8849tech introduced the Tank Pad last year, leaving the tech world in awe. With the ability to double as a projector, the rugged tablet leapt beyond the already highlighted multitasking capabilities of a normal tablet. Now the beast is back in an improved version to polish out the kinks of the OG version, adding more capabilities for users who demand that little extra.

The Tank Pad Ultra has the same promise of all-weather performance, reliability, and durability as its predecessor. If you’re hoping to buy a sleek, lightweight tablet, this one, weighing 1,345 grams and measuring 170.3×268.3×23.6 mm, is not for you. The device is targeted towards professionals and power users who are constantly exposed to challenging environments. Slated to launch two days from now, the rugged tablet is designed for a niche audience with a specific set of needs.

Designer: 8849tech

Specifications are the key here as the tab boasts a 10.95-inch, 1920 x 1200 pixel display, which is better than the previous version. Powering the gut is a MediaTek Dimensity 8200 processor, which is a tad slower than the Tank Pad, which has a Dimensity 8300 processor. To support multiple open apps, the 16GB RAM and storage capacity of 512GB (expandable via a microSD card) make things easy for users. Coming onto the integrated DLP projector, it has a 1920 x 1080 pixel resolution. 260 lumens of brightness and auto-focus support. These numbers are technically better than the Tank Pad, which has a 854 x 480 pixel resolution and 100 lumens maximum brightness.

The battery also gets a bump up to 23,400 mAh from the previous 21,000 mAh in the original model. However, both have support for 66W charging, which should be enough to juice up the device for short bursts or power usage in case charging options are limited out in the wild. The Tank Pad Ultra comes with a USB 2.0 Type-C port and the ability to reverse charge your other gadgets. For people who are all-in for a wired multimedia experience, the 3.5mm audio jack is a welcome addition. Since the tablet is going to be used out in unknown environments, it comes loaded with a gyroscope, accelerometer, compass, ambient light sensor, and distance sensor. It also comes with an independent camping light built in to explore in the dark hours.

Of course, a mobile device needs to have shooting capabilities, so the Tank Pad Ultra has a 50MP primary camera (with Sony IMX766 sensor) for daylight shooting and a 64MP night vision camera (OV64B) for more awareness of the environment in the dark hours. In the mix is a 32MP front-facing camera (IMX616 sensor), which is potent enough to take video calls in high quality. 8849 has included dual nano SIM card slots with support for 5G NR and 4G LTE networks, which is essential in inhospitable conditions. For a more laid-back connectivity when you arrive back home, the tab has WiFi 6, Bluetooth 5.3, and NFC support.

There’s no word yet on the pricing of this rugged tablet, but going by the price of the previous model, it should be around $550. That information should present itself in a couple of days when the tablet is finally launched.

The post Tank Pad Ultra is a rugged tablet that doubles as a short throw projector first appeared on Yanko Design.

Google Chrome is rolling out vertical tabs and a full-page Reading Mode, giving users new ways to manage clutter and focus on content.

The post Google Chrome Adds Vertical Tabs, Improved Reading Mode in New Update appeared first on TechRepublic.

Wireless charging was supposed to simplify things. Instead, most Apple users end up with a tangle of pads and cables on the nightstand, one for the iPhone, another for the Apple Watch, and a separate spot for the AirPods. The technology meant to reduce friction has become its own kind of mess, especially for anyone who’s ever scrambled for a Watch charger before a morning flight.

Satechi’s 3-in-1 Foldable Wireless Charging Stand with Qi2 25W takes aim at that problem. The San Diego brand has updated its best-selling foldable charger with a meaningful upgrade, bumping wireless power delivery for compatible iPhones to 25W, a notable jump from the 15W ceiling most MagSafe-compatible pads have been stuck at. It’s built as a proper desktop stand, not just something you tolerate next to the lamp.

Designer: Satechi

Set the phone down on the magnetic charging surface, and Qi2’s built-in alignment snaps it into position so you don’t lose power from an off-center placement. The Apple Watch sits at a comfortable angle on its dedicated fast-charge module, while the AirPods rest on their own pad below. All three charge simultaneously from a single cable going to the wall, with nothing to juggle.

Apple Watch fast charging requires MFi certification, and Satechi has that covered. The stand supports Series 7 and newer, including Ultra and SE models. Advanced safety protections manage heat and prevent power loss when all three pads are active at once. The magnetic surface on the phone pad also ensures it stays correctly positioned even if you accidentally nudge it during the night.

Then there’s the folding design, which is where the stand earns its keep as a travel companion. It collapses into a flat form that fits easily in a carry-on without much bulk, then unfolds into the same stable stand you’re used to at home. There’s no need to rethink your charging setup just because you’ve checked into a different room across town or across the world.

Satechi also includes a 45W USB-C power adapter in the box, which sounds like a minor detail until you’re unpacking in a foreign hotel room. The adapter ships with US, EU, and UK plug attachments, meaning it works across different countries without needing a separate travel adapter. That’s a small but thoughtful decision for anyone whose travels take them to multiple regions throughout the year.

Available now on Satechi.com and Amazon, the stand retails for $129.99 in Space Black. It’s a higher investment than a single-device pad, but consolidating three separate chargers into one that travels as well as it sits on a desk makes that gap easier to justify. For Apple ecosystem users tired of the cable pile next to the bed, this stand offers a much cleaner end to every day.

The post Satechi’s $130 Foldable 3-in-1 Charger Now Hits 25W for iPhones first appeared on Yanko Design.

Spending hours in front of a glowing screen is unavoidable for most people, and the toll it takes on the eyes is a problem the monitor industry hasn’t truly solved. E Ink displays offer a gentler, paper-like alternative that’s far easier to stare at for long stretches, but most of them are painfully slow, limited in resolution, and not really up to the demands of daily computing.

The Modos Flow is Modos Tech’s answer to that problem. Built by a Boston-based hardware startup, it’s a 13.3-inch E Ink portable monitor designed not just for casual reading but for all-day, focused work. It targets the kind of person who needs a real secondary screen but wants to spend less time squinting and more time actually getting things done.

Designer: Modos Tech

Most E Ink monitors struggle as daily drivers because of their refresh rate. Traditional panels tend to crawl, making anything beyond static document reading a frustrating experience. The Modos Flow uses a custom board with open-source firmware to push its display to 60 Hz, enough to scroll through pages, type without noticeable lag, and use the screen as a functional everyday monitor rather than a glorified e-reader.

Resolution is also where the Modos Flow separates itself. In black-and-white mode, it renders at 3,200 x 2,400 pixels with a pixel density of 300 PPI, making text crisp enough to satisfy anyone used to retina-grade displays. Color mode brings the resolution down to 1,600 x 1,200 pixels at 150 PPI, which is a fair trade given how rarely E Ink panels offer color at all.

Touch and stylus support round out what’s becoming a surprisingly versatile display. Modos brought the latency down to under 100ms, so annotating a document, sketching ideas, or jotting notes with a stylus actually responds the way you’d want it to. It won’t replace a dedicated drawing tablet, but for someone who routinely works between a laptop and a secondary screen, having that input option without swapping devices is genuinely useful.

Its physical design is straightforward and practical. A built-in cover doubles as a stand and folds flat for travel, while VESA mounting holes on the back make it easy to attach to a monitor arm or desk mount. Three side buttons let you adjust brightness, contrast, and display mode without touching your computer. Connectivity runs through USB-C with DisplayPort Alt-Mode support, which keeps the setup clean with a single cable.

One of the quieter advantages of E Ink over LCD or OLED is power consumption, and that matters here. When connected to a laptop via USB-C, the Modos Flow draws significantly less power than a conventional secondary monitor, meaning your battery isn’t taking nearly the hit it normally would. It works with Windows, macOS, and Linux out of the box, so there’s no particular setup hurdle to clear. Pricing hasn’t been confirmed yet, but Modos has indicated it should be comparable to other portable monitors.

The post This Color E Ink Monitor Runs at 60Hz: Real Work, No Eye Strain first appeared on Yanko Design.

