Apple’s official answer to a smudgy MacBook screen is a $9 Polishing Cloth, which, to be fair, is ten bucks cheaper than the version everyone roasted in 2021. MacPaw has a more extravagant answer. The Ukrainian company behind CleanMyMac just revealed CleanMyMac Mist, its first physical product, a screen and keyboard cleaner dressed up as a bottle of designer fragrance. One spritz on a microfiber cloth is meant to lift the fingerprints and leave your laptop smelling like a frosty pine forest. Your candles, your hand soap and your car already have signature scents, so honestly, the MacBook was overdue.

MacPaw calls the scent Frosted Juniper, picked because juniper grows both in Ukraine, where the company was founded, and in California, where the Mac was born. That’s a little sentimental, and I’m completely here for it. The notes run from camphor, ozone and citrus up top to fir needle, cedar leaf and green apple at the base, and the brief was to smell clean without smelling like a cleaning product. Pole, a design and small-batch production studio in Ivano-Frankivsk, made the glass atomizer, its metal case, and a pink box loud enough to see from across the office. Only 100 bottles exist, and they’re up for grabs via a CleanMyMac Instagram and TikTok giveaway until October 23, so don’t go hunting for a price tag.

Designers: MacPaw & Pole

Every design choice here borrows from the perfume counter instead of the cleaning aisle. A slim glass atomizer sits inside a cylindrical metal case, and its silver-and-gray finish would sit happily next to any MacBook. The box flips the mood entirely, with a hot pink tray holding the Mist, a microfiber cloth, a small brush and a scent card, which is basically a perfume blotter for your laptop. The whole package is designed to live on your desk in plain view, far away from the Windex under the kitchen sink. Le Labo pulled a similar trick with its hand-cast concrete diffuser, treating a fragrance gadget as decor first.

Apple’s own cleaning guide warns against aerosol sprays, so the Mist uses a pump atomizer, and you spritz the cloth instead of the screen. That small habit change tackles a real problem, since one in three US Mac owners in MacPaw’s survey admitted to damaging their machine while cleaning it. The product site names the usual culprits: glass cleaners that strip anti-reflective coatings, paper towels that leave micro-scratches, and the hoodie sleeve that only feels like it’s doing something. Apple Stores reportedly keep their display units spotless with WHOOSH!, so dedicated screen formulas are nothing new. MacPaw’s twist is making the formula something you’d happily smell on your fingertips afterward, though nano-texture displays should still stick to Apple’s dry cloth.

As a longtime CleanMyMac user, I find the whole thing delightfully on the nose. The app launched in 2008, has racked up 29 million downloads sweeping caches, logs and leftover app files out of Macs, and MacPaw says it cleans a million machines a day. For 18 years, “clean” was a metaphor for digital housekeeping, and now the metaphor has a nozzle and a note pyramid. MacPaw handed the physical side to Pole, a design and production center in Ivano-Frankivsk with metal, wood, ceramics and biolab workshops under one roof. Pole specializes in runs of 1 to 500 units and built elements for Ukraine’s pavilion at Expo 2025 in Osaka, so a 100-bottle drop sits right in its comfort zone.

The Mist isn’t for sale, and the only way to get a bottle is a giveaway on CleanMyMac’s Instagram and TikTok that closes at 11:59 PM EST on October 23. MacPaw will pick 10 winners on Instagram and 5 on TikTok, so the odds are slim, but every entrant still gets a 20% CleanMyMac coupon. The full scent breakdown and entry details live at cleanmymacmist.com. Millions of Mac owners already trust MacPaw with the inside of their machines, and I suspect plenty of them would buy a refill to keep the outside smelling like a snowy forest. Frosted Juniper makes a great first edition, though I’m already lobbying for a cozy sandalwood one by December.

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Everyone has held a milk carton, which is exactly why CMF’s new speakers are so hard to stop looking at. CMF, the budget sub-brand of Nothing, shaped its first Bluetooth speakers like gable-top cartons, a form that toy manufacturer John Van Wormer of Toledo, Ohio, patented in 1915 as the Pure-Pak. Your brain files that silhouette under breakfast, fridge door, and home before it even registers the grille. Then the colors and a deliberately mismatched knob finish the job. Black cylinders and bricks have run the speaker aisle for a decade, so a carton is practically a plot twist.

