Gaming headsets tend to lean bass-heavy and closed-back, with flashy branding and mics that sound good enough for Discord but not much else. Planar-magnetic hi-fi headphones sound incredible but usually lack microphones and look out of place next to RGB keyboards. Players who care about both soundstage and winning often juggle two pairs or compromise, because the two worlds rarely meet in one product without awkward concessions.

That is where ROG Kithara comes in. It is ROG’s first open-back planar-magnetic gaming headset, developed with HIFIMAN. The collaboration brings 100mm planar drivers into a headset that still has a proper boom mic, in-line controls, and all the plugs you need for PCs, consoles, DACs, and laptops. It treats games like they deserve hi-fi instead of just tolerating them as background noise.

Designer: ROG (ASUS)

The planar drivers deliver an 8Hz to 55kHz frequency response with very low distortion, which translates into deep, controlled bass and crisp treble without smearing. The open-back design creates a wider, more natural soundstage, so footsteps, reloads, and distant movement sit in believable positions instead of clustering in your head. It helps both immersion and tactical awareness without needing surround processing that usually just muddies everything.

Playing a competitive shooter, you can distinguish a teammate reloading behind you from an enemy stepping on metal two floors up. The fast transient response keeps those cues sharp, and the open-back architecture stops explosions from masking subtle sounds entirely. You react faster because you are not guessing where anything came from. You are actually hearing it placed in space the way the sound designer intended it.

The on-cable MEMS boom microphone covers the full 20Hz to 20kHz range with a high signal-to-noise ratio, so your voice sounds more natural than typical narrow-band gaming mics. Separate signal paths for audio and mic on the dual 3.5mm cable keep game sound from bleeding into chat, which your squad will quietly appreciate even if they never ask what headset you switched to or notice until the crosstalk disappears.

The balanced cable with swappable 4.4mm, 3.5mm, and 6.3mm plugs lets you move from a desktop DAC to a laptop or console without changing headsets. The included USB-C to dual 3.5mm adapter covers modern laptops and handhelds. With 16-ohm impedance, Kithara is easy to drive without a rack of gear just to get it loud enough for late-night sessions.

Of course, the metal frame, eight-level headband adjustment, and two sets of ear pads, leatherette with mesh for focused sound and velour for a softer feel, mean you can tune comfort and tonality. The open-back design leaks sound and is best in quiet rooms, but for players who want one headset that handles ranked matches, long story games, and critical music listening, Kithara feels like a rare crossover that actually respects both sides.

The post ROG Just Built the Gaming Headset Audiophiles Always Wanted first appeared on Yanko Design.

The Galleon 100 is a keyboard like no other — Corsair basically integrated Elgato's Stream Deck into the keyboard, giving it extensive customizability that you just don't get elsewhere.

If you own a bike, you’ve probably played the garage Tetris game at least once. You know the drill: your bike leans against a wall, falls over at 2 AM with a crash, or blocks the path to literally everything else you need. It’s the kind of everyday design problem that makes you wonder why nobody’s come up with something better.

Well, someone finally has. British industrial designer George Laight created the Flip, a freestanding bike stand that’s so cleverly designed, it makes you question why we’ve been settling for wall hooks and pulley systems all this time.

Designer: George Laight for BikeStow

The origin story is pretty relatable. Laight was studying Product Design Engineering at Loughborough University when he hit a wall, literally and figuratively. He had a bike and a tiny student flat with a strict no-holes-in-the-walls policy. Vertical storage made the most sense for his cramped space, but he couldn’t use traditional wall-mounted solutions without losing his security deposit. So he did what any frustrated design student would do: he invented his own solution.

The Flip is essentially a portable bike stand with wheels that lets you store your bike vertically or horizontally, depending on what works for your space. The genius is in its flexibility. Unlike fixed storage solutions that require you to commit a specific area of your garage or apartment to bike storage forever, the Flip rolls around wherever you need it. Cleaning out the garage? Wheel it aside. Reorganizing your storage shed? Move it in seconds. It’s bike storage that adapts to your life instead of demanding you work around it.

Here’s how it works: you roll your bike into the stand while it’s in the horizontal position, then rotate it upright if you want vertical storage. There’s a slider mechanism that locks the bike in place, keeping it stable in either orientation. The wheels on the base make maneuvering surprisingly easy, even in tight spaces. And when you’re not using it at all, the entire stand folds flat for storage.