Most public art earns its place on a pedestal and stays there. It asks you to look, maybe photograph it, and walk away. The relationship between viewer and work rarely extends beyond that brief transaction. That’s been the convention for a long time, but there’s a growing push for installations that don’t just occupy public space but actually do something within it.

Michael Jantzen has been exploring that tension for years. His Moving Furniture series applies a simple idea to ordinary chairs and tables: take each object’s form and repeat it in progressive intervals as if capturing it mid-movement, then connect those moments into a single piece. The result is something you can still sit in or set a drink on, even if it no longer looks quite built for that.

Designer: Michael Jantzen

Monumental Moving Furniture takes that same concept into architectural territory. Built from painted steel, the series consists of abstracted chair and table forms, each generated by moving the original object through space and time and locking its path into a chain of connected segments. At this scale, what started as a reference to everyday objects feels closer to a building than a piece of furniture.

The method behind each piece is consistent. A chair or table is set in motion through space and time, with each interval frozen and joined to the next. Some pieces move only part of the original form; others shift the whole thing. The result is a structure that stops belonging to any single discipline and starts reading as furniture, sculpture, and architecture at once.

Despite being too large to sit in, these sculptures aren’t purely decorative. Each is large enough to walk under and through, giving it a practical function as a pavilion and shelter. That’s not something most public art can claim. Instead of asking people to observe from a polite distance, these structures pull you in, turning a passive encounter into something more physical and immediate.

The series covers both chair forms and table forms, each treated with the same sequential abstraction. Individual pieces have also been grouped into configurations that suggest more complex structures, as if each were a building block for something larger. Painted in vivid, solid colors like white, orange, and yellow, each structure commands attention from a distance and rewards a closer look once you’re standing beneath it.

Public spaces deserve more than objects to look at. They deserve things to experience. Monumental Moving Furniture earns its place on both counts, offering structures large enough to shelter visitors while giving them something genuinely puzzling to engage with. These forms don’t demand reverence. They invite curiosity, exploration, and the kind of slow, circling attention that good public space has always been designed to encourage.

The post These Steel Chairs Are Too Big to Sit In: Walk Through Them Instead first appeared on Yanko Design.

The tablet-as-laptop pitch has been a hard sell for years, and a lot of the blame lands on the accessories. Keyboard covers for Android tablets have historically been thin on features and even thinner on build quality, which makes the whole productivity argument feel shakier than it should. Samsung’s $1,200 Galaxy Tab S11 Ultra is serious hardware, and for a while, its keyboard options weren’t keeping up.

The Galaxy Tab S11 Ultra Pro Keyboard is Samsung’s answer to that. Available in Gray and Silver for $399.99, it connects via pogo pins at the rear of the tablet, with no Bluetooth pairing or cables required. Opening the lid wakes the device, and closing it puts everything to sleep, so the whole thing behaves less like an accessory and more like a laptop right from the start.

Designer: Samsung

The build quality reflects the price in most of the right ways. The body is aluminum alloy, the hinge is reinforced metal, and a secondary kickstand at the rear props the whole assembly into a stable, laptop-like posture at whatever angle you prefer. The result looks noticeably more considered than Samsung’s Book Cover Keyboard Slim, which never really felt like it belonged on a $1,200 device.

The 80-key layout goes beyond a standard QWERTY arrangement. A dedicated DeX key switches the Tab S11 Ultra into Samsung’s desktop mode, where apps run in freely movable windows, closer in feel to Windows than Android. A Galaxy AI key gives you one-press access to AI tools without switching apps, and three customizable function keys can each be mapped to open whatever you need most.

For long stretches of writing or working across multiple documents, those shortcuts matter more than they might look on a spec sheet. The pogo pin connection also eliminates the Bluetooth pairing and dropout issues that plague most wireless keyboard accessories. And since the Pro Keyboard draws power directly from the tablet, there’s no separate battery to charge, and nothing to run out at an inconvenient moment.

The trackpad is 14.6% larger than the one on Samsung’s previous keyboard accessory, a small percentage that translates to real estate you’ll actually notice in DeX mode. The extra surface area gives you more room for precise gestures and window management, and that significantly reduces the number of times you’re forced to reach up and touch the screen during long work sessions.

At $399.99, the Pro Keyboard is nearly twice the price of Samsung’s own Book Cover Keyboard Slim and $50 more than Apple’s Magic Keyboard for the 13-inch iPad Pro. Adding it to the Galaxy Tab S11 Ultra’s $1,200 starting price puts the total at around $1,600, which puts you in comfortable MacBook Air territory, minus the dedicated operating system and the convenience of a unified device.

There are also some obvious gaps at this price. The Pro Keyboard has no backlighting, a noticeable oversight for anyone who regularly works late or in dim spaces. It also doesn’t protect the back of the tablet, which is a curious omission for a $400 accessory. And since it’s designed exclusively for the Galaxy Tab S11 Ultra, there’s no using it with anything else in Samsung’s lineup.

The post Samsung’s $400 Tab Keyboard Costs More Than Apple’s: Worth It? first appeared on Yanko Design.

The interiors most people aspire to these days tend to share a common trait: they’re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and while there’s nothing wrong with a well-curated beige room, a lot of modern spaces have started to feel emotionally flat, like showrooms rather than places where people actually live.

That’s where the Caramel collection comes in. Designed by Moscow-based product designer Maxim Tatarintsev in collaboration with Russian brand Svoy Design, this new series of ceramic lighting and furniture takes a very different approach to interior objects. Rather than adding another understated piece to a polished shelf, it reaches back to a simpler, sweeter time, asking whether a lamp or a side table can carry something as intangible as joy.

Designer: Maxim Tatarintsev

Tatarintsev’s inspiration came from a period of deep personal reflection. Amid what he describes as the noise of contemporary life, he looked inward and found his answer in childhood, specifically in the candy that practically every kid growing up in the 90s and early 2000s would recognize. That small, glossy, jewel-toned caramel sweet became both his muse and his design vocabulary, shaping everything from the forms to the color palette.

The collection spans pendant lights, ceiling fixtures, and wall-mounted lamps, all crafted from semi-porcelain, as well as a low-profile side table made from a proprietary composite material. What stands out is the modular approach: each ceramic unit can be combined and reconfigured, letting you stack or cluster them into different lighting arrangements depending on the mood or corner of the room you’re working with.

Think of it like assembling your own arrangement from a jar of sweets. One configuration might call for a single pendant above a kitchen island; another might cluster a few units along the ceiling of a reading nook. The point isn’t to follow a prescribed layout but to put that creative decision in the hands of the person actually living in the space, not just the designer who furnished it.

The craftsmanship behind the lighting is traditional and deliberate. Each piece starts as a slip-cast semi-porcelain form, drying for several days before being fired at 1,100°C inside a muffle furnace. A coat of glaze and paint follows, giving the finished modules their signature smooth, candy-like sheen. It’s a fairly labor-intensive process for what might look like a simple geometric shape, but that’s precisely what gives each piece its quiet depth.

The side table takes a different manufacturing route altogether. Made from a proprietary composite rather than ceramic, it’s significantly more durable and comes in two versions, one for indoor use and one for covered outdoor settings. At first glance, it reads as a low, rounded ottoman, and people will probably be unable to resist using it as a delicious seat instead.

None of that is accidental. Tatarintsev’s stated goal wasn’t to produce pretty objects but to create what he calls “emotional anchors,” pieces capable of sparking a genuine reaction in whoever encounters them. A set of lamps you can rearrange on a whim, a table that moonlights as a seat, and a color palette borrowed from childhood treats make for a collection that gives any room a personality it actually earned.

The post These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way first appeared on Yanko Design.

The line between work and home has blurred into an architectural dialogue. Today’s hybrid living isn’t about working from the kitchen counter but about rethinking how domestic spaces support productivity and calm. Designers now aim to create environments that balance efficiency with ease, where furniture performs multiple roles without sacrificing elegance or comfort.

