Amazon is offering several exclusive discounts for various models of the JSAUX FlipGo Portable dual-screen monitor, giving dedicated laptop users a chance to add more digital real estate space for their workplace apps and internet browser tabs for less.
AI Generated Hero image of several JSAUX FlipGo portable dual-screen monitors visualized
The LucidSound LS15X is a great wireless gaming headset for Xbox and PC that offers crisp sound, an attractive design, and long battery life for a budget-friendly price, now even cheaper at Amazon.
Photograph of the LucidSound LS15X Wireless Gaming Headset
Amazon is offering a 19% discount on the Xbox Edition of the Backbone Pro, giving Xbox fans who love gaming on the go with Xbox Cloud Gaming a chance to enjoy this premium mobile controller for a somewhat more affordable price.
The SteelSeries Arctis Gamebuds, some of the best earbuds designed for Xbox and PC gaming, are now on sale at Amazon with a 26% discount for Christmas.
You know that thing where you walk into your bedroom at the end of the day and just start emptying your pockets onto whatever flat surface is closest? Keys land on the dresser, wallet gets tossed on the nightstand, watch goes who knows where. It’s a universal ritual of coming home, and it’s exactly the kind of everyday moment that aerospace engineers Javier De Andrés García and Anaïs Wallet decided to redesign.
Their brand, Unavela, takes the precision and intentionality of aerospace engineering and applies it to the mundane objects we interact with daily. The Unavela Valet Tray is a perfect example of this philosophy: it’s a catchall that doesn’t just catch, it elevates the entire experience of organization into something that feels considered and purposeful.
What makes this particularly interesting is the design pedigree behind it. De Andrés García and Wallet aren’t your typical product designers who sketch pretty shapes and call it a day. They come from a world where every gram matters, where form follows function with almost religious devotion, and where materials are chosen based on performance characteristics rather than trends. When aerospace engineers decide to make a tray for your keys, you can bet they’ve thought about it differently than everyone else.
The valet tray sits in that sweet spot between utilitarian and beautiful. It’s not trying to disappear into your decor, nor is it screaming for attention. Instead, it occupies space with quiet confidence, the way really good design tends to do. Think of it as the functional equivalent of that friend who just makes everything run more smoothly without making a big deal about it.
Valet trays themselves have an interesting history. Originally, they were the domain of well-appointed gentleman’s dressers, a place to organize pocket watches, cufflinks, and collar stays. But in our modern world of smartphones, AirPods, car key fobs, and whatever else we’re carrying, the valet tray has become even more relevant. We might not wear pocket watches anymore, but we’ve got more stuff to keep track of than ever before.
What Unavela brings to this category is a fresh perspective. When you look at their work across different products, you see a consistent thread: they’re interested in what they call “functional objects.” Not decorative objects that happen to be functional, but pieces where the function itself becomes the aesthetic statement. It’s a subtle but important distinction. The beauty comes from how well something works, not from applied decoration or styling tricks.
This approach feels particularly resonant right now. We’re living in an era where people are increasingly interested in buying fewer, better things. The whole concept of everyday carry (EDC) has evolved from a niche hobby into a broader cultural conversation about intentionality and quality. People are thinking more carefully about the objects they interact with daily, and they want those objects to reflect thoughtfulness and care. The Unavela Valet Tray fits perfectly into this mindset. It’s not fast furniture or disposable decor. It’s a considered piece that’s designed to be used daily and to improve with that use. There’s something deeply satisfying about having a designated spot for your everyday items, about the ritual of emptying your pockets into a tray that was designed specifically for that purpose.
From a design perspective, what’s compelling is how Unavela bridges the gap between industrial design and consumer products. Aerospace engineering isn’t typically associated with home goods, but maybe it should be. After all, if you can design components for aircraft where failure isn’t an option and weight is critical, you probably have some interesting insights about how to make a really excellent tray. The beauty of good design is that it often looks simple, even inevitable, but that simplicity is the result of countless decisions and refinements. Every angle, every dimension, every material choice has been considered. It’s the difference between something that works and something that works exceptionally well.
