It has only been a month since Microsoft unveiled its latest Surface-branded computers, and while the tech industry was awash with discussions on the company’s aggressive Copilot AI push and ARM-based Snapdragon X silicon, the products’ design may have left some people less than impressed. The Surface Pro 11 and Surface Laptop, for all intents and purposes, look exactly like their forebears, making one wonder if Microsoft has run out of creative juice or is desperate to milk its current design until it runs dry. Fortunately, that isn’t the end of the new Microsoft Story, as it turns out that the latest Surface Pro and Surface Laptop computers have one “invisible” upgrade it didn’t really talk about much: an easier repair process that has even the meticulous and stingy iFixit impressed.

Designer: Microsoft (via iFixit)

Laptops have come a long way from being impregnable fortresses that made even the smallest repairs or upgrades a hellish experience, though there are still some companies living the past in the present. Initially, the Surface Laptop was part of that group, requiring cutting through fancy Alcantara fabric just to open the laptop to replace a battery or upgrade the storage. This year’s design almost makes a complete U-turn with a bottom plate that’s only held down by four screws and magnets; no adhesive in sight. Even the battery can be easily removed by just removing screws and a few layers of parts blocking those.

Tablets are even worse news for repairs, especially with displays that are glued on top of the frame. To its credit, Microsoft has at least made changing the Surface Pro M.2 SSD painless by having an accessible magnet-locked panel to get to that storage instantly. The 11th-gen model takes things further by employing as little adhesive as possible, though you still have to go through the risky process of removing the screen first. Fortunately, getting to important parts like the battery is less of a grueling task, especially since it’s only held down by screws as well.

Even more impressive, however, is the fact that Microsoft officially supports such self-repair processes. It has made repair guides publicly available since day one and has even clearly marked out the number and types of screws that hold certain components in place. It’s far from perfect and definitely not on the same level as a Framework laptop, but it’s still an unexpected yet pleasant surprise, especially considering it’s Microsoft we’re talking about.

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At the prestigious Salone Del Milano 2023 in Milan, Italy, the design lab HONOKA showcased their innovative TATAMI ReFAB PROJECT furniture series. This project, conceived by a team of forward-thinking product designers, leverages advanced manufacturing techniques like 3D printing to breathe new life into traditional Japanese tatami mats. The result is a fusion of heritage and cutting-edge technology that reintroduces the essence of tatami into contemporary living spaces.

Designer: HONOKA LAB

Tatami mats have been a staple of Japanese interiors for centuries, renowned for their aromatic qualities, humidity regulation, and odor reduction capabilities. HONOKA’s project aims to integrate these traditional benefits into modern furniture design. By blending recycled tatami with biodegradable plastic, they have created a sustainable material that is both adaptable and durable. This innovative composite can be 3D printed into a variety of functional and decorative home products, embodying the future of artisanal design while retaining a distinct connection to Japanese culture.

One of the key highlights of this project is its commitment to sustainability. Traditional tatami production often results in significant material waste, with nearly half of the plant-based material discarded. Honoka addresses this issue by recycling tatami waste and combining it with biodegradable plastic, significantly reducing the environmental impact. This material is not only eco-friendly but also versatile, allowing designers to explore new aesthetic possibilities and create unique forms that enhance modern living spaces.

The collection features several distinctive pieces that exemplify the versatility and beauty of the tatami-resin composite:

SORI and MUKURI:

These knitted tatami-resin furniture pieces reinterpret traditional Japanese shapes and textures through 3D printing. The unique structure of these items offers moderate transparency and varying visual expressions depending on the viewing angle. They are sturdy enough to support glass and other heavy materials, making them ideal for dining tables.

CHIGUSA:

Inspired by the traditional Japanese “Sen-suji” pattern, this stool combines multiple 3D-printed parts. The vertical pattern of the elastic and durable tatami-mixed resin provides a resilient and comfortable seating experience.