For high-net-worth homeowners, this shift is about investing in experiences that enhance their lifestyle and property value. Portable chairs and adaptive workstations have evolved into design essentials, dynamic and ergonomic, fluid enough to move with the rhythms of daily life, redefining how we live and work within our spaces.

1. Ergonomic Intelligence and Wellness Value

The strength of any portable workspace lies in its ergonomic foundation. Temporary, low-quality setups often lead to long-term strain and reduced focus. True wellness ROI comes from minimizing physical fatigue through design that supports the body’s rhythm, integrating temperature-responsive materials, balanced support, and kinetic flexibility rather than relying on surface aesthetics alone.

When selecting furniture, prioritize chairs with dynamic lumbar support and workstations with seamless height adjustment. The ideal setup becomes a biophilic cocoon, comforting, adaptive, and attuned to your natural movement, ensuring that even during long digital sessions, productivity and physical harmony remain perfectly aligned.

The Sayl concept chair by Charley reflects the changing ways we live, work, and play. As homes have evolved into hybrid offices, gyms, social spaces, and relaxation zones, our furniture needs have changed too. Charley even considers the hours we spend gaming or binge-watching, recognizing that chairs today must support multiple activities while remaining comfortable and functional. Designed by Herman Miller, the Sayl chair combines high-end design with practical usability, allowing users to maximize their space without sacrificing luxury or ergonomics.

The chair’s muted grey tones ensure it blends effortlessly into any interior, while bright orange accents draw attention to pivotal touchpoints, making it intuitive to use. A foot pedal mechanism allows the chair to collapse easily, providing a convenient, space-saving solution for modern homes. In the post-pandemic era, furniture design has shifted towards modular, flexible, multifunctional, and compact solutions. The Sayl chair embodies all these qualities, offering a versatile, stylish, and practical seating option for today’s hybrid lifestyle.

2. Aesthetic Integrity and Material Authenticity

Every portable unit should carry a strong aesthetic value that complements its architectural surroundings. Materials must feel genuine and timeless, like solid wood, brushed metal, and high-performance textiles that reveal craftsmanship rather than conceal it. This honesty of composition creates visual depth and emotional connection, reinforcing the idea that beauty lies in authenticity, not imitation.

The design should remain sculptural yet understated, integrating seamlessly into curated interiors. Its finish must align with the home’s palette, allowing it to coexist gracefully within the space. When not in use, it should rest as a quiet architectural accent rather than a workplace intrusion.

Working from home has spared many from long commutes and office distractions, yet it has also made work feel more solitary. Sitting by the same wall each day, even in a well-designed home office, can feel disconnected from the world beyond virtual meetings. While folding furniture remains popular for its space-saving benefits, stackable, all-weather alternatives are emerging as a smarter choice. Industrial designer Gökçe Nafak introduces the uuma, a portable table-and-chair combo designed as a single stackable unit that transitions effortlessly between indoor and outdoor settings.

Perfect for those who enjoy working in the garden, on the balcony, or in flexible spaces, the uuma blends convenience with creativity. Made from fibreglass, it is lightweight, durable, and sustainable. Its modular design features a height-adjustable metal frame and detachable parts that assemble easily. The chair transforms into a table within moments, offering comfort, portability, and style in three vibrant, modern colors.

3. Spatial Flow and Footprint Efficiency

The effectiveness of any modern workstation depends on how well it manages spatial flow. In compact urban homes, every inch counts, making footprint reduction a key design priority. A thoughtfully designed system should retract or fold away seamlessly, minimizing its physical presence while supporting the need for adaptable, multi-functional living spaces that evolve throughout the day.

Mobility and refinement define its usability. Tables and desks should transition effortlessly from work to leisure, enabling a quick shift from boardroom mode to family dining. Silent, non-marking wheels and intuitive movement reflect superior engineering and respect for interior balance.

In a shared workspace like WeWork, or a peaceful spot under a tree, flexibility defines modern work culture. Industrial designer Matan Rechter responded to this shift with Shelly, a personal outdoor workspace that combines privacy, shade, and portability for those who prefer working outside. Inspired by the remote work movement, Shelly was designed to bring focus and comfort to outdoor environments like public parks.

Its name comes from its shell-like canopy that folds in and out with ease. Built from lightweight aluminium profiles and durable Cordura fabric, Shelly shields users and electronics from harsh UV rays. The canopy’s retractable design, reminiscent of an armadillo’s shell, provides instant shade and convenience. Compact and portable, Shelly transforms outdoor work into a comfortable, productive, and stylish experience anywhere, anytime.

4. Technological Integration and Power Autonomy

A modern hybrid workstation should function as a self-sufficient ecosystem, anticipating digital needs without visual clutter. True design intelligence lies in seamless connectivity, like built-in charging, concealed wiring, and intuitive access that keeps the workspace both elegant and efficient. Power autonomy ensures independence from fixed outlets, supporting the growing demand for mobility and flexibility in home environments.

Features such as integrated induction charging pads, hidden cable channels, and optional battery packs transform furniture into an adaptive tool. These enhancements merge aesthetics with performance, allowing users to remain connected, productive, and untethered within any architectural setting.

Another standout example is Worknic, a portable desk developed through the Samsung Design Membership program, sponsored by Samsung Electronics. Designed for flexibility, Worknic allows users to set up a functional workspace anywhere, whether in a home, park, or even on the beach, giving them the freedom to change their environment whenever needed.

The desk is built on wheels, making it easy to move and position in the ideal spot. Once in place, it unfolds to reveal a worktable, stands, and a built-in power source, while a pull-out stool completes the setup. Although details about battery life, weight, and additional features are limited, the concept prioritizes mobility, convenience, and adaptability. Worknic offers a creative solution for those who want a portable, fully equipped office that keeps productivity and inspiration in balance.

5. Design Resilience and Longevity Investment

For discerning homeowners, longevity defines true value. A well-crafted workstation should possess design resilience, built to endure daily use while retaining its original elegance and performance. This durability ensures a higher return on investment, setting it apart from fast furniture options that quickly lose both form and function.

Choosing established design houses and proven construction techniques guarantees structural integrity and timeless appeal. A five-to-ten-year warranty offers assurance that the piece is not just a purchase but a long-term architectural companion, blending endurance with refined craftsmanship for years of dependable, sophisticated use.

For those constantly on the move, finding a comfortable place to rest or work can be challenging. Cities often lack public resting areas beyond cafés and restaurants, making it tempting to carry a portable chair, though the idea quickly loses appeal due to its bulk and inconvenience. Recognising this need, designer Tejash Raj created the OmniSeat, a compact and ergonomic seating concept designed for people who stay productive while travelling, commuting, or working outdoors.

The OmniSeat features a lightweight frame, built-in storage, and device holders, all folding neatly into a slim form that fits in a backpack or attaches to a bike rack. A detachable tray accommodates laptops or tablets, with cable clips to keep cords tidy. Combining portability, comfort, and function, the OmniSeat offers a glimpse into the future of mobile workspaces.

The high-design portable workstation redefines the boundaries of work and home, merging productivity with tranquillity. It transforms interiors into fluid, balanced spaces where focus meets ease. Its true value lies in the freedom to work anywhere, capturing sunlight, inspiration, and connection without sacrificing comfort or creativity.

The post 5 Portable Work Setups That Work Outdoors, in Parks And Even Beaches first appeared on Yanko Design.

llamafile est un projet complètement barré qui va vous permettre de transformer des modèles de langage en exécutables. Derrière se cache en fait la fusion de deux projets bien badass : llama.cpp , un framework open source de chatbot IA, et Cosmopolitan Libc , une libc portable pour compiler des programmes C multiplateformes. En combinant astucieusement ces deux technos, les petits gars de Mozilla ont réussi à pondre un outil qui transforme les poids de modèles de langage naturel en binaires exécutables.

