E-readers are supposed to replace physical books, but they strangely come mostly in black or gray, unlike colorful and distinctive book covers. Although not a complete design overhaul, Pocketbook’s new Verta and Verta Color e-readers offer a simple fix, and no, it doesn’t require slapping on a case. You can change the color of the e-reader by swapping the back panel while maintaining its slim shape and keeping the screen and page-turn buttons uncovered.

That’s a rather different approach to personalization than slipping on a protective cover. The interchangeable panels are sold separately, so you can keep a few colors around and switch when your taste changes. More importantly, they replace the back rather than wrapping over the front. There’s no extra flap to fold behind the reader when you settle into a chair with a book.

Designer: PocketBook

The front stays familiar in the best way. Both readers have a 6-inch touchscreen and enlarged page-turn buttons beneath it, giving your thumb another way forward when the screen is smudged or your hands are occupied. Each measures just 0.28 inches thick and weighs about 4.9 ounces, a size that suits a jacket pocket or an overstuffed bag on the commute.

Choose the regular Verta, and you get a 6-inch E Ink Carta 1300 display at 300 pixels per inch, built for the sort of long novel that makes you miss your stop. SMARTlight lets you adjust brightness and warmth as daylight disappears. It also offers Dark Mode, so you can keep reading in bed without a bright white page facing the person beside you.

The Verta Color is for readers who want their covers, illustrated pages, and comics to retain some color. Its E Ink Kaleido 3 screen renders monochrome text at 300 pixels per inch, but color drops to 150 pixels per inch. Those numbers matter if you read fine print in graphic novels; the color option gives illustrations some life, not the punch of a tablet.

Both have 16GB of storage, Wi-Fi for downloading books, and Bluetooth audio for audiobooks or text-to-speech, though you’ll need headphones or another compatible listening device. PocketBook also supports a broad range of file formats and borrowing through library apps. That flexibility comes in handy when the next book you want isn’t sitting in a single company’s store waiting for you.

An IPX4 rating gives the pair protection against splashes, not an invitation to use them in the bath. Their 1,500mAh batteries are meant to last up to two months, depending on how you read, although that figure comes from PocketBook rather than an independent test. The removable backs add personality, but they’re not a replacement for a protective case if the reader needs one.

PocketBook plans to release both in November 2026, pricing the Verta at €169 (about $198) and the Verta Color at €179 (about $209). Both are marked as coming soon on its storefront. The cleverest trick, though, is letting you change the color of something you hold for hours on end without asking a protective case to do the decorating for you.

The post PocketBook Gave Its $198 E-Reader the One Trick Old Nokia Phones Had first appeared on Yanko Design.

Get the key details on Apple Watch Series 12, including health features, AI tools, battery life, pricing, compatibility, and which model may suit you best.

The post Apple Watch Series 12 Cheat Sheet: What’s New, What It Costs, and Which Model to Choose appeared first on TechRepublic.

When it comes to stationery and my work and leisure desk, I consider my aesthetic to be messycore and maximalist. Having a lot of pens and other supplies on hand whether for work or for my journaling sessions is normal for me. I tried to use some desk organizers, but it seems that there is order in my chaos and I can still find what I need when I need it, although it doesn’t really look all that Instagrammable. That hasn’t stopped me from looking at and exploring desk organizers and pen holders, especially ones that look different from the usual.

Ciclo is one such pen holder from Spanish industrial designer Eduardo Blanco. The way it’s designed is for you to have more space for your various stationery items and also to give your desk a kind of sculptural-looking organizer that looks good in person and also when you decide to do a post of how your desk looks at the moment. The inspiration for the design actually comes from mathematics and the name itself has ties to it.

Designer: Eduardo Blanco

Blanco said he wanted something that didn’t look banal on his desk. The inspiration comes from the Cartesian coordinate system, using three cylinders repeated around the same axis that are stacked and joined one on top of the other. Think about the X, Y, Z axes discussed during math classes (which I would rather forget) but brought to life as a sculptural stationery object. What would normally be a mundane or ordinary object is transformed into a well-designed piece that would look at home at an office desk, a creative workspace, or your side table. Aside from looking beautiful just sitting there, it also means you have three spaces to put your pencils, pens, markers, scissors, cutter, and other supplies you need to organize on your desk.

And honestly, that’s where Ciclo wins me over. Even for someone like me, whose desk looks like a stationery store had a very good time, there’s something undeniably appealing about having one piece that anchors the whole thing visually. You don’t have to be a minimalist to appreciate a beautiful object. If anything, if you’re already going the maximalist route, you might as well make sure some of those items on your desk are actually worth looking at, and Ciclo definitely qualifies. There’s also something kind of fun about having a mathematically inspired piece sitting among your journaling supplies and highlighter collection.

What I also find interesting about Ciclo is the way it challenges how seriously we take the objects we use every day. Most of us grab whatever cheap plastic pen cup is on sale at the office supply store, and that’s perfectly fine. It works. But Blanco’s approach asks a simple but quietly radical question: why settle for something that just works when you could have something that also makes you pause for a second and go, “huh, that’s actually really cool”? That shift in thinking is kind of what separates good design from great design, and it’s exactly what makes Ciclo stand out in a product category that designers have largely ignored.

It’s also worth noting that Ciclo was selected as part of Lagranja Design’s Open Design Editions 2026, a program that spotlights emerging and thoughtful design work, and was presented during Barcelona Design Week. That’s not a small nod. It means the design community sees real value in what Blanco created here, and that Ciclo is more than just a pretty object to put on display.

Whether you keep a very tidy, carefully curated desk or your workspace is a glorious organized mess like mine, Ciclo is the kind of object that earns its spot. It’s a pen holder, sure, but it’s also a small, quiet statement that the things you keep close while you work or create don’t have to be boring. And in a world where so many of us spend a huge chunk of our day at our desks, that feels like it actually matters.

The post A Pen Holder That Actually Looks Like Desk Art first appeared on Yanko Design.

Elgato unveiled a little box of 15 LCD buttons in 2017, priced at $149.95, and it quietly rearranged how streamers sat at their desks. The Stream Deck got so popular that Corsair bought Elgato’s gaming business in 2018. Then the obvious question hung around for years: what if the buttons were just a screen? A screen can be any button, any dial, any chart, or any chat window, and it never runs out of room for one more shortcut. Anyone who has maxed out a 15-key pad knows that pain. Corsair eventually got around to answering.

The answer is the Xeneon Edge, a 14.5-inch touchscreen with a 2560 x 720 panel and a 32:9 shape that sits under your main monitor like a very ambitious soundbar. It runs Elgato’s Stream Deck software, so your old button grid gets a much bigger canvas. Fourteen magnets, a detachable stand, and two ¼-20 threads let it live on a desk, a steel panel, or inside your PC case. It lists at $249.99 and is currently $199.99 at Corsair in the US, in all five colors.

