The carrying handle on Jess Wiseman’s CHEKT board is the detail that makes the design click for me. Chessboards have an awkward domestic life: leave one out and it claims a chunk of your table; put it away and playing becomes another thing to unpack. CHEKT’s board design considers that friction through a clear enclosure with a handle, while giving the familiar checkerboard a visual personality closer to a desk accessory than a formal game set.

It also addresses a smaller, relatable problem: choosing a board usually means committing to one look. The supplied images show four transparent shells with different graphic treatments, suggesting a way to change the board’s appearance without replacing the underlying object. That’s a more interesting proposition than another beautifully finished slab. I like objects that leave room for your taste to change, especially when they’re likely to spend as much time sitting around as being used.

Designer: Jess Wiseman

Underneath those shells, CHEKT has an eight-by-eight grid of black and pale peach forms. Rounded corners soften the geometry, and the raised surfaces make it look almost like an oversized keyboard. Circular details occupy the middle area, while square forms dominate elsewhere. The images don’t establish what those individual components do mechanically, so I wouldn’t call them buttons or switches. Visually, though, they give the board depth and rhythm that a printed checkerboard doesn’t have.

The clear outer enclosure makes those layers visible rather than hiding them behind a finished exterior. Small orange details along the edges interrupt the black-and-peach palette, and the slim, silver-colored handle gives the whole thing a faint briefcase quality. It’s playful without relying on a novelty shape. Sitting on a desk beside an orange mushroom lamp in one image, the board looks quite comfortable sharing space with objects chosen for their appearance.

The shell graphics are where the design becomes especially expressive. One uses yellow outlines around the squares, another introduces dark diagonal hatching, and a third has red, dot-built chess-piece illustrations. The fourth features large blue circles and angular linework. They offer different degrees of visual busyness, which matters. A graphic you enjoy looking at across the room might be less welcome when you’re trying to read a complicated position. I’d probably start with the quieter option.

One image shows a hand wiping drawn red arrows from the illustrated shell. That suggests a useful secondary role as a surface for working through moves, explaining a position, or marking an idea before clearing it away. It’s an appealing detail for casual learning because the discussion can happen directly over the board. The specific writing tools and surface compatibility aren’t established here, but the pictured interaction gives the transparent layer a purpose beyond changing the color scheme.

That ability to annotate is arguably more compelling than making a chessboard resemble a collectible gadget. You can imagine two people tracing a possible move rather than trying to explain everything through gestures. It wouldn’t replace learning the rules or recognizing positions, but it could make that conversation easier to follow. For me, this is where the graphic design starts earning its place: the surface becomes something you can use, not merely something to admire.

The packaging carries the same attitude. Oversized yellow CHEKT lettering, blue corner accents, chess-piece drawings, and diagrams of the layered board give the boxes a lively, almost hobby-kit character. The shell package explicitly labels its contents as a set of four, making the customization idea legible before anything is opened. I appreciate that clarity. Attractive packaging is more persuasive when it helps explain what the object is, rather than asking the branding to do all the work.

I’d still want to know how the shells attach, how easily their surfaces scratch, and whether the added graphics complicate play. Those answers would determine whether CHEKT feels practical rather than merely photogenic. But the design’s appeal is already clear: it gives a familiar game a place in a less formal room, with an appearance that doesn’t have to be permanent. A chessboard you can carry, customize, and potentially draw on offers several reasons to take it off the shelf.

The post CHEKT’s Chessboard Refuses to Hide Its Layered Design first appeared on Yanko Design.

Your phone can shoot video, run a demanding game, and carry an entire music library. It can also leave you holding a warm slab of glass, untangling a charging cable, or trying to photograph someone under terrible lighting. Those are the gaps worth designing for. A useful accessory should fix a specific irritation without creating three more, preferably through a mechanism you can understand before opening a thick instruction manual.

These nine selections tackle cooling, listening, cable clutter, misplaced cards, awkward camera controls, and backup power. Some attach to the phone; others give it a useful companion on your desk or in your bag. Start with the problem that actually bothers you most each day.