TABA:

A lighting fixture designed to resemble bundled grass, TABA uses a dripping technique in its 3D printing process. The tatami-mixed resin diffuses light beautifully, with light spilling through the gaps in its branches, creating a soft, natural ambiance.

TACHIWAKI:

This self-standing basin, inspired by the Japanese “Tachiwaki” pattern, features multiple stripes created by varying the purging speed of the 3D printer. Its water-resistant nature makes it suitable for innovative bathroom designs.

YOCELL:

A stool that draws from the traditional Japanese “Asanoha” pattern, it uses the layer marks of the 3D printer to create unique visual effects by aligning them in different directions. The modular shape makes it sustainable even for transportation and packaging.

AMI:

Combining the aesthetics of traditional Japanese 2D weaving with modern 3D printing, the AMI stool and lampshade feature intricate designs created by dripping resin from the air. The resulting pieces change their expression based on the viewing angle.

KOHSHI:

This lattice-like vase is reminiscent of Japanese architecture and allows for flexible plant arrangements, inspired by the art of Ikebana. This design has such a lightweight aesthetic, making any room feel airy. It’s perfect for minimalistic homes.

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There are people that love to pit technology against art or craftsmanship but those of us who know better know that the two can actually complement each other. There are products and designers out there who seek to fuse the two together and even bring innovation and improvements to the two worlds. One such product is a speaker that uses natural materials and is created by traditional craftspeople.

Designer: Mapu

The Mapu Speakers is a line of speakers that are made from natural materials like clay, wood, cork, and wool and handcrafted by traditional craftsmen in Chile and Portugal The goal is to create a new generation of craftspeople, “building a bridge between ancestral knowledge and technology”. Aside from having quality speakers so you can listen to your music, audiobooks, and podcasts, you also get a piece of art that you can display in your space.

The wooden cones and caps that are in the center of the driveractually optimize the high frequencies so you get a “vivid, spatial, and engaging sound”. The wool is used for the internal acoustic insulation while the leather and cork are also ideal for insulation due to their high tensile strength and heat resistance. The spherical shape of the vessel also adds to the sound quality that you get so you know that it’s not just beautiful but you get a pretty good speaker.

The Mapu Speakers are also 80% biodegradable so that’s another bonus for those who are looking for something pretty different for their speakers. The Mapuguaquén is already sold out on their website but the Mapu Preto and the Mapu Soenga, available in mono and stereo versions. The vessel-like shapes of the speaker line make it pretty attractive even if you don’t know yet the handicraft story behind it.

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Brazil apparently has one of the most effective (and affordable!) water filtration systems in the world. You can find clay water filters in almost every home and markets and they are actually created by local craftsmen. There are some challenges to this though as it is not always aesthetically pleasing and some people say there is a certain aftertaste to the water that goes through this system. There is even sometimes a problem about mold as well. Now a reinterpretation of the clay water filters may have solved some of those issues.

Designer: Estúdio Biologique

A Brazil-based design studio has come up with the Biologique water filter which still uses the same filter system. However, it uses white ceramic so that the water should taste about the same but of course it is filtered. It also doesn’t leave any mold but is also easy to clean, which was also a problem with the traditional filter. The important thing though is that it is able to bring clean, drinking water with the simple filtration system that doesn’t require any complicated installation or instructions.

For those that are concerned with the aesthetics of the water filter, then this is also where Biologique shines. It has a simple, minimalistic design that still keeps the original idea of the clay water filter but brings a more modern feel to it. It has two round parts on top of each other, a wooden stand, and a faucet that looks like those you find in draft beer machines. It comes in different colors: terracotta, rosé, green, brown, off white, black, gray, and capuccino.

The Biologique water filter comes in 9.0L and a petit version in 4.5L so you have two options depending on your space and the drinking water capacity of the people you live with. Of course it is more expensive than the traditional clay water filters that you’ll find in the usual Brazilian households. That’s the price you have to pay to have something prettier and better designed. Estúdio Biologique says their products are done by hand and on a small scale, so that’s also one of the reasons for the price point.