Designer: Corsair

A 32:9 strip built for the stuff you only glance at

Think of 32:9 as two 16:9 monitors glued side by side, then shrunk until they fit beneath your main screen. The body measures about 14.6 by 4.7 by 0.8 inches (372 x 120 x 20mm) and weighs roughly 2.2 pounds (1 kg). That works out to about 183 pixels per inch, tighter than the 163 you get on a 27-inch 4K monitor, so small text stays crisp. At 720 pixels tall, the screen is shallow enough to tuck under a monitor without crowding your view. It also rotates to portrait, which turns it into a tall column beside your main display.

On a typical Tuesday, Spotify, Discord, a calendar, and your GPU temps all want a window, and your main screen is busy with actual work. Park them on the Edge and they stay put, one glance away, while you do your thing above. Video calls can live there too, so a meeting you only half-care about stays visible without eating your spreadsheet. Nothing needs alt-tabbing, and nothing gets lost behind a browser with 40 tabs. It’s the same idea as a phone propped next to your keyboard, except it’s wider, brighter, and plugged into your PC.

Fourteen magnets, two threads, and a 360mm radiator slot

Fourteen magnets sit under the plastic shell, so the Edge sticks to any steel surface without scratching it. That includes a steel desk, a PC side panel, a monitor stand, and yes, a fridge, if the cable is long enough. Inside a case, it takes the place of a 360mm radiator, a slot built for three 120mm fans, and it’s thinner than a regular case fan, so clearance is rarely an issue. Corsair also sells an LCD kit that mounts it into the side panel of the Frame 4000D and 5000D cases. Your build’s best view just got a clock and a temperature gauge.

Two ¼-20 threads on the back, the same screw size camera gear uses, let you hang the Edge from Elgato Multi-Mount hardware or any standard AV arm. That mount-anywhere thinking echoes the Elgato accessory support on Corsair’s Platform:6 desk, which we covered at its Gamescom reveal. Corsair also posts free 3D-printable accessories on Printables, including a taller stand that raises the screen behind a keyboard. The community has jumped in too, and Corsair has spotlighted a modular adapter mount from a creator named Naaackers. If you can think of a place for a screen, someone has either printed a bracket for it or soon will.

Widgets in iCUE and the Elgato Marketplace

Plug it in and Windows treats the Edge as an ordinary second monitor, touch included. Corsair’s iCUE software for Windows adds widgets on top: a clock, a calendar, weather, news headlines, a task list, and system sensors showing CPU and GPU temps. Each widget lands on a grid you arrange yourself, so your layout can look as busy or as clean as you like. Since May 2026, widgets live on the Elgato Marketplace, where anyone can download or build one. Corsair’s developer docs even point to AI coding tools as a shortcut, which means a custom widget can start as a plain-English wish.

The widget that matters most for old Stream Deck fans is the native Stream Deck widget in iCUE. It drops a full grid of tappable keys onto the Edge, and you add actions in Elgato’s Stream Deck software exactly as you would for a physical deck. Resize the grid and you get more keys than any 15-button pad ever offered. Launch a game, mute your mic, switch an OBS scene, or toggle your desk lights, each with one tap. Because the screen is still a screen, the same strip can show your calendar or GPU temps right next to the keys.

A bright 2560 x 720 panel and touch that behaves like a phone

The panel is AHVA, Corsair’s version of IPS, so colors and viewing angles hold up even when you’re looking at it from the side. It runs 2560 x 720 at 60Hz with 350 nits of peak brightness, plenty for a desk lit by a window and a lamp. Touch is 5-point capacitive, the same technology as your phone, so tapping, swiping, and pinching all feel familiar. A single USB-C cable with DP Alt Mode (video over USB-C) can carry picture and power when your PC supports it. HDMI 2.0 covers everything else, and Corsair includes cables for both in the box.

Not every shell is black, either. Colors include black, white, and the translucent Atomic Purple, Crystal, and Smoke, which channel the see-through plastic of late-90s gadgets. We’ve seen that look return in a fully transparent Game Boy Color mod and Analogue’s Game Boy Color-inspired Pocket, and it suits a desk accessory just as well. Translucent plastic also makes the stand look like part of the design, not an afterthought. Pick whichever matches your keyboard, or your mood, or your last impulse buy.

Price, rivals, and where the Edge fits on your desk

The Xeneon Edge lists at $249.99 and is currently $199.99 at Corsair in the US, across all five colors, with a three-year warranty and a zero-dead-pixel guarantee. For comparison, Elgato’s 15-key Stream Deck MK.2 lists at $149.99, and the 32-key Stream Deck XL lists at $249.99. The Edge costs the same as the XL and brings an actual display to the party. ASUS makes the closest rival, the ProArt PA147CDV, a 14-inch 32:9 touchscreen with a physical dial and pen support, but it runs a lower 1920 x 550 resolution and sells for roughly twice the Edge’s list price. Cheap no-name touchscreens exist too, but most skip the magnets, the threads, and the Stream Deck tie-in.

The Stream Deck taught desks that a small control room beside the keyboard beats hunting through menus. The Edge keeps that lesson and swaps the plastic keys for pixels that can become anything. It mounts where you want it, shows what you need, and gets better as the widget library grows. It’s available now at Corsair’s site for $199.99 in the US while the current sale runs, with $249.99 as the regular price. Fifteen buttons were a good start. A 14.5-inch strip of pixels is a much better sequel.

The post Corsair’s Xeneon Edge is the Stream Deck you always wanted, but bigger and better first appeared on Yanko Design.

Most wallets don’t start out bulky. They get there one receipt, spare card, and folded bill at a time, until slipping one into a front pocket feels like packing a book. Corkor’s slim card holder asks you to carry less, then makes that decision feel less austere with a cork exterior. Its appeal lies in the material as well as its size.

Cork is something you pull from a bottle or pin notes into, not what you reach for when paying for coffee. Here, its irregular grain gives the wallet character without needing decorative hardware or branding. Stitched edges and stacked pockets keep the shape familiar, but the surface feels different from the smooth leather and synthetic finishes that dominate everyday carry.

Designer: Corkor

The layout keeps your most-used cards in three slots, with an ID window and two compartments for folded bills. A small opening on the front helps you nudge a card upward rather than digging at its edge. Keep only the cards you actually use, though, because squeezing too many into those pockets would inevitably change how slim the wallet feels in your pocket.

At 4.3 inches tall, 3.2 inches wide, and 0.4 inches thick when empty, the holder takes up less room than a traditional bifold. It weighs just 0.70 ounces before you add anything. You can leave home with a payment card, an ID, and a little cash without carrying a stack of compartments you’ll never open during a long, busy day away from home.

Cork has a purpose beyond its unusual appearance. The thin, pliable material lets the holder bend gently instead of feeling like a rigid little case, and Corkor describes it as water-repellent and easy to clean. For someone who wants an animal-free alternative to leather, that makes the material choice part of the daily experience rather than a claim printed on a label.