1. OnePlus Ice Card Mini

OnePlus has squeezed a phone cooler into a small card footprint rather than a bulky gaming attachment. The Ice Card Mini is listed in OPPO’s China store and described as a 50-gram body measuring 70mm by 53.4mm. Its thermoelectric chip works with an air-cooling system, while magnets hold the accessory against the phone. That compact packaging is the appeal: cooling becomes something you might carry alongside a cable, rather than reserve for a dedicated desktop gaming setup.

The practical tradeoff is power. The Mini draws up to 3.5W through USB-C and can run from a phone, power bank, or wall adapter. An included magnetic plate lets you attach it to phones without built-in magnets. It gives heat-conscious gamers a relatively discreet option, but drawing power from the phone adds another demand on its battery.

What we like

• Compact, 50-gram magnetic format.
• USB-C power accepts several sources.

What we dislike

• Consumes power rather than supplying it.

2. StillFrame Headphones

If earbuds bother your ears, a phone’s music library deserves another way out. StillFrame Headphones, designed by Tatsufumi Funayama, use an on-ear format with a stainless steel headband and magnetically attached fabric cushions. Circular and square geometry share the housings, with circuitry deliberately exposed. The retro reference has a practical point: you can choose headphones that sit against your ears without choosing the bulk of a conventional over-ear design for everyday listening.

Bluetooth 5.4 handles wireless listening, while the supplied USB-C cable supports wired playback. The headphones include 40mm drivers, noise cancellation, and a transparency mode; the maker claims up to 24 hours of playback. Those choices make StillFrame worth considering for desk listening or commuting when you prefer an alternative to in-ear buds. There’s one unusual operating detail: both sides need charging and separate button presses to power on. Light construction also doesn’t prove comfort or effective noise cancellation by itself.

Click Here to Buy Now: $245.00

What we like

• Low weight and removable magnetic cushions.
• Both wireless and wired playback.

What we dislike

• Both sides require charging and separate power-on presses.
• A full charge takes approximately three hours.

3. SuperCalla Magnetic Charging Cable

A charging cable shouldn’t need its own accessory just to stay organized. SuperCalla builds the organizer into the cable, placing magnets at intervals along its length. Line them up and the cable holds a coil or folded arrangement without a separate tie. The useful distinction is that these magnets manage the cable’s shape; they aren’t detachable charging connectors. For a bag that also carries keys, headphones, and adapters, keeping the loose length contained addresses a very ordinary frustration quite directly.

The manufacturer’s USB-C to USB-C listing separates a 60W, USB 2.0 version from a 100W, USB 3.1 Gen 2 option. That matters because neat storage says nothing about charging speed or file transfer performance. Choose the connector and electrical specification your phone actually needs, then treat the magnetic organization as the bonus.

What we like

• Magnetic organization without a separate cable tie.
• Multiple folding and coiling arrangements.

What we dislike

• Cable variants have different data capabilities.
• Dated shipping information needs clarification.

4. Battery-free Amplifying iSpeakers

The Battery-free Amplifying iSpeakers take a pleasingly literal approach to phone audio: put the phone in a shaped metal enclosure and let the geometry do the work. Designed by Ooi Masato and made in Japan, the accessory uses duralumin rather than a powered amplifier. There’s no Bluetooth pairing, battery gauge, or charging cable involved. For someone who wants to listen aloud at a desk, it offers a dedicated place for the phone without adding another electronic device to the routine.

The attraction is simplicity, not a promise of room-filling volume. The phone remains the sound source, so this makes more sense as a casual listening accessory than a replacement for powered speakers. Check your phone and case fit before buying, along with the position of the speaker opening. Optional +Bloom and +Jet modules redirect sound and are sold separately. It’s an appealing desk object for people who value avoiding chargers and want their phone to have a permanent desktop home.

Click Here to Buy Now: $179.00

What we like

• No battery, charging, or wireless pairing.
• Japanese-made duralumin construction.

What we dislike

• Phone and case fit need checking.
• Optional sound-directing modules cost extra.

5. MOFT Trackable Snap-on Phone Stand & Wallet

A magnetic wallet makes leaving the house with less stuff appealing, right up until you detach it and forget where it went. MOFT’s Trackable Snap-on Phone Stand & Wallet builds Apple Find My support into a folding accessory that also serves as a grip and stand. The current product listing specifies two cards and a 6mm thickness. Its usefulness comes from keeping those functions together, rather than asking you to carry a wallet, separate tracker, and stand every single day.

