You can expect tablet-level versatility from your TV when LG is involved. The South Korean electronics giant previously demonstrated this with the Go model of its wireless StandbyME, which came in a carry case and was designed for outdoor use. Now making its global debut, the new StanbyME 2 offers even greater flexibility. The device is fully detachable from its movable docking stand, allowing it to function as a tablet, hang on a wall as a digital clock, or serve as an ambient display. And if that’s not fun enough, you could even pack the damn thing in the boot of your vehicle and take it camping or to a family picnic.

But it’s not just the portability and multi-orientation abilities that have changed with the StanbyME 2. The new model features an upgraded resolution and enhanced options for customizing audio, visuals, and controls, which can be tailored to users’ personal preferences and diverse media consumption needs, based on the environment it’s being used in.

Designer: LG

The portability of the StandbyME 2 is made possible by a built-in battery, which provides up to four hours of video playback on a full charge. The battery can be charged by docking the display to the stand and using USB-C. With no need for a constant power source, LG’s new display is convenient for both indoor and outdoor use. Like the original StandbyME, the StandbyME 2 comes mounted on a wheeled docking stand for easy mobility. The device can be detached from its base with a single click to be used independently for binge-watching shows, playing board games, or setting up at your creative workspace.

The StanbyME 2 is not a small device. It features a 27-inch QHD display with a native resolution of 2560 × 1440 pixels. Interestingly, it offers a dedicated 60Hz refresh rate – don’t bother gaming if you were thinking – but of course, you can find many other practical uses for the detachable screen. If you don’t want to use it as a large display tablet, you can use its built-in strap to get it up on the wall, where it’s your photo frame in disguise.

Of course, it’s portable, but the StanbyME 2 measures 623 × 364 × 28.5 mm and weighs 4.3 kg without the stand. So, it’s no kid’s play to fiddle with it or even think of detaching and moving it around. With the stand included, the display weighs 15.2 kg. The device is powered by LG’s α8 AI processor, runs WebOS 24, and supports voice control. The gadget is not dust and water-resistant, and it is advised to be placed away from direct sunlight.

Courtesy of the AI processor, the device can adjust brightness and tone based on ambient lighting. The 10W side-firing speakers (change output automatically based on the screen orientation) support Dolby Atmos and AI Sound Pro for virtual 9.1.2 surround sound. Clear Voice Pro feature helps enhance speech clarity on the device, Dolby Vision delivers cinematic visuals, while Bluetooth 5.1, Wi-Fi 5, HDMI with eARC, a pair of USB 2.0 ports, and a 5V USB port take care of the connectivity. Scheduled to start shipping in the US later this month for $1,400, the StanbyME 2 includes LG ThinQ, Apple AirPlay, Google Cast, and Google Home integration.

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As a rule of thumb, you want the camper in the back of your truck to be lightweight. There are multiple reasons for it: safety, performance, and durability. I don’t want to get into details of it, but if you know what I’m trying to imply, you would like the Switchback pick-up camper. At just 375 lbs, it is a great option for those prioritizing weight savings.

The feather-light camper is made entirely of rot-proof aluminum, which adds to its longevity, and makes the Switchback a solid investment for people who camp in different weather conditions throughout the year. Of course, the weight is the first striking aspect from a camper’s point of view; but for me, it’s the A-frame form factor, which really wins the heart.

Designer: Aliner 

Designed equally well for off-roading into the wild or camping under the stars, the Switchback, by Pennsylvania RV manufacturer Aliner, is compatible with most mid-size and full-size trucks. When in drive mode, the camper folds down into a box and sticks just slightly above the bed walls. You can park the vehicle easily in the garage with the camper mounted or take it where your heart desires without impacting the mileage too much. When you’re at the camp, clip open the box, lift up the side hard walls in A shape, stretch out the inner fabric lining and swing the split door open to have yourself a nice sleeping camper. The entire folding and unfolding process takes under 30 seconds.

Aliner has not done anything fancy in the Switchback. Provided with a comfortable 60″ x 72″ bed (which doubles as bench seating, when you’re living out a mid-day storm at the camp), the camper is only your cozy above-ground shelter on a short overnight or, at max, a weekend adventure. Aliner is mulling the addition of an electrical system, but that’s for an upgraded model. For now, it’s the bare minimum that you’re going to get for the $9,500 asking price.

This is Aliner’s first niche pick-up camper, but not the first A-frame camper. The Pennsylvanian manufacturer is a world leader in compact and versatile campers, most A-shaped, symbolizing freedom and exploration. The Switchback, in addition to the sleeping arrangement inside, features a pair of long, lockable drawers, just outside at the entrance, below the camper floor. The drawers are 5 feet deep and should be able to store a camping stove, adventure gear, and other necessities. The cabin interior however measures 5.8 feet at the highest point. It is not standing height for everyone, but should be comfortable enough for the time two people plan to spend within the Switchback. Given its basic features, robust construction, and unique shape, the pick-up camper is easily the best, lightweight, full hard-sided truck camper out there!

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For an audiophile, Audio Technica is not an unheard brand, bringing high-fidelity audio to our ears with a balanced sound signature. The Japanese manufacturer prides itself on durable and reliable performance at an excellent price range. Known for its quality studio gear like headphones, mics, and amps, the brand has a strong foothold in the IEM and earbuds market. No matter if you are a casual listener or someone who performs on the big stage, Audio Technica has got the right pair for you.

Riding on the success of the ATH-TWX9 released in 2022, the successor is here in the shape of ATH-TWX9MK2 noise-cancelling wireless earbuds. The TWX9 garnered a lot of attention because of its sound quality and unique self-sanitizing capabilities. Even though I’ve never gotten my hands on the pair, I have used LG Tone Free FN7 earbuds that have a similar feature aimed at audiophiles who care about hygiene.

Designer: Audio Technica

ATH-TWX9 wireless earbuds retain the stem design while adding a lot of upgrades that should pit them well against the likes of Sony, Bose, and Technics. The form factor is a tad sleeker, and the oval housing promises a secure grip for better stability. The buds come with IPX4 water-resistance protection for protection against the odd water splashes. However, the case gets no such protection rating, which makes it vulnerable to water splashes or a dunk in the shallowest of pools. The self-cleaning feature comes courtesy of the integrated UV LED sterilization system that sanitizes the buds when they are resting inside the case. They have made the buds and the case more resistant to smudges and scratches with a matte finish and satin accents.