For anyone interested in design, tech, or the intersection of engineering and everyday life, the Unavela Valet Tray represents something larger than just a place to put your keys. It’s a statement about bringing rigor and intentionality to the objects we live with. It’s about applying aerospace-level thinking to earthbound problems. And honestly, in a world full of stuff that’s designed to be replaced rather than cherished, that’s a pretty refreshing approach.
The iPhone’s rear cameras keep getting better, but selfies still rely on a smaller, lower-resolution front sensor, and storage upgrades cost considerably more than a microSD card. People who shoot a lot of photos and video feel squeezed on both fronts, choosing between spending hundreds on internal storage or dealing with blurry front-camera selfies. Selfix is a case for the iPhone 17 Pro that tackles both problems at once.
Selfix is a case for the iPhone 17 Pro and Pro Max that adds a circular 1.6-inch AMOLED screen to the back and hides a microSD slot inside. The rear screen acts as a tiny viewfinder so you can use the 48 MP rear cameras for selfies, while the card slot lets you add up to 2 TB of storage without touching Apple’s upgrade menu or monthly cloud fees.
The rear display mirrors the camera view so you can frame yourself, adjust in real time, and pick any of the rear lenses, from ultra-wide group shots to telephoto portraits. You get the main sensor’s larger 1/1.28-inch glass, Night Mode, and up to 8× optical zoom for selfies, instead of guessing with a cropped front camera and hoping everyone fits into the narrower field of view.
Selfix connects through the phone’s USB-C port and does not need a separate app. You snap the case on, open the camera, and the rear screen wakes up. A dedicated button on the case lets you turn the display off when you are not using it to save battery. The idea is to feel like a built-in second screen, not another gadget that needs pairing, permissions, and a drawer full of instructions.
The case includes a microSD slot that supports cards up to 2 TB, using the same USB-C connection to integrate with the phone. A 512 GB card costs around $50, while Apple’s $200 jump for the same capacity makes swappable storage a compelling alternative. Heavy shooters can archive trips or projects without paying monthly cloud fees or deleting older work to make room for new sessions.
Selfix is made from high-quality TPU and comes in Oat White, Blush Pink, and Midnight Black, sized to match the 17 Pro and Pro Max. It adds some thickness, bringing the total to 17mm, but in return, you get a grippy shell, a second screen, and a hidden storage bay. The design aims to look like a natural extension of the phone rather than a bolt-on camera rig or accessory that screams afterthought.
Selfix is aimed at people who care enough about image quality to use the rear cameras for everything, and who are tired of juggling storage or paying the upgrade tax. A case that quietly turns the iPhone into a dual-screen shooter with expandable memory makes you wonder why the phone did not ship this way, especially when the rear cameras already outclass the front by a significant margin, and storage remains artificially expensive.
Want to be more productive when working on your laptop? This monitor extender accessory provides two additional 15.6-inch screens, and it's currently on sale ahead of Christmas.
JSAUX FlipGo Horizon connected to a laptop with the left monitor in portrait mode and the right in landscpe orientation.
Desktop resin printers usually ask a simple question: how much resolution can you afford. Anycubic’s Photon P1 adds a more interesting one: what if the same machine could handle two colors, two materials, or two entirely different jobs without claiming more room on your bench. By pairing a dual‑vat system with a high resolution 14K display and a serious Z axis, the Photon P1 feels tailored to studios that prototype daily and iterate fast. The Photon P1 also packs LighTurbo 4.0 (an advanced UV light source system) for curing developed specially by Anycubic, along with a smart heated vat that temperature-controls the resin baths, offering a kind of industrial-grade output you’d never see in other consumer 3D printers.