Find My gives the wallet a way to report its location and sound an alert, making it easier to look for when separated from your phone. MOFT claims around six months between wireless charges, and the folding construction supports portrait, landscape, and floating viewing positions. The limitation is equally clear: this is an Apple-oriented solution with room for just two cards. Its tracking battery is built in and nonreplaceable, so rechargeability is welcome but doesn’t resolve eventual battery serviceability concerns.

What we like

• Find My tracking without a separate tag.
• Wallet, grip, and stand share one folding structure.

What we dislike

• Holds only two cards.
• The tracking battery is not replaceable.

6. WUBEN E1 Magnetic Phone Light

A good phone camera still depends on the light in front of it. WUBEN’s E1 gives you another source to position, combining an adjustable ring light with a magnetic phone mounting arrangement. Brightness is adjustable, and warm, neutral, and cool settings let you choose the color of the light rather than accept whatever the built-in flash provides. The hinged support lets you redirect the light and use the assembly as a stand for your phone too.

This makes the E1 interesting for video calls, close-up filming, and selfies where a small adjustable source is more useful than simply pushing exposure higher. WUBEN rates output at up to 300 lumens, but that specification alone doesn’t establish how flattering the light will look. It recharges through USB-C and needs magnetic phone compatibility or an adapter ring. Check the selected retail bundle carefully: the product page lists the bracket separately among its variants; don’t assume the mount is included.

What we like

• Adjustable brightness and three color-temperature settings.
• Hinged mounting adds control over light direction.

What we dislike

• Adds another battery to recharge.
• Bracket inclusion requires careful checking.

7. Leica LUX Grip

Touchscreens are wonderfully adaptable until you want a control you can find without looking. Leica’s LUX Grip attaches magnetically to a compatible iPhone and adds a two-stage shutter button, two customizable buttons, and a control dial. Half-press the shutter to focus, then press fully to take the photograph. That physical sequence is the point: it brings a recognizable camera action to a device otherwise dominated by glass, giving regular phone photographers a different way to hold and operate their camera.

The aluminum housing weighs approximately 130 grams, and Leica specifies roughly 1,000 exposures per charge. There’s an important software boundary, though: the grip works with the Leica LUX app, not Apple’s built-in Camera app. Registration includes twelve months of LUX Pro, with paid access afterward if you retain the subscription. It’s a specialized choice for someone happy to adopt Leica’s workflow. It does not change the iPhone’s sensor or optics, and it cannot double as a phone-charging power bank either.

What we like

• Physical shutter and configurable controls.
• Supports portrait and landscape attachment.

What we dislike

• Limited to the Leica LUX app.
• Pro access becomes paid after the included year.

8. KUXIU D5 Charging Station

The annoyance here lives around the phone: an Apple Watch charger, an earbud cable, and adapters competing for desk space. KUXIU’s D5 gathers three compatible devices into one wireless charging station, with an adjustable phone platform and a motorized Apple Watch module that retracts into the body. The hidden watch charger is an unusually specific design decision. You only need that protrusion when a watch is charging, so the dock needn’t keep it permanently extended across your desk between sessions.

The display shows input voltage, current, and power, plus individual charging status, giving the dock more feedback than a single indicator light. KUXIU also includes an active cooling fan that can be switched off. Phone charging is advertised at up to 25W, but actual speed depends on the handset’s support. The watch module is specifically for Apple Watch, and earbuds need a wireless-charging case. For a compatible trio, the benefit is consolidation, not a guarantee that everything suddenly charges faster.

What we like

• Three charging positions in one station.
• Retractable watch module and informative display.

What we dislike

• Watch charging is Apple Watch-specific.
• Maximum phone charging speed depends on compatibility.

9. RetroWave 7-in-1 Radio

A smartphone becomes a much less useful companion when the battery runs down, and there’s no outlet nearby. The RetroWave 7-in-1 Radio brings a modest backup battery together with things a phone shouldn’t have to supply indefinitely: a flashlight, an SOS siren, and radio reception. Its 2,000mAh battery can provide a phone top-up, while AM, FM, and shortwave listening work without an internet connection. The tuning dial also provides a direct physical control instead of another screen to navigate.