The real deal maker is the improved sound driver that is more sensitive towards mid-range and dynamic range. Also, Audio Technica has certified them for High-Resolution Wireless. This means the vocals will be crisp and the low end should have more rumble, just like some of the open-back headphones. Supported audio codecs, including Qualcomm aptX Adaptive (up to 96 kHz 24-bit), the standard AAC, and the SBC formats should suffice the needs of every type of listener. Another major consideration is the inclusion of feed-forward and feed-backward MEMS microphones for hybrid active noise cancellation. These microphones have a frequency response ranging from 20 Hz to 10 kHz with a sensitivity of −38dB (1V/Pa at 1 kHz), making them ideal for clear calls in the noisiest of environments.

They come with a runtime of six hours when ANC is on and up to 18.5 hours in the case. This number is even more when the ANC is turned off.  ATH-TWX9 comes pre-loaded with nature and meditation sounds for kickstarting your day on a positive note or winding down in the evening. The earbuds will come in black or white color options with a price tag of 38,500 Yen (approximately $270). They’ll be released initially in Japan on July 11, 2025, with a global release coming soon after, with an expected price of $300, just like their predecessors.

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Classic cars often become platforms for bold customization, but few reimaginings are as visually striking (or ugly, I have to admit) as this one. Italian mechanic Andrea Marazzi has transformed a 1993 Fiat Panda into what is now being described as the world’s narrowest functioning car. At just 19.6 inches wide, the one-seater electric vehicle looks more like a cartoon sketch brought to life than a road-ready hatchback. Yet it can move, steer, stop, and drive like any other car. That said, I would never imagine myself driving this one-eyed Cyclops in this lifetime.

Marazzi, who works at his family’s scrapyard and mechanical workshop in Bagnolo Cremasco, spent over a year building the vehicle as a tribute to the original Fiat Panda. Nearly every original part of the 1993 car has been reused in the process—doors, lights, roof, and wheels—but the body has been split vertically and rebuilt to shrink the vehicle’s width down to a comically slim profile. What was once a compact city car is now a sculptural slice of steel with just enough room to accommodate a single person, seated at the exact center.

Designer: Andrea Marazzi

Powering this narrow Panda is a small electric motor borrowed from an e-scooter, paired with a 24V battery that gives the car a modest top speed of about 15 kilometers per hour and a driving range of approximately 25 kilometers. It’s not built for real-world commuting, nor is it legally road-registered. But it functions exactly as a basic car should: offering forward and reverse drive, braking, turning, and a working headlight and turn signals. While Marazzi originally created it as a showpiece, the vehicle is fully operational and was recently driven in public at an enthusiast gathering in Pandino, Italy.

The car made its debut at “Panda a Pandino,” a festival celebrating 45 years of the Fiat Panda. Surrounded by thousands of conventionally sized Pandas, Marazzi’s single-seater stood out immediately. Videos and images from the event quickly went viral online, leaving viewers fascinated by its proportions and mobility. Many were amused by how the Panda looks almost flattened, as if it had been squeezed into a 2D shape while retaining its ability to move. Others praised the engineering behind it, describing it as a brilliant blend of creativity, nostalgia, and humor.

Though it’s not street-legal, Marazzi is in the process of submitting the car for a Guinness World Record as the slimmest functioning vehicle ever made. At just a third of the width of the original Fiat Panda, it’s an extreme but fascinating reinterpretation of automotive form. More art installation than transport solution, the narrow Panda invites viewers to rethink proportions, functionality, and playfulness in mechanical design. It’s a rolling experiment—part engineering challenge, part tribute, and part public spectacle.

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LEGO creations have long blurred the line between toy and art, with builders recreating everything from classic cars to full-scale architectural icons. For Richard Paules, it was a childhood passion that turned into an extraordinary pursuit of miniature realism. After winning attention for his detailed LEGO model of Dulles International Airport, Paules has now unveiled his most ambitious build yet: a stunning replica of Ronald Reagan Washington National Airport, constructed from approximately 150,000 LEGO bricks.

The massive model is set to go on display in the ticketing area of Terminal 2 next week, just before the TSA checkpoint. Weighing nearly 120 pounds, the replica showcases the airport’s unique architecture, from the domed ceilings and expansive skylights to the multi-level arrivals and departures layout. It even includes a realistic baggage claim area, gate seating, jet bridges, and signature airfield markings. Every detail, down to the exact floor patterning, has been meticulously replicated with plastic bricks.

Designer: Richard Paules

Paules spent nine months designing and assembling the model, calling it the most challenging project he had ever undertaken. Compared to his previous Dulles build, this one pushed his skills further due to Reagan National’s complex structural features and curved rooflines. As a solo builder, Paules had to manage both the creative vision and the physical logistics, including how to transport such a large and fragile piece safely to the airport. The project, now complete, reflects not only his technical skill but his deep fascination with aviation and public spaces.

The Metropolitan Washington Airports Authority worked closely with Paules throughout the process, helping coordinate installation and display logistics. Airport staff were reportedly stunned by the model’s accuracy, with one operations manager noting how the LEGO version captured the character of the terminal almost perfectly. The model is currently hidden behind a curtain on the ticketing level between doors three and four, and will be unveiled to the public next Monday.

This installation continues a growing trend of using public art and interactive displays in transit hubs to enhance the traveler experience. Instead of rushing past generic hallways, passengers at Reagan National will now encounter an unexpected moment of creativity—one that offers both nostalgia and inspiration. The display also serves as a conversation piece for both aviation buffs and casual travelers, giving them a chance to appreciate the complexity of the airport in miniature.

Following the success of his Dulles model, Paules has again demonstrated how LEGO can transform familiar infrastructure into works of art. His Reagan National build is not just a tribute to architecture or transportation, it’s a celebration of patience, precision, and play. For many who pass through Terminal 2, this impressive creation will likely become an unexpected highlight of their journey. For LEGO enthusiasts, well… it’ll be another build to take inspiration from and come up with something equally stunning.