Imaginez un peu, vous avez un modèle de langage qui pèse dans les 4 gigas, dans un format .gguf (un format couramment utilisé pour les poids de LLM). Et bien avec llamafile, vous pouvez le transformer en un exécutable standalone qui fonctionnera directement sur le système sur lequel il est sans avoir besoin d'installer quoi que ce soit. Ça va permettre de démocratiser l'utilisation et la diffusion des LLM.

Et niveau portabilité, c'est le feu puisque ça tourne sur six OS, de Windows à FreeBSD en passant par macOS. Les devs ont bien bossé pour que ça passe partout, en résolvant des trucs bien crados comme le support des GPU et de dlopen() dans Cosmopolitan et croyez-moi (enfin, croyez-les) ça n'a pas été une mince affaire !

Niveau perf aussi c'est du brutal ! Sur Linux llamafile utilise pledge() et SECCOMP pour sandboxer le bousin et empêcher les accès fichiers non désirés et avec les derniers patchs de Justine Tunney , la perf CPU pour l'inférence en local a pris un boost de malade du genre 10 fois plus rapide qu'avant. Même sur un Raspberry Pi on peut faire tourner des petits modèles à une vitesse honnête.

Mise à jour : llamafile 0.10

Bonne nouvelle, le projet est loin d'être mort puisque la version 0.10 vient de sortir (mars 2026) et elle apporte pas mal de changements. Déjà, le projet a migré de Mozilla Ocho vers Mozilla.ai , ce qui montre que Mozilla prend le truc au sérieux côté IA.

Le gros morceau de cette release, c'est un tout nouveau build system. Fini le bazar monolithique, maintenant llama.cpp, whisper.cpp et Stable Diffusion sont intégrés comme des sous-modules Git. L'avantage c'est que ça permet de suivre beaucoup plus facilement les dernières versions de llama.cpp et donc de supporter les modèles les plus récents dès leur sortie.

Côté utilisation, on a maintenant trois modes bien distincts :

• Mode TUI (Terminal User Interface) : vous chattez directement dans votre terminal avec le modèle, avec même un mode "think" pour le raisonnement étendu
• Mode CLI : pour poser une question rapide en one-shot, genre llamafile "c'est quoi un llamafile ?" et hop, la réponse arrive direct
• Mode serveur : avec le flag --server, ça lance le serveur llama.cpp classique pour exposer une API compatible OpenAI

Autre truc cool, le support multimodal est là avec le nouvel argument --image. Vous pouvez balancer une image au modèle et il l'analyse. Ça marche avec des modèles comme Qwen3-VL, LLaVA 1.6 ou Ministral 3.

Côté GPU, Metal fonctionne nativement sur macOS (ARM64) sans bidouille, et le support CUDA est restauré sur Linux. Par contre, le GPU sur Windows n'est pas encore de la partie, et le sandboxing via pledge()/SECCOMP a été temporairement retiré dans cette version.

Bref, si vous aviez testé llamafile il y a un moment et que vous aviez trouvé ça un peu limité, c'est peut-être le moment de retélécharger la bête et de voir ce que ça donne avec les modèles de 2026. C'est toujours aussi simple : un fichier, on le rend exécutable, on le lance, et c'est parti.

Alors on dit merci qui ?

Merci Mozilla ! 🙏🦊

– Article invité, rédigé par Vincent Lautier , contient des liens affiliés Amazon –

Teufel a lancé la ROCKSTER Cross 2 , une enceinte Bluetooth portable qui mise sur un son stéréo puissant, une autonomie de 38 heures et une certification IPX5 contre les éclaboussures. Vendue 240 euros sur Amazon, elle embarque un système 2 voies avec subwoofer, la technologie Dynamore et une fonction powerbank, je la teste depuis plusieurs semaines, et je la valide complètement ! Voilà pourquoi :

Un son qui a de la patate

La ROCKSTER Cross 2 est équipée d'un système 2 voies avec deux tweeters de 20 mm, un subwoofer de 120 mm et deux membranes passives à l'arrière. Le tout est propulsé par un amplificateur classe D de 39 watts qui peut grimper jusqu'à 98 dB. Et ça s'entend : les basses sont profondes et bien tenues, le son reste maîtrisé même quand on pousse le volume, et l'ensemble dégage une assurance qui fait plaisir.

Pas de distorsion désagréable, pas de saturation aux aigus. La technologie Dynamore, propre à Teufel, élargit la scène sonore et donne une vraie sensation de stéréo, ce qui change des enceintes portables qui sonnent souvent mono dans les faits. Pour les sorties en extérieur, un mode Outdoor ajuste le rendu pour compenser l'absence de murs, et l'inclinaison intégrée permet de poser l'enceinte au sol avec un angle de diffusion optimal. Malin.

38 heures sans charge

Côté autonomie, Teufel annonce 38 heures à 70 dB selon la norme IEC, et jusqu'à 46 heures en mode Éco. C'est quand même confortable : on peut partir en week-end sans emporter le chargeur. La recharge se fait en USB-C, et bonne nouvelle, l'enceinte fait aussi office de powerbank pour dépanner un smartphone à plat. Le boîtier est certifié IPX5, ce qui le protège contre les projections d'eau dans tous les sens.

Le design anti-chocs, les boutons en caoutchouc et les finitions antidérapantes sont clairement rassurantes pour un usage en extérieur, y compris avec les mains mouillées. Teufel fournit une sangle de transport réglable et des poignées latérales, et l'ensemble se transporte sans problème. Elle est disponible en trois coloris (noir et vert, noir et rouge, gris clair), le design a le mérite de ne pas ressembler à ce qu'on trouve chez la concurrence.

Bluetooth 5.3 et Party Link

Côté connectivité, on est sur du Bluetooth 5.3 avec codec AAC, compatible Google Fast Pair. La portée annoncée est de 15 mètres, et la fonction Multipoint permet de connecter deux smartphones en même temps pour enchaîner les playlists sans coupure.

Mais le vrai plus de l'enceinte, c'est le Party Link : vous pouvez connecter sans fil jusqu'à 100 enceintes compatibles (ROCKSTER Cross 2, Neo, Go 2 ou Mynd) pour diffuser le même son partout. Et en mode Party Link Stereo, deux ROCKSTER Cross 2 forment une paire stéréo avec canal gauche et droit séparés. Pour 240 euros l'unité, ça devient intéressant pour ceux qui veulent un vrai système audio d'extérieur sans trop se ruiner.

Bref, à 240 balles sur Amazon, la ROCKSTER Cross 2 est un bon choix. Le son est riche et bien calibré, l'autonomie laisse tranquille pour un bon moment, et la construction inspire confiance pour un usage baroudeur. Disponible ici sur Amazon !

Article invité publié par Vincent Lautier .

A small city balcony has a way of making every square meter feel personal, just barely. There’s room for a folding chair, maybe a potted plant, and the occasional optimistic thought about al fresco breakfast. What there usually isn’t, though, is any real surface. Designer Michael Hilgers noticed this particular gap, and the balKonzept is his answer: a railing-mounted table that hooks onto the balcony railing with no tools, no hardware, and no permanent commitment.

The form is immediately legible. A wedge-shaped body in recyclable polyethylene curves at the rear into a smooth hook, looping over the railing and gripping it via an adjusting screw underneath. That single mechanical gesture is the entire installation. The raised trough at the back sits above the railing line and acts as a windbreak for objects resting on the work surface below. The unit comes in at 60 cm wide and roughly 40 cm deep on the interior side.

Designer: Michael Hilgers (rephorm)

The material choice is worth pausing on. Polyethylene, produced in a Brandenburg plastics factory through rotational molding, is not a glamorous option. It won’t feel precious the way powder-coated steel does. What it does do is survive outdoor life without complaint: frost-resistant, UV-stable, and recyclable at its end of life. Rotational molding also produces hollow, seamless shells with consistent wall thickness, which matters for something exposed to seasonal temperature extremes.

The table height is a fixed function of whatever railing it’s hanging on; subtract 21 cm from the railing height, and that’s the surface level. That means the balKonzept works very differently on a low French-style balcony versus a taller contemporary glass railing, with no way to adjust it beyond moving the piece. For anyone wanting to sit and work at a comfortable height, the railing geometry will decide the experience before any other consideration does.