Bluetooth playback gives RetroWave an everyday role as a phone speaker, while USB and microSD playback let it handle music independently. That matters for an emergency companion: it has reasons to stay accessible rather than disappear into a drawer. Be realistic about its charging options. USB is the primary method, the hand crank is intended for emergencies, and solar charging is supplementary. The small battery won’t replace a substantial power bank, but it offers a useful reserve alongside standalone functions.

Click Here to Buy Now: $89.00

What we like

• Phone charging alongside independent radio and lighting.
• Bluetooth and offline music playback.

What we dislike

• Limited 2,000mAh backup capacity.
• Solar and crank charging are secondary options.

Buy for the Problem You Actually Have

The sensible way to choose from this collection is to start with the irritation, not the accessory. If cables are your daily nuisance, a more elaborate charging station may be unnecessary. If touch controls interrupt your photography, a grip deserves more attention than another camera specification. Match the mechanism to the task, then check the phone, case, app, and charging requirements that determine whether it will actually work for you.

The less obvious question is where the accessory belongs when you’re finished using it. Something that folds, coils, docks, or stays useful independently has a better chance of fitting into a routine than something you must keep rearranging. There’s no need to buy all nine. A phone already does enough jobs; the right companion should remove one small source of friction without giving you another object to manage every day.

The post 9 Smartphone Accessories That Solve the Annoying Problems Your Phone Still Has first appeared on Yanko Design.

Large dining tables are useful right up until you need to move one, when their reassuring weight becomes somebody else’s lifting problem. LAYER’s Ripple research table explores a lighter construction by giving thin plywood a corrugated profile instead of relying on a thick slab. That said, the project keeps a flat surface for everyday use while putting the waves underneath, mostly hidden from view.

The original table was specified at approximately 8.2 feet long and 39.4 inches wide, weighing about 19.8 pounds. That’s a generous dining surface for something intended to be moved by one person. Bringing it across a room for guests or shifting it away from the wall could become less of a coordinated household event. Its footprint, however, doesn’t shrink along with its weight.

Designer: LAYER

The material comes from a collaboration with Canadian manufacturer Corelam, using pressure lamination to form the repeating curves. LAYER specifies plywood approximately 0.12 inches thick, although that isn’t the overall depth of the assembled tabletop. The distinction matters here: the design gets its structure from a shaped sheet and layered construction, rather than pretending a thin, flat board can do everything alone.

Of course, a wavy dining surface would be a fairly annoying place to balance your coffee. Ripple covers its corrugated structure with a flat plywood sheet, leaving the waves visible below and along the edge. Plates and laptops get the ordinary surface they need, while the underside carries the more unusual geometry. The useful part doesn’t have to look particularly experimental from above.

The legs follow the same preference for shape over bulk. A refined version uses hollow triangular profiles, designed to increase rigidity in two directions. The tabletop’s underside also curves gently across its length and width. Those changes address a fairly obvious concern with lightweight furniture: being easy to pick up is only useful if the table still supports what you put on it.

The red finish keeps Ripple from disappearing into the background, even with such a thin outline. From the side, the top appears almost like a sheet balanced on four narrow supports. Along the short edges, the repeating curves reveal why that impression is misleading. The structure supplies its own ornament, without adding a carved border or a heavier decorative frame.

Using less wood is part of the environmental argument, too. The project’s original documentation claims 70% to 80% less material than a standard timber table, but doesn’t establish a defined comparison for that figure. Less material isn’t automatically a complete environmental assessment, either. Adhesives, finishing, production, and working life still matter, even when the basic idea of doing more with less is appealing.

LAYER presents Ripple as a studio research project, without a current retail price or ordering details. The construction offers an answer for people whose furniture has to move with them, though size remains a constraint. You might no longer need help with the lifting, but you’d still need a clear route through the house before taking that tabletop around a corner.

The post LAYER’s Ripple Dining Table Uses a Wavy Plywood Core to Cut Weight first appeared on Yanko Design.

Moss has been on this planet for around 450 million years, which means it predates dinosaurs, continents as we know them, and the concept of a watering schedule. The plant’s actual trick is that it has no roots and absorbs everything it needs directly through its surface, which makes it one of the most low-maintenance living things you could put in a room. Interior designers figured this out around 2015 and started installing living moss walls everywhere from hotel lobbies to coworking spaces, at which point the rest of us learned that professional moss wall installation costs roughly what a decent used car costs. A consumer-friendly version of that idea has been weirdly slow to materialize. MOSSLAB designed Moss Hexa around that natural biology, using a soil-free system that reduces day-to-day care while preserving the texture and presence of real moss.