The cork comes from Portugal, where Corkor also makes the holder in-house. That doesn’t mean a wallet can settle every question about sustainability, but it does give this one a clear material identity. Corkor says its packaging is recyclable or compostable, and the card holder is certified vegan. Those details matter most when they’re paired with something you actually want to keep using.

Of course, minimalism has limits. There’s no coin pocket, and those folded bills won’t be as quick to sort through as cash in a full-size wallet. RFID-blocking construction is included to help protect compatible cards from skimming, but it won’t prevent other kinds of theft. This is a holder for an edited pocket, not a place to stash whatever the day hands you.

Corkor prices the holder at $59, which might seem steep for something designed to carry so little. That small footprint is precisely the point. The soft, mottled cork makes a familiar stack of slots feel unexpectedly personal, while the slim layout encourages you to leave the clutter behind. Once you’ve pared things down, that front pocket might finally have room for more than your wallet.

The post This $59 Cork Wallet Makes Your Overstuffed Bifold Look Embarrassing first appeared on Yanko Design.

Five CPU coolers from Arctic, Thermalright, Noctua, Corsair, and be quiet! stand out for cooling, noise, compatibility, and value in 2026.

The post Best CPU Coolers for 2026: Arctic, Noctua, Thermalright, Corsair and be quiet! appeared first on TechRepublic.

A kitten might be happy with a hideaway, but give it a few months and that same nook starts looking cramped. Add another cat, and a single perch becomes contested territory. Bloom takes that problem literally, building a cat tower from separate cylindrical modules that can be arranged as its occupants grow. It starts small instead of demanding space for a feline family.

Most cat towers arrive as a collection of platforms, posts, and houses, whether your cat needs all of them or not. Their bulk can make a living room feel as if it has been furnished around the pet. Bloom swaps that predetermined silhouette for a cluster of open tubes, each one a place to curl up, climb through, or watch the room.

Designers: Joonseo Choi, Taewoon Kang

Those cylinders come in several diameters, so arranging them feels closer to stacking play objects than assembling pet furniture. A smaller cat can settle into a tighter opening, while a larger one has room to stretch out in a wider tube. The circles also give Bloom its character: soft, repeating forms that can take different shapes instead of committing your room to one tower.

Of course, loose tubes wouldn’t make much of a cat tower once the occupants started leaping about. Bloom uses orange straps to hold the modules together, with hook-and-loop fastening that makes them easier to attach and detach. The straps add a punch of color to the pale cylinders, but their important job is letting you change the arrangement without committing to a rebuild.

You might begin with two tubes near the sofa, then add another when your kitten starts climbing above everybody’s heads. If a second cat joins the household, a wider cluster could give each animal somewhere to pause without fighting over the same opening. The exact layout can follow the cats, rather than asking them to adapt to whatever configuration came in a box.

The holes along the sides serve another purpose beyond giving the straps somewhere to attach. Slide a toy toward one, and a cat tucked inside has something to investigate, while you get a way to join the game without reaching into the tube. It’s a detail, but it turns the enclosed space into somewhere for interaction rather than just another hiding place.

There are still questions a concept can’t answer. A tall arrangement would need to stay steady under a cat’s weight, especially if one launches itself at an upper opening. Bloom doesn’t specify load limits or explain how every possible configuration would be supported, so that flexibility shouldn’t be mistaken for unlimited stacking. For now, its flexibility remains an intriguing, unproven design proposition.

Still, Bloom understands something about cats that a fixed tower often misses: the creature you bring home won’t always be small, and it might not always be alone. Its tubes can be rearranged as that story changes, while its openings leave room for curiosity. The furniture doesn’t need to grow overnight; it can take shape alongside the animals that claim it.

The post Bloom Built a Cat Tower Around the Cat You Haven’t Got Yet first appeared on Yanko Design.

Lian Li leads our PC case picks for 2026, while Fractal, Corsair, NZXT, and Montech offer strong alternatives for design, cooling, and value.

The post Best PC Cases for 2026: Fractal, Lian Li, Corsair, NZXT and Montech appeared first on TechRepublic.

Si vous avez un dossier blindé de comics / BDs au format CBZ ou en CBR, rangé à "votre sauce" par éditeur, par série ou carrément en bordel (ce qui est mon cas, je suis bordélique...), Issued est un petit serveur à installer chez vous qui va vous rendre de fiers services. En effet, ce soft scannera votre dossier tel quel, ne réorganisera rien parce que c'est pas votre mère, mais par contre, il reconstruira sa bibliothèque autour de vos dossiers, pour que vous puissiez lire tout ça depuis un navigateur ou une appli de lecture, en ayant l'impression que "Oh dis donc c'est bien rangé"

Une seule règle à respecter quand même c'est de ne pas mélanger des comics et des sous-dossiers dans un même dossier puisque pour Issued, un dossier qui contient des comics, c'est une série. Ah et les fichiers aux formats CB7 et les PDF passeront aussi sans souci.

Côté lecture, le lecteur web affiche les derniers ajouts et les comics entamés à reprendre. Et si vous suivez des séries encore en cours de parution, vous les marquez avec le bouton Ongoing, et la page du même nom vous montre le dernier numéro ajouté, le nombre de numéros et ceux qui manquent peut-être à l'appel... Sur mobile, vous pouvez aussi ajouter son catalogue OPDS dans Panels ou Chunky Reader sur iOS, ou dans Moon+ Reader sur Android.

Son dev dit l'utiliser avec environ 4 500 comics (mais quel pirate ^^) et pense que ça tiendra le choc à 10 000 voire 20 000 BDs. Les vignettes, de leur côté, sont générées une seule fois, sur un seul thread, pour ne pas saturer votre serveur qui fait déjà tourner d'autres conteneurs et la surveillance du dossier, qui ajoute les nouveaux comics toute seule, se coupe dans la config si vous préférez laisser roupiller vos disques (un bouton permet alors de relancer le scan à la main).

Attention par contre au mot de passe que vous mettrez car celui que vous pouvez définir dans config.ini ne protègera que le lecteur web. En effet, le catalogue OPDS reste accessible sans session et c'est ce catalogue qui permet de télécharger les archives. Donc pour lire vos comics depuis l'extérieur, n'ouvrez pas le port 8181 de votre box en mode neuneu ! Non, restez absolument sur votre réseau local, ou passez par un reverse proxy qui gère l'authentification ou encore un VPN local type Tailscale (Qu'est ce que j'aime ce truc).

Pour l'installer, le plus simple c'est comme d'hab Docker (l'image embarque déjà unrar pour les CBR) :

docker run -d --name issued \
 --restart unless-stopped \
 -p 8181:8181 \
 -v /path/to/your/comics:/comics:ro \
 -v issued_data:/app/data \
 ghcr.io/metalogico/issued:latest

Remplacez alors le chemin par celui de votre dossier de comics, et le lecteur web répondra sur le port 8181, dans /reader/, et le catalogue OPDS dans /opds/. Et si vous n'avez pas Docker, il existe aussi des exécutables pour macOS, Linux et Windows. Voilà... Le tout est sous licence MIT et sachez également que si vous avez besoin de plusieurs comptes, ou de servir aussi des mangas et des ebooks, la bibliothèque Komga et le serveur Kavita en feront un peu beaucoup plus ^^.