The CMF Speaker S ($59) and Speaker M ($109) launched October 12 at nothing.tech and select retailers, in white, dark grey, turquoise, and orange. CMF’s own product pages cite a carton’s sharp geometry as the inspiration, so the resemblance is deliberate. A sloped roof carries the knob where a carton’s screw cap would sit, and the M’s top fin doubles as a carry handle. The front panel and knob pop off, which turns each speaker into a base for swapping or 3D printing. Both are IP68 too, so the carton can sit on a patio table without a worry.

Designer: CMF by Nothing

The carton’s anatomy, rebuilt as a speaker face

A carton has three recognizable parts, and CMF kept all three. The sloped gable roof becomes the top edge of a folded color panel that wraps over from the front face. The sealed top seam becomes the M’s raised fin with a handle cutout, while the S settles for a round cutout in the corner. The screw cap, a carton upgrade Elopak dates to 1991, becomes a knob you press and turn. On the orange and turquoise models, a dark grey body sits behind the panel, so the color reads like printed paperboard around a core.

The grilles do the decorating. On the turquoise model the mesh is a deeper teal, on the orange it turns brick red, and on white and dark grey it goes black, so each face is a flat field with big circles punched in. The M stacks two of them, the S gets one, and a small pixel-style cmf wordmark sits above like a tiny brand stamp. An oval button with a white light bar is the only other mark besides the knob. That is very few elements, all of them deliberate.

Pint-and-quart proportions and a color system with a mismatched knob

The S measures 5.1 by 3.3 by 1.7 inches (130.5 by 85 by 44mm). The M stretches to 8.7 inches (220mm) tall at the same 85mm width, so the pair reads like a pint and a quart of the same product. Helen Sanematsu’s 1999 AIGA Journal essay on milk packaging argued that cartons get their punch from standing in rows, with color separating the varieties. CMF’s launch imagery lines up four colors across two sizes, which plays that exact game. Put them on a shelf together and you get a dairy case designed by someone with great taste.

Each colorway gets its own knob: a black X on orange, a white ring on turquoise, a red paddle on dark grey, and a teal paddle on white. That deliberate mismatch gives every speaker a single accent, like a bright cap on a carton. Pop it off and you can mix freely or 3D print your own, a habit that follows the CMF Phone 1, whose community printed everything from Lego-friendly backs to a foam dart launcher. We once featured a fan concept for a CMF speaker that went retro radio. The carton is the braver call.

Drivers, battery life, and durability behind the carton

The S pairs a 1.8 inch (45mm) driver with two passive radiators, unpowered diaphragms that beef up bass, for 10W. The M adds a 2.8 inch (70mm) woofer and 0.6 inch (16mm) tweeter for 35W RMS, a continuous power rating. Both claim 18 hours at 50 percent volume with Ultra Bass on, enough for a workday and the commute. A 10 minute charge buys an hour while you hunt for your keys. They survive 30 minutes in nearly 5 feet (1.5 meters) of water and passed a 30 inch (0.76 meter) drop test.

The S costs $59 and the M $109, and both are on sale now at nothing.tech and select retailers. That puts a distinctive object within impulse-buy range, which is unusual for a design this committed. It is the rare budget speaker that makes you want to rearrange a shelf. Van Wormer’s carton survived a century by being easy to hold, stack, and carry, and a portable speaker wants the same three traits. Somebody finally noticed a great speaker shape was sitting in your fridge door all along.

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Fiat’s Multiplay concept explores a practical alternative to owning separate vehicles for family travel and outdoor activities. Unveiled ahead of the 2026 Paris Motor Show, the 4.45-meter-long concept combines the space of a multi-purpose vehicle (MPV), the styling of an SUV, and the cargo-carrying ability of a pickup. Its USP is a movable rear body section that changes the vehicle’s layout depending on what the day demands.

Called C-Pillar Metamorfosi, the transformation system allows the Multiplay to switch from a six-seat family configuration with an additional flexible seating module to a four-seat pickup with an open cargo bed. The rear section slides along dedicated guides, creating space for bicycles, sports equipment, and bulky items without eliminating the front and rear passenger seating. A rotating rear spoiler also doubles as an integrated bicycle rack capable of carrying two bikes.

Designer: Fiat

Inside, Fiat has designed the cabin around the changing needs of families. The additional unit, called the Petsenger seat, can accommodate a child seat, provide a dedicated place for a pet, or function as a small table or storage compartment. Part of its cushion can be detached and used as a leash, while a folding bowl is stored in a door compartment. Pockets, elastic straps, and other storage solutions help keep everyday essentials organized.