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The all‑new Meta Quest 3S Xbox Edition rolls VR into the Xbox ecosystem in a uniquely stylish way. At the core, it’s the affordable Quest 3S you know from last fall, upgraded cosmetically and bundled strategically to spotlight Xbox Cloud Gaming. But when you unpack the box, the real appeal becomes clear: more than a headset, it’s a compact, mobile gateway to Xbox’s expansive cloud library.

Under the hood, the headset retains the same Snapdragon XR2 Gen 2 chipset, 8 GB RAM, and 128 GB storage as the standard Quest 3S, Meta’s mid‑range VR workhorse launched in October 2024. Optics and display specs remain unchanged: Fresnel lenses, 1832×1920 pixels per eye, and roughly 96° field of view. Performance and mixed‑reality features mirror the original, ensuring gamers won’t miss out, although it lacks the advanced pancake lenses and wider FOV of the premium Quest 3.

Designer: Meta and Microsoft

The real difference lies in design and packaging. Decked in Xbox’s signature Carbon Black and Velocity Green, the headset, Touch Plus controllers, and included Elite Strap are unified by bold styling. A custom Xbox Wireless Controller ships pre‑paired, and Launcher menus even boot directly into the Xbox app to get players into their cloud‑streamed titles fast. The $399 bundle includes three months of Game Pass Ultimate, three months of Meta Horizon+, and the Elite Strap (combined value around $219) unlocking immediate access to hundreds of Xbox titles and monthly VR game downloads. All without the extra hardware or setup hassle. With Xbox Cloud Gaming beta already live on Quest since December 2023, users can stream big titles like Forza Motorsport, Starfield, or Hi‑Fi Rush directly to the headset.

That said, it’s critical to set expectations right. The headset isn’t delivering immersive VR Xbox titles, it’s running standard console and PC games on a virtual big‑screen view using passthrough tech. Resolutions and bitrate are tuned for cloud, not native VR fidelity, so graphics may appear soft when streamed. But latency remains low, and gameplay feels polished for anyone willing to sacrifice graphics bells and whistles for convenience. Value‑wise, this bundle equates to paying $399 for the headset and accessories, but if you bought each item separately, it could cost over $500. Still, some might prefer to choose storage upgrades or wait for a standalone deal, given the $100 premium over a base Quest 3S.

In essence the Xbox Edition targets a niche: mobile gamers, tech enthusiasts, and Xbox fans who want plug‑and‑play access to their library on a semi‑portable device. It’s not a VR reimagination of Xbox—but it is a slick, streamlined expansion of Microsoft’s gaming footprint. Whether Xbox eventually dives deeper into VR remains to be seen, but for now this is arguably the closest you’ll get to playing Xbox in VR.

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For those who camp beyond fair-weather weekends and into the extremes of winter or the isolation of rugged trails, the Imperial Outdoors OB 120 camper trailer offers a serious answer. Purpose-built for four-season exploration, this squaredrop trailer merges cold-climate expertise with off-road readiness in a compact design that packs comfort, utility, and resilience into every inch. Drawing from its roots in sub-zero ice shelter construction, Imperial Outdoors has created a camper that does not just survive harsh conditions but is made to thrive in them all.

The trailer measures 16.8 feet in length and is built on a rugged powder-coated steel perimeter frame. It rides on an independent Cruisemaster suspension with an articulating hitch, offering smooth towing even across uneven and rocky ground. A generous 16.5 inches of ground clearance and 245 by 75 R16 all-terrain tires equip it for demanding trails and remote campsites.

Designer: Imperial Outdoors

Built with serious cold-weather performance in mind, the OB 120 off-road camper features nearly three-inch-thick composite insulated walls rated to perform in temperatures as low as negative forty degrees Fahrenheit or Celsius. A Truma Combi system provides both interior heat and hot water, while a heated 114-liter freshwater tank ensures plumbing stays functional even in sub-freezing environments. Inside, the cabin offers a minimalist but efficient layout. A full-size mattress folds into a day lounge, making the most of the available space. Cabin height reaches 47.5 inches, suitable for seated comfort. Storage comes via overhead compartments, mesh pockets, and built-in shelving. A skylight lets in natural light, creating an open and airy feel despite the compact size.

A rear slide-out galley handles cooking needs with a dual-burner stove and sink, while a 75-liter dual-zone fridge and freezer mounted on a front slide-out adds refrigerated storage. Electrical needs are met with a standard 102 amp-hour lithium battery, expandable with up to 400 watts of rooftop solar panels for extended off-grid use. Optional features further increase the trailer’s adaptability. A domestic rooftop air conditioning unit offers summer cooling, while a unique 360-degree awning system, made by combining two 180-degree awnings, can be enclosed with wall panels to form a yurt-style wraparound shelter. This allows for a larger covered space during longer stops or inclement weather.

Additional utility is built into the exterior with integrated T-track mounting rails, a full-size rooftop rack, a lockable front cargo box, and holders for recovery boards, tools, and outdoor gear. Weighing approximately 2,460 pounds dry, the OB 120 offers a payload capacity of 1,740 pounds, allowing for generous packing without exceeding safe towing limits. Pricing begins in the low to mid forty-thousand-dollar range for the base model. A fully outfitted configuration, including dual batteries totaling 204 amp-hours, rooftop solar, awnings, AC, roof rack, front box, and exterior mounts, reaches about fifty-three thousand nine hundred dollars. Buyers can also add a rooftop tent to sleep up to four or a separate shower tent for increased comfort on longer journeys.

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Sunlight, a German camper brand under the Erwin Hymer Group, has long positioned itself as a maker of well-built, functional recreational vehicles for adventure seekers. With models like the CLIFF campervan and its VAN series based on Fiat Ducato and Citroën chassis, the company has carved a name in the market by offering quality, affordability, and a lifestyle-centric design approach. Its offerings combine streamlined interiors, flexible layouts, and thoughtful add-ons like panoramic roofs, modular bedding, and adventure-ready editions. Now, Sunlight is preparing to take its off-grid philosophy further with the VW Ibex concept, its boldest and most rugged camper design to date.