Central to this new approach is a cleverly engineered dual‑vat system, a feature so rare in the consumer space that it feels like a genuine novelty. Instead of a single, monolithic resin tank, the P1 offers the option of two smaller, distinct vats side by side (the default is still a single-vat version for most basic users). Hovering above them is a forked build plate, a single component with two separate printing surfaces that can operate in tandem. This architecture allows the printer to print two colors or two resin types in a single job, eliminating the need for separate runs. Its slicer supports material-specific configurations optimized for dual-vat workflows, keeping both materials stable and consistent within one print. When working with premium or engineering resins, this setup also reduces waste and helps lower overall material costs, this setup also reduces waste and helps lower overall material costs. This fundamentally changes the workflow – it effectively gives you the power of two printers, but with the synchronized precision and footprint of one. The machine is not just building an object, it is managing a production queue, all within its own chassis.
This opens a fascinating playbook for designers and creators. A product designer, for instance, could prototype a remote control with a hard, rigid casing printed from standard resin in the left vat, while simultaneously printing soft, flexible buttons from a TPU‑like resin in the right vat. The result is a multi‑material prototype in a single print job, offering a far more accurate representation of a final product without the hassle of printing parts separately and assembling them later. For artists and miniature sculptors, the possibilities are just as compelling. Imagine printing a fantasy character where the main figure is rendered in an opaque grey for maximum detail, while a magical spell effect or a ghostly appendage is printed in a translucent, colored resin from the second vat. This dual‑system approach streamlines the creation of complex, multi‑part models, reducing post‑processing and painting time.
Beyond multi‑material applications, the P1 excels as a pure productivity engine. A technical studio can produce engineering-grade resin prototypes. Designers or creatives can model and produce flexible materials for complex assemblies. A small business owner running an Etsy shop for custom D&D miniatures could use it to fulfill two different orders at once, performing batch production or even dual-part workflows for maximized efficiency. This parallel workflow essentially doubles the machine’s throughput for small to medium‑sized objects, making it an incredibly efficient tool for anyone doing light production work. It transforms the printer from a single‑task device into a small‑batch manufacturing hub.
Of course, these advanced capabilities would be meaningless without a foundation of precision and reliability. Anycubic has clearly invested in the P1’s mechanical integrity, moving it out of the hobbyist category and into prosumer territory. The Z‑axis, often a weak point on budget machines, is built around an industrial‑grade ball screw and robust linear rails. This is a significant upgrade from the typical lead screw setup, translating to smoother, more consistent vertical travel. For the user, this means virtually no visible layer lines, a dramatic reduction in Z‑wobble artifacts, and exceptional repeatability, ensuring that parts designed to fit together do so with tight tolerances.
This focus on industrial‑grade components extends to the build plate itself. Instead of the usual anodized aluminum, the P1 uses a precision‑milled slab of steel. Steel’s superior rigidity and thermal stability mean the plate is less likely to warp over time, ensuring a perfectly flat and level surface for consistent first‑layer adhesion, which is critical for print success. It is a subtle but important detail that signals a commitment to long‑term reliability. This mechanical stability is the bedrock that supports the printer’s headline features.
At the heart of its imaging system is a 14K monochrome LCD. That number translates directly into breathtaking surface detail. With an extremely fine XY resolution, the P1 can reproduce microscopic textures, razor‑sharp edges, and intricate patterns that would be lost on lower‑resolution screens. For jewelry designers prototyping complex filigree or architects building scale models with fine brickwork, this level of detail is indispensable. The monochrome screen also offers the practical benefits of faster cure times and a much longer operational lifespan than the older RGB LCDs, reinforcing the P1’s role as a dependable workhorse.
The Anycubic Photon P1, therefore, is more than just the sum of its impressive parts. It represents a holistic design philosophy where each component complements the others. The high‑resolution 14K screen provides the detail, the industrial Z‑axis ensures that detail is rendered flawlessly layer after layer, and the innovative dual‑vat system leverages that quality to create more complex, more functional, and more beautiful objects with unparalleled efficiency. It is a machine that seems to understand the creative process, offering not just a tool, but a smarter way to work.
Anycubic unveiled the Photon P1 at the Formnext additive manufacturing show, with a Kickstarter campaign debuting this month to let people get their hands on the Photon P1. The retail price is set at a competitive $799, but early adopters have an opportunity to get in at a much lower early‑bird price of $499 (available for a limited period only), a figure that makes its prosumer features accessible to a much wider audience of serious creators and designers.