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There have been a lot of discussions about how artificial intelligence affects designers and design in general. This will continue to be a hotly debated topic in the next few years. There are those that believe this is heralding the death of the creative industry while there are those that believe that it can help brands and designers streamline processes and can foster innovation and experimentation. Italian furniture brand Kartell and French architect and designer Philippine Starck seems to be of the latter school of thought as they unveiled their A.I. collection

Designer: Philippe Starck and Kartell (and A.I.)

This collection features eco-friendly pieces of furniture that were a result of input from Kartell and Starck and streamlined by A.I. particularly in terms of prototyping and planning. It was able to contribute to make the collection sustainable and optimize the materials used resulting in reduced waste. Creating eco-friendly products is the ultimate goal and the combination of design, production, and A.I. helped achieve this.

The A.I. Lounge uses thermoplastic techno polymer with a mineral filler. It is available in white, black, green, and gray and can be used both indoors and outdoors or wherever you want to lounge around. The H.H.H Her Highest Highness meanwhile is a chair that should make you sit like a royal. The way the back is shaped will force you to sit as if on a throne. It uses green polycarbonate material for the eco-friendly aspect.

The A.I. Console meanwhile is a minimalist small table that can be placed in the foyers, vestibules, entrances, and hallways, or anywhere you need to have a small stand or table for your stuff. It sports a one legged design and is made from recycled Illy iPerEspresso coffee capsules. You can get it in orange, white, gray, or black.

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One of my plans in life when I eventually retire is to live somewhere near the beach and just have a daily walk along the shore. Aside from nature and people watching, another thing that I enjoy is to look at some of the things that people leave, intentionally or unintentionally, by the shore and in the water and wonder what’s the story behind it. Of course it’s not a good thing that these trash are left there so it will also be part of my routine to clean this up and think of ways to encourage people not to litter on the beach.

Designers: Shoma Furui and Kem Kobayashi

One idea that came from someone who has been seeing all these tiny pieces of trash left on the Makuhari Beach in Chiba City is to create a game out of them. Debris is a tower-stacking game similar to Jenga and Uno Stacko but is made from the marine plastic collected from the area. The tiles have different color patterns based on the season and the collection site where these microplastics came from. It uses VOC-free (no volatile organic compounds) and water-based acrylic resin as a binding agent.

While you’ll have fun playing the game (if this is your thing), the designer also wants to make Debris a way for consumers to engage with environmental issues. Regular beach clean ups do help keep the shore and water clean but there are also those tiny pieces that remain buried and erode into invisible microplastics. They have an effect on the marine environment that sometimes may not be so visible or obvious to us. Having a game made from these pieces can help us think about our effect on our environment.

It can also be interesting to think about what these colors and shapes were in their previous life as trash. But the important thing is that the materials and process in creating Debris is fully sustainable and it can be disposed of properly when you no longer need it. And hopefully, you get to think about what you’re doing to help preserve marine life and keep places like beaches a safe haven for all.

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Most of our modern infrastructure and architecture is bad on concrete, and the production of cement used in concrete is one of the biggest causes of worldwide carbon dioxide emissions. This constitutes a serious issue that must be addressed, especially with the current state of our Planet Earth. In this effort, Nendo displays a specimen of a greener and cleaner way to construct and build with its Block-Wall House. The Block-Wall House is partially built using a new concrete that captures carbon dioxide instead of emitting it!

Designer: Nendo & Kajima Corporation

Tucked away in Japan’s Nagano Prefecture, the Block-Wall House is located next to a rural road. The house features a lot of glazing, to offer privacy against pedestrians and passing vehicles. The home is equipped with an angled screen which lets residents look out but makes it quite difficult for a passerby to glance inside. This screen is made using 2000 blocks which have been arranged in parallel rows to form five walls, with a length of 360 feet. This screen is made from the aforementioned sustainable and novel concrete!

