appreciate having direct control over that monitoring experience without needing external hardware.
(Image credit: Daniel Rubino)
Tone and Advanced EQ
The Tone section illustrates Shure's overall philosophy particularly well.
Users who don't want to learn EQ can simply slide between Dark, Natural, and Bright tonal profiles. Those who want deeper control can switch to a five-band EQ and manually adjust key frequencies.
It's an elegant balance between simplicity and flexibility.
Real-Time Denoiser
One of the standout Gen 2 upgrades.
The original MV6 offered denoising, but Gen 2 allows users to adjust its intensity. Whether you're recording in a quiet office or trying to overcome computer fans, HVAC systems, or general background noise, the Denoiser provides meaningful control over how aggressively the microphone cleans up your environment.
Popper Stopper and High Pass Filter
The Digital Popper Stopper is designed to reduce plosive sounds caused by hard "P" and "B" consonants. During testing, it worked well enough that I never felt compelled to add an external pop filter.
The High Pass Filter can be set to 75Hz or 150Hz, helping reduce low-frequency rumble from HVAC systems, vibrations, and other environmental noise. Combined with the denoiser, it's surprisingly effective.
Shure MV6 USB Gaming Microphone Gen 2: Audio quality
This is where the MV6 Gen 2 earns its asking price.
Throughout my testing, voices consistently sounded warm, natural, and broadcast-ready with remarkably little effort. The microphone's dynamic capsule does an excellent job focusing on the speaker while minimizing distractions from the surrounding room.
(You can listen to how it sounds above during my 3+ hour guest appearance on This Week in Tech a few weeks ago.)
More importantly, it sounds good before you open the software.
That might sound obvious, but it's becoming surprisingly rare. Many gaming microphones feel like they require software processing to reach their full potential. The MV6 Gen 2 starts from an already excellent baseline and simply gives you tools to refine it further.
That philosophy came up repeatedly during my conversation with Shure. I compared its audio approach to brands like Bose, where tuning and DSP should complement the product rather than compensate for its shortcomings. The expectation is that users plug it in and immediately sound better.
In my experience, that's exactly what happens.
Against the Razer Seiren V3 Chroma 32-bit, I generally preferred Shure's warmer, more natural vocal presentation for podcasting and spoken-word content. The Razer offers more visual flair and creator-focused effects (and the auto-tuning setup in Synapse is great), but the MV6 sounded more like a broadcast microphone.
Compared to the HyperX QuadCast 2 S, the Shure again prioritizes voice quality over spectacle. The HyperX remains one of the best-looking microphones on the market, while the MV6 feels more focused on delivering clean, professional audio.
Neither comparison is a knock against Razer or HyperX. Instead, it highlights how different Shure's priorities are. This feels like an audio company that happens to be making a gaming microphone rather than a gaming company trying to make an audio product.
Shure MV6 USB Gaming Microphone Gen 2: Competition
Razer Seiren V3 Chroma microphone offers similar capabilities to the Shure MV6 Gen 2, but with a lot more typical gaming RGB flair. (Image credit: Daniel Rubino)
If RGB lighting, aesthetics, and streamer-focused visual features are top priorities, either competitor may be the better fit.
If audio quality is the top priority, the MV6 Gen 2 presents an extremely compelling argument.
Shure's competitive advantage isn't lighting, software effects, or gaming branding. It's more than 100 years of microphone experience combined with DSP technology that originated from the company's broader professional audio business.
That heritage is difficult to replicate.
Should you buy it?
✅You should buy this if ...
You want excellent audio without needing XLR hardware
You podcast, stream, create videos, or appear in meetings regularly
You value audio quality more than RGB lighting
You want useful DSP features that work automatically
❌You should not buy this if ...
RGB lighting and visual customization are important to you
You want a microphone with multiple polar patterns
You prefer software ecosystems as polished as Synapse or NGENUITY
Final thoughts
(Image credit: Daniel Rubino)
The Shure MV6 USB Gaming Microphone Gen 2 feels less like a gaming microphone and more like a professional USB microphone that happens to be affordable enough for gamers (or anyone who just needs a good mic that's not XLR-level).