Recycled plastic products often fall into two camps: grey utilitarian bins or loud, speckled experiments that feel more like proof of concept than something you want on your desk. Tray210 recycled, a collaboration between Korean studio intenxiv and manufacturer INTOPS under the rmrp brand, takes a different approach, using recycled plastics and waste additives to create a tray that feels like a considered object first and an eco story second, treating material diversity as part of the design language.
Tray210 recycled is a circular tray with three compartments, an evolution of the original Tray210 form. It grew out of INTOPS’ grecipe eco-material platform and hida’s CMF proposals, which is a long way of saying it is the result of a tight loop between material science and industrial design. The goal was to pursue material diversity and break away from the cheap recycled stereotype, making something that belongs in sight rather than hidden under a desk.
The form is intuitive, a 210 mm circle with a raised, ribbed bar running across the middle and two shallow wells on either side. The central groove is sized for pens, pencils, or chopsticks, and the ribs keep cylindrical objects from rolling away. The side compartments are open and shallow, perfect for earbuds, clips, rings, or keys. It is the kind of layout you understand at a glance without needing instructions or labels; just place your pen where the grooves are.
The material story is where Tray210 recycled gets interesting. Multiple recycled blends reflect their sources: Clam and Wood use 80 percent recycled PP with shell and wood waste, Charcoal adds 15 percent charcoal to 80 percent recycled PP, and Stone uses 10–50 percent recycled ABS. Transparent and Marble variants use recycled PC or PCABS with ceramic particles or marble-like pigment. Each colorway is visually tied to its waste stream, making the origin legible and intentional.
The aim is to create a design closer to the lifestyle rmrp pursues, breaking away from the impression recycled plastic generally gives. The Clam and Wood versions read as soft, muted pastels with fine speckling, Charcoal feels like a deep, almost architectural grey, and Stone and Transparent lean into translucency and particulate. Instead of hiding the recycled content, the CMF work uses it as texture and character, closer to terrazzo or stoneware than to injection-molded scrap that just happens to be grey.
The combination of clear zoning and tactile surfaces makes Tray210 recycled feel at home on a desk, entryway shelf, or bedside table. The central groove keeps your favorite pen or stylus always in the same place, while the side wells catch whatever tends to float around, from SD cards to jewelry. The different material stories let you pick a version that matches how you want the space to feel: calm, earthy, industrial, or a bit more playful.
A simple tray can carry a lot of design thinking, from intuitive ergonomics to material storytelling and responsible sourcing. Tray210 recycled is not trying to save the world on its own, but it does show how recycled plastic can be turned into something you actually want to touch and keep in sight. For people who care about both what an object does and what it is made from, that is a quiet but meaningful upgrade over another anonymous catch-all that eventually ends up in a drawer.
I remember a time when smartphones had expandable storage. In fact, I remember feeling this internal rage when I saw the iPhone Air and that Apple even decided that a physical SIM slot wasn’t necessary anymore, because apparently a SIM tray blocks so much space that you need to shave down on a phone’s battery capacity. It’s wild that we’ve gotten to this point in our lives, and what’s more wild is that we now have to ‘rent’ storage out by paying for iCloud or Google Drive subscriptions to store our photos and videos. I remember when you could pop in a MicroSD card and those low-storage problems would go away… and ADAM Elements is trying to bring back that convenience with its ultra-tiny SSDs.
The iKlips S isn’t as small as a MicroSD, but it’s sufficiently more advanced than one. Barely the size of a 4-stud LEGO brick, this SSD plugs right into your smartphone, giving it an instant 256GB memory boost. It docks in your phone’s USB-C port, transferring data at incredible speeds, and here’s the best part – the tiny device packs biometric scanning too, which means you can pretty much secure your backups with a fingerprint the way you secure your phone with FaceID. The best part? No pesky subscription fees. You pay once and own the storage forever, and everything’s local and offline… so you never need to worry about remembering passwords, or about having companies and LLMs spy on your personal data to train themselves.