Where the design earns its keep is in the planter box. Filling it with soil and roots is one option, but the trough is deep enough to function as an improvised cooler, and Rephorm’s own description cheekily acknowledges this, noting it works just as well with ice cubes and sparkling wine as it does with geraniums. That kind of built-in flexibility is the whole point; the balKonzept doesn’t commit to being one thing, which is probably what a small balcony needs most.

The post No Balcony Space? This Table Hooks On as a Planter, Bar, or Desk first appeared on Yanko Design.

There’s a familiar moment that happens when you carry food, cups, and random essentials to a park, balcony, or floor seating setup and then realize you still need a stable surface to put any of it on. Most people improvise with a bag or a corner of a blanket. Small-space living and casual gatherings reward objects that can do two jobs without taking up twice the storage, but most furniture is still designed around one fixed purpose.

This Convertible Basket Table concept works as both a carry basket and a low table in one form. By simply inverting it, the basket becomes a stable table surface suitable for picnics or casual indoor use. The design combines storage, portability, and easy transformation, making it ideal for relaxed gatherings and compact living spaces.

Designer: Siya Garg

In basket mode, the structured wooden body has a built-in handle and a container that can hold the messy mix of picnic items, fruit, napkins, a book, or a small speaker. The form feels sturdy rather than floppy, carrying like a proper object with a clear handle instead of a tote that collapses when you set it down. That sturdiness is what makes the flip transformation credible. It’s definitely not a soft bag pretending to be furniture.

Once inverted and unfolded, it becomes a low table that works with floor cushions, outdoor blankets, or a casual living room setup. Low tables are the unsung heroes of flexible spaces. They work as coffee tables, game surfaces, or quick work perches, but they’re rarely portable. This one travels in your hand and arrives as a surface, which is a surprisingly underexplored idea.

A square knot side lock keeps the form secure when needed. It’s a rope-based closure that tightens the sides without complicated latches, click mechanisms, or hardware that will eventually strip or break. The whole thing is quiet, tool-free, and easy to replace if the rope wears out, which fits the picnic vibe better than snapping plastic clips would.

The build draws on traditional woodworking throughout. Pattern making involved pine wood in alternating grain directions and a chevron pattern using alternating teak and pine strips. Assembly relies on mortise and tenon joints and sliding mortise and tenon joints to hold the structure together without screws, so the connections are strong enough to handle the repeated flipping and carrying that the concept demands.

The design doesn’t ask you to change how you live, it just quietly accommodates the way you already move through the day. A basket when you’re going somewhere, a table when you arrive, and a warm wooden object that looks like someone actually made it rather than assembled it from a flat pack.

The post This Wooden Basket Becomes a Low Table When You Flip It Upside Down first appeared on Yanko Design.

Windows 11’s optional KB5074105 update fixes the missing password icon bug linked to August 29, 2025’s KB5064081 and delivers 32 improvements.

The post New Microsoft Update Improves Windows Sign-In Experience appeared first on TechRepublic.

Vous devez tester un service en ligne et là, PAF 🥲 formulaire d'inscription 🥲 Ouiiiin !!!

Et bien sûr, même si vous pouvez remplir tous les champs avec un tas de conneries, forcement à un moment, ça vous demande votre email. Et là, impossible d'y échapper... Heureusement pour éviter ça, il existe des services d'emails jetables et je vous propose qu'ensemble qu'on fasse un petit point dessus parce que ça a beaucoup bougé ces dernières années..

Yopmail , c'est un peu le vétéran du domaine. J'suis certain que vous le connaissez par cœur car ce site tourne quand même depuis 2004 (22 ans au compteur ! Comme mon site en fait !) et le principe c'est que vous choisissez un nom au pif, genre " [email protected] ", et hop, vous avez une boîte mail temporaire. Pas d'inscription, pas de mot de passe, rien. Les messages restent 8 jours puis disparaissent et le truc cool c'est qu'ils ajoutent un nouveau domaine tous les jours pour éviter les blacklists, du coup y'a moins de chances que votre adresse jetable soit refusée.

Sauf que Yopmail a une limitation importante... En effet, n'importe qui peut accéder à votre boîte si il en devine le nom. J'ai testé avec "[email protected]" et effectivement, on tombe sur les mails de dizaines d'autres personnes qui ont eu la même idée... pas ouf pour du confidentiel. Côté envoi de mails, c'est un peu plus nuancé : vous ne pouvez pas initier une conversation vers l'extérieur, mais vous pouvez répondre à un mail reçu d'une adresse externe, à condition que le message n'ait pas été identifié comme spam et que l'expéditeur soit authentifiable (merci Fred, le créateur de Yopmail, pour la précision !).

Pour ceux qui veulent du "privacy first" radical, y'a aussi MephistoMail qui ne garde aucun log. Attention par contre, l'inbox peut disparaître à tout moment sans prévenir. J'ai failli me faire avoir la première fois, j'ai fermé l'onglet avant de récupérer mon lien de confirmation et pouf, game over. Pensez donc à copier ce dont vous avez besoin AVANT de fermer.

Dans la catégorie "je veux juste une inbox vite fait", j'ai aussi croisé pas mal de services qui font le job pour récupérer un lien de confirmation ou un code OTP en 10 secondes chrono. TrashMail.de par exemple, c'est du mail jetable basique mais efficace. Byom.de est marrant également parce que c'est un peu en mode "catch-all" où vous inventez n'importe quelle adresse, vous la balancez au site qui vous demande un email, puis seulement ensuite vous allez lire ce qui est arrivé. Et si vous trouvez que le "10 minutes mail" c'est trop court, Muellmail.com joue justement la carte "10 min, c'est pas assez" sans vous prendre la tête.

Ah, et pour les devs / QA qui aiment automatiser des tests de signup (oui, je vous vois 😄), y'a aussi mail.tm qui propose des boîtes temporaires avec mot de passe, plus une API, et des services comme Temp-Mail qui ont carrément une API officielle pour tester des workflows email en boucle. Pratique quand vous devez valider "inscription -> email -> clic -> compte OK" sans y passer votre vie.

Et puis y'a une autre catégorie qui m'intéresse de plus en plus : les gestionnaires d'alias. J'ai d'abord hésité entre SimpleLogin et addy.io, mais j'ai fini par choisir Addy.io (anciennement AnonAddy) parce que c'est open source sous licence AGPL-3.0 et que vous pouvez l'héberger vous-même si vous êtes parano. Le principe c'est qu'au lieu d'avoir un mail jetable, vous créez des alias illimités qui redirigent vers votre vraie boîte. Si un alias se fait spammer, vous le désactivez en un clic sans toucher au reste. Y'a une version gratuite et des abonnements entre 1 et 3$/mois (Lite à 1$/mois, Pro à 3$/mois). Par contre attention, si vous self-hostez, faut quand même gérer un serveur mail et ça c'est pas une mince affaire...

Et du coup, si vous voulez le même délire qu'addy.io mais avec une autre approche, SimpleLogin est une très bonne option aussi puisque c'est open source, auto-hébergeable, et le gros plus c'est que vous pouvez répondre / envoyer depuis vos alias (Et ça c'est trop bien quand faut valider un truc ou parler à un support sans exposer votre vraie adresse). Bref, c'est le genre d'outil qui passe mieux que les domaines jetables quand un site commence à sortir la sulfateuse anti-temp-mail.

Et si vous êtes déjà chez un fournisseur mail orienté privacy, y'a des alternatives "pas jetables mais ultra pratiques". Je pense à Tuta par exemple permet d'avoir des alias (et même du catch-all sur domaine perso selon les offres). Migadu aussi est très cool dans le genre "j'ai mon domaine, je veux créer plein d'adresses/alias sans payer par boîte", et ils annoncent être une boite suisse avec des datacenters en France. C'est pas du "mail jetable", mais pour garder le contrôle sur le long terme, c'est une approche qui se défend.