Ah et si vous vous demandez pourquoi tout est violet dans l'interface, c'est parce que la fille du développeur s'appelle Viola (pas de "vert caca d'oie" donc, désolé pour les amateurs de treillis ^^).

Source : noted.lol

Si vous avez la chance de rentrer de manif avec vos 2 mains, parce que hé, "c'est la démocratie", voici un outil qui va vous intéresser ! Ça s'appelle OpenMouse et c'est un configurateur de souris gaming qui fonctionne direct dans le navigateur. Vous branchez votre souris, vous ouvrez le site dans Chrome ou Edge, et vous réglez le DPI, le polling rate, et les boutons et le RGB (selon ce que votre modèle sait faire).

L'outil n'envoie aucune donnée à l'extérieur et en plus, c'est gratuit et sous licence AGPL. Maintenant, est-ce que ça va fonctionner avec votre souris ? C'est la grande question ! La liste du projet suit actuellement 746 appareils, dont 232 sont taggés comme "Compatible", c'est-à-dire confirmés fonctionnels avec un driver enregistré. Les autres sont des modèles demandés par la communauté, ou qui attendent un test matériel ou un driver.

Chez Logitech par exemple, la G502, la MX Master 3S et la G Pro X Superlight en font partie. Chez Razer, la DeathAdder V3 et la Viper V3 Pro aussi, mais la Basilisk V3 attend encore un test sur du vrai matériel.

Après, "Compatible" ne veut pas dire que tout se règle direct. La Corsair Nightsword RGB est marqué comme tel et pourtant, elle est en lecture seule (il faut fermer l'outil iCUE avant), et plusieurs autres modèles de la marque affichent "Driver nécessaire".

Et si vous avez une Razer sous Windows ?

Alors là, il vous faudra un utilitaire en plus car depuis Chrome 153, une page web ne peut plus toucher à la souris via l'interface que Razer utilise. En effet, Chrome a corrigé un bug Windows qui, d'après le billet d'OpenMouse daté du 12 septembre dernier, laissait cet accès ouvert depuis des années. Les Razer ont donc cessé de s'y connecter, ce qui fait que pour le projet, la seule solution c'est Bridge , un utilitaire optionnel qui s'installe sur l'ordi et qui permet de faire le lien entre la souris et l'app web.

Bridge est cool parce qu'elle permet aussi d'utiliser OpenMouse sous Firefox (Safari n'est pas encore supporté), ainsi que d'appliquer un profil de réglages au lancement d'un jeu, ou encore de vous prévenir quand la batterie de votre souris sans fil passe sous 20 %.

Par contre, c'est encore une bêta donc il n'y a aucune garantie ! À tester !

J'sais pas si vous avez vu, mais Google vient de mettre en ligne une page d'aide qui explique comment déverrouiller le bootloader d'un Googlebook ! Je pensais pas écrire ça un jour. Les Googlebook, ce sont des portables mi-Android mi-ChromeOS qui sont commercialisé en France depuis hier, pour la modique somme de 1 099 euros.

Perso, je ne vois toujours pas l'intérêt d'acheter ce truc...

Je vois vraiment ça comme un PC bridé, ou un Android avec un gros clavier et je pense que c'est bien se compliquer la vie que d'acheter ce truc plutôt que de prendre un vrai PC ou un petit Macbook. Sauf, évidemment, si on est une personne qui n'a pas envie de s'emmerder la vie à apprendre quoique ce soit de nouveau, et qu'on veut juste aller sur le site de La Poste consulter le prix des timbres, ou faire un Mappy pour savoir comment se rendre au bureau de vote le plus proche.

Mais grâce à cette "possibilité" de déverrouillage, John Wu, le créateur de Magisk , a annoncé travailler sur une version de Magisk pour ces machines.

Pour déverrouiller le Googlebook, vous devez donc activer le déverrouillage OEM dans les options pour développeurs, vous passez ensuite en mode récupération avec Échap + F2 puis le bouton d'alimentation, et l'option "Unlock bootloader" se trouvera dans les options avancées. Google précise également que ça efface toutes les données, que ça désactive la sécurité de l'appareil, que les modifications ne sont pas supportées et que la garantie peut y passer.

Et côté root, Wu a posté dans la nuit du 4 au 5 octobre "Magisk on Googlebook", en promettant du code et des instructions dans les jours suivants.

Son profil indique d'ailleurs qu'il bosse sur Android chez Google, et il voit dans le Googlebook la plateforme idéale pour bidouiller ! En effet, sur un téléphone rooté, les applis bancaires et de paiement cassent, alors qu'ici vous pouvez y accédez depuis le navigateur, comme sur n'importe quel portable.

Le blocage, selon lui, vient du mode utilisateur du système. Googlebook OS fait tourner Android en Headless System User Mode, c'est-à-dire que l'utilisateur 0 reste en arrière-plan et que vous travaillez sur un compte secondaire, alors que Magisk part du principe qu'il n'y a qu'un utilisateur principal. Le support de ce mode a été fusionné dans la branche principale du dépôt dans la nuit du 5 au 6 octobre, par contre, aucun commit ne cite pour le moment le Googlebook.

Reste que rien n'est livré officiellement encore... La dernière version stable de Magisk, la 30.7, date de février et donc aucune version stable ne contient ce code. Sans oublier que pour flasher la machine, Wu explique que le fastboot par USB ne marche pas sans câbles spécialisés. Cependant, il dit avoir trouvé une solution, sans la détailler.

Donc voilà... aujourd'hui, le root d'un Googlebook n'a aucune méthode publique, et le déverrouiller maintenant en suivant la technique de Google, revient à couper la sécurité de la machine sans rien pouvoir en faire de plus côté root. Donc autant attendre les instructions de Wu pour Magisk qui devraient arriver dans les jours qui viennent.

Source : 9to5Google

Most budget phones have one screen you stare at and a back you think about. The Honor X5d s makes that back worth a second look by placing a 2.01-inch touchscreen next to its rear camera. It shows the time and alerts, handles music, and helps you take selfies with the better camera. That’s a useful design trick for an inexpensive phone.

The camera island looks like it was built around that display, rather than having a screen tacked on afterward. Two dark circles sit beside it, although Honor lists only one rear camera. Forest Green makes the island pop against a pale back, while Midnight Black keeps things subdued. Either way, the phone’s most interesting feature is visible before you even wake it.

Designer: Honor

That rear screen makes sense when you’re trying to get everyone into a photo. Instead of extending your arm, guessing at the framing, and discovering that someone’s head is missing, you can see the shot while using the 50-megapixel rear camera. A tap on the back takes the picture. There’s also a 5-megapixel front camera, but this arrangement gives selfies another option.