Think a thumb drive, but insanely tinier. That’s the beauty of SSDs, and ADAM Elements touts that the iKlips S currently holds the record for the world’s smallest SSD. Plug it into your phone, tablet, laptop, or any device and it instantly gets a 258GB bump. Data transfers at speeds of up to 400Mb/s with read speeds of 450Mb/s, that’s fast enough to move RAW files in milliseconds and entire 4K videos in seconds, or even directly preview/edit ProRes content on your phone, tablet, or laptop without having to transfer data to local storage. After all, that’s the dream, right?
The tiny device comes with a machined aluminum body and a lanyard hole so that you can string something through to prevent it from getting lost. Plug it into your phone to back up media, then into your laptop or iPad to edit said media. You can transfer data between multiple devices fairly quickly, across platforms too, thanks to cross-compatibility with iOS, Android, MacOS, Windows, ChromeOS, and even Linux. The tiny design sits practically flush against your phone, tablet, or laptop, occupying about the same amount of space as a USB receiver for a wireless keyboard or wireless mouse. Its most important design detail, however, hides in plain sight.
On the underside of the iKlips S is a fingerprint scanner, allowing you to add authentication to your SSD the way you add a password to your iCloud. The device can hold as many as 20 fingerprints, making it perfect for redundancies (just in case you cut a finger while chopping veggies) or even for a team of multiple people sharing data. Place your finger on the iKlips S and it unlocks the SSD, allowing you to read/write data in no time. You’re never faced with forgetting your iCloud password as your password literally lives on your fingertips.
The price of it all? A mere $62.3, which costs about as much as an annual subscription to these cloud storage services. For that, you get something you truly own, and can use without needing an app or an internet connection. Just plug it in and you’ve suddenly got extra storage. Secure the storage with a fingerprint, and move data around at speeds your internet service provider could only dream of. Neat, huh?
Samsung’s Odyssey OLED G6 gaming monitor is down to its lowest price yet, offering a 500Hz refresh rate, QD-OLED visuals, and burn-in protection for $799.99.
I've been using the Logitech Pebble Keys 2 (K380s) wireless Bluetooth keyboard, and it's exactly what I expected from one of the most popular sub-$50 options.
Image of the Logitech Pebble Keys 2 (K380s) wireless keyboard.
Call of Duty: Black Ops 7 is still best played on controller, even on PC, but you're going to want to have the right one. Here are the best options right now for Xbox and PC.
There is a 60% discount deal being offered by dBrand for its Killswitch Ultra Kit, a protective case for gaming handhelds. We gave its Travel Edition a rare, perfect 5/5 review score.
dBrand Killswitch installed on a front facing Xbox Ally X and a back facing Xbox Ally.
Writers spend more time with their keyboards than any other tool, yet most options are either gaming boards covered in RGB lights or cheap office slabs optimized for cost rather than comfort. Neither category really thinks about what writers actually need, which is a keyboard that can keep up with long sessions without killing your wrists and maybe even help you stay focused when the blank page starts feeling oppressive.
Freewrite’s Wordrunner is a mechanical keyboard built specifically for writing, complete with a built-in mechanical word counter and sprint timer. It works with any device that accepts a USB or Bluetooth keyboard, from laptops and desktops to tablets and phones, and its core features live in the hardware rather than in yet another app or cloud service that you’ll forget to open halfway through your writing session.
The standout feature is the Wordometer, an eight-digit electromechanical counter with rotating wheels driven by a coreless motor and controlled by an internal microprocessor. It tracks words in real time using a simple algorithm based on spaces and punctuation, stays visible even when the keyboard is off, and can be reset with a mechanical lever to the left of the display. The counter makes a soft clicking sound as the wheels turn, giving you tactile and audible feedback every time you hit a milestone.
The keyboard also includes a built-in sprint timer that lets you run Pomodoro-style sessions or custom writing sprints without leaving your desk. Subtle red and green lights keep you on track, and you can configure the timer to count up or down depending on how you prefer to work. The standard function row has been replaced with writer-centric keys like Find, Replace, Print, and Undo, plus three programmable macro keys labeled Zap, Pow, and Bam for whatever shortcuts you use most.