This newly developed concrete is made by the Kajima Corporation in collaboration with the Chugoku Electric Power Co, Denka, and Landes Co. The concrete is named CO2-SUICOM, and for its production, a special cement mixture is placed in a curing chamber, and carbon dioxide is pumped into the chamber for absorption. This absorbed CO2 gets stuck inside the concrete and is not released. It is as strong as regular concrete!

“Generally, concrete hardens through a chemical reaction between cement and water,” explains Kajima Corporation. “But with CO2-SUICOM, over half the cement is replaced with a material we call γ-C2S. Instead of reacting with water, γ-C2S reacts with the CO2 in the air to harden. After mixing the materials needed to create CO2-SUICOM, the concrete can be placed in a location with high CO2 levels so it can capture the CO2 and harden, trapping the gas inside. For example, a thermal power plant or other facility that produces carbon-heavy exhaust gases can redirect the gases into a carbon sequestration chamber, where concrete products made with CO2-SUICOM can be placed to capture the CO2 in the gases.”

Currently, the price of producing CO2-SIUCOM concrete is about three times higher than usual concrete in Japan. Hence, work is being done to bring down the price, and Kajima Corporation believes that the concrete will become more economical in the future.

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As a regular (addicted) coffee drinker, I use different methods to get my caffeine fix. Most of the time I just use a good ole coffee brewer but when I need a sort-of espresso fix, my coffee pod machine is the most convenient way since I don’t have an actual espresso machine. However we know that this isn’t the most environmentally-friendly way to consume coffee. But we’re seeing several brands come up with a more sustainable way forward for the k-cup industry.

Designer: Zenpack for Cambio

Cambio Roasters is one such brand that came up with organic coffee pods that were made up of just two materials: #5 polypropylene plastic and aluminum. But they didn’t want to just stop with the pods but come up with sustainable packaging as well. Zenpack created this container with eco-friendly materials that can serve also as a mini recycling bin for the pods before you bring them to the actual recycling bin.

The container is made from molded pulp with added vertical ribs to give it more structure. It is able to hold 10 pods both for when it is shipped and for when you want to hold your used pods. Even the label is sustainable as it’s a glue-free belly band with a tear strip. All of the elements of this packaging can be thrown into a larger receptacle recycling bin. The container can also be used as a temporary compost bin for your coffee grounds and other kitchen scraps.

With people becoming more conscious with how they consume products, it is good that more sustainable brands are emerging. We stan these brands that not only think of their main products but also their packaging, which can sometimes get lost in the shuffle.

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If you’re having a dinner party and you need to smoke some of your food like meats, vegetables, fish, cheese, and nuts, you probably will have to do it outdoors. But if you don’t have space to do actual smoking and you just have your table as your space, then that can be a problem (or you might have to just change your menu). There are options out there for table smokers but not all of them are convenient or emit minimal smoke or worse, they can make your food a bit charred.

Designer: Guillaume Bloget

The Cloche table smoker may be the solution to that particular problem. It uses aromatic plants and wood chips as your smoker so that the food you’re cold smoking will still be able to retain their original flavors but this time with a smoky note added to it. It can also serve as part of your dining table decoration as its beech and stainless steel aesthetic can add to the atmosphere of your meal. You can create a ritual out of arranging the food, lighting the fire, then putting it out and presenting the food for eating.

Using it seems pretty easy on paper. You place the ingredients on the metal part and then put the aromatic plants or pine needles on the hearth. You can use matches or a blowtorch to light your “fireplace” then close the smoker with the beech cover. The fire will be put out once you put the cover on (hopefully). After 30 minutes, you can lift the cover and then start consuming whatever it is you were cold smoking. You will still get some residual smoke but hopefully not to make anyone cough or choke.

Having a table smoker like this can help alleviate the pressure of having an actual smoking grill if you just need to cook a bit of food for your party. But of course this is assuming you’re just having a few guests over since the Cloche table smoker is a bit small. If you’re not using it, it can also just be part of your table decoration or a food container.