The VW Ibex concept departs from typical touring campervans with an exterior package aimed at overlanding. Built on the Volkswagen Crafter chassis, the Ibex features raised suspension, all-wheel drive, heavy-duty front and rear bumpers, and functional exterior upgrades like roof racks, a light bar, an external spare wheel, and lash panels. The front-end protection, wheel arch guards, and cladding around the body give it a distinctive off-road character that goes far beyond paved campsite roads. The camper embraces a visual language of durability and movement, consistent with Sunlight’s tagline of “outdrive the ordinary.”

Designer: Sunlight

The brand has flirted with more adventurous formats before. Its 2019 CLIFF 4×4 Adventure Van, built on a Fiat chassis, catered to the active crowd with gear-specific storage, a modular hammock, and wakeboard holders. But the Ibex pushes that boundary further. While it remains a concept for now, Sunlight has hinted that a production model may not be far off, suggesting serious intent to address the emerging overland market. If brought to production, the Ibex would mark a major shift toward ruggedized adventure campers that merge capability with lifestyle-centric interiors. Inside, Sunlight vehicles typically favor practical, open layouts over decorative excess. Their recent VAN series, including the V60 and V66 models, integrates space-saving cabinetry, convertible lounges, and bright wood tones in its “Sandbar” trim design. The company’s interior focus remains grounded in functionality, optimized for either couples or small families, with models ranging between 19.5 and 22.5 feet in length. Most of these vans are designed to sleep two to four occupants and remain accessible in price, usually starting around $57,000, depending on the base platform and features.

Sunlight’s marketing reflects a shift toward outdoor sports and action imagery, with visuals featuring surfing, climbing, and mountain biking through scenic locations. The Ibex embodies this evolution in brand identity, aiming to be more than just a mobile living space. Instead, it’s pitched as a launchpad for high-mobility adventures across terrain that traditional RVs rarely reach. By venturing into the off-road camper segment, Sunlight appears poised to broaden its appeal while preserving the balance of simplicity and sophistication it’s known for. Whether parked at a forest trailhead or scaling gravel paths in the backcountry, the VW Ibex concept is a signal that the brand is preparing for a future beyond the grid—one where exploration is no longer limited by the road ahead.

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Continuing BMW Motorrad’s tradition of pushing the envelope in motorcycle innovation, the DE-02 electric concept is a compelling evolution in the brand’s forward-looking portfolio. Having previously explored BMW’s design-driven approach to mobility, often marked by a fusion of bold aesthetics and engineering excellence, the DE-02 further solidifies this trajectory. Developed in collaboration with the iconic custom workshop Deus Ex Machina, the DE-02 isn’t just another electric bike.

Built on a platform derived from BMW’s previous electric motocross prototype dubbed E-Parkour, the DE-02 is reimagined with Deus’s distinct aesthetic sensibility. Its minimalistic frame, stripped of unnecessary bulk, keeps the structure lightweight while maintaining rugged functionality. The frame is crafted from chromoly steel, chosen for its balance of strength and weight, while the carbon fiber body elements contribute further to reducing mass without sacrificing durability.

Designer: BMW Motorrad and Deus Ex Machina

A bold reinterpretation of the original CE 02, the DE-02 also draws inspiration from the creative universe of Deus Records, blending lifestyle culture with electric mobility. Departing from the usual utility-focused configurations, this version transforms the “eParkourer” concept into a fully functional DJ booth on two wheels. In place of a surf rack, the bike features a bespoke sound system equipped with four Marshall Middleton speakers and a centrally mounted turntable, inviting riders to mix music anywhere, right from urban alleys to remote mountainscapes. The design is elevated with a hand-stitched leather saddle embroidered with the Deus Records logo, seamlessly integrated with the speaker system and turntable setup.

Additional custom touches, such as a tailored license plate holder, modern LED lighting, shortened indicators, and streamlined mirrors, enhance its distinct character, making the DE-02 not just a motorcycle, but a mobile artistic statement. Powering the DE-02 is a 5.5-kWh battery connected to an air-cooled electric motor delivering 11 kW of continuous power, with peak performance reaching up to 20 kW. This output positions it in the 125cc category for licensing in many regions, making it accessible while offering enough torque for spirited off-road performance. Its chain-driven rear wheel and slim, motocross-style design suggest a focus on agility and maneuverability, ideal for both trail riding and urban environments.

The design places strong emphasis on minimalist, utilitarian styling. A narrow profile, slim tank, and integrated seat give it a purposeful silhouette. Elements like the custom CNC-machined triple clamps and a bespoke swingarm speak to the level of detail and craftsmanship applied. The visual design is further enhanced by a simple monochromatic palette and a high-mounted LED headlight that offers a nod to classic enduro aesthetics. Suspension duties are handled by high-performance components: a WP XACT USD fork up front and a WP shock at the rear. The DE-02 rolls on 19-inch Excel Takasago wheels paired with Pirelli Scorpion Rally tires, underscoring its off-road intentions. Braking is managed by a Beringer system that includes disc brakes at both ends, offering precise stopping power.

While the DE-02 is not intended for commercial production, its creation represents a fusion of engineering and artistry. For BMW Motorrad, it’s part of a broader strategy to explore electric propulsion in motorcycling, beyond commuter-focused scooters. It also highlights how the future of motorcycles may not just lie in performance specifications but also in the emotional and cultural identity that design can offer.

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Hermès, the iconic French luxury house known for its craftsmanship and timeless design, has stepped into the premium audio space with the unveiling of its Ateliers Horizons headphones. Priced at $15,000, this offering merges high-fidelity listening with haute couture, delivering a product that targets connoisseurs who value exclusivity as much as sound.

This move differentiates Hermès from traditional audio brands such as Bose, Sony, Sennheiser, and Apple. Rather than competing on technical specifications alone, Hermès positions its headphones as wearable art – designed not just to perform, but to signal status and taste. To signal status and taste, underscored by their mind-numbing $15,000 price tag, these bespoke headphones are not within the reach of most of us. The headphones are expected to arrive in select Hermès boutiques by summer 2025

Designer: Hermes

According to Axel de Beaufort, creative director of Ateliers Horizons since 2012, “The idea is not to be able to replicate that 10,000 times as a big headset supplier would do. The idea is to have the few that we will do made perfectly, and that has been a very long learning process. It’s about really super high-end craftsmanship.”