That last feature is particularly brilliant for anyone dealing with limited space. Heading out on a bike trip and your bike won’t be home for a week? Fold the stand flat and tuck it away. Living in a city apartment where every square foot counts? Same deal. The Flip essentially disappears when you don’t need it, which is more than you can say for permanent wall hooks or ceiling-mounted systems.

The stand is made from plywood, giving it a clean, modern aesthetic that doesn’t look out of place in contemporary homes. Customer reviews consistently mention that it’s attractive enough to display openly, whether you’re storing your bike in a hallway, office, or living space. One reviewer specifically noted that they’re “more than happy to have it on display in the office, with or without a bike in it.”

The Flip works with pretty much any bike you throw at it: road bikes, mountain bikes, electric bikes, even fat bikes with tires up to five inches wide. Multiple stands can be nested close together if you’ve got a household with several bikes, creating an organized parking area that doesn’t devolve into the usual tangled-handlebars chaos.

At around $175, it’s not the cheapest bike storage option out there, but it’s also significantly more versatile than a basic wall hook. BikeStow backs it with a two-year warranty and includes a custom Restrap securing strap to keep your bike stable. Customer ratings sit at a perfect five stars, with reviewers praising both its functionality and build quality.

Most bike storage solutions fall into two categories: cheap and flimsy, or expensive and permanent. The Flip occupies an interesting middle ground. It’s well-made and thoughtfully designed, but it doesn’t require you to drill holes in your walls or dedicate a chunk of your home to bike storage forever. It’s the kind of practical, human-centered design that solves a real problem without creating new ones.

For anyone tired of tripping over their bike or playing storage Tetris every time they need garage space, the Flip offers a refreshingly simple solution. Sometimes the best designs aren’t revolutionary, they just make everyday life a little bit easier.

The post This $175 Bike Stand Finally Solved Our Garage Storage Mess first appeared on Yanko Design.

Recently, Anbernic unveiled a new upcoming controller for PC, mobile, and Nintendo Switch with 1000Hz polling rates and a heart monitor of all things. Here are the details on its specs.

The intention to read a physical book more often usually gets buried under phones, streaming, and vague guilt about never finishing that stack on the nightstand. Reading is not just opening a book; it is a whole arc from deciding to start to actually making it through chapters without drifting away. Lead is a small family of objects designed to sit around a book and quietly support that arc.

Lead is a design concept that treats reading as a story with a beginning, rising action, climax, and resolution. The name is a contraction of “Let’s read” and the first word of the slogan “lead back to the era of reading,” and the system uses three products, Bookeeper, Candle, and Quill, to give each phase of a reading session its own physical cue instead of relying on app notifications you will probably dismiss.

Designers: Yoo Chaeyeon, Kwon Eui Hwan, Yang Jinoo, Lee Sooyeon, Ha Seongmin

Coming home, you drop your book into Bookeeper, where it sits hidden behind a calm green panel. Earlier, you set a time to read, and as that moment approaches, the base lifts and the book slowly emerges from behind the screen. Instead of a phone notification buzzing and vanishing, the book itself appears, a quiet reminder that this is the slot you promised yourself you would actually use.

Candle is a slim vertical light that links to Bookeeper by default, then switches into timer mode with a twist of its ring. Before you dive into the pages, you set how long you want to read, and Candle becomes both atmosphere and clock. As you move through chapters, you can sense how your pace matches the time you set, adjusting speed without feeling chased by a digital countdown ticking in the corner.

When a line or idea sticks, Quill is a smart pen that lets you write by hand in a notebook or margin, then flip into scan mode to store that text on a device later. It has two main modes, transcription and scan, so you can copy favourite phrases, jot down reflections, and then capture them without breaking the flow. A bookmark element on the back lets Quill rest in the book when you pause.

All three objects share dark bases and a calm, translucent green for the parts that move or light up, so they feel like a family without shouting for attention. The interactions are borrowed from analog reading rituals, taking a book off a shelf, lighting a candle, picking up a pen, but layered with just enough technology to guide habit without dragging you back to a screen.

Lead is less about adding gadgets to the reading table and more about designing a gentle structure around a physical book. Bookeeper brings you back at the right time, Candle holds the space and the clock, and Quill helps you remember why the session mattered. When reading often gets squeezed between notifications and feeds, a trio of objects that simply lead you back to the page feels like a quietly radical idea.