Of course, a phone can’t spend all day posing for pictures. Leave the X5d s face down on a desk, and its little window can still show the time or a call alert. Music controls live there too, so skipping a song doesn’t require turning the whole device over. It’s a small convenience, but those are often the ones you keep using.

On the other side, there’s a 6.78-inch LCD for more than a glance. Its size makes room for videos, messages, and the photos you took, although the 1,576×720 resolution isn’t particularly sharp for such a large panel. The rear display doesn’t fix that limitation. It simply gives quick tasks their own place instead of asking the bigger screen to do everything.

There’s a 6,000mAh battery to keep both screens running, though the phone’s 15W wired charging might test your patience when it finally needs a refill. Honor also provides 64GB of storage and a three-card slot, letting you add a microSD card without sacrificing either SIM. That’s handy if you keep your photos and music on the phone rather than in the cloud.

Inside, the Unisoc T610 processor and 4GB of RAM tell a more familiar budget-phone story. The side-mounted fingerprint reader is convenient, but there’s nothing particularly exotic about the rest of the hardware. In South Africa, the 4GB/64GB version costs R2,499 (about $150), which puts the extra screen in reach of people who aren’t shopping for a flagship just to get a conversation-starting feature.

That display won’t replace your phone’s main screen, nor will it make the X5d s a better choice for demanding games. But it changes the small interactions that fill a day: a glance at a call, a tap to skip a song, a preview before taking a selfie. At this price, giving the back something useful to do feels refreshing.

The post The Selfie Camera on Your Phone Has Always Been in the Wrong Place first appeared on Yanko Design.

On a passé une grosse quinzaine de jours avec le Freo 20 , le nouveau robot aspirateur laveur de Narwal présenté à l'IFA de Berlin début septembre. Autant le dire tout de suite, c'est un des appareils du genre les plus aboutis qu'on ait fait tourner.

Sur le papier, l'aspiration grimpe à 31 000 pascals, soit le haut du panier actuel, et dans la vraie vie ça se vérifie : miettes, poussière, poils d'animaux, tout part en un seul passage, y compris le long des plinthes.

Le vrai truc qui le différencie de la concurrence, c'est côté lavage. Narwal a laissé tomber les serpillières rondes rotatives qu'on voit partout pour un rouleau microfibre de 26 cm qui couvre quasiment toute la largeur du robot, pressé au sol avec 12 newtons et alimenté en eau chauffée à 60 degrés.

Ce rouleau se rince en continu à l'eau propre pendant qu'il travaille, du coup la crasse de la cuisine ne finit pas étalée dans le salon. Une tache de café séchée disparaît sans qu'on ait besoin de repasser trois fois derrière. C'est franchement impressionnant.

Le Freo 20 va surtout très loin sur l'entretien automatique. De retour à la station, la serpillière est lavée à 100 degrés puis séchée à l'air chaud, histoire d'éviter ces odeurs de serpillière humide qui plombent la moitié des robots laveurs du marché.

La station remplit aussi le réservoir d'eau propre du robot, nettoie elle-même son bac d'eau sale et compacte la poussière dans un sac de 2,4 litres annoncé pour environ quatre mois. En pratique, on ne touche à rien, ou presque.

Les cheveux et les poils longs, le cauchemar habituel de ces machines, sont gérés par un système anti-enchevêtrement qui fait plutôt bien le job. Après plus d'une semaine avec un chat à la maison, la brosse n'a pas réclamé un seul démêlage.

Côté navigation, deux caméras couplées à de la lumière structurée, autrement dit une projection lumineuse qui mesure le relief de la pièce, reconnaissent plusieurs centaines d'objets. Câbles, chaussettes et gamelles ont été contournés proprement, et le robot franchit des seuils de 4 cm.

L'application est claire, avec une carte précise, des zones à exclure et un mode multi-cartes si vous avez un étage. Vous n'aurez qu'à porter le robot là-haut, il se repère tout seul.

La station de charge est assez grande, il faut avoir la place, mais c'est souvent le cas avec les robots aspirateurs laveurs de ce genre. Si vous avez la place ça n'est pas un problème, les finitions sont belles, le revêtement texturé ne marque ni les doigts ni la poussière, et le robot lui-même, avec ses 9,5 cm de haut, se faufile sous la plupart des meubles.

Le Freo 20 ramène sous la barre des 850 euros ( 835 euros en ce moment ) des prestations qu'on trouvait jusqu'ici sur des machines facturées 1 400 euros et plus. Pour un foyer avec des sols durs et des animaux, c'est, si vous voulez mon avis, un des meilleurs achats du moment.

En quinze jours de test, on n'a pas touché une seule fois à la serpillière. Si vous n'avez pas d'aspirateur robot chez vous, considérez sérieusement cette option ! Il est actuellement en promo sur Amazon d'ailleurs, en cliquant ici.

Flat-pack furniture is easy to appreciate on the day it arrives. It fits through the door, and you can usually put it together without much help. The harder test comes later: can it survive a move, come apart cleanly, or be repaired when something goes wrong? FLAT/FORM, a collection by designer Satoshi Itasaka of h220430, is built around those questions. Its pieces use bolts and nuts so they can be assembled, disassembled, repaired, and transported again.

That might sound like a modest ambition, but it changes how I look at the furniture. A dining chair is rarely a one-time purchase for a single room. It may follow you through different apartments, sit beside several tables, and get carried up more stairs than you care to count. FLAT/FORM treats that ongoing life as part of the design brief, rather than leaving it to chance after the first assembly.

Designer: h220430

The material gives the project its character. FLAT/FORM uses 15-millimeter-thick veneer panels made from Japanese cedar trees more than 100 years old, with timber supplied by Miyazaki-based forestry company GROWTHRING. A dining chair and a low table are among the pieces in the collection. Both start from flat panels, a straightforward idea that lets the wood grain do some of the visual work while the construction remains easy to understand.

I like that balance. The collection does not try to disguise how it is made. Its flat planes and visible connections make assembly feel like a considered feature, not an awkward step between opening a box and enjoying the result. That distinction matters because a piece can be visually quiet without feeling anonymous. Here, the simple construction gives the furniture a recognizable point of view, while leaving room for the cedar to be the thing you notice first.

The choice of older cedar also invites a little care in how we talk about the project. Wood with a compelling history does not automatically make a product sustainable, and a furniture collection cannot solve every problem associated with consumption. What FLAT/FORM can offer is a more specific proposition: furniture intended to come apart, travel, and be repaired instead of being treated as finished when its first arrangement stops working. That seems more useful to me than a sweeping environmental promise.

There is a practical kindness to that approach. Moving is already expensive and tiring; furniture should not add a puzzle you are afraid to solve twice. Bolts and nuts are familiar hardware, and the collection’s assembly system is intended to make disassembly possible. None of that guarantees that every move will be effortless. It does mean the designer has acknowledged that people relocate and rearrange their lives, and that a chair ought to have some chance of keeping up.