Luxury Craftsmanship as a Core Feature

What sets the Ateliers Horizons headphones apart is the artisanal quality of their construction. Handcrafted over two years by nearly 50 artisans in France, each pair features premium materials like Hermès’ signature saddle-stitched leather and polished metal hardware. The design draws directly from the brand’s famed Kelly bag, with five distinctive colorways available, including Rouge H and Prussian Blue.

This level of craftsmanship is absent in mainstream headphones such as the Bose QuietComfort Ultra or Sony WH-1000XM6, which are designed for mass production. While these models offer excellent active noise cancellation and adaptive sound technologies, they lack the tactile richness and bespoke quality that defines Hermès products. For those seeking a headphone that reflects personal style and heritage craftsmanship, Hermès offers something no tech brand currently does.

Even Apple’s AirPods Max, arguably the closest in terms of design appeal, rely heavily on industrial processes. They are sleek, feature-rich, and integrate tightly into Apple’s ecosystem—but they’re not handcrafted. Hermès, on the other hand, delivers a product where no two units are entirely alike, tailored to the luxury buyer’s sensibilities.

Radical Philosophy in Audio Design

While Hermès hasn’t disclosed extensive technical specifications, the headphones are expected to deliver high-end audio performance consistent with their premium positioning. The open grille design suggests the use of planar magnetic drivers, often favored by audiophiles for their clarity and precision. However, the real differentiator is not technology but philosophy: Hermès is crafting a unique sound signature described as “Hermès sound,” developed in-house rather than licensed from existing platforms.

Unlike competitors that emphasize software-driven sound adjustments, Hermès focuses on authenticity in both build and audio. The headphones eschew touch controls in favor of physical buttons – offering tactile satisfaction and durability. Both wired and Bluetooth connectivity options are available, ensuring versatility while maintaining a minimalist design ethos.

This contrasts with feature-rich models like the Sennheiser MOMENTUM 4 Wireless, which touts customizable EQ settings, multi-device support, and extended battery life. Similarly, premium offerings from Bowers & Wilkins, such as the Px8, emphasize acoustic engineering, app-based sound personalization, and cutting-edge wireless performance. Hermès chooses not to compete on those terms, instead aiming for timelessness over upgradability – prioritizing craftsmanship and aesthetic permanence over iterative tech enhancements.

For fat-pocketed audiophiles who are also collectors, the Ateliers Horizons headphones represent a new category: audio as a luxury object. Hermès isn’t trying to replace the go-to travel or studio headphones. Rather, it’s offering an accessory that hones a refined listening experience that sits outside the typical framework of consumer electronics!

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As the boundaries between human experience and artificial intelligence continue to blur, designers are rethinking how we interact with technology on an emotional level. In the rapidly evolving landscape of domestic robotics, the conversation is no longer just about efficiency or automation—it’s about connection. While robots are becoming more capable, their integration into intimate human spaces still sparks discomfort for many. This friction doesn’t stem from technological limitations alone, but from the absence of a natural, empathetic bridge between user and machine. That’s the context in which Mimic emerges—not just as a wearable, but as a reimagined interface for trust-building with humanoid companions.

The next-gen wearable is designed to bridge the emotional and psychological gap between humans and humanoid robots. In a future where household humanoids are commonplace, Mimic enables users to teach robots actions based on their behavior data. Initially, humanoids perform basic functions, but over time, they learn to understand and personalize tasks for the user. Through this process, users actively teach humanoids, forming emotional bonds and overcoming psychological barriers.​

Designer: Dohyuk Joo

By wearing the device and performing desired actions, users provide real-time data that the robot uses to learn and adapt. This hands-on approach fosters a sense of control and agency, reducing feelings of unease and promoting a more harmonious relationship between humans and robots. The device is lightweight and ergonomically designed to be worn during daily activities. Its intuitive interface ensures that users can seamlessly integrate it into their routines without disruption.

The robot can adapt to changes in user behavior over time. By allowing users to wear the device and physically demonstrate tasks they want their robots to perform, Mimic shifts the paradigm from command-based interaction to embodied teaching. For example, if a user is preparing their own version of Korean stew, Mimic enables the humanoid to grasp more than just the recipe—it interprets the specific ingredients, motions, and subtle preferences involved. This context-aware learning gives the robot a far deeper understanding of the user’s world, moving beyond generic presets.

The device comprises two integrated modules: the Vision tracker and the Hand tracker. The Vision tracker collects visual and auditory data using an array of infrared sensors, tracking cameras, and vision-based AI. It maps the environment with Lidar and captures head movement using a 6-DOF camera alongside a front-facing RGB camera, forming a dynamic world model. It’s engineered to adjust comfortably to different body types through an adaptable rail system, ensuring seamless wearability.

Meanwhile, the Hand tracker—worn on the forearm—records nuanced physical data like grip strength, arm angle, and muscle activity through electromyography (EMG) sensors and precision tracking cameras. By analyzing electrical signals and motion patterns, it decodes how users interact with objects on a tactile level. This fusion of data is processed through deep learning to construct a comprehensive behavioral profile. Even passive moments become learning opportunities, as Mimic uses 360-degree and dual-facing cameras to observe environmental structure and object purpose, enabling the humanoid to understand intent even when it’s unstated.

Through these layers of sensory input and contextual modeling, Mimic doesn’t just teach tasks—it conveys intuition. It represents a new approach to robotics, one that leverages embodied cognition to break down psychological resistance and cultivate emotional resonance. As our homes evolve alongside technology, Mimic points to a future where machines don’t just serve—they relate, reflect, and respond.

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Talk of lightweight tents and Hyperlite is right up there with the best. Their popular options come as functional shelters that are easy to set up, even though they lose out on some features. Perhaps well suited for hikers and adventure seekers who want to keep things minimal and don’t require an extensive setup for creating a makeshift shelter. They’ve now bettered their lightest tent design to craft a lightweight freestanding tent dubbed Crosspeak 2 that weighs just 2 lbs. This outdoor gear brings them right alongside the likes of Durston and Six Moons Design when we talk of the best out there.

The biggest advantage of this outdoor accessory is the quick pitch feature in any kind of terrain without staking in the ground. This makes the tent ideal for casual adventure trips in the backcountry or overnight hikes in pleasant weather without any windy conditions. It can fit two individuals easily, making it an impressive proposition given its compact size that’s easy to haul.