The post This Concept Makes Reading a Physical Ritual, Not an App Reminder first appeared on Yanko Design.

Modern work and study days are chopped into tiny fragments, with multiple tabs, apps, and timers all competing for attention. Even well-intentioned plans fall apart because time feels abstract and slippery, especially if you lean toward ADHD or time-blindness. Checking the clock becomes another interruption instead of a guide. HOVSTEP is a concept that tries to make time feel like one clear mission instead of a background anxiety.

HOVSTEP treats each block of time like a helicopter mission. It is both a physical clock and an app-linked timer, inspired by how a mission helicopter takes off with one purpose, completes it, and returns. The idea is to help you see a study session, assignment, or break as a single mission you dispatch and then bring home, with a beginning, middle, and end that are all visible at once.

Designer: Ho joong Lee, Ho taek Lee

Opening the app in the morning, you drop studies, tasks, breaks, and games into short mission slots across the day. The app shows your routine by time zone, then switches to an analog view where each mission has a clear start, end, and remaining time. When a mission starts, a little helicopter icon descends, and the activity timer kicks in with an alarm, making the transition feel deliberate.

HOVSTEP shows time passing with a yellow hand that appears on the clock face when a mission begins, rotating once around the dial and showing how much of that block is left. It is framed as the helicopter being dispatched, flying its route, and returning when the hand lands back at 12. You are watching a mission unfold and trying to stay with it until the end.

The object itself is a small helicopter-shaped clock that can sit on a monitor or hang on a wall. A rotor on top acts as the analog hand, a digital display shows timer information, and side buttons let you adjust volume and timer details. A center button on top turns the clock on and starts missions manually, so you can run a quick focus block without opening the app.

The design is grounded in research about how people with ADHD often respond better to movement, change, and short time units than to static digits. By turning each activity into a dispatched mission with a visible arc and clear end, HOVSTEP reduces the need to constantly check the clock. You get a sense of flow, knowing that as long as the yellow hand is moving, you are still inside the mission.

The project’s line, “One mission completed, one step closer to focus,” captures the spirit. Instead of promising to fix attention with another app, HOVSTEP reframes time as a series of small, winnable missions. Sometimes the most helpful tools for focus are the ones that make progress visible and finite, one flight at a time, instead of asking you to manage an infinite stream of minutes.

The post HOVSTEP Helps ADHD Focus with Helicopter Missions That Actually End first appeared on Yanko Design.

Amazon is offering several exclusive discounts for various models of the JSAUX FlipGo Portable dual-screen monitor, giving dedicated laptop users a chance to add more digital real estate space for their workplace apps and internet browser tabs for less.

Amazon has a massive discount for the beloved and sound-rich Razer Blackshark V2 Pro for Xbox as part of its holiday deals.

The LucidSound LS15X is a great wireless gaming headset for Xbox and PC that offers crisp sound, an attractive design, and long battery life for a budget-friendly price, now even cheaper at Amazon.

Amazon is offering a 19% discount on the Xbox Edition of the Backbone Pro, giving Xbox fans who love gaming on the go with Xbox Cloud Gaming a chance to enjoy this premium mobile controller for a somewhat more affordable price.

The SteelSeries Arctis Gamebuds, some of the best earbuds designed for Xbox and PC gaming, are now on sale at Amazon with a 26% discount for Christmas.

You know that thing where you walk into your bedroom at the end of the day and just start emptying your pockets onto whatever flat surface is closest? Keys land on the dresser, wallet gets tossed on the nightstand, watch goes who knows where. It’s a universal ritual of coming home, and it’s exactly the kind of everyday moment that aerospace engineers Javier De Andrés García and Anaïs Wallet decided to redesign.

Their brand, Unavela, takes the precision and intentionality of aerospace engineering and applies it to the mundane objects we interact with daily. The Unavela Valet Tray is a perfect example of this philosophy: it’s a catchall that doesn’t just catch, it elevates the entire experience of organization into something that feels considered and purposeful.

Designers: Javier De Andrés García, Anaïs Wallet (Unavela)

What makes this particularly interesting is the design pedigree behind it. De Andrés García and Wallet aren’t your typical product designers who sketch pretty shapes and call it a day. They come from a world where every gram matters, where form follows function with almost religious devotion, and where materials are chosen based on performance characteristics rather than trends. When aerospace engineers decide to make a tray for your keys, you can bet they’ve thought about it differently than everyone else.