The typing experience is what you’d expect from a premium mechanical keyboard. High-quality tactile switches, multiple layers of sound dampening, and a gasket mount design deliver what beta testers kept calling “so satisfying.” Each switch is rated for eighty million presses, which should be enough to see you through multiple novels without the keys wearing out. The die-cast aluminum body gives the board a heft and solidity that plastic keyboards can’t match, keeping it planted on your desk no matter how fast your fingers fly.
Tucked into the top right corner is a multi-directional joystick that controls media playback and volume, so you can adjust your music without touching the mouse or breaking flow. Connectivity is equally flexible. The Wordrunner supports wired USB-C and Bluetooth, pairs with up to four devices at once, and switches between them with a keystroke. It works with Windows, macOS, iPadOS, and Android without requiring special software, which means you can move it between machines without reconfiguring anything.
Wordrunner is designed for writers who want their keyboard to be more than a generic input device. It turns progress into something physical with the mechanical word counter, structures writing sessions with the built-in timer, and wraps it all in a solid, retro-industrial chassis that looks like a specialized tool rather than consumer electronics. It’s less about flashy features and more about making the act of writing feel intentional every time you sit down to work.
The mechanical keyboard market has split into factions that rarely speak to each other. Gaming boards chase millisecond advantages with features most people will never configure, while design-focused options prioritize clean lines at the expense of functionality. Premium keyboards exist in both categories, but they seldom bridge the gap between looking appropriate in a minimalist workspace and delivering the kind of technical depth that competitive players actually use.
The Lemokey L1 HE addresses this gap with a CNC-milled aluminum chassis that weighs nearly two kilograms and looks deliberate rather than flashy. Available in white with yellow accents, black, or silver, the 75% layout includes macro keys and a programmable roller on the left side that defaults to volume control but accepts custom assignments. The metal construction and clean lines work on desks where aesthetics matter.
The switches underneath are where things get interesting. Gateron’s double-rail magnetic switches use Hall Effect sensors instead of physical contact points, which sounds technical until you realize what it enables. Every key’s activation point adjusts from feather-light to deliberate across a 3.6mm range. Set your movement keys to hair-trigger sensitivity. Configure typing keys deeper so resting fingers don’t accidentally fire off characters. The keyboard adapts to how you work rather than forcing adaptation the other way.
Press a key partway, and one action triggers. Press deeper, and a different command fires. Deeper still, another. Release at the right depth and a fourth activates. This isn’t theoretical; it changes how certain games and workflows operate once you stop thinking in binary keypresses. Walking versus running becomes pressure instead of separate keys. Multi-key shortcuts collapse into single presses with varying depth. Finger gymnastics get replaced by pressure control.
Switching to analog mode turns the keyboard into something closer to a controller. Racing games suddenly respond to how deeply you press acceleration keys, not just whether they’re pressed at all. The magnetic switches detect these pressure variations smoothly enough that steering feels genuine rather than approximated. People who prefer keyboards over controllers gain functionality that previously required switching input methods entirely.
The web-based configurator runs through any modern browser without installation, working identically across operating systems. Remapping happens quickly. Macros are built through straightforward menus. The keyboard connects wirelessly at 1000Hz polling for gaming or switches between three Bluetooth devices for productivity. Battery lasts long enough that charging becomes a weekly task rather than a daily concern.
Typing produces sounds that feel dampened and substantial rather than hollow or sharp. Multiple foam layers and gasket mounting create that quality, along with stabilizers that keep larger keys smooth. The double-shot PBT keycaps handle daily wear without developing shine, and the metal body prevents any flex during aggressive typing sessions. RGB lighting exists but stays subdued enough not to dominate the aesthetic.
The L1 HE occupies unusual territory between gaming keyboards and professional boards. It delivers rapid trigger modes and analog control alongside a build quality and appearance that work in spaces where RGB unicorn vomit would draw complaints. The programmable roller, magnetic switches, and four-action keys make it technically ambitious, while the design keeps it visually restrained.
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