The concept also rethinks the conventional third row, which often offers limited comfort and space. Fiat says the Multiplay’s rear compartment can accommodate two children or an adult when necessary, while keeping younger passengers within view and reach of their parents. This arrangement wants to make the cabin more useful for family trips without requiring a larger vehicle.

Another multifunctional feature is the Sunseat. When the car is parked, the front passenger seat can turn toward the rear and use the dashboard as a backrest, creating a chaise longue beneath the panoramic roof. Large windows and generous glass surfaces bring more natural light into the cabin, reinforcing its connection to outdoor activities and leisure.

The exterior and interior follow a playful design theme inspired by watermelon. The green bodywork represents the rind, while red and pink cabin accents reference the fruit’s flesh. Inside, Fiat explores monomaterial textiles produced through a stitch-free 3D knitting process, which is intended to reduce material waste. Waterproof finishes in the children’s and pet areas address the practical demands of everyday family use.

Technology is integrated into the cabin without dominating its design. A hidden dashboard display disappears when the vehicle is switched off, leaving a cleaner surface. The dashboard’s horizontal form draws inspiration from the Mediterranean horizon, while its colors connect the exterior design with the interior.

The Multiplay continues Fiat’s longstanding interest in maximizing interior space within compact dimensions, recalling the six-seat Fiat 600 Multipla of 1956 and the original Multipla introduced in 1998. The Italian car maker describes the concept as a laboratory for future ideas, not a preview of a specific production vehicle. They’ve not announced a powertrain, performance figures, pricing, or a production timeline. So, we’ll keep our lens zoomed in on more details as they arrive.

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Ants aren’t usually welcome around a coffee table, especially when there are snacks involved. The Colheita Coffee Table concept, however, borrows something more useful from them: the curved cuts left by leafcutter ants. Its steel surface folds downward to become its own legs, while movable wooden supports provide places for drinks. The nature reference gives the table its construction logic, rather than simply decorating it.

The body starts with a single steel sheet, cut by laser and bent so three broad sections reach the floor. Those sections remain attached, leaving openings where a conventional tabletop would be solid. Rather than adding separate legs underneath, Colheita carries the tabletop material through to its base. The relationship is easy to follow, even if the resulting silhouette is rather unusual.

Designer: Fabrício Auler

That approach is intended to reduce component count and material waste, although it isn’t a claim of waste-free manufacturing. A smaller detail helps explain how the sheet takes shape: enlarged, rounded ends on the cuts provide relief during bending. They’re there to ease stress where flat metal becomes a leg. The graceful curves have a fabrication purpose alongside their resemblance to a harvested leaf.

The wooden pieces might look like little bowls at first, but their flat tops serve as platforms rather than containers. Each hemisphere has a groove that slots onto the folded steel, allowing it to move along the edge. The wood adds a warmer color and visible grain to the dark metal, while giving a glass or small object its own resting place.

That means the arrangement doesn’t have to stay the same after you’ve chosen where the table goes. Move a wooden support closer to your seat, or spread them around when friends gather on different sides. The system is also intended to help stabilize the upper surface. These small additions therefore have a job beyond making the steel look a little less austere.

Of course, all those openings leave less uninterrupted space for whatever usually accumulates on a coffee table. A book or tray needs a solid patch beneath it, and a loose remote won’t forgive careless placement. The gaps do leave room for trailing plants and allow light through. Colheita invites you to arrange its contents more deliberately, which won’t appeal to everyone’s housekeeping habits.

The project also explores an unfinished carbon steel version, letting oxidation change the surface’s colors and patterns over time. That’s a different proposition from furniture meant to keep an immaculate, uniform finish. It gives the table a changing appearance rather than a permanent shade of gray. The project presentation doesn’t explain how to manage that aging around spilled drinks or routine household cleaning.

Colheita means “harvest” in Portuguese, a nod to the ants and to gathering around the table. It remains a concept project with fabrication work documented, rather than a verified retail offering. Dimensions and load capacity aren’t provided. Before trusting one of those platforms with hot coffee, you’d want to know how securely it stays put when someone nudges the table.

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Clocks have become so familiar that we barely think about what their hands are doing. They point to positions around a circle, a habit that Orbit keeps while removing the hands themselves. This ultra-minimalist clock concept replaces them with two magnetically held metal spheres, giving time a physical presence you can reach and remove, instead of leaving it behind protective glass.