Moss Hexa is a modular moss system using 100% real moss panels in a hexagonal format, mounting via a proprietary magnetic system called HexaLock that lets you click panels into place, rearrange them, or swap them out without tools. Three panel types handle the main use cases: Basic for pure moss texture and color, Light for integrated LED ambient lighting with an auto-dimming sensor and app control, and Wood for warmth and visual rhythm as an accent. MOSSLAB, the South Korea-based studio behind the award-winning Moss Air and Moss Echo, built all three modules to share the same mounting hardware, making the whole system genuinely expandable over time without disturbing anything already on the wall. Pricing runs from a discounted $59 for the 3-panel Basic Starter Pack, with larger configurations available at campaign-exclusive pricing.

Designer: MOSSLAB

Click Here to Buy Now: $59 $90 ($31 off). Hurry, only a few left!

Hexagonal patterns appear throughout nature because they connect efficiently, repeat beautifully, and expand with minimal wasted space, from honeycomb structures to cellular geometry in biological tissue. MOSSLAB’s choice of the hexagon as Moss Hexa’s base unit is a structural decision that determines how the system scales and how freely it grows, and it pays off. Each panel measures 8.27 × 7.09 × 1.42 inches (210 × 180 × 36 mm), and because hexagons share flat, parallel edges on all sides, tiles can cluster in multiple directions without gaps or forced symmetry. The system offers preset configurations of 3, 9, and 15 panels, but the geometry means there’s nothing stopping you from building something in between. It holds up when you pull everything down six months later and try a completely different arrangement from scratch, which is the whole point.

The Basic panel features 100% real moss that is naturally drought-tolerant, requires no direct sunlight, and needs only occasional light misting to stay at its best. Its frame is made from PC and steel, with magnetic components, and the whole panel weighs just 0.75 lb (338 g). The moss retains its color and three-dimensional texture between mistings, helping preserve the natural depth and organic character that distinguish real moss from artificial alternatives. The Wood panel uses the same HexaLock mounting footprint but replaces moss with a warm wood-finish surface, designed as a compositional accent rather than a primary surface. A mostly-moss arrangement with a few Wood panels breaking the pattern is the right call; the contrast reads as intentional interior design rather than a texture experiment that got away from you.

Each Light panel combines 100% real moss with built-in ambient lighting designed to bring out the moss’s natural depth, color, and texture while changing the atmosphere of the surrounding space. Brightness can be adjusted from 1–100%, with a maximum power draw of 7W per panel, while a built-in ambient light sensor automatically adapts the lighting as the environment changes. Light panels connect directly to one another through USB-C-to-USB-C connections, and one Control Hub & Power Adapter can support up to nine Light Panels. The Hexa App provides manual lighting control, lighting presets, and Natural Daily Rhythm scheduling, giving users more flexibility to shape the atmosphere throughout the day.

Sound absorption performance was independently measured by KCL, a KOLAS-accredited laboratory recognized under the international ILAC-MRA framework, using a Moss Echo installation made with the same real moss material used across MOSSLAB’s Moss product line. Covering nearly 11 m² with approximately 300 moss panels, the installation was tested in a large-scale interior setting. The test recorded sound absorption of 27% at common speech frequencies, increasing to 56% at frequencies associated with keyboard typing and up to 65% at higher frequencies associated with background chatter. Those results add a functional layer to real moss beyond its visual and tactile presence. Because the test was conducted using the same real moss material found in Moss Hexa, the takeaway is not that Hexa replaces dedicated acoustic treatment, but that the material itself brings measurable sound-absorbing properties into a system designed to change how a space feels.

Powered by the HexaLock magnetic mounting system, each panel snaps into place with a single click, no complicated measuring, no specialist tools, no installation experience needed. You attach the mounting guide to your chosen surface, and both screws and adhesive mounting options are included. The guide handles alignment automatically, so panels sit consistently without leveling. The key design call is that Basic, Light, and Wood panels all share the same HexaLock footprint, meaning you can swap any panel type for any other at any point without touching the wall hardware. You can start with 3 Basic panels, add Light panels as a seasonal upgrade, and work toward a 15-panel Signature Styling set across multiple additions, all from the same original wall installation. The dual mounting option, screws for homeowners and adhesive for renters, is a small detail MOSSLAB got right, and the kind of thing you only think to include if you’ve genuinely considered your customer’s actual living situation.