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Born from discarded seafood shells, SEAD merges tradition with innovation, offering eco-friendly pods for heirloom seeds. It’s a journey of reimagined agriculture, where waste transforms into a resource and every seed sown signifies sustainability. SEAD’s design mirrors ecological harmony and agricultural resilience, promising a greener future. Join the movement where innovation blossoms and sustainability flourishes, one seed, one pod at a time.

Designer: Mara Zimmerman

SEAD represents more than just packaging; it embodies a sustainable ethos by repurposing waste material into a valuable resource. Its inception showcases the potential of replacing virgin materials with recycled alternatives, contributing to a circular economy and reducing environmental impact.

At the heart of SEAD lies the preservation of heirloom seeds, varieties passed down through generations, each carrying a rich history and cultural significance. Heirloom seeds, with their diverse traits and adaptability, play a crucial role in maintaining biodiversity and ensuring food security in the face of evolving environmental challenges.

The use of chitin (pronounced kai-tun) in SEAD packaging not only offers a sustainable alternative to traditional materials but also brings agricultural benefits. Chitin, and its derivatives, act as bio-stimulants, enhancing seed germination, and promoting crop growth. Its natural properties boost plant defenses against pests and diseases while improving water retention in adverse conditions.

Crafted through a meticulous three-step pressing process, SEAD packaging demonstrates the remarkable self-binding ability of chitin, eliminating the need for additional agents. Laser-engraved labeling ensures traceability without the use of inks or dyes, aligning with SEAD’s commitment to sustainability.

Inspired by nature’s design, SEAD packaging mimics the structure of fruits and vegetables, providing a functional and aesthetically pleasing solution. The innovative design features creases that allow for easy tearing, enabling users to plant seeds conveniently while keeping the rest of the packaging intact.

SEAD offers a holistic approach to sustainable agriculture, combining ecological principles with practical innovation. By seamlessly integrating packaging with planting, SEAD promotes zero-waste practices and fosters a deeper connection between consumers and the environment.

Just in four simple steps: Break pods along perforated lines, gently crush for better seed exposure, plant enriched seeds, and store remaining bars conveniently. These actions seamlessly integrate eco-friendly practices into gardening routines, fostering a deeper connection with the environment. Each step contributes to a greener future, promoting sustainability and preserving heirloom seeds. With SEAD, every seed sown signifies a commitment to ecological harmony and agricultural resilience, paving the way for a more sustainable tomorrow.

SEAD’s innovative seed packaging, crafted from discarded seafood shells, faces cultural barriers in regions like India and Mexico, where pure vegetarianism is prevalent. Mixing seafood with vegetables may encounter resistance due to dietary preferences. Convincing individuals adhering to strict vegetarian or vegan diets of SEAD’s ecological benefits requires careful communication. Despite these challenges, SEAD offers a sustainable option for open-minded consumers committed to environmental conservation. It’s crucial to acknowledge cultural sensitivities and cater to diverse preferences.

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At Milan Design Week 2024, Samsung Electronics unveiled its “Newfound Equilibrium” exhibition. This impressive showcase is all about Samsung’s forward-thinking design philosophy, which they call “Samsung Design Identity 5.0: Essential∙Innovative∙Harmonious.” It focuses on drawing inspiration from people and shaping the future. Samsung has over 1,500 designers spread across seven global studios, all working to keep their design language fresh and relevant for their customers.

Designer: Samsung

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition is in the Leonardo da Vinci National Museum of Science and Technology in Milan, specifically in Le Cavallerizze. This place is a mix of 16th-century architecture and modern design, showing off Samsung’s knack for blending old and new.

Leonardo da Vinci National Museum of Science and Technology in Milan, Italy, where Samsung Design’s Newfound Equilibrium exhibition is being held.

First up in the exhibition is the “Essential” area. This is all about getting back to basics and focusing on what really matters. It’s shown in the sleek design of the Galaxy S24 series and some really practical home appliances like the all-in-one washer and dryer. There are also some awesome minimalist installations with translucent cubes and playful lighting that really get the point across.