Designer: Hyperlite Mountain Gear

To set up the Crosspeak 2 free-standing tent, all you have to do is create tension with the long crossed poles employing the webbing and ladder locks. Then, just tighten the thing using the small bridge pole on the top. When fully pitched, the tent stands at 42 inches tall, which is enough for most adventure seekers. The floor area of 88 x 48 inches is ample space to fit two sleeping bags. Given it is just 2 lbs, packing in other essentials like a 22-inch Dyneema vestibule area for the bags and boots, two storage pockets, or attachment loops for hanging clothes is nothing less than impressive.

Crosspeak 2 is quite airy on the inside with two doors and an adjustable ventilation system for proper circulation if you are cooking inside. The magnetic tie-backs on the doors make it very easy to close the tent opening when compared to other tents. The tent doesn’t come with any guy lines or hiking poles, which are vital in maintaining structural integrity in case of inclement weather conditions. However, the lack of them also makes the thing ultra-compact and only advised for use in perfect weather. Hyperlite has created two separate Dyneema stuff sacks for stashing the tent body and the pole for convenience.

Looking to create the ideal balance between low weight, weather-resistant features, and the ease of setting up the tent; Crosspeak 2 isn’t affordably priced at $950. The major reason is the use of Dyneema Composite Fiber (DCF) and the lightweight make – both of which add to the overall cost of this outdoor accessory. If this tent perfectly fits your requirements, only then is it advisable to buy this free-standing tent, else other options are more suited for the varying dynamics.

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If you run a few miles every morning, play football regularly, or spend occasional time on the track, you know the importance of a recovery footwear. It allows the body to recuperate, providing relief to the feet, ankles, and knees. While most of the available shoes/slides meant for recovery cost under a $100, they are well within the range we can afford. It is not the case with the new Nike x Hyperice Hyperboot. It costs a staggering $899, and is therefore only something serious athletes would put their money on.

Nike and Hyperice both obsess about the athletes. They create and innovative, putting an athlete at the center of the idea. Such is the case with Hyperboot, which reimagines what a recovery shoe can be and how it can better assist an athlete in warm-up and recovery. It is a silhouette that uses heat and compression in tandem to help with the foot recovery. And since it’s from Nike, rest assured it is made from premium footwear materials, which should together with the imbibed tech, justify the tag.

Designer: Nike x Hyperice

For every athlete competing at the world stage – or even for the other competitive performers – recovery is most important to get their bodies ready for the next day. It is also equally imperative for them to warm-up the body, especially the feet and legs, to avoid injuries and perform better. This is what Nike x Hyperice intends to provide with the Hyperboot: A shoe that combines Nike’s footwear experience with the Hyperice expertise in recovery technologies.

The Hyperboot is built ground up for a purpose. Therefore, performance was never a question with this silhouette. The idea was always focused on helping the wearer recover, for which Hyperice had to stick within the Nike shoe design and integrate recovery tech into it, without changing the elegance of the shoe. So, for the interplay of design and functionality, the Hyperboot uses dynamic air compression to provide, recovery essentials, heat, and compression around the Achilles and the heel area of the wearer. Using the air compression, the shoe is able to drive heat deeper into body, which can better assist with the warm-up and recovery process of an athlete.

With the better mobility in the joint and deeper penetration of heat into the tissues, the Hypeboot can create a wonderful recuperating experience, which not only helps around the foot but also allows the heat to travel up to the calf and the leg for more relief and comfort. Athletes can customize compression intensity and temperature modules to their preference pre- and post-workout using the Hyperice App. Interestingly, the Hyperboot is not only about recovery, its midsole and outsole are designed to increase toe spring and add the heel spring, which makes it feel lighter when worn. For further stability and comfort, the shoe is high ankle, has an engineered mesh upper for breathability, and features removable insoles. Releasing May 17, 2025, this recovery silhouette for serious athletes will set you back $899.

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People who are deaf or cannot speak, or both – have long been aided by the American Sign Language (ASL) in communicating with people. Although the accuracy of the communication solely depends on the understanding of people on both ends, that can be a problem if one or more conversants are not that fluent in ASL. Researchers at Cornell University have recognized this problem and want to leverage the goodness of wearable technologies to make it smoother for people who are differently abled to communicate with the world as they intend to.

The experts at the university have employed the smart ring platform to develop a wearable that tracks the American Sign Language gestures of the wearer to accurately transcribe them into understandable text or audio to a computer or a smartphone. They call it the SpellRing, and it can be worn on the thumb to get the desired input for the translated data. The wearable comes with embedded sensors including a mini-gyroscope to measure the angular data from hand movement. The on-board speakers and mic detect the inaudible sound waves from the movement. All these components are housed inside a 3D-printed housing that’s no more than the size of a quarter.

Designer: Cornell University

The smart AI ring can detect all 26 letters in the English language with micro-sonar technology to precisely track the fingerspelling of the wearer. For more accuracy sonar images are also fed into the system. The data that is received from all the sensors and hardware is then processed by a deep-learning algorithm. All of this is done in a split second time to predict the ASL fingerspelled by the wearer. To make possible an in-depth and unbiased view of the wearable for further development, the researchers from Carnegie Mellon University and Stony Brook University, along with the researchers from Cornell University have tested the wearable thoroughly.

In the conducted tests, 20 amateur and experienced ASL signers were asked to spell more than 20,000 words to see the accuracy of the AI-assisted wearable ring. The 3D-printed wearable passed with a combined accuracy of around 90 percent with both signed words, as well as, sentences. It was even tested to perform actions such as web search, map navigation, or typing in notes with the input. According to Hyunchul Lim, lead author of SpellRing’s papered documentation, “ASL is a very complicated, complex visual language,” and the focus is right now on tuning the algorithm to make the AI ring understand words and phrases with maximum accuracy.

The SpellRing is currently in the prototype stage and there is no word on the availability of the ring yet. The team is confident that even in the current stage, ASL fingertyping will be significantly faster than typing on your smartphone’s keyboard. Researchers want this ring to be a tool for fast and accessible text entry with a niche set of benefits targeted toward a set of users. The prospects of this AI ring graduating to the wearable market are very high since it costs just $30 to make the current prototype AI ring. When it will be mass produced that cost can be further trimmed down.