Et pour les plus motivés (ou les plus masochistes 😅), y'a la voie du "je self-host tout" avec des stacks comme mailcow , Mailu ou docker-mailserver . Mais je vous le dis cash patate, monter son propre serveur mail, c'est la porte ouverte aux joies de SPF/DKIM/DMARC, de la réputation d'IP, des mails qui finissent en spam "parce que lol", et des heures à se demander pourquoi Outlook vous boude. Donc oui c'est souverain de votre village de ploucs, oui c'est stylé, oui c'est gratuit si votre temps vaut tripette, mais c'est pas un petit dimanche tranquille.

Côté souveraineté européenne, tout ce que je viens de vous présenter peut aider à limiter l'exposition aux joies du Cloud Act... mais attention, faut regarder au cas par cas où c'est hébergé et qui opère le service. Dans tous les cas, gardez en tête que certains sites comme Amazon ou PayPal bloquent carrément les domaines de mails jetables connus. Dans ce cas, les alias (surtout si vous avez votre propre domaine) passent généralement mieux parce que ça ressemble à une adresse "normale" qui redirige vers votre vraie boîte.

Bref, pour le quotidien Yopmail fera bien le taf (le gars sûr !), mais si vous voulez envoyer des mails, éviter les blacklistages (c'est comme ça qu'on dit ??), ou garder le contrôle sur vos alias à long terme, regardez du côté de TempMail, SimpleLogin ou addy.io.

Et si vous aimez bricoler et souffrir, vous savez ce qu'il vous reste à faire... 😈

Sometimes the best tech isn’t the loudest. It’s the one that makes you pause and actually look at it before you press play. That’s what designers Yong Cao and Jianfeng Lv have managed to pull off with the Tresound Mini, a desktop Bluetooth speaker that refuses to be just another black box on your desk.

At first glance, this compact speaker looks like it wandered in from a modern art gallery. Its cone-shaped design is clean, almost architectural, with a minimalist aesthetic that feels intentional without being precious about it. The form isn’t just for show, either. TRETTITRE, the emerging HiFi brand behind the speaker, describes itself as bridging traditional audio quality with something more forward-thinking, and you can see that philosophy at work here.

Designers: Yong Cao and Jianfeng Lv

The Tresound Mini recently won the Golden A’ Design Award in the Audio and Sound Equipment Design category, which is one of those achievements that signals serious design cred. But awards aside, what makes this speaker interesting is how it thinks about the desktop experience differently. Instead of trying to dominate your workspace with aggressive angles or flashy lights, it takes a more refined approach. The design integrates seamlessly into your environment, whether that’s a home office setup, a creative studio, or just a corner of your apartment where you actually get things done.

Art Director Yong Cao and Designer Jianfeng Lv, both from China, approached this project with a focus on what they call the “deep integration of brand design and product design”. That sounds like design speak, but what it really means is that every element serves a purpose. The cone shape isn’t arbitrary. It contributes to the audio performance while also giving the speaker a distinctive profile that stands out without screaming for attention. It’s the kind of design that works equally well in a carefully curated Instagram photo or just sitting there doing its job.

Let’s talk about the packaging, because this is where things get genuinely clever. Instead of going with the typical cardboard box and foam inserts, the Tresound Mini comes with a carrying bag that’s wet-pressed from bamboo fiber pulp. This isn’t just packaging in the traditional sense. It’s designed to double as a carrying case, making the speaker genuinely portable. The bamboo fiber approach is both environmentally friendly and cost-effective, reducing packaging waste while providing actual protection for the product. It’s the kind of thoughtful detail that shows someone was actually thinking about the full lifecycle of the product, not just the unboxing moment.

The portability factor is key here. Desktop speakers traditionally live in one spot, tethered to your workspace. But the Tresound Mini was designed with the understanding that people move around now. You might want it on your desk in the morning, out on a balcony in the afternoon, or in your kitchen while you’re cooking dinner. The compact size and that bamboo fiber carrying bag make that kind of flexibility possible.

TRETTITRE positions itself as catering to “the new generation of HiFi enthusiasts”, which is a smart read of where audio culture is heading. There’s a growing audience that cares about sound quality but doesn’t want to sacrifice design or deal with the bulk and complexity of traditional HiFi setups. They want something that sounds good, looks intentional, and fits into spaces that might not have room for a full speaker system. The Tresound Mini seems built specifically for that demographic.

What’s interesting about this design is how it challenges the assumption that good audio equipment needs to look technical or industrial. There’s no display screen, no visible screws, no aggressive branding. Just a clean geometric form that happens to deliver quality sound. It’s the audio equivalent of those minimal tech accessories that proved you don’t need to sacrifice aesthetics for function.

The success of the Tresound Mini might signal a broader shift in how we think about desktop audio. As more people work from home or create hybrid living and working spaces, there’s an appetite for products that perform well without dominating the visual landscape. We want our tech to be good at what it does, but we also want it to feel like it belongs in our actual lives, not in a showroom.

Yong Cao and Jianfeng Lv have created something that manages to be both functional and thoughtful. The Tresound Mini proves that when you approach product design with real consideration for how people actually use things, you can create something that transcends its basic function and becomes worth talking about.

The post When Your Speaker Is Also a Statement: The Tresound Mini first appeared on Yanko Design.

On a tous gardé notre âme d'enfant, notamment en ce qui concerne les LEGO. Je connais d'ailleurs pas mal d'adultes qui achètent et montent encore des boites pour le kiff. Et c'est cool parce que ça fait travailler les doigts et l'esprit !

Seulement, si à un moment, il se passe un petit drame et que vous égarez une pièce LEGO, votre vie peut vite être gâchée. Rien que ça oui. Parlez-en à ceux qui font des puzzles par PASSION... Oui y'en a !

Évidemment, il y a plein de sites web où vous pouvez racheter des pièces comme je vous l'expliquais dans cet article sur la restauration d'anciens sets LEGOs . Mais si vous avez une imprimante 3D, vous pouvez franchir le pas de la contrefaçon copie privée à but non commercial et produire vous-même la pièce manquante !

Comment ? Et bien grâce à Printable Bricks qui vous propose plus de 5000 pièces de LEGO au format STL à imprimer directement et bien sûr compatible avec de vrais LEGO.

Après même si le site a survécu aux menaces DMCA et reste toujours en ligne, prenez quand même le temps de sauvegarder ce dont vous avez besoin, on ne sait jamais ;-)

Et si vous voulez aller plus loin dans la personnalisation, y'a maintenant MachineBlocks qui permet de générer des briques sur mesure directement depuis votre navigateur. Vous pouvez ajuster les dimensions, choisir le type de brique, et même utiliser leur outil de calibration pour que ça s'emboîte parfaitement avec vos LEGO originaux. Hop ensuite un export en STL ou 3MF et c'est parti !

Dans le même genre, le générateur de Lapinoo vous permet aussi de dessiner la forme de votre brique à la souris sur une grille. Vous voulez une pièce en L bizarre qu'aucun set n'a jamais proposé ? Pas de souci, vous dessinez, vous ajustez les plots et la cavité inférieure, et boum, le fichier STL est prêt.

Et si vous n'avez pas encore d'imprimante 3D, pas de problème, il vous suffit de la fabriquer en LEGO . Oh wait...

Merci B0t_Ox de la formidable communauté Twitch Korben.info pour l'info !

Pour aller plus loin :

• Concevoir votre jeu vidéo LEGO
• Créer des objets LEGO en 3D
• Un super outil pour créer des modèles LEGO
• Imprimer en LEGO

Si ce genre de projets DIY vous branche, je partage aussi des trucs sur ma page Facebook .

Article initialement publié le 4 mai 2021, mis à jour le 28 janvier 2026.