The face is a dark circular disk with two concentric recessed tracks, each carrying a polished sphere. There’s no cluster of numerals or central pin to interrupt the surface. Instead, the grooves give the small bearings separate paths, while their reflective finish contrasts with the darker background. The clock’s relief supplies the detail that printed markings would normally provide on a conventional dial.

Designer: Liam de la Bedoyere (boredeye.design)

One sphere represents the hours and the other the minutes, preserving the basic logic of an analog clock. You still look for positions around the face, only without a pair of hands connecting those positions to the center. That makes the idea less unfamiliar than it initially sounds. Reading it doesn’t call for learning an entirely new code, although some adjustment seems inevitable.

Of course, removing all those markings comes with a compromise. Estimating the hour should be simpler than judging an exact minute on an unmarked circle. Orbit could suit a living room where a glance is enough to keep track of the afternoon. Checking how many minutes remain before catching a train might make you rather grateful for the numbers on your phone.

The more unusual part is that the spheres aren’t permanently trapped in their tracks. Magnetic attachment is intended to let you lift each one away and put it back, adding a tactile interaction to an object usually left alone. That’s a surprisingly playful detail for such a restrained design, especially when removing both markers would leave the clock with nothing to tell you.

There’s a sculptural quality to the body itself, with a rounded outer edge and circular channels that give the black surface depth. A rear keyhole slot provides for wall mounting, keeping that face upright without a separate stand. The name Orbit feels appropriate here, with two small spheres occupying rings around an empty center, rather than hands meeting at a shared pivot point.

Orbit remains a concept, so there’s no established price or availability to weigh against those compromises. Its detachable markers do suggest a rather different relationship with a wall clock, though. Reach for the face and you’re handling the things that tell the time. Just make sure those little spheres don’t end up somewhere less useful, such as behind the living room sofa.

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Gaming soundbars became popular in the 2017s, but the trend faded; in the last couple of years, this category of audio accessories has seen renewed interest. Razer kicked off the new wave, with several mainstream brands and some offbeat makers releasing their own versions. Creative recently launched their B3 soundbar for gamers at a very affordable price, and now Edifier is upping the ante with an even sweeter deal.

The China-based audio accessories maker, known for high-end bookshelf speakers, has come up with a very cool-looking soundbar for gamers. Dubbed the Hecate G2000 Bar, the desktop audio boomer is all set to be available from 16 October onwards for a price tag of 349 yuan ($52), which is an introductory price slashed from the normal price of 387 yuan ($58).

Designer: Edifier

The G2000 Bar combines a compact footprint with an angular, mecha-inspired design intended to fit into a gaming setup without taking up much desk space. It will be available in black and white, with a built-in five-degree upward tilt that directs sound toward the listener rather than across the desktop. Five interchangeable themed stickers let users customize the front panel, while 12 RGB lighting effects, including rainbow and flowing-light patterns, add some visual flair. Lighting can be adjusted via the Edifier Connect mobile app or Hecate PC software.

Under the hood, the soundbar uses two 56mm full-range drivers with copper-clad aluminum wire voice coils, paired with two 60mm passive radiators. The arrangement is designed to deliver fuller audio and reinforce low frequencies without requiring a separate subwoofer. Output is rated at 3W per channel, or 6W in total, with peak power reaching 12W. The stated frequency response spans 67Hz to 20kHz.

For gaming, the G2000 Bar supports THX 7.1.4 spatial audio processing, which aims to create a more immersive, surround-like listening experience from a desktop soundbar. Six dedicated audio presets cater to different gaming genres, including first-person shooters, role-playing games, and racing titles. These modes give players a way to tailor the sound to different types of gameplay without manually adjusting equalizer settings.

The other notable addition is a detachable microphone mounted on top. It uses AEC 2.0 acoustic echo cancellation, a dedicated digital signal processor, and AI-assisted noise reduction to limit background sounds and reduce audio feedback from the speakers. This could make voice chat more convenient for players who prefer open speakers to a gaming headset, although performance will depend on the surrounding environment.

Connectivity includes Bluetooth 6.0 and USB sound-card input, allowing the soundbar to work with compatible PCs, laptops, mobile devices, and consoles. An independent 9V DC power adapter supplies power, while physical controls on the top metallic panel provide access to volume adjustment, microphone muting, and audio-mode switching.

With its compact design, customizable lighting, spatial audio processing, and integrated voice-chat features, the Hecate G2000 Bar brings several gaming-focused conveniences to an affordable desktop soundbar. Its initial pricing makes it an interesting option for players looking to simplify their setup without committing to a separate speaker system and microphone.

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