Moss Air earned a CES Innovation Award, an iF Design Award, and an IDEA Design Award, and MOSSLAB has also participated in an open innovation program with a major Korean conglomerate, and in 2025 was the only international startup chosen among five for Panasonic’s Electric Works accelerator program. These are production-level credentials, not concept-stage accolades, and they matter when evaluating a new product that ships internationally. The Basic Starter Pack (3 panels) will be available for $59 during the first 72 hours of the Kickstarter campaign launch, the Light Starter Pack (3 panels) at $99, and the 9-panel Basic and Light Standard Packs starting at $159 and $229, respectively. The 15-panel Signature Styling Pack, which combines Basic, Light, and Wood panels, starts at $339 during the same launch period. Individual add-ons are available at $25 for a Basic Panel, $40 for a Light Panel, and $24 for a Wood Panel, while an additional Control Hub & Power Adapter Set is $23. Estimated U.S. shipping starts at $25 for a 3-panel configuration, with fulfillment estimated to begin in June 2027.

Click Here to Buy Now: $59 $90 ($31 off). Hurry, only a few left!

The post This glowing modular moss panel system might be the coolest way to fix a boring room first appeared on Yanko Design.

In 2006, Dutch designer Joris Laarman fed a bone growth algorithm into a computer and got a chair that looked grown rather than built. His Bone Chair became a landmark of generative furniture, and every hollowed out, nature mimicking object since has lived in its shadow. Zaha Hadid’s flowing buildings, Ross Lovegrove’s organic forms, and Neri Oxman’s computational experiments all share that family tree. Chairs, buildings, and lamps have all been invited to the reunion. Keyboards, strangely, never got the invite.

Pulse One, designed by Haoyuan Lu of New York based Pulsekey, is the late RSVP. Its 3D metal printed shell was shaped through generative design and digital sculpting, fusing the palm rest, frame, and bezel into one mirror finish lattice that looks like a skeleton went to a spa. White keycaps float above clear switches, and the board runs wireless. It earned Silver in Consumer Electronics / Computer Accessories at the International Design Awards. This is the most extra keyboard ever made, and I say that with admiration.

Designers: Haoyuan Lu, Hongbin Zhang & Wendi Yu

The closest pop culture cousin is the T-1000, the liquid metal assassin from Terminator 2: Judgment Day in 1991. That movie made flowing chrome terrifying, and designers have been borrowing the look ever since, minus the murder. Pulse One has the same mercury sheen, and every curve catches the light and stretches it into long silver ribbons. Park it on a desk and your monitor suddenly has a reflection to argue with. I would not outrun it, but I would happily let it sit next to my coffee.

Generative design, in general, works by handing a computer a set of goals and letting it propose the shape. The software piles material where a structure needs it and strips it away where it does not, which is why the results look so organic. You can see that logic in Pulse One’s shell, where big elliptical voids sit beside slim, tapering bridges of metal. Lu’s team then refined the form through digital sculpting, which is how a machine’s cold logic ends up looking this graceful. It reads as grown, much like Laarman’s chair did.

Folding the palm rest, frame, and bezel into one piece also cleans up a messy corner of keyboard design. Most boards stack a case, a plate, and a wrist rest, each with its own seams, screws, and opinions about alignment. Pulse One’s shell sweeps all of that into a single form that cradles the switches and tilts them toward your hands. A few small screws are still visible in the photos, so it is not magic, only very tidy engineering. Your wrists get a sculpted perch where a foam strip usually lives.

Under all that sculpture sits a keyboard people can actually live with. The campaign pitches it as wireless, hot-swappable, and good for weeks on a charge. Hot-swap sockets let you pull a switch and drop in another without a soldering iron, and one product photo shows exactly that, a lone switch pulled out beside a stray arrow keycap. The entry also describes the construction as modular, built for maintenance, customization, and renewal. Basically, it looks like a museum piece and behaves like a tinkerer’s board.