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

ESSENTIAL, the first exhibition space of Samsung Design’s Newfound Equilibrium

Next, we move to the “Innovative” section. Here, Samsung shows off its drive to make everyday life better with functional advancements. There are interactive displays that change based on how close you are to them, just like Samsung’s smart TVs and vacuum cleaners that adapt to your needs. This part really shouts about Samsung’s ambition to push tech boundaries.

A display shown at INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium, displays forms that shift from solid to ethereal textures as guests move closer or farther away.

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

INNOVATIVE, the second exhibition space of Samsung Design’s Newfound Equilibrium

Then there’s the “Harmonious” section. This is all about how tech can blend into daily life, like the SmartThings ecosystem and the Music Frame that enhance your home without taking over. There are interactive LED displays that mimic natural events, inviting visitors to imagine a world where tech fits in naturally with human and environmental needs.

HARMONIOUS, the third exhibition space of Samsung Design’s Newfound Equilibrium

The exhibition wraps up with the “Infinite Dream” and “New Dawning” spaces, which celebrate the blend of modern tech with traditional craftsmanship, through collabs with artisans like MUTINA and ALPI.

INFINITE DREAM, the fourth exhibition space of Samsung Design’s Newfound Equilibrium

In a nutshell, the ‘Newfound Equilibrium’ exhibition at Milan Design Week 2024 shows off Samsung’s big ideas about the future of tech and design. It’s about tech and design, living together, and making life better for people all over the world. Samsung’s ongoing commitment to thoughtful and progressive design is clear, and it’s really exciting to see what they’re doing to make tech a force for good in our lives.

Bespoke creations that blend modern technology with traditional craftsmanship are showcased at NEW DRAWING, the concluding exhibition space of Samsung Design’s Newfound Equilibrium.

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Chairs can come in all shapes and sizes. Some can take on complicated and organic forms, while others can be extremely minimalist or even brutally raw. They can range from designs that take inspiration from nature to those that adhere to simpler geometric shapes. The Euclid concept is one of the latter, aptly named after the ancient Greek mathematician. But while it draws its shape from a simple cube, its execution sparks a bit of wonder and curiosity as it resembles more the skeleton or wireframe of the shape, represented by almost unbroken lines that are reminiscent of Escher’s famed optical illusion, the impossible cube.

Designer: Sonakshi Gupta

Admittedly, it’s a bit difficult to see the Euclid chair as a cube, since most of us have this idea of a cube as having 12 lines that are all connected at eight corners to form six faces. Then again, that popular Escher object already shows an impossible depiction of that shape, and those familiar with that print might see some of that characteristic in this chair when viewed from certain angles. Overall, it creates a dynamic form that has your eyes following the lines and moving all over the place, sometimes confused about where the front and back sides are.

Its unique form isn’t the only notable thing about this concept, however. Its use of reclaimed wood gives it more than a sustainable character. That material, in a way, carries some history from what it was before becoming a part of this chair. Even if that past is unknown to the new owner, simply knowing it has one could give each Euclid chair its own unique charm.

And then there’s the method used to bring all the pieces together. Instead of requiring screws or even glue, a mortise and tenon joinery is used to provide stability without introducing complicated mechanisms. In theory, this could make it easy to later take the chair apart if some pieces need to be replaced, though that could also start to weaken the connection over time if done too frequently.

The Euclid concept chair offers a design that is minimalist, sustainable, and visually interesting. Whereas a cube is pretty much the epitome of symmetry, the missing edges and disconnected faces give the chair a bit more volatility. That said, it doesn’t seem like the most comfortable chair to sit on. Even if you put a cushion on the seat, the hard edges of the armrest and especially the backrest could give your body some grief after a long period of time.

The post Geometric chair concept almost looks like an Escherian optical illusion first appeared on Yanko Design.