The valet tray sits in that sweet spot between utilitarian and beautiful. It’s not trying to disappear into your decor, nor is it screaming for attention. Instead, it occupies space with quiet confidence, the way really good design tends to do. Think of it as the functional equivalent of that friend who just makes everything run more smoothly without making a big deal about it.

Valet trays themselves have an interesting history. Originally, they were the domain of well-appointed gentleman’s dressers, a place to organize pocket watches, cufflinks, and collar stays. But in our modern world of smartphones, AirPods, car key fobs, and whatever else we’re carrying, the valet tray has become even more relevant. We might not wear pocket watches anymore, but we’ve got more stuff to keep track of than ever before.

What Unavela brings to this category is a fresh perspective. When you look at their work across different products, you see a consistent thread: they’re interested in what they call “functional objects.” Not decorative objects that happen to be functional, but pieces where the function itself becomes the aesthetic statement. It’s a subtle but important distinction. The beauty comes from how well something works, not from applied decoration or styling tricks.

This approach feels particularly resonant right now. We’re living in an era where people are increasingly interested in buying fewer, better things. The whole concept of everyday carry (EDC) has evolved from a niche hobby into a broader cultural conversation about intentionality and quality. People are thinking more carefully about the objects they interact with daily, and they want those objects to reflect thoughtfulness and care. The Unavela Valet Tray fits perfectly into this mindset. It’s not fast furniture or disposable decor. It’s a considered piece that’s designed to be used daily and to improve with that use. There’s something deeply satisfying about having a designated spot for your everyday items, about the ritual of emptying your pockets into a tray that was designed specifically for that purpose.

From a design perspective, what’s compelling is how Unavela bridges the gap between industrial design and consumer products. Aerospace engineering isn’t typically associated with home goods, but maybe it should be. After all, if you can design components for aircraft where failure isn’t an option and weight is critical, you probably have some interesting insights about how to make a really excellent tray. The beauty of good design is that it often looks simple, even inevitable, but that simplicity is the result of countless decisions and refinements. Every angle, every dimension, every material choice has been considered. It’s the difference between something that works and something that works exceptionally well.

For anyone interested in design, tech, or the intersection of engineering and everyday life, the Unavela Valet Tray represents something larger than just a place to put your keys. It’s a statement about bringing rigor and intentionality to the objects we live with. It’s about applying aerospace-level thinking to earthbound problems. And honestly, in a world full of stuff that’s designed to be replaced rather than cherished, that’s a pretty refreshing approach.

The post Aerospace Engineers Just Solved Your Messy Nightstand Problem first appeared on Yanko Design.

The iPhone’s rear cameras keep getting better, but selfies still rely on a smaller, lower-resolution front sensor, and storage upgrades cost considerably more than a microSD card. People who shoot a lot of photos and video feel squeezed on both fronts, choosing between spending hundreds on internal storage or dealing with blurry front-camera selfies. Selfix is a case for the iPhone 17 Pro that tackles both problems at once.

Selfix is a case for the iPhone 17 Pro and Pro Max that adds a circular 1.6-inch AMOLED screen to the back and hides a microSD slot inside. The rear screen acts as a tiny viewfinder so you can use the 48 MP rear cameras for selfies, while the card slot lets you add up to 2 TB of storage without touching Apple’s upgrade menu or monthly cloud fees.

Designer: Selfix

The rear display mirrors the camera view so you can frame yourself, adjust in real time, and pick any of the rear lenses, from ultra-wide group shots to telephoto portraits. You get the main sensor’s larger 1/1.28-inch glass, Night Mode, and up to 8× optical zoom for selfies, instead of guessing with a cropped front camera and hoping everyone fits into the narrower field of view.

Selfix connects through the phone’s USB-C port and does not need a separate app. You snap the case on, open the camera, and the rear screen wakes up. A dedicated button on the case lets you turn the display off when you are not using it to save battery. The idea is to feel like a built-in second screen, not another gadget that needs pairing, permissions, and a drawer full of instructions.

The case includes a microSD slot that supports cards up to 2 TB, using the same USB-C connection to integrate with the phone. A 512 GB card costs around $50, while Apple’s $200 jump for the same capacity makes swappable storage a compelling alternative. Heavy shooters can archive trips or projects without paying monthly cloud fees or deleting older work to make room for new sessions.