For a first-time Shure user, that's probably the biggest compliment I can give it. After years of seeing Shure microphones dominate podcasts and broadcasts, I finally understand why so many creators trust the brand. The sound quality is excellent, the setup is effortless, the DSP features are genuinely useful, and the software gives you just enough control without becoming overwhelming.
My only real criticism is that MOTIV Mix lacks some of the visual polish and ecosystem refinement found in competing software suites. Beyond that, there isn't much to complain about.
At $169, the MV6 Gen 2 delivers exactly what Shure set out to achieve: professional-grade audio that simply works.
Professional Grade
Shure
MV6 USB Gaming Microphone Gen 2
Engineered specifically for PC gaming, streaming, and content creation, the MV6 Gen 2 brings Shure's professional broadcast technology to more creators, including those purchasing their first dedicated microphone and looking to elevate their sound beyond a headset.
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Typing with one hand usually means stretching a finger across a keyboard while the other hand holds a drink or works a mouse. Google’s Gboard team has a wonderfully impractical fix: put the keys on a conveyor belt and let them come to you. Its Rotating Keyboard stands upright on a desk, asking your finger to stay put while the letters keep moving.
Regular keyboards assume your hands will travel between stationary keys, a reasonable arrangement that has survived decades of typing. Google reverses that relationship by mounting rows of keycaps on loops that travel around rollers. The tall blue frame and angled stand make the moving assembly feel closer to a miniature factory machine than a computer peripheral, which is probably part of the joke.
Instead of looking down for a letter, you watch for the right key to arrive and press it as it passes. Google says each belt carries 29 keys and can input both uppercase and lowercase letters. That might let one hand stay near the same spot, though it also turns typing into a timing exercise, especially when the next letter takes its time coming around.
Imagine answering an email with a cup of tea in your free hand. On a conventional keyboard, you’d either put the cup down or hunt for letters one finger at a time. Here, the moving keys do the traveling while you wait at the front of the machine. Google also suggests using your free hand on a mouse, which sounds suspiciously like extra work.
There’s an oddly earnest design lesson underneath the silliness. Questions about ergonomics often begin with who a familiar object was made for, and Google has taken that thought to a ridiculous extreme. The upright arrangement might use less horizontal desk space than a full keyboard, but it trades that footprint for height, moving parts, and the need to watch every passing key.
Google plays along with its own premise, floating ideas for faster movement, longer belts with more characters, shorter versions for phones, and different colors. None of those variations is a promised product. Even the keyboard itself isn’t headed for stores; the team has released open-source plans for a similar device instead. That keeps the joke open to anyone curious enough to build one.
The date is part of the gag, too. Google chose October 1 as a nod to the familiar 101-key keyboard, rather than waiting for April Fools’ Day. It’s the team’s 15th keyboard proposal, continuing a habit of treating ordinary typing as a problem that needs an absurdly elaborate solution. A conveyor belt is hardly the first thing most people would try.
You’re unlikely to write a novel by chasing letters around this contraption, and that isn’t really the point. Google has built a physical answer to a question no keyboard maker was asking: what if the keys did all the moving? It’s a ridiculous way to type an email, but an effective way to notice how much we expect our fingers to do.
Kindles once let your thumb turn pages, but physical buttons disappeared from most of Amazon’s newer readers. That might not seem like a big loss until you’re holding a Kindle and trying not to disturb your comfortable grip. Amazon’s Kindle Click remote and Page Turn Cover offer two ways to bring that familiar press back, without adding buttons to the Kindle itself.
Of the two, Kindle Click makes the most sense when the device isn’t in your hands at all. Prop your Kindle on a pillow or a stand, pull a blanket over your shoulders, and the next page is a button press away. Other e-reader brands, including Boox, have already explored remotes, but Amazon’s Bluetooth version works without clipping a mechanical gadget onto the screen.
The $34.99 Kindle Click has two large, tactile buttons for moving forward or back, with smaller controls on the side for changing the screen brightness. Press both side buttons to put the Kindle to sleep, or change which main button turns forward in the settings. Its rounded body fits either hand, and a woven wrist lanyard keeps it nearby when you get up.