The post This chrome skeleton is the most extra mechanical keyboard ever made first appeared on Yanko Design.

For fifteen years, Apple was the friend who shows up to the party an hour late and then insists it brought the best snacks. Tim Cook even had a motto for it, saying Apple was perfectly fine with not being first. Then John Ternus took over on September 1, and the snack table got crowded fast. In six weeks Apple has revealed the foldable iPhone Duo, a HomeView smart display in tabletop and wall-mounted versions, and nine smart home accessories. That makes twelve fresh designs, a wild number for a company that used to agonize over one hinge.

HomeView and the foldable will get the splashy coverage, but the real fun is the smart home gear. LG Electronics and Schneider Electric helped Apple build a video doorbell, a floodlight cam, outdoor and indoor cams, a deadbolt, two thermostats, and two sensors. They start arriving in December, with prices running from $39.95 for a sensor to $399.95 for the floodlight cam. Apple’s fingerprints are all over them, from the aluminum to the black glass to the rounded shapes. I am here to tell you why that deserves a small celebration.

Designers: LG and Schneider for Apple

The ROKR Taught Apple to Keep the Design and Rent the Factory

In September 2005, Steve Jobs launched the Motorola ROKR E1, a rebadged Motorola phone with an iTunes button and a cap of 100 songs. The demo stumbled and the phone flopped. Jobs looked pained onstage, and you can see why, since Apple’s software was riding around in someone else’s hardware. Roughly sixteen months later he unveiled the iPhone. The ROKR was a stepping stone he needed, taken at exactly the moment he needed it.

Ternus gets to run that play with the lesson already learned. Bloomberg reports that Apple shaped the design, features, and engineering of the LG gear, while LG handles manufacturing and support. The ROKR was Motorola’s design wearing Apple’s software. This is Apple’s design wearing LG’s factory. Ternus joined Apple in 2001, so he watched the ROKR saga from the inside, and the LG deal likely began on Cook’s watch but ships under Ternus, which puts it in his column.

Nine Products, One Family Look From Two Different Companies

Line up the lock, camera, thermostat, and doorbell from Apple’s photo and the family resemblance is hard to miss. The Smart Deadbolt pairs a black glass keypad with a pill-shaped aluminum plate, and the Video Doorbell is an aluminum column capped in black glass. The Indoor Cam’s round head swivels on a chrome pivot that echoes the hinge on HomeView. The big 68 on the thermostat belongs to Schneider, yet it shares the same soft rounded-square body. Two companies, one look.

The Indoor Cam physically tilts down to stop watching the moment the first person gets home, which is the friendliest privacy gesture I have seen on a camera. The doorbell carries a 2.5K front camera plus a 1080p lens aimed at the doorstep for packages. The deadbolt uses Ultra Wideband (a precise short-range radio) to unlock as you walk up with your iPhone or Apple Watch, and it keeps working without internet. Everything sets up with one tap on your iPhone. There is no extra app and no extra account.

Ternus Ships What Is Ready Instead of Waiting for Perfect

Cook’s way was to wait until Apple could do it perfectly, and the home hub paid for it, slipping from spring 2025 while Siri caught up. Ternus, per Bloomberg, wants Apple to ship faster, experiment more, and spread launches through the year instead of two big events. HomeView still waited for Siri AI, so the rulebook did not change overnight. What changed is that the wait no longer stalls everything around it. The doorbell, lock, cameras, and thermostats are ready now, and Apple is shipping them.

The Home Collection starts at $39.95 for a sensor, with the lock at $349.95 and the floodlight cam topping out at $399.95. It arrives in December in the U.S. and Canada, the cameras and doorbell are also heading to the UK, and select items slip to early 2027. You can see the full lineup in Apple’s Home Collection announcement. Cook’s Apple was the friend who showed up late with the best snacks. Ternus’s Apple shows up on time, brings the snacks, and even has gluten-free options because he listened to his audience.

The post Twelve New Designs in Six Weeks: Why I Love the new Apple under John Ternus first appeared on Yanko Design.

Apple’s design team apparently raided four different family albums and stitched the best bits into one object. HomeView has the iMac G4’s floating-screen silhouette, Apple Watch-style faces, the iPad’s slab of glass, and a speaker base that recalls the HomePod. I have a soft spot for that sunflower-lamp iMac, so seeing a dome and a tilting display make a comeback in 2026 made me unreasonably happy. Somehow the pile of parts works visually. It looks like a lamp, has a tablet’s touchscreen, and doubles as a speaker.