I would still want to sit in the dining chair before making any grand claims about it. Photographs can tell you plenty about proportion and material, but not how a seat feels through a long dinner. Nor does an elegant assembly concept tell you what the collection costs or how its surfaces will age in a busy home. Those are fair questions for any furniture meant to last, particularly furniture whose appeal rests partly on the idea of keeping it around.

Even with those questions open, FLAT/FORM feels refreshing because it gives flat-pack design a different priority. Convenience at delivery is helpful, but convenience at every stage afterward may be the better measure. A table that can leave one home and settle into another without becoming a burden has a value that is easy to overlook when shopping by appearance alone. Itasaka’s collection makes that overlooked part of ownership visible.

Perhaps that is the quietest, strongest idea here: furniture should be allowed to have a future. FLAT/FORM does not need to look complicated to make that point. It uses flat cedar panels and ordinary fasteners to ask a sensible question of a familiar category: what if getting a piece into your home were only the beginning of a good design? That is a question worth asking before the next box arrives at the door.

The post Flat-Pack Furniture That Actually Survives Your Next Move first appeared on Yanko Design.

Whisky , l'interface qui permettait de lancer des jeux Windows sur un Mac sans bidouiller Wine à la main, n'est malheureusement plus maintenue. Son dépôt est archivé et son README nous prévient que n'importe quel jeu lancé via Whisky peut péter à tout moment !! Et je sais, c'est assez insupportable de vivre avec cette épée de Damoclès au-dessus de la tête.

Alors je vais un peu soulager votre stress en vous présentant Highball qui est une appli Mac libre, avec une version en ligne de commande, qui installe et règle Wine, DXMT et DXVK à votre place, puis vous branche sur Steam ou sur votre bibliothèque Epic pour lancer n'importe quel jeu Windows sur votre bon vieux Mac OS. Par contre, on est sur de la bêta++ mais c'est vraiment un bon candidat à la relève de Whisky.

Pour installer Highball ça passe soit par un .dmg ou par la commande brew install --cask highball, ensuite vous cliquez sur "Get started" et il installera Rosetta si besoin, téléchargera le moteur et préparera un environnement Windows aux petits oignons. Au premier lancement, Steam déballera alors son gros client de 235 Mo, et sachez que sous Rosetta ça peut prendre de 15 à 25 minutes quand même ! Et ensuite, bah tout sera rassemblé dans le dossier ~/Library/Application Support/Highball/ . Donc si vous le supprimez, ce sera pareil qu'une désinstallation.

Le gros plus de Highball c'est surtout sa base de compatibilité et pour chaque jeu, l'app vous donne le mode graphique à utiliser, et signale d'avance ceux qui embarquent un anti-triche au niveau du noyau, donc ceux qui ne tourneront pas. Voilà c'est bien de le savoir avant de télécharger quoi que ce soit et de galérer avec l'install. Foutus anti-cheats !!

Moi je l'ai connecté à mon Steam et voici ce que j'obtiens :

La bibliothèque Steam dans Highball : Portal est Vérifié, Left 4 Dead 2 et Team Fortress 2 sont Communauté, THE FINALS est Bloqué

Une fois que vous avez sélectionné votre jeu, comme ici, le Portal que j'ai installé, ça vérifie si ça peut fonctionner sur votre ordinateur. Et ensuite, Highball applique pour vous la "recette" qui va bien pour que ça tourne sans encombre sur le Mac.

La fiche de Portal : vérifié sur un M1 Pro, avec la liste des réglages que Highball applique avant le lancement

Lisez quand même bien les fiches des jeux. Parce que pour certains, vous risquez d'être surpris. Par exemple, sur Red Dead Redemption 2, c'est marqué comme jouable sur un M1 Pro mais en réalité le jeu démarre et atteint le menu, mais il n'est pas jouable de manière "confortable" sur ce Mac puisque l'image saccade, et sur 16 Go, la mémoire déborde comme quand vous mettez vos grosses fesses dans la baignoire.

J'ai lancé Portal !!!

Pour le reste, il vous faudra un Mac Apple Silicon sous macOS 14 minimum. D3DMetal, le composant d'Apple, n'est pas fourni donc faut accepter la licence du Game Porting Toolkit et il se téléchargera à part (j'avais parlé de Game Porting Toolkit 4 à sa sortie). Côté launchers, Steam et Epic passent sans souci, Rockstar et l'app EA affichent leur screen de connexion et lancent leurs jeux, mais GOG Galaxy restera malheureusement à l'état d'écran noir.

Pour ma part, j'ai lancé aussi la version remasterisée de Command & Conquer / Red Alert et ça tourne du feu de Dieu, donc je suis très content de cette install !!

Voilà les amigos, le code est sous GPL-3.0 et le projet promet qu'il n'y aura jamais d'offre payante !! Voilà, vous pouvez revendre votre licence Crossover sauf si vous avez des besoins pointus que Highball n'arrive pas à résoudre.

The under-desk treadmill had its moment, arriving as the perfect sidekick for our sudden work-from-home lives (can you believe it’s been six whole years?). It was the simple, brilliant answer to hitting a step count between calls and emails, and products like the original WalkingPad and the WalkingPad S1 were among the early heroes of that era. We all got one, or knew someone who did, turning home offices into miniature gyms where productivity and light cardio could finally coexist. The problem was that a lot of those machines, true to their budget price tags, started dying after six months of use. Walking pads got a reputation for being disposable, which was a shame, because the core concept was always worth taking seriously.

The UltraWalk W60 Plus is the clearest expression of what MERACH is building toward: a walking pad engineered with permanence at its core. When we caught the brand at IFA 2026, their first major trade show appearance despite an already loyal following built through e-commerce, the walking pad lineup stood out for build quality at a price most competitors couldn’t match. The W60 Plus has 12 automatic incline levels, a third-party SGS-certified motor, and a weight capacity that would make a full-size treadmill raise an eyebrow. Mood lighting and a Bluetooth speaker come along too, which sounds ridiculous until you realize how much more likely you are to use a machine that’s genuinely fun to be around.

Designer: MERACH

Click Here to Buy Now: $288 $499.99 ($211.99 off, use coupon code “MERACHW60”). Hurry, deal ends in 48-hours!

A 3.5 HP Brushless Motor, SGS-Certified Performance, and a Frame Rated for 330 Lb

The W60 Plus runs on a 3.5 HP peak / 1.25 CHP brushless motor with a 42mm diameter and a Hall sensor for precision feedback. Brushless motors are generally more efficient and longer-lasting than brushed ones, and MERACH claims a lifespan of up to 15,000 hours here, which the brand puts against the 300 to 800-hour lifespans typical of budget walking pad motors. The weight capacity sits at 330 lbs under SGS-certified testing conditions. The heavy-duty steel frame doesn’t wobble under a real walking load, which matters more than most spec sheet comparisons. That stability is what separates a machine you’ll want to use from one you’ll come to resent.