There’s still a little maintenance involved. Amazon says the rechargeable battery lasts for weeks, but the USB-C cable and adapter aren’t included. More importantly, Kindle Click only pairs with models released in 2024 or later. That leaves out plenty of readers who might want it most, including owners of the 2022 Kindle and 11th-generation Paperwhite. At least it doesn’t demand a particular cover.
The Page Turn Cover takes the opposite approach. Instead of leaving the Kindle propped up, you hold it like any other folio-covered reader, with page-turn buttons built into the case. Fold the front back flat, and those controls remain part of your grip. The cover attaches magnetically and uses pogo pins to connect, so there’s no separate battery, Bluetooth pairing, or charging routine.
That simplicity carries through to the materials. The cover opens and closes to wake or sleep the Kindle, while a microfiber lining sits against the screen. Amazon says its plant-based leather contains more than 70% renewable biomaterials, with polyurethane making up the remainder. Graphite, Seaglass Green, and Fig offer three different looks, and both the cover and compatible Kindles carry an IPX8 water-resistance rating.
But the buttons come with a rather narrow invitation. The $79.99 cover fits only the 2026 Paperwhite Signature Edition and Colorsoft Signature Edition, so older Kindles and the standard models are out. That’s a considerable price for something that won’t fit most Kindles already in use. If you prefer reading without a case, the extra layer might also feel like an awkward trade.
Amazon hasn’t put physical page-turn buttons back on the readers themselves, and that distinction matters. The remote keeps your hand warm under the blanket while the Kindle stays put; the cover gives your thumb somewhere familiar to land when you’re holding it. Neither approach will suit every Kindle owner, but it’s nice to choose where the buttons belong instead of reaching for the screen again.
Your phone focuses by firing an invisible laser pulse at whatever you’re aiming it at, timing the bounce, and telling a tiny motor to move some glass. The whole loop finishes in a few hundredths of a second and nobody has thought about it since roughly 2017. VIVIFoCAL has taken that identical hardware recipe, a time of flight sensor, a microcontroller and an actuator, and bolted it onto a pair of glasses pointed at the world instead of at your brunch. The S1 measures how far away the thing you’re looking at is, works out the optical power your eyes need, and mechanically shifts the lenses into position in under 0.1 seconds. It’s autofocus, except the sensor is on your face.
Dr. Zhao, who earned his doctorate at a world-leading university and previously ran an optical R&D laboratory at a major optics company, built VIVIFoCAL around a piece of physics that has not yet been widely adopted by the general public. The S1 uses Alvarez lenses, two complementary freeform elements that change optical power when one slides sideways across the other. Nobel laureate Luis Alvarez patented the principle, and it was then stranded for decades because somebody had to do the sliding. A motor does it now. The result covers 8 inches to infinity in a 40 gram frame, and it launches with VIP pricing from $289.
A laser, a motor, and the 1967 patent working in the background
Three sensors do the work rather than one. A time of flight laser reads distance, a G-sensor tracks head posture, and an infrared wear detection sensor tells the glasses whether they’re on a face at all, which is how the battery survives being pushed up onto your head mid-conversation. The microcontroller sits between them, converting a distance reading into a lens position and commanding the motor in a single pass. The lenses simply change optical power to match whatever distance you’re looking at, the same job your eyes handle on their own before presbyopia kicks in. VIVIFoCAL calls that loop Instant Focus, and the same time of flight hardware we’ve watched migrate into phones, robot vacuums and door locks is what makes it affordable in eyewear.
Fitting a moving lens assembly, a rangefinder, a motion sensor, a microcontroller, a motor and a battery into something that still reads as eyewear is the harder half of this product. VIVIFoCAL has pushed the electronics into the brow bar and the temple arms, keeping the optical stack shallow enough that the frame sits on a face instead of announcing itself as hardware. The 160.5 x 160 x 43.5mm envelope is ordinary spectacle territory, which is the entire argument. Every packaging decision is downstream of one goal, helping the wearer see clearly across distances without thinking about the machine doing it.