Apple announced HomeView on October 13, 2026. It pairs a 7-inch Liquid Retina screen with a domed aluminum speaker base and a stainless steel hinge that lets you tilt the display. An A18 chip and the rebuilt Siri AI run the show, and Apple says it recognizes up to six enrolled users, each with a personalized experience. A wall-mounted version offers the same screen and core functions, though its speaker hardware differs. Both models cost $299 in the U.S., with preorders open and availability scheduled for November 13, 2026.

Designer: Apple

The iMac G4’s Dome and Personality Make a Comeback

The iMac G4 arrived in January 2002 with a 15-inch flat panel hovering over its base. Its sunflower-inspired form emerged from Steve Jobs and Jony Ive’s design discussions; Walter Isaacson’s account credits Ive with suggesting that the screen be separated from the base like a sunflower. HomeView echoes that silhouette but swaps the long swinging arm for a compact hinge, which suits a counter where nobody wants a lamp neck knocking over the olive oil. The tilt adjustment gives you some latitude on a low nightstand or a tall kitchen island.

The G4 showed how much personality a computer’s shape could carry. HomeView’s similar stance makes a box packed with a camera and microphones look friendlier, at least to my eye. A dome with a head-on-neck posture reads more like a desk pet than a gadget, which is a handy trick for something that recognizes faces. The thick black bezel is a taste call I’m happy to defend: it gives the Photos face a proper picture-frame border.

Apple Watch-Style Faces and iPad Glass Decide What You See

The screen looks like it comes from the iPad side of the family: a square slab of glass with rounded corners and a front camera for FaceTime. Center Stage adjusts the framing as people move or join the call. Apple lists a brightness range from 500 nits down to 0.3 nits, allowing the display to dim substantially at bedtime. True Tone adjusts the white balance to ambient lighting. Selected interface elements also respond to your distance, showing simpler information across the room and more detail as you approach.

The faces feel distinctly Apple Watch-like. Photos offers Portrait-style depth effects, while Flow reacts to movement in the room. Snoopy’s animations respond to the time of day, weather, and sporting events, a very Watch way of being useful and adorable at once. Home Modular puts favorite accessories on one dashboard, and Home Camera can stream up to nine video feeds at once. Fan designers were exploring this territory years ago. Justin Latham’s HomePod Nano concept, which we covered in 2023, imagined a speaker with a display running a proposed watchOS fork. It was a fan concept, not an Apple product or working software announcement. HomeView’s Live Activities surface the current song, an active timer, or an incoming Intercom message, bringing that glance-and-go logic to a household screen.

The Speaker Base Does the Heavy Lifting

The base recalls the HomePod, although Apple’s images show a perforated, color-matched exterior rather than the HomePod’s fabric mesh. Small grille holes also run along the display’s lower edge. A down-firing woofer and two force-cancelling passive radiators sit in the base, while two full-range drivers occupy the display.Apple says computational audio uses its silicon and onboard sensors to adjust loudness and bass response in real time.  The wall-mounted model has two full-range drivers but no base-mounted woofer or passive radiators, so the two versions shouldn’t be treated as acoustically identical. HomeView supports multiroom audio alongside HomePod, HomePod mini, and AirPlay-compatible speakers. Intercom also reaches HomeView and HomePod speakers elsewhere in the house.

The original HomePod was announced in 2017 at $349, when we dubbed it Apple’s “tune-busting Fabergé Egg.” Against that historical price, $299 for a speaker, screen, camera, and face recognition looks tempting on paper. You can pre-order HomeView on Apple’s site now, with both the tabletop and wall-mounted models arriving November 13. The tabletop unit ships with a color-matched USB-C cable, while the wall version relies on Schneider Home’s power mounts, which start at $59.95 and are sold separately. Siri AI launches in beta and in English, and Apple is not selling HomeView in the EU for now. Every ancestor in this object was Apple’s bet on a different decade, and HomeView is the first time they all share one counter.

The post Meet Apple HomeView: A weirdly genius combination of the iMac, Watch, iPad, and HomePod first appeared on Yanko Design.