The W60 Plus passed SGS’ performance specs evaluation with flying colors. The noise testing came back at under 54 dB at medium speed with a 75 kg test load, which sits comfortably below the ambient volume of a normal conversation. At maximum speed that figure climbs to 60 dB with load, and 55 dB without, meaning the machine stays apartment-friendly even when it’s working hard. There’s also a one-touch mute function for those moments when you absolutely need silence (hello, important video calls). That noise profile lets you walk and watch TV simultaneously without either experience suffering, which is, honestly, the whole point of this category.

Twelve Auto-Incline Levels, a 16.5-Inch-Wide Deck, and a Speed Range Built for Walking

Twelve levels of automatic incline is the feature that separates the W60 Plus from the flat-and-boring competition, and for a machine in this price tier, it’s genuinely unusual. At the highest setting, it shifts from a gentle recovery walk to something that meaningfully elevates your heart rate, particularly through the posterior chain. The speed range of 0.6 to 4.0 MPH keeps things firmly in walking and light jogging territory, and that 4 MPH ceiling is worth acknowledging: this machine won’t satisfy runners. What it will do is make a 3 MPH incline walk feel like real exercise, which for most desk-workers is entirely the point. Incline transitions between levels automatically and smoothly, a detail that matters when you’re trying to maintain a rhythm.

The running deck measures 16.5 inches wide by 41.3 inches long, which MERACH puts at roughly 33% wider than the category standard. That extra width makes for a more natural gait and stride, particularly for taller users or anyone with broader hips. The non-slip surface handles uphill walking and light jogging without issue, and the length means you’re not constantly worrying about the back edge. Team USA heptathlete Annie Kunz has been using the W60 Plus for active recovery and step accumulation, describing it as a way to “jump on here and there when I feel a burst of energy.” Multi-event athletes log enormous volumes of low-intensity cross-training, and a 12-level incline walking pad fits that workflow more naturally than a flat surface ever could.

Sound-Reactive RGB Lighting, a 5W Bluetooth Speaker, and Triple-Platform App Integration

MERACH’s RGB lighting system reacts to step frequency and syncs to audio rhythm, creating a feedback loop between movement, sound, and visual stimulus that turns a walking session into something engaging. A walking pad that’s boring ends up under the sofa permanently, and MERACH clearly treats engagement as a design constraint, not an afterthought. The lighting pairs with a built-in 5W Bluetooth speaker that fills a home office without headphones, which matters when you’re walking through calls or podcasts. The whole feature cluster borrows from the cozy cardio playbook, acknowledging that for most users, habit formation is a bigger obstacle than physical capability. Make the machine enjoyable to use, and the steps take care of themselves.

Full app integration spans MERACH’s own platform, Apple Health, and Google Fit, with real-time tracking of speed, incline, calories, distance, time, and step count across all three. The MERACH app adds guided routines and custom workout programs, which pushes the W60 Plus into territory where it can coach you through a session rather than simply hosting it. An 8-button magnetic remote handles speed, incline, lighting, mute, start/stop, and program selection, and it docks magnetically to the frame when not in use. The LED display gives you a live readout of key metrics without having to pull out your phone. None of it requires a subscription, which at this price is a genuinely welcome detail.

Zero Assembly, 80 Percent Less Floor Space, and a Price That Makes Sense

The W60 Plus ships fully ready to use: unbox it, plug it into a standard 110V outlet, and step on. No assembly means no instruction booklet, no leftover mystery bolts, and no 45-minute YouTube tutorial that’s supposed to take 10 minutes. When you’re done, the vertical folding support stand lets the machine stand upright, which MERACH says cuts the floor-space footprint by up to 80%. The enlarged front transport wheels make it manageable to move even over carpet, which is where most budget transport wheel designs tend to give up. At 67.7 lbs, the W60 Plus isn’t light, so those wheels are doing real work every time you slide this thing out from under the desk.

The UltraWalk W60 Plus launched on May 26, 2026, and is available now through MERACH’s official website in a Grey finish, with the list price marked at $499.99 and the current sale price at $329.99. MERACH is also offering an extra discount code, MERACHW60, which drops the checkout price to $264.00 with free shipping, a much more aggressive number than this category usually sees for a 12-level auto-incline walking pad. The product page also offers optional accident protection from $29.99. Warranty details are not clearly surfaced in the material provided, so that part is best verified directly on MERACH’s store before publication.

Click Here to Buy Now: $288 $499.99 ($211.99 off, use coupon code “MERACHW60”). Hurry, deal ends in 48-hours!

The post MERACH’s new W60 Plus walking pad boasts 12 incline levels, RGB lights, and a built-in Bluetooth speaker first appeared on Yanko Design.

Hurricane season has a way of exposing which of your belongings are actually useful and which ones just take up drawer space. When the power goes out and the forecast turns ugly, the difference between a stressful night and a manageable one often comes down to a handful of well-designed objects rather than a garage full of supplies.

We pulled together five pieces that cover every real need during an outage, from staying informed to staying lit to staying organized. Each one earns its spot by solving a specific problem without asking you to sacrifice good design along the way.

1. Clip&Go Radio

The Clip&Go Radio treats emergency information as something you should never have to search for. Its clip-on form factor means it attaches directly to a bag strap, a belt loop, or a shelf edge, staying within reach the moment a storm warning appears on your phone. It removes the radio from the back of a drawer and puts it exactly where your hand already goes.

For you, this changes what the first ten minutes of an outage actually feel like. Instead of fumbling through boxes for batteries or a charger, you already know where your radio is because it has been clipped to your bag the whole time. That small shift in habit is the difference between calm preparation and last-minute panic when the sky turns dark.

Click Here to Buy Now: $60.00 

What we like:

• The clip mechanism means it travels with you instead of sitting forgotten until an emergency reminds you it exists
• Its compact form factor means carrying it never feels like an inconvenience

What we dislike:

• A clip-on build limits how much space is available for larger speaker components or extended battery life
• It also means less room for the kind of display or dial controls bigger radios can offer

2. JOAT Titanium Multitool

The JOAT earns its name, Jack Of All Trades, by packing six functions into a titanium body just 80mm long and weighing 1.8 ounces. Its keychain loop means it rides alongside your house keys rather than sitting in a toolbox, ready the instant a storm exposes a jammed latch, a loose screw, or a cut strap.

For you, this is the tool that handles the small mechanical failures a storm tends to create without warning. A door that swells shut in the humidity, a tarp that needs tying down, a package that needs opening in a hurry. Because it lives on your keychain, you are never without it, which matters most in the moments you did not think to plan for.

What we like:

• Titanium construction resists rust and rough handling far better than standard steel builds
• Its keychain-ready size means it requires zero extra thought about where to store it

What we dislike:

• At 80mm, it is not built for demanding cutting tasks that a larger blade would handle more easily
• Some users may miss a locking mechanism that a compact format like this does not include

3. Blackout Beam Tactical Flashlight

Light disappears first in a storm and gets missed the most. The Blackout Beam Tactical Flashlight is built specifically for that gap, a rugged beam designed to cut through total darkness rather than the soft glow of a phone screen running on its last bar of battery.