Progressive lenses ask you to tilt your chin… this doesn’t
Presbyopia is projected to affect 2.1 billion people by 2030, and the standard answer for most of them is a progressive lens with three prescriptions blended into one lens, near at the bottom, distance at the top, intermediate smeared between. Finding the right part of the glass means tilting your chin, and the tradeoff is the narrow tunnel vision that progressive wearers describe, with softness creeping in toward the edges. VIVIFoCAL calls its answer Full-Lens Clarity, where the Alvarez lenses deliver one consistent optical power across the whole lens at every setting instead of splitting it into zones. There is nothing to hunt for and less peripheral distortion to work around. I’ve watched that chin-tilt dance play out for years, so the appeal is obvious.
Progressive glasses are generally built around everyday reading tasks, and for closer or more detailed work plenty of wearers still reach for a second pair or a magnifier. S1’s focusing range starts at 8 inches, which brings fine detail inside the same lens handling everything else. VIVIFoCAL demoed the glasses at WonderFest 2026 against a 1/35 scale miniature, the sort of precision hobby work that has kept optical visors and loupes in business for a century, and the testers who work with their hands responded the way you’d expect. One early tester shared that using S1 in a data center was a productivity gain and a huge plus, because he could walk past equipment and read tiny serial numbers without interrupting his workflow to take out extra readers, switch to other glasses, or use additional visual aids. He no longer carries multiple pairs when he leaves the house.
Forty grams, three nose pad sizes, and all-day power
VIVIFoCAL designed around the fact that head sizes and nose bridge heights vary far more than eyewear brands usually admit, which is why S1 ships with flexible spring hinges and three sizes of interchangeable nose pads to adapt across face shapes. The frame lands at 40 grams bare and 50 with the magnetic front clip, built on TR90 temples, the same material that has quietly taken over lightweight frames and wearable arms across the industry. Those numbers matter because forgetting you’re wearing them is the whole point of automating focus in the first place. A 250mAh battery holds up through 8 hours of constant refocusing and refills over USB-C in about an hour, with normal use stretching to a full day. Glasses that can run flat is still a new idea to make peace with.
A separate pair of lenses attaches behind the Alvarez elements, so one pair carries your prescription to see near and far. Magnetic polarized sunglass lenses snap onto the front for outdoor use with adaptive focus still running underneath. The polycarbonate lenses carry anti-reflective and anti-smudge coatings, transmit more than 90 percent of light, and sit inside a field of view above 110 degrees. The app adds a ±0.5D fine-tuning range on top of the automatic correction, which is how the glasses absorb the slow drift of a presbyopic prescription instead of being replaced. Presbyopia correction tops out at 3.5D, so the deepest cases fall outside what S1 can currently handle.
The bet VIVIFoCAL is making on moving glass
The company isn’t chasing this idea alone. Other teams are working on adaptive focus through liquid crystal lenses or eye tracking instead of a mechanical shift, and the category is young enough that the approaches are still diverging. VIVIFoCAL is betting on the refractive route, real glass moving to change optical power rather than a pixelated layer simulating it, and that bet buys the two things that matter most in eyewear you keep on your face all day. S1 holds above 90 percent light transmittance and a field of view past 110 degrees, which is why the image through it behaves like a lens instead of a screen.
Alvarez lenses have been a lab curiosity since 1967 for one reason, which is that the sliding had to be automated by something small enough to live inside a temple arm. Sensors, motors and microcontrollers have finally shrunk far enough to make that trivial, which makes S1 a triumph of packaging, and packaging is where most wearables actually get decided. Autofocus earned its invisibility in cameras by working so fast nobody noticed it, and 0.1 seconds across 8 inches to infinity puts the same disappearing act in front of your eyes. S1 ships with a 1-year warranty, and a refundable $10 deposit locks in VIP pricing at $289 ahead of the official launch, with either the prescription lens service or the sunglass lens bundle included depending on which one you need. Sixty years is a long time for a good idea to wait for its motor.
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