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Bandit9 Motors is well respected here at Yanko Design for their unique sense of going about for restomod conversions that have a piece of history associated with them. Kickstarting their exciting journey with motorbike restomods, the custom tuning shop moved onto the four wheels with the stunning Monaco electric car in pure black, and then later on the improved version of EVE Odyssey arrived.

Going back and forth between two-wheelers and four-wheelers alternatively, they’ve revealed the War Truck restomod under their coachbuilding division VAN DARYL Gallery. This will be their second project after the electric Batmobile under this sub-brand. The donor jeep for this build has a lot of history behind it, as it is one of the jeeps used by U.S. troops after the Vietnam War. Otherwise lying abandoned in obscurity and inevitable deterioration, the VAN DARYL War Truck (yes that’s what it is called) is infused with new life.

Designer: VAN DARYL

At heart the War Truck is an amalgam of intense military history with modern automotive aesthetics, reviving the tough vehicle into a restomod highlighted by a sci-fi treatment. Once VAN got the first jeep into their shop the truck was stripped down to see what old parts could still be relevant in the modern build. First, the team reinforced the custom-designed body with steel and aluminum frames to make it highly durable just like the Tesla Cybertruck. They also decided to increase the ground clearance by refitting the independent coil suspension. The front and rear drum brakes have been retained, encapsulated by the more modern steelie-inspired forged alloy wheels that have light aero-disc influence.

The boxy look is complemented by the rear-mounted full-spare tire housing, side-running exhausts, lightly flared fenders, bespoke steel bumper, retro-inspired LED headlights, and taillights that carry the same neo-retro design ethos. The edgy silhouettes are matched well by the rectangular windshield and mirrors, as well as the low-cut doors having wooden handles for the classic feel. According to  Villanueva “The War Truck isn’t just some homage or remake. To call it a ‘restoration’ would be an oversimplification. It is reimagined, rehabilitated, revived, and refined.”

On the inside, the jeep is drop-dead gorgeous with a purpose-built theme in pearl white. It comes with sports seats, modern switches to choose from various options, bespoke knobs, an infotainment display and an audio system. The steering and custom shift knob get the wooden bespoke treatment, while the widescreen instrument cluster panel is nothing short of impressive. The spacious and functional boot derives inspiration from yacht designs having teak-style wood deck trims. The whole interior can be customized as per the client’s needs with plenty of options to choose from.

Powering the guts of this vehicle is the battle-tested 4-cylinder, 2.3L engine but buyers can also opt for the powerful upgraded version, including one that is fully electric. The original version churns out 71hp and 128 ft-lbs of torque for a top speed of 100mph and a range of 300 miles per tank. In this configuration, the buyers can go for automatic or manual transmission variants. The handling and performance characteristics have been tuned to deliver maximum driving pleasure which makes the Wat Truck a force to reckon with. The vehicle hand-built on a made-to-order basis is available for order right away.

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The iconic American roadster from the 1910s is marking its presence again with a modernized appeal all thanks to Stephen Wright. Yes, I’m talking about the Cyclone motorcycle designed and developed originally by Joerns Motor Manufacturing Company. This performance roadster was way ahead of its time as it was capable of reaching speeds over 150 km/h, driven by a 996cc engine.

The bike made frequent appearances at the board track racing circuits until 1917 when other bike makers offered cheaper versions. Ultimately the Joerns’ had to sell it to Ignaz Schwinn of Excelsior Motor Company who later developed many machines engineered on the two-wheeler. The Cyclone motorbike was officially discontinued in 1920, and to date, only a handful of examples have survived the sands of time. In fact, only 14 bikes exist in current times, and five of them are pure racing versions. That’s how exclusive this classic motorbike actually is!

Designer: Stephen Wright

It is hard to believe that the motorcycle is more than a century old and still in sublime condition. Most of that can be attributed to Stephen’s effort in restoring the yellow-painted V-twin bike. For the unassuming, the two-wheeler could be nothing special, but for collectors, it is a prized possession. This was the first ever overhead-camshaft motorcycle and since there were only a limited number of units churned out in the three-year-long manufacturing run, the bike was second to none. Being powered by a 61ci air-cooled OHC engine configuration, having a Schebler carburetor mated to a single-speed transmission controlled via a foot clutch, the machine churned out 45 horsepower. That amount of thrust for a bike in the early 1900s was totally unheard of. Also, it is worth mentioning that the two-wheeler’s engine employed self-aligning roller bearings instead of the more commonly used plain bushes. These were in place to adjust for the misalignment of the engine due to vibrational movement.

The engine combustion chamber has an elongated dome-shaped configuration and classy fenders which lends the bike a distinct persona in the signature yellow hue. Joerns Motor Manufacturing Company also sold the bike in blue color, but for this one-off restoration, Stephen opted for the eye-popping color. As mentioned on the auction website, the bike was a bit fragile when going over speeds of 150 kilometers, since it depends on the small metal well filled with oil for lubrication that drips on the two camshafts.

To get over this issue, the rider has to stop occasionally and add more oil to the cam drippers. But that won’t be necessary as we rarely have street-legal bike riders get an empty stretch of the highway to take such an exclusive piece of history for a spin over speeds of 150 kmph. For the undisclosed proud owner who bought it off the auction for 1.32 million, this is going to be the centerpiece of the garage.

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Switch 2 is agonisingly close to release at the Nintendo Direct event which will be held on April 2, 2025, at 9 AM Eastern and 6 AM Pacific. The company teased the highly anticipated handheld console in January, and many speculations have ignited the upcoming release since then. At that time Mario Kart 9 was shown off being played using revamped Joy-Cons. The accessory was also used as a mouse, sliding on a flat surface, which is interesting.

The upcoming event that’ll now officially reveal more technical details of the home console cum hybrid handheld that’s bigger than the predecessor. We eagerly await the sequel for a clearer picture of the ‘C Button’ functionality, USB-C ports, and the Joy-Con being used as a mouse input. It is also expected that the price and availability of the Steam Deck killer will be announced at the upcoming event. While a deleted Reddit account had a post revealing the launch date for Nintendo Switch 2 to be May 22, we’ll look at what’s just ahead of us.