Vous voulez tester un service, télécharger un truc, ou vous inscrire sur un site que vous n'utiliserez probablement qu'une fois et là, une fois encore, on vous demande votre email. Alors vous pétez un câble, vous retournez votre bureau en hurlant, vous jetez votre tasse de café sur le visage de votre collègue, et vous essayez de vous suicidez en mettant frénétiquement votre langue dans la multiprise. Ne rigolez pas, ça arrive tous les jours !

Heureusement, voici une solution qui va vous permettre de contourner le problème. Ça s'appelle MephistoMail , et c'est un service d'email jetable, anonyme, et qui ne garde aucun log de vos activités. Vous allez sur le site, vous copiez l'adresse temporaire qui vous est attribuée, vous l'utilisez pour vous inscrire quelque part, et hop, les mails de confirmation arrivent dans votre inbox temporaire. Une fois que c'est fait, vous fermez l'onglet et tout disparaît.

Vous allez me dire, le concept n'est pas nouveau, y'a des dizaines de services de temp mail qui existent depuis des années. Mais MephistoMail se distingue par son approche "privacy first" assez radicale. Pas de tracking, pas de logs, pas de collecte de données et surtout l'inbox est vraiment volatile et peut être supprimée à tout moment par le système.

Du coup, y'a quelques limitations à connaître avant de vous lancer. Ce service est prévu principalement pour recevoir des emails, pas pour en envoyer. Certains sites ont également commencé à bloquer les domaines de temp mail connus, donc ça marchera pas partout. Et surtout, ne l'utilisez jamais pour des trucs sensibles comme votre banque ou des services critiques. Si vous perdez l'accès à l'inbox avant d'avoir récupéré votre lien de confirmation, c'est game over.

L'utilisation est par contre hyper simple et surtout y'a pas de compte à créer, pas de mot de passe à retenir, bref pas d'emmerdes.

Voilà, si vous en avez marre de donner votre vraie adresse mail à n'importe qui et de vous retrouver noyé sous les newsletters non désirées, MephistoMail fera bien le taf. Et en plus c'est gratuit !

Porcelain dinnerware has long been shaped by the logic of industrial production. Uniform forms, limited color palettes, and standardized finishes dominate the contemporary table, reducing porcelain to a neutral backdrop rather than an active part of the dining experience. This porcelain dinner set positions itself in deliberate contrast to that reality. It proposes a quieter, more thoughtful vision in which craft, material honesty, and visual sensitivity redefine how everyday meals are experienced.

At the core of the design lies a simple but powerful idea: food presentation should be as engaging as flavor. Dining is not only an act of nourishment, but also one of attention, rhythm, and atmosphere. By merging handcrafted processes with functional versatility, the set bridges modern living and nostalgic familiarity. It feels contemporary in its restraint, yet warm in its tactile and visual language.

Designer: Monte Porcelain

The collection consists of four pieces designed as a cohesive system: a glass, a bowl, a deep plate known as the Saturn plate, and a service or supla plate. Rather than assigning each object a single rigid purpose, the designer embraced multi-use functionality. This approach reflects evolving dining habits, where objects are expected to adapt fluidly across meals, occasions, and spaces.

The glass is conceived as more than a vessel for drinks. Its form allows it to function equally well as a dessert or snack bowl, encouraging informal and flexible use. The bowl supports a wide range of meals, from soup and salad to breakfast cereal and hot appetizers. Along its upper edge, engraved firefly patterns introduce a subtle decorative layer. These motifs are filled with glaze, ensuring a smooth, sealed surface that interacts gently with light, adding depth without distracting from the food itself.

The Saturn plate is designed for both sauced and non-sauced dishes, such as pasta and main courses. Its flat-edged form frames the food cleanly, while the patterned base enriches the visual composition of the plate. The service plate anchors the set, offering generous proportions suitable for main course presentations or layered pasta services. Together, the four pieces create a table setting that is expressive yet balanced.

Material integrity and production ethics play a central role in the project. White porcelain, often referred to as bone porcelain, was selected for its suitability for food contact, durability, and timeless visual quality. Each piece was cast using high-quality porcelain clay in plaster molds, then fired at 1230 degrees with transparent glaze. The firefly patterns were engraved using a special technique and selectively colored or left transparent, allowing light to pass through while remaining fully sealed and hygienic.

The project was developed over an eight-month period, beginning in June 2024 and completed in February 2025 at the Monte Porcelain Ayvalık Workshop. Every stage of production was carried out by hand, including molding, casting, glazing, and painting. Throughout the process, a fair production approach was maintained, with careful consideration for environmental responsibility and respect for nature. No living creatures were harmed at any stage.

Dishwasher safe, food safe, and designed for long-term daily use, the set demonstrates that handcrafted objects can be both poetic and practical. Recognized within international design contexts such as the A’ Design Award & Competition, this dinnerware collection repositions porcelain as an active participant in the dining ritual. It invites users to slow down, notice light and texture, and rediscover the quiet pleasure of thoughtfully designed everyday objects.

The post Handcrafted Porcelain Dinnerware Redefines Everyday Dining Through Craft, Light, and Ritual first appeared on Yanko Design.

Poco built its name on phones that punch above their price, and now it wants to do the same on your coffee table. With Poco Pad X1 and Poco Pad M1, the brand is not just throwing out a couple of cheap tablets. It is trying to turn its budget DNA into a fuller ecosystem that covers gaming, work, and everyday media.

You can feel that ambition in how these two models are drawn. The Poco Pad X1 is a slightly more compact, high refresh performance slate, tuned for games and quick multitasking on an 11.2-inch 3.2K display. The Poco Pad M1 steps up to a 12.1-inch 2.5K panel and the largest battery Poco has ever shipped in a global device, aiming to be the big screen that carries you through movies, sketching sessions, and long days away from a charger.

Designer: Poco

If you have been eyeing an affordable Android tablet for gaming, streaming, or light work, should you reach for the sharper, faster Poco Pad X1, or the larger, more relaxed Poco Pad M1? In this review, we will live with both, compare their strengths, and help you decide which one actually fits your desk, your bag, and your budget.

Aesthetics

Poco is not trying to reinvent tablet hardware with Poco Pad X1 or Poco Pad M1. Both follow a familiar rectangle with rounded corners, flat sides, and a camera module that sits quietly in one corner. On Poco Pad X1, the focus is clearly on framing its 11.2-inch display as efficiently as possible. Poco Pad M1 takes the same basic formula and scales it up with a 12.1-inch panel.

Color choices on the Pad X1 and the Pad M1 are simple. They both come in Grey and Blue. Grey leans more gunmetal and understated with a contrasting yellow accent around the camera module, while Blue reads a little more casual and friendly, but neither option is loud or experimental. Both tablets use a metal unibody design for the main shell, with separate parts for the camera island and buttons, and a big Poco logo stamped in the center for instant brand recognition. The Poco Pad X1 uses a square camera island, while the Poco Pad M1 switches to a softer oval, which gives each model a slightly different signature when you flip them over.

Taken together, the two tablets look exactly like what they are meant to be. They are straightforward, modern Android slabs that fade into the background and let their screens and specs do the talking. For budget-friendly hardware, that quiet, functional design approach feels like the right call.

Ergonomics

In the hand, the main ergonomic difference between Poco Pad X1 and Poco Pad M1 is simply size and weight, but neither is a true one-handed tablet for long stretches. The Poco Pad X1, with its 11.2-inch footprint and 500 g weight, is the more compact of the two. It is easier to manage on a sofa or in bed than the larger Poco Pad M1, but you will still want a second hand or some support if you are holding it for a long time. Even though the Poco Pad X1 is relatively slim and light for an aluminum unibody tablet with an 8,850 mAh battery, with dimensions of 251.22 x 173.42 x 6.18 mm, it does not quietly disappear in one hand the way a smaller 8 or 9-inch device might.

Poco Pad M1 stretches that template out to a 12.1-inch diagonal with dimensions of 279.8 x 181.65 x 7.5 mm and a weight of about 610 g, which puts it clearly into big tablet territory. It is still slim, but the larger footprint makes it even less suited to long one-handed use, especially if you are moving around. Instead, it feels more like a tablet you rest on a table, prop up with a cover, or pair with its official keyboard, where the extra screen real estate really pays off for split-screen apps, video, and drawing.