One of the advantages of people who can work remotely (digital marketers, writers, virtual assistants, etc) is that they can work from literally anywhere. As long as there’s internet and a power source for when their devices run out of juice eventually, these digital nomads have the freedom to set up shop wherever they are and to live in things like mobile homes. We’re seeing a lot of products and concepts targeting this segment and I for one am very interested to see these come to life.

Designer: Institute for Advanced Architecture of Catalonia (IAAC)

The Mobile Catalyst, nicknamed MOCA, was developed by masteral students from IAAC. Not only is it a perfect space for those that want to work while staying anywhere with a view but it is also an experiment into sustainable and self-sufficient habitat with a digital twist. It is basically a 5.4 meter long, 2.4 meter wide, and 3.6 meter high minimalist space that gives you the basic necessities of living. Its interior is made from dowel-laminated timber produced at the IAAC itself but sustainably harvested of course.

The front part of this mobile home has the basic amenities you would need to live in it like a kitchen, toilet and shower, and electric and water systems. In the middle and the back part is the space that can be turned into an office, a meeting area, a library, a recreation room, or even a space for small events. If you need privacy or partitions and also protection from different weather conditions, there are glass doors and a water-resistant cotton fabric that slides or folds with a pulley. There are also two beds on its “mezzanine” floor and you can reach it through a movable ladder.

And of course since MOCA is designed to be sustainable, you have three light-flexible mono-crystalline solar panels on the roof and LED strips as an interior lining. The house can run on its own for around 24 hours before it needs recharging. Water is also self-sufficient as the system stores, filters, and returns the shower water into reusable water. The entire mobile home is built with digital nomads in mind so they can live, work, and play anywhere they want, as long as the trailer can move and fit in that area.

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Notice that cool abstract design on the chair? It’s not just some fabric, it’s real plants! 3 design students from the University of Gothenburg in Sweden changed the narrative of chairs for humans. Why do chairs always have to be used for us to come sit on them? We’re all taught that plants are living beings right? What if these living things could practically bring furniture to life? This chair is a unique piece of furniture that prioritizes plant life over human occupants by allowing them to grow on it.

Designers: Alice Hultqvist, Emelie Sjöberg and Linnea Nilsson

The Chia-Chair is different from regular chairs. Instead of cushions or upholstery, the chair has a seat and backrest that are composed of a knitted, knotted tube that doubles as a planting bed for chia seeds. The idea is to let the plants be the main users of the chair, and humans are just visitors. The designers emphasize that humans should approach it with respect, recognizing that it’s a living thing.

Hultqvist, Sjöberg, and Nilsson, all students in the MA Design program at HDK-Valand, the University of Gothenburg’s art and design academy, showcased their creations at the Making Transparency exhibition. This event, hosted in the student-focused Greenhouse section of the Stockholm Furniture Fair, explored posthumanist design principles.

The inspiration behind the Chia-Chair arose from the designers’ contemplation of humanity’s negative impact on the planet. They acknowledged that throughout the last century, humans have prioritized their needs at the expense of nature and wildlife, leading to severe consequences. The Chia-Chair, therefore, serves as a symbolic gesture, aiming to redress the balance by placing the plant at the forefront and demanding reciprocity from its human users.

yanko design images to size – Chia_chair_furntiure_05

Constructed with an ash wood frame and a wool sock filled with polyester stuffing as the cushion, the Chia-Chair offers a distinctive aesthetic. The chia seeds, mixed with water, were planted in the knitted structure, and the designers diligently watered them twice daily. To maintain optimal growing conditions, a plastic cover was placed over the chair overnight to retain moisture.

While the Chia-Chair may be more of a statement piece than a functional item, the designers foresee a future where greenery becomes integral to our living spaces. In an era of increasing urbanization that disconnects people from nature, incorporating natural elements into furniture and homes is seen as a natural progression.

The Chia-Chair serves as a thought-provoking exploration of the relationship between humans and nature. By prioritizing plant life over human comfort, the designers challenge us to reconsider our impact on the environment and encourage a more harmonious coexistence with the natural world.

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