Designer: Nintendo

Keeping our focus on the Joy-Cons that were briefly shown to have a mouse-like input, there’s more on this development. A patent filed in August 2023 by Nintendo was published yesterday, giving more details about what the controller can do. There are multiple use case scenarios for this input device, one of them being the mouse functionality along with the associated control schemes. We have to keep in mind though, there’s no mention of Switch 2 anywhere in the patent description, and the assumption is purely based on the factual probabilities.

The renders of this patent clearly show a Joy-Con-like device being used as a mouse. The gadget has a front surface, a first slide surface, directional inputs, an upper surface button, and a sensor for mouse operation. In one of the rendered diagrams, the controller is held horizontally with the thumb of the player on the control stick and the SR and SL buttons facing downwards. By reasonable logic, this means the optical sensor will be downwards, so that the device input can be registered in a mouse-like orientation. It looks like the right side of the controller can be placed on a flat surface for mouse-like functionality. In this orientation, the controller can be docked and charged by the look of things.

This mystery device will have a wrist strap attachment slot with a mention of the “magnet” word 355 times indicating the attachment mechanism to be a more convenient magnetically attaching mechanism. We can also not rule out the possibility of Joy-Cons attaching to the Switch 2 magnetically too. Given the rumors that have surrounded the Switch 2 and the Joy-Cons lately, these seem like the missing pieces in the puzzle of what mouse-like controller we have in hiding when the console is finally in our possession.

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Introducing a “Camper you can build your way.” That’s a bold statement to make, but the entire idea of the CampOut series by Four Wheel Campers is based on this idea alone, and we are accepting it with both hands. In the world of truck campers crammed for space with some essential and some not-so-required amenities on board; this camping solutions giant is giving us a pop-up truck camper that evolves with your adventure requirements.

Provided with some standard and other optional modules to choose from, the CampOut modular slide-in truck camper interior can be customized to suit yourself. Buy it completely built-out with all the modules or invest in the stock option and build upon it as and how your adventures demand – no paying for a feature you didn’t want!

Designer: Four Wheel Campers

Camper vans and RVs have their own advantages: primarily comfort; but truck campers are my preferred option for their inherent off-roading capabilities. Now with the CampOut series, pop-up truck campers could suddenly find themselves in the league of adaptors that didn’t choose such camping alternatives because of their rigidity but were always lured by the off-roading abilities.

Offering versatile customization in a lightweight and durable construction, the CampOut is designed to slide into place on any size truck. It has been created in various configurations to fit 5-, 6-, and 8-feet beds. The 5-foot model weighs 860 pounds, while the 8-foot option tips the scale at 1,030 pounds. What actually sets the CampOut models apart is their modular platform that allows adventurers to start with limited modules and then build their way up.

The soft-top, pop-up truck camper comes with a few standard modules. The sleeping area above the cabin, a power module (housing the battery, power monitor, multiple ports, and solar connectivity), and a utility module with top and bottom storage (lower section usable for a propane tank and accessible from the outside). The latter module is topped with a wooden tabletop usable for placing the propane or an induction cooktop. On the outside, as a standard you get L-track and molle panels for gear hauling, USB A, USB-C outlets, and Starlink port.

As an option, depending upon the size of your truck bed, you can choose a seating module comprising benches and a dinette with a swivel table. A water module featuring a sink, faucet, and water tanks for fresh and gray water. fridge module with chest fridge and storage space. For that additional power requirement, CampOut comes with an optional 2000W inverter, a second battery, and 500W rooftop solar panels. Available in the US, the camper starts at $25,995 with the standard modules.

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Richard Mille is generally known for fascinating timepieces that are apparently robust and intriguingly complex. This time, to kickstart the new year, the brand has launched a brutalist architecture-inspired RM 16-02 Automatic Extraflat, which is a modern take on the RM 016, Richard Mille’s first rectangular automatic watch, an embodiment of ergonomic perfection and minimalist aesthetics.

If there is one architectural style that has influenced watchmaking more than others, it has to be Brutalism. Since its buildup in the 1950s, the brutalist style – characterized by blocky forms and geometric shapes – has found its way into the best of watches including a Patek Philippe, a Vacheron Constantin, and even a Richard Mille. The RM 16-02 Automatic Extraflat reflects on the architectural style, while staying aesthetically within the RM’s signature style: so apparently what we get is a rectangular-shaped, skeletonized watch that resembles Ariadne’s thread, by an intricate maze on the dial.

Designer: Richard Mille

Even though the fit and ideology of the original RM 16-02 are upheld, the new iteration of the watch excels in its interpretation of the rectangular shape and the complex, skeletonized dial that screams with brutalist boldness. Richard Mille has made the new RM 16-02 Automatic Extraflat available in two vibrant colorways:  Terracotta Quartz TPT and Titanium Creamy White Quartz TPT.

Made in about 10 percent smaller size than the original RM016, the new RM 16-02 measures 36mm in width, 45.64mm in length, and 9.5mm thick. Retaining its curvature reminiscent of Richard Mille watches, it comprises a full-grade 5 titanium case in the first model, while it’s the interesting new Terracotta Quartz TPT model that catches the eye, not only because it’s a first for RM but also for its process of achieving the color. The unique color is achieved by infusing 45 microns of thin silica threads in a colored matrix and then subjecting them to high temperature and pressure.

Of course, both the color variants of the 2025 RM 16-02 Automatic Extraflat captivate with their aesthetics and rectangular cases, their story is not limited to appearance. The watches are powered by a new in-house CRMA9 calibre skeletonized automatic movement with hours and minute hands on the dial. The movement measuring 26mm wide, 31.25mm long, and 4.12mm thick – specially made for the watch – helps maintain the RM 16-02’s slim profile and provides it with up to 50 hours of power reserve. Richard Mille watches, we have come to understand, don’t sell for affordable rates. Somehow the company has tried to keep the RM 16-02 watches within the range of affordability for most collectors. To ensure that, RM 16-02 Automatic Extraflat Terracotta Quartz TPT is priced at $156,000 and Titanium White Quartz TPT is retailing for $134,000.

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