For you, this is about confidence more than convenience. Walking through a dark house to check on a leak, moving through a flooded yard, or signaling for help outside all become far less stressful with a flashlight built for exactly that job. It turns a genuinely unsettling situation into a manageable one, simply by giving you a beam you can trust.

Click Here to Buy Now: $90.00

What we like:

• Its tactical housing feels built for genuine outdoor and emergency conditions rather than casual bedside use
• The focused beam design prioritizes distance and clarity over soft ambient light

What we dislike:

• Tactical styling makes it bulkier and less discreet than a slim everyday carry flashlight
• Depending on the build, rugged housings can add extra weight to a bag already carrying other gear

4. NESTOUT Solar Charger

Stored battery power only lasts as long as its charge, but the NESTOUT Solar Charger keeps working as long as the sun does. Its four-panel design folds down into a compact carry format built from rugged, tan colored fabric that feels closer to durable field gear than typical consumer electronics, unfolding into a genuine power source wherever daylight reaches.

For you, this turns a short-term fix into a sustainable one during an extended outage. Instead of watching a power bank slowly drain with no way to refill it, every sunny break in the clouds becomes a chance to top your devices back up. It is the piece that keeps your kit relevant on day three of an outage, not just day one.

What we like:

• The folding four-panel design packs down small enough to disappear into a bag without adding real weight
• Its fabric build and neutral tone feel purpose-made for outdoor durability rather than delicate electronics

What we dislike:

• Solar charging depends entirely on weather and daylight hours, which makes it unreliable during extended cloud cover
• It also charges more slowly than a wall outlet, so patience becomes part of the process

5. Rux Gear Box

None of the gear above stays useful for long if it ends up scattered across drawers instead of ready to grab. The RUX Gear Box solves that with a collapsible body made from TPU-coated nylon that resists weather and wipes clean easily, plus a separate waterproof insert built to keep wet and dry items apart.

For you, this is the piece that turns four individual objects into one coherent system. Instead of hunting for a radio in one room and a flashlight in another while a storm closes in, everything lives in a single box that compresses flat when not in use and expands the moment you need it. It is the difference between a kit and a pile.

What we like:

• The collapsible design means it takes up almost no storage space until an emergency actually calls for it
• Its waterproof insert keeps sensitive gear like electronics separated from anything damp

What we dislike:

• A soft-sided collapsible build offers less rigid protection than a hard shell case would
• Its flexible material also means it will not stack as neatly as a traditional box-style container

Good Design Doesn’t Skip a Storm

Put together, these five objects cover the four things a real outage actually demands. Information, light, utility, and the power to keep going once the first two days have passed. None of them ask you to sacrifice good design to get there, which is exactly the point.

Hurricane season will keep arriving whether we are ready for it or not, but the objects we choose to meet it with do not have to look like they came from an emergency supply closet. These five prove that being prepared and having good taste were never mutually exclusive to begin with.

The post 5 Best EDC-Style Gadgets Designed to Get You Through Hurricane Season first appeared on Yanko Design.

A renovation across the street from Rafael Prieto’s studio offered an unusually good view of his next project. As decorative pieces came off the facade of a Tribeca building, he arranged to save sixteen that were headed for disposal. Most of us would have watched the scaffolding go up and returned to our emails. Prieto, a Mexico-born designer and creative director based in Tribeca, had other ideas. The result is a furniture exhibition that keeps the building’s ornament alive in some very unexpected forms.

Prieto spent time with the fragments before turning them into the starting point for tables, chairs, and sculptural objects. Weathered ornament sits against painted birch, sometimes tucked inside a crisp new frame. The resulting furniture keeps its New York address close, even when its shape heads somewhere unexpected. Some pieces carry the actual stone; others borrow only its curves, grooves, and proportions. It is a show that rewards looking twice.

Designer: Rafael Prieto

The building across the street is 366 Broadway, now known as Collect Pond House, a twelve-story Beaux-Arts structure designed by Frederick C. Browne in 1908. It was once home to the Royal Typewriter Company, then became a residential co-op in 1979. The facade is densely ornamented: copper cornices, Greek key detailing, marble columns, and keystones carved into bearded faces that have been watching Tribeca change for over a century. A recent multi-year restoration replaced and conserved 65 terra cotta units. A handful of the pieces removed during that process did not make it back onto the building.

Before cutting anything, Prieto lived with the fragments in his studio for roughly a year and a half. He photographed and scanned each contour and ornament, then layered those images to pull out shapes and combinations that could inform new work. That process produced a design vocabulary rather than any direct copy of the originals. The stepped, ribbed profiles that climb the legs of the red lacquered chair came directly from this translation, somewhere between column fluting and abstracted skyline. It is a method closer to archaeology than furniture-making.

One of the standout pieces has a large carved stone cornice block sitting below a flat black painted tabletop, doing actual structural work. The stone is pale, dense, and loaded with repeating scroll forms, carrying roughly a century of New York weather on its surface. Another piece cages a smaller fragment between vertical black bars inside a cube-shaped form, the stone visible through the gaps like something on display. The medium listing for several works at the gallery confirms “Architectural Fragment” as a named material alongside painted birch. Not every piece carries original stone; some borrow only its shapes.

The all-red lacquered chair is the most confident piece in the show, its legs built from stacked, stepped planes that scanning and layering pulled from 366 Broadway’s fluted piers and molded profiles. Its natural birch counterpart deploys the same vocabulary in warm wood, swapping lacquer for grain and adding red geometric arm brackets at the joints. A console table makes the argument most literally: one end sits on a fabricated red plinth, the other rests on an actual salvaged Ionic stone volute, intact and weather-stained. The two supports are not supposed to match. The gallery describes this contrast as the central thread: the hard and the soft, the historic and the contemporary, running through every piece.

Several of the original keystones sit on the gallery floor unaltered, including one carved bearded face in a plumed helmet still stained with moss and a century of city air. Prieto’s analog photography wraps the walls in large-scale architectural murals, produced in collaboration with Wallpaper Projects. The room ends up feeling closer to a photographed ruin than a white-cube gallery, which is entirely the point. He told Family Style that “New York is its architecture,” and that most people talk about the skyline but “don’t look up.” The show does the looking for you.

‘The Future of the Past’ is Prieto’s second solo show with Emma Scully Gallery and runs through December 12 at the Upper East Side location, open Wednesday through Saturday. Pricing and availability are through the gallery directly. The question the collection keeps circling is whether furniture shaped by a building’s discarded ornament carries any of that building’s memory with it. Prieto does not seem interested in settling that question cleanly. The bearded face on the gallery floor looks like he has made his peace with the whole situation.

The post A 1908 New York building’s discarded fragments got turned into furniture instead of being demolished first appeared on Yanko Design.