Selfix is made from high-quality TPU and comes in Oat White, Blush Pink, and Midnight Black, sized to match the 17 Pro and Pro Max. It adds some thickness, bringing the total to 17mm, but in return, you get a grippy shell, a second screen, and a hidden storage bay. The design aims to look like a natural extension of the phone rather than a bolt-on camera rig or accessory that screams afterthought.

Selfix is aimed at people who care enough about image quality to use the rear cameras for everything, and who are tired of juggling storage or paying the upgrade tax. A case that quietly turns the iPhone into a dual-screen shooter with expandable memory makes you wonder why the phone did not ship this way, especially when the rear cameras already outclass the front by a significant margin, and storage remains artificially expensive.

The post This Case Fixes iPhone’s Weak Selfie Camera with a Second Screen first appeared on Yanko Design.

Want to be more productive when working on your laptop? This monitor extender accessory provides two additional 15.6-inch screens, and it's currently on sale ahead of Christmas.

Desktop resin printers usually ask a simple question: how much resolution can you afford. Anycubic’s Photon P1 adds a more interesting one: what if the same machine could handle two colors, two materials, or two entirely different jobs without claiming more room on your bench. By pairing a dual‑vat system with a high resolution 14K display and a serious Z axis, the Photon P1 feels tailored to studios that prototype daily and iterate fast. The Photon P1 also packs LighTurbo 4.0 (an advanced UV light source system) for curing developed specially by Anycubic, along with a smart heated vat that temperature-controls the resin baths, offering a kind of industrial-grade output you’d never see in other consumer 3D printers.

Central to this new approach is a cleverly engineered dual‑vat system, a feature so rare in the consumer space that it feels like a genuine novelty. Instead of a single, monolithic resin tank, the P1 offers the option of two smaller, distinct vats side by side (the default is still a single-vat version for most basic users). Hovering above them is a forked build plate, a single component with two separate printing surfaces that can operate in tandem. This architecture allows the printer to print two colors or two resin types in a single job, eliminating the need for separate runs. Its slicer supports material-specific configurations optimized for dual-vat workflows, keeping both materials stable and consistent within one print. When working with premium or engineering resins, this setup also reduces waste and helps lower overall material costs, this setup also reduces waste and helps lower overall material costs. This fundamentally changes the workflow – it effectively gives you the power of two printers, but with the synchronized precision and footprint of one. The machine is not just building an object, it is managing a production queue, all within its own chassis.

Designer: Anycubic

Click Here to Buy Now: $499 $799 (38% off). Hurry, only 31/400 left! Raised over $416,000.

This opens a fascinating playbook for designers and creators. A product designer, for instance, could prototype a remote control with a hard, rigid casing printed from standard resin in the left vat, while simultaneously printing soft, flexible buttons from a TPU‑like resin in the right vat. The result is a multi‑material prototype in a single print job, offering a far more accurate representation of a final product without the hassle of printing parts separately and assembling them later. For artists and miniature sculptors, the possibilities are just as compelling. Imagine printing a fantasy character where the main figure is rendered in an opaque grey for maximum detail, while a magical spell effect or a ghostly appendage is printed in a translucent, colored resin from the second vat. This dual‑system approach streamlines the creation of complex, multi‑part models, reducing post‑processing and painting time.

Beyond multi‑material applications, the P1 excels as a pure productivity engine. A technical studio can produce engineering-grade resin prototypes. Designers or creatives can model and produce flexible materials for complex assemblies. A small business owner running an Etsy shop for custom D&D miniatures could use it to fulfill two different orders at once, performing batch production or even dual-part workflows for maximized efficiency. This parallel workflow essentially doubles the machine’s throughput for small to medium‑sized objects, making it an incredibly efficient tool for anyone doing light production work. It transforms the printer from a single‑task device into a small‑batch manufacturing hub.

Of course, these advanced capabilities would be meaningless without a foundation of precision and reliability. Anycubic has clearly invested in the P1’s mechanical integrity, moving it out of the hobbyist category and into prosumer territory. The Z‑axis, often a weak point on budget machines, is built around an industrial‑grade ball screw and robust linear rails. This is a significant upgrade from the typical lead screw setup, translating to smoother, more consistent vertical travel. For the user, this means virtually no visible layer lines, a dramatic reduction in Z‑wobble artifacts, and exceptional repeatability, ensuring that parts designed to fit together do so with tight tolerances.