The accessory ecosystem around the Pad X1 and the Pad M1 makes them versatile, but in slightly different ways. Poco Pad M1 is compatible with the optional Poco Pad M1 Keyboard, Poco Smart Pen, and Poco Pad M1 Cover, a trio that turns it into a very capable small-screen workstation. The cover folds into a stand and adds a built-in holder for the pen, which makes it easy to move between bag, desk, and sofa without worrying about where the stylus went. The keyboard is lightweight and easy to carry, but the keys feel a bit plasticky in use, which slightly undercuts the otherwise solid metal body of the tablet.

Poco Pad X1 has its own dedicated set of accessories. It supports the Poco Pad X1 Floating Keyboard, the Poco Pad X1 Keyboard, the Poco Focus Pen, and the Poco Pad X1 Cover, which together give it a surprisingly flexible setup for both work and play. The cover folds like origami and doubles as a stand, letting you enjoy the tablet vertically or horizontally, and for horizontal use, you can choose between two different viewing heights.

The Floating Keyboard is the standout here. It adds some weight and only offers a modest tilt range, but the key feel is excellent for this class, and the trackpad is responsive and accurate enough that you quickly forget you are on a tablet accessory. Clipped together, the Poco Pad X1 and the Floating Keyboard behave much more like a compact laptop than a budget slate with an afterthought keyboard, which makes it far easier to treat this smaller tablet as a real writing and work machine when you need it.
 

Performance

Living with Poco Pad X1 and Poco Pad M1 quickly shows how differently they lean, even though they share a lot of DNA. The Poco Pad X1 is the sharper and faster option, with an 11.2-inch 3.2K display at 3,200 x 2,136 px, around 345 ppi, and refresh up to 144 Hz in supported apps. It can hit about 800 nits peak brightness, supports Dolby Vision and HDR10, and uses a 3:2 aspect ratio that feels very natural for reading, web browsing, and document work, helped by TÜV eye care, DC dimming, and adaptive colors to keep things comfortable.

The Poco Pad M1, on the other hand, trades a bit of sharpness and speed for sheer size and flexibility. Its 12.1-inch 2.5K panel runs at 2,560 x 1,600px with around 249 ppi and up to 120 Hz refresh, plus 500 nits typical and 600 nits in high brightness mode. You still get Dolby Vision, DC dimming, and TÜV certifications for low blue light, flicker-free behavior, and circadian friendliness, along with wet touch support that keeps it usable with damp fingers.

Both tablets use quad speakers with Dolby Atmos and Hi-Res support, so you get surprisingly full sound from either. Crucially, the Poco Pad M1 also adds a 3.5 mm headphone jack and a microSD slot for up to 2 TB of expandable storage, which makes it a much easier media hoarder and a better fit for wired headphones and speakers. The X1 relies on its internal storage and wireless audio instead, which suits its more performance-driven, travel-friendly role.

Performance and gaming clearly favor the Poco Pad X1. It uses the Snapdragon 7+ Gen 3 with 8 GB of RAM and up to 512 GB of storage, and combined with the 144 Hz panel, it feels like a handheld console that also happens to be good at multitasking and productivity. The Poco Pad M1 steps down to the Snapdragon 7s Gen 4 with 8 GB of RAM and 256 GB of storage, which is still more than enough for apps and casual gaming, but clearly tuned more for streaming, browsing, and note-taking than for chasing every last frame. In practice, the Poco Pad X1 is the one you reach for when you care about smooth, high refresh gameplay, while the Pad M1 is the one you leave on the coffee table for everyone to use.

Battery life follows the same logic. The Poco Pad X1 pairs its 8,850 mAh battery with 45 W turbo charging, which Poco says can go from zero to full in about 94 minutes, and my experience matches that claim in day-to-day use. The Poco Pad M1 leans into a 12,000 mAh pack, billed as the largest battery in a global Poco device, with up to 105.36 hours of music playback, around 83 days of standby, 33 W charging, and up to 27 W wired reverse charging so it can top up your other devices.

On the software side, both run Xiaomi HyperOS with Xiaomi Interconnectivity and Google’s AI hooks, so you get shared clipboard, call and network sync, Circle to Search, and Gemini support whichever size you choose. As for cameras, Poco Pad X1 pairs a 13 MP rear camera and an 8 MP front camera, while Poco Pad M1 sticks to 8 MP sensors on both sides. The results are perfectly fine for video calls, document scans, and the odd quick snap, but nothing special, which is exactly what you would expect from tablets at this price bracket.

Sustainability

Poco is not making a big environmental branding play with Poco Pad X1 and Poco Pad M1, but there are a few practical touches that matter if you plan to keep a tablet for several years. The most important one is long-term software support. Both Pad X1 and Pad M1 are slated to receive four years of security updates, which gives you a clearer runway for safe everyday use. For budget tablets, that commitment is still not guaranteed across the market, so it is good to see Poco spell it out.

 
That longer support window pairs well with the hardware choices. The aluminum unibody shells on both models feel sturdy enough to survive several upgrade cycles, and the generous storage options, plus microSD expansion on the Poco Pad M1, reduce the pressure to replace them early just to fit more apps or media. It is not a full sustainability story with recycled materials and carbon tracking, but if your definition of sustainable starts with buying something that will not feel obsolete or unsafe in two years, these tablets are at least pointed in the right direction.

Value

The Poco Pad X1 and Poco Pad M1 both land in the affordable bracket, but they scale very differently once you add accessories. The Poco Pad X1 with 8 GB of RAM and 512 GB of storage is $399 USD, which feels fair for the Snapdragon 7+ Gen 3 and high-end 3.2K 144 hertz display. Its accessories are priced like mini laptop gear, with the Floating Keyboard at $199 USD, the X1 Keyboard at $129 USD, the X1 Cover at $49 USD, and the Poco Focus Pen at $99 USD. A fully loaded X1 setup quickly pushes past $600 USD, but in return, you get a compact tablet that can genuinely stand in for a small laptop and drawing pad.

The Poco Pad M1 starts cheaper at $329 USD for 8 GB and 256 GB, and its add-ons stay firmly in value territory. The M1 Keyboard is $99 USD, the M1 Cover is $29 USD, and the Poco Smart Pen is $69 USD, so even a complete kit undercuts an equivalently kitted X1 by a healthy margin. Factor in the microSD slot and 3.5 millimeter headphone jack, and M1 clearly aims to be the better deal for big screen media, note-taking, and family use, while X1 makes more sense if you are willing to pay extra for performance, storage, and that excellent Floating Keyboard experience.

Verdict

The Poco Pad X1 and Poco Pad M1 end up serving two somewhat different roles. If you prioritize performance, the Poco Pad X1 is the clear choice. The Snapdragon 7+ Gen 3, 3.2K 144 Hz display, 512 GB storage, and excellent Floating Keyboard make it feel like a serious little work and gaming machine, even if the full setup gets expensive and you give up the headphone jack and SD slot. If you care more about big-screen comfort and value, the Poco Pad M1 quietly wins. The 12.1-inch 2.5K screen, quad speakers, 3.5 mm jack, microSD expansion, huge battery, and cheaper accessories make it a better fit for big-screen media and everyday productivity.

Whichever way you lean, you are getting more tablet than the price suggests. For context, Apple’s base iPad costs $449 with only 64 GB of storage and a 60 Hz screen. The iPad still has a faster processor and a tighter app ecosystem, but Poco gives you bigger batteries, sharper displays, and a lot more storage for less money. Pick the Poco Pad X1 if you want compact power and a great keyboard experience. Pick the Poco Pad M1 if you want maximum screen, battery, and flexibility for the money. Either way, you end up with a tablet that feels more considered than most of what you will find at this price.

The post Poco Pad X1 & Poco Pad M1 Review: Budget Tablets That Challenge the iPad first appeared on Yanko Design.