This focus on industrial‑grade components extends to the build plate itself. Instead of the usual anodized aluminum, the P1 uses a precision‑milled slab of steel. Steel’s superior rigidity and thermal stability mean the plate is less likely to warp over time, ensuring a perfectly flat and level surface for consistent first‑layer adhesion, which is critical for print success. It is a subtle but important detail that signals a commitment to long‑term reliability. This mechanical stability is the bedrock that supports the printer’s headline features.

At the heart of its imaging system is a 14K monochrome LCD. That number translates directly into breathtaking surface detail. With an extremely fine XY resolution, the P1 can reproduce microscopic textures, razor‑sharp edges, and intricate patterns that would be lost on lower‑resolution screens. For jewelry designers prototyping complex filigree or architects building scale models with fine brickwork, this level of detail is indispensable. The monochrome screen also offers the practical benefits of faster cure times and a much longer operational lifespan than the older RGB LCDs, reinforcing the P1’s role as a dependable workhorse.

The Anycubic Photon P1, therefore, is more than just the sum of its impressive parts. It represents a holistic design philosophy where each component complements the others. The high‑resolution 14K screen provides the detail, the industrial Z‑axis ensures that detail is rendered flawlessly layer after layer, and the innovative dual‑vat system leverages that quality to create more complex, more functional, and more beautiful objects with unparalleled efficiency. It is a machine that seems to understand the creative process, offering not just a tool, but a smarter way to work.

Anycubic unveiled the Photon P1 at the Formnext additive manufacturing show, with a Kickstarter campaign debuting this month to let people get their hands on the Photon P1. The retail price is set at a competitive $799, but early adopters have an opportunity to get in at a much lower early‑bird price of $499 (available for a limited period only), a figure that makes its prosumer features accessible to a much wider audience of serious creators and designers.

Click Here to Buy Now: $499 $799 (38% off). Hurry, only 31/400 left! Raised over $416,000.

The post Dual vats, 14K screen, heated resin: inside Anycubic’s game-changing Photon P1 3D Printer first appeared on Yanko Design.

Recycled plastic products often fall into two camps: grey utilitarian bins or loud, speckled experiments that feel more like proof of concept than something you want on your desk. Tray210 recycled, a collaboration between Korean studio intenxiv and manufacturer INTOPS under the rmrp brand, takes a different approach, using recycled plastics and waste additives to create a tray that feels like a considered object first and an eco story second, treating material diversity as part of the design language.

Tray210 recycled is a circular tray with three compartments, an evolution of the original Tray210 form. It grew out of INTOPS’ grecipe eco-material platform and hida’s CMF proposals, which is a long way of saying it is the result of a tight loop between material science and industrial design. The goal was to pursue material diversity and break away from the cheap recycled stereotype, making something that belongs in sight rather than hidden under a desk.

Designer: Intenxiv x INTOPS

The form is intuitive, a 210 mm circle with a raised, ribbed bar running across the middle and two shallow wells on either side. The central groove is sized for pens, pencils, or chopsticks, and the ribs keep cylindrical objects from rolling away. The side compartments are open and shallow, perfect for earbuds, clips, rings, or keys. It is the kind of layout you understand at a glance without needing instructions or labels; just place your pen where the grooves are.

The material story is where Tray210 recycled gets interesting. Multiple recycled blends reflect their sources: Clam and Wood use 80 percent recycled PP with shell and wood waste, Charcoal adds 15 percent charcoal to 80 percent recycled PP, and Stone uses 10–50 percent recycled ABS. Transparent and Marble variants use recycled PC or PCABS with ceramic particles or marble-like pigment. Each colorway is visually tied to its waste stream, making the origin legible and intentional.

The aim is to create a design closer to the lifestyle rmrp pursues, breaking away from the impression recycled plastic generally gives. The Clam and Wood versions read as soft, muted pastels with fine speckling, Charcoal feels like a deep, almost architectural grey, and Stone and Transparent lean into translucency and particulate. Instead of hiding the recycled content, the CMF work uses it as texture and character, closer to terrazzo or stoneware than to injection-molded scrap that just happens to be grey.

The combination of clear zoning and tactile surfaces makes Tray210 recycled feel at home on a desk, entryway shelf, or bedside table. The central groove keeps your favorite pen or stylus always in the same place, while the side wells catch whatever tends to float around, from SD cards to jewelry. The different material stories let you pick a version that matches how you want the space to feel: calm, earthy, industrial, or a bit more playful.

A simple tray can carry a lot of design thinking, from intuitive ergonomics to material storytelling and responsible sourcing. Tray210 recycled is not trying to save the world on its own, but it does show how recycled plastic can be turned into something you actually want to touch and keep in sight. For people who care about both what an object does and what it is made from, that is a quiet but meaningful upgrade over another anonymous catch-all that eventually ends up in a drawer.

The post Tray210 Proves Recycled Plastic Doesn’t Have to Look Grey and Boring first appeared on Yanko Design.

I remember a time when smartphones had expandable storage. In fact, I remember feeling this internal rage when I saw the iPhone Air and that Apple even decided that a physical SIM slot wasn’t necessary anymore, because apparently a SIM tray blocks so much space that you need to shave down on a phone’s battery capacity. It’s wild that we’ve gotten to this point in our lives, and what’s more wild is that we now have to ‘rent’ storage out by paying for iCloud or Google Drive subscriptions to store our photos and videos. I remember when you could pop in a MicroSD card and those low-storage problems would go away… and ADAM Elements is trying to bring back that convenience with its ultra-tiny SSDs.

The iKlips S isn’t as small as a MicroSD, but it’s sufficiently more advanced than one. Barely the size of a 4-stud LEGO brick, this SSD plugs right into your smartphone, giving it an instant 256GB memory boost. It docks in your phone’s USB-C port, transferring data at incredible speeds, and here’s the best part – the tiny device packs biometric scanning too, which means you can pretty much secure your backups with a fingerprint the way you secure your phone with FaceID. The best part? No pesky subscription fees. You pay once and own the storage forever, and everything’s local and offline… so you never need to worry about remembering passwords, or about having companies and LLMs spy on your personal data to train themselves.

Designer: ADAM Elements

Click Here to Buy Now: $62.3 $89 (30% off, use coupon code “30YANKOIKPS”). Hurry, deal ends in 48-hours!

Think a thumb drive, but insanely tinier. That’s the beauty of SSDs, and ADAM Elements touts that the iKlips S currently holds the record for the world’s smallest SSD. Plug it into your phone, tablet, laptop, or any device and it instantly gets a 258GB bump. Data transfers at speeds of up to 400Mb/s with read speeds of 450Mb/s, that’s fast enough to move RAW files in milliseconds and entire 4K videos in seconds, or even directly preview/edit ProRes content on your phone, tablet, or laptop without having to transfer data to local storage. After all, that’s the dream, right?

The tiny device comes with a machined aluminum body and a lanyard hole so that you can string something through to prevent it from getting lost. Plug it into your phone to back up media, then into your laptop or iPad to edit said media. You can transfer data between multiple devices fairly quickly, across platforms too, thanks to cross-compatibility with iOS, Android, MacOS, Windows, ChromeOS, and even Linux. The tiny design sits practically flush against your phone, tablet, or laptop, occupying about the same amount of space as a USB receiver for a wireless keyboard or wireless mouse. Its most important design detail, however, hides in plain sight.

On the underside of the iKlips S is a fingerprint scanner, allowing you to add authentication to your SSD the way you add a password to your iCloud. The device can hold as many as 20 fingerprints, making it perfect for redundancies (just in case you cut a finger while chopping veggies) or even for a team of multiple people sharing data. Place your finger on the iKlips S and it unlocks the SSD, allowing you to read/write data in no time. You’re never faced with forgetting your iCloud password as your password literally lives on your fingertips.

The price of it all? A mere $62.3, which costs about as much as an annual subscription to these cloud storage services. For that, you get something you truly own, and can use without needing an app or an internet connection. Just plug it in and you’ve suddenly got extra storage. Secure the storage with a fingerprint, and move data around at speeds your internet service provider could only dream of. Neat, huh?

Click Here to Buy Now: $62.3 $89 (30% off, use coupon code “30YANKOIKPS”). Hurry, deal ends in 48-hours!

The post I Stopped Paying for Cloud Storage After Trying This Tiny 256GB iPhone SSD first appeared on Yanko Design.

Samsung’s Odyssey OLED G6 gaming monitor is down to its lowest price yet, offering a 500Hz refresh rate, QD-OLED visuals, and burn-in protection for $799.99.

I've been using the Logitech Pebble Keys 2 (K380s) wireless Bluetooth keyboard, and it's exactly what I expected from one of the most popular